Timothy "Tim" William Burton (born August 25, 1958) is
an Academy Award-nominated American
film director, writer and designer notable for the quirky and gothic atmosphere of his films.
Early life
Burton was born in Burbank, California, the first of two sons to Bill Burton and
Jean Erickson. His year of birth is sometimes mistakenly given as 1960, most notably in his own books, The Melancholy Death of
Oyster Boy and the picture book of The Nightmare Before Christmas. Burton described his childhood self as quirky,
self-absorbed and highly imaginative. As a child growing up in Burbank, he staged an axe murder with his brother to scare the
neighbors, prompting them to call the police. He repeated the prank again with similar results. He found home life and school
difficult, often escaping the reality of everyday life by watching horror and low budget films, to which he would later pay
tribute in his biography of Edward D. Wood,
Jr.. Another film figure of importance in Burton's childhood is Vincent Price,
whose filmography would deeply influence the upcoming director's career. He was inspired early on by Ray Harryhausen's stop-motion films.
After high school, he won a Disney scholarship to attend the California
Institute of the Arts in Valencia, California. He studied
animation for three years. Burton's first job in animation was working as a cel painter on
Ralph Bakshi's The Lord of the
Rings.[1][2] Burton was then hired by the Walt Disney Studios as an animator apprentice. Burton's job was to draw for
The Fox and the Hound, but he was dissatisfied with the artistic
direction of the movie. He later commented on the refusal of Disney to use his design for The Fox and the Hound because
his designs made the characters, in opposition to Disney's desires, "look like roadkill." Burton was not happy during his Disney
period, but it was during this period that he wrote and drew the poem and illustrations that would be the basis for his
celebrated The Nightmare Before Christmas.
Early career
In 1982, Burton made his first short, Vincent, a six-minute stop-motion film about a young boy who fantasizes that he is his (and Burton's) screen idol Vincent Price, with Price himself providing narration. This was followed by the live-action short
Frankenweenie, starring Barret Oliver,
Daniel Stern and Shelley Duvall (an early supporter
of Burton's work). Shot in black and white and inspired by James Whale's Frankenstein, Frankenweenie features a boy who reanimates his dog
Sparky who was hit by a car. Although the film won praise at film festivals, Disney was concerned that the film was too scary for
children and, not knowing what to do with it, shelved the film. (Frankenweenie later received a video release in
1992).
Although Burton's work had yet to see wide release, he began to attract the attention of the film industry. Actor/producer
Griffin Dunne, approached Burton to direct After
Hours (1985), a comedy about a bored word processor who survives a crazy night in SoHo
that had already been passed over by Martin Scorsese. However, when financing for
The Last Temptation of Christ fell through, Burton bowed out
of the project out of respect for Scorsese.
Not long after, actor Paul Reubens saw Frankenweenie and chose Burton to direct
the cinematic spinoff of his popular character Pee-wee Herman, who had gained popularity
with a successful stage show at the Roxy, which had been turned into an HBO special. The film, Pee-Wee's Big Adventure (1985), was made on a budget of $7 million and grossed more than $40
million at the box office. Burton, a fan of the eccentric musical group Oingo Boingo, asked
vocalist/songwriter Danny Elfman to provide the music for the film. Since then, Elfman has
provided the score for all but two Burton films, Ed Wood and Sweeney Todd.
After directing episodes for the revitalized TV series Alfred Hitchcock
Presents and Shelley Duvall's Faerie
Tale Theatre, Burton received his next big project. Beetlejuice (1988), a
supernatural comedy about a young couple forced to cope with life after death, as well as a family of pretentious yuppies
invading their treasured New England home. Starring Alec Baldwin and Geena Davis, and featuring Michael Keaton as the famously repulsive
demon Betelgeuse, the film grossed about $80 million on a relatively low budget. The film also snagged a Best Makeup Design
Oscar.
Batman
-
Burton's ability to produce hits with low budgets impressed studio executives and he received his first big budget film
Batman (1989). The mega-budget production, based in London, was plagued with problems. Burton repeatedly clashed with the
film's producers, Jon Peters and Peter Guber, but the
most notable debacle involved casting. Burton wanted to cast Michael Keaton from his
previous role as Beetlejuice, despite Keaton's average physique, inexperience with action
films, and reputation as a comic actor. Although Burton won out in the end, the furor over the casting provoked enormous fan
animosity, to the extent that Warner Brothers' share price slumped. Burton had considered it ridiculous to cast a bulked-up
he-man as Batman, insisting that the Caped Crusader should be an ordinary (albeit fabulously wealthy) man who dressed up in an
elaborate bat costume to frighten criminals. Burton cast Jack Nicholson as the
Joker (Tim Curry being his second choice) in a move
that helped assuage fans' fears, as well as attracting older audiences not as interested in a superhero film. When the film
opened in June 1989, it was backed by the biggest marketing
and merchandising campaign in film history at the time, and became one of the biggest box office hits of all time, grossing well
over $400 million worldwide and $250 million in the U.S. alone (numbers not
adjusted for inflation). The film proved to be a huge influence on future superhero films, which eschewed the bright,
all-American heroism of Superman for a grimmer look and characters with more psychological
depth. The stylized gothic look of Gotham City ended up being adopted as the look of the city in the comic books.
The 1990s
Edward Scissorhands
-
In 1990, Burton co-wrote (with Caroline Thompson) and
directed Edward Scissorhands, re-uniting with Winona Ryder from the "Beetlejuice"
days. Johnny Depp, a teen idol at the end of the 1980s due primarily to his work on the hit
TV series 21 Jump Street, was cast in the title role of Edward, who was the
creation of an eccentric and old fashioned inventor (played by Vincent Price, in his last
appearance on screen before his death). Edward looked human, but was left with scissors in the place of hands due to the untimely
death of his creator. Set in suburbia (the film was shot in Florida), the film is largely seen as Burton's autobiography of his
own childhood in the suburb of Burbank. Price at one point is said to have remarked, "Tim is Edward." Johnny Depp wrote a similar
comment in the foreword to Mark Salisbury's book, Burton on Burton, regarding his first meeting with Burton over the
casting of the film. Edward is considered Burton's best movie by many fans and critics. Following this collaboration with
Burton, Depp went on to star in Ed Wood, Sleepy Hollow, Charlie and the Chocolate Factory, and as a voice
actor in Corpse Bride. Depp is also starring in Burton's adaptation of Sweeney Todd, to be released in December
2007.
Batman Returns
-
Although Warner Brothers had declined to make the more personal Scissorhands even after the success of Batman,
Burton finally agreed to direct the sequel for Warner Brothers on the condition that he would be granted total control. The
result was Batman Returns which featured Michael Keaton returning as the Dark
Knight, and a new triad of villains: Danny DeVito (as the Penguin), Michelle Pfeiffer (as Catwoman), and Christopher Walken. Darker and considerably more
personal than its predecessor, concerns were raised that the film was too scary for children. Audiences were even more
uncomfortable at the film's overt sexuality, personified by the sleek, fetish-inspired styling of Catwoman's costume. One critic
remarked, "too many villains spoiled the Batman," highlighting Burton's decision to focus the storyline more on the villains
instead of Batman. The film also polarized the fanbase, with some loving the darkness and quirkiness. Tim Burton made many
changes to the Penguin which would be applied to the Penguin in both comics and television. While in the comics, he was an
ordinary man, Burton created a freak of nature resembling a penguin with webbed, flipper-like fingers and a hooked, beak-like
nose. Batman Returns grossed $160 million in the USA (number not adjusted for
inflation) which, while a big success, was much less than expected.
Burton then went on to do preliminary work on the third installment in the franchise.
Val Kilmer was cast as the title character (after Michael Keaton turned down the offer to
reprise his previous role after Burton's departure from the project), Chris O'Donnell
was cast as Robin, Jim Carrey was cast as
the Riddler (after Robin Williams turned down the part),
Tommy Lee Jones was cast as Two-Face, and
Nicole Kidman was cast as love interest Dr. Chase Meridian. Warner Brothers ultimately
threw out Burton after they realized the tone of the film was to be similar to Batman Returns.[citation needed] Burton left the Batman franchise
(but returned as a producer for the Joel Schumacher–directed Batman Forever (1995), a movie which he said had a title "like a tattoo you get when you're on
drugs").
The Nightmare Before Christmas
-
Next, Burton wrote and produced (but did not direct, due to schedule constraints on Batman Returns) The Nightmare
Before Christmas (1993), originally meant to be a children's book in rhyme. The film was directed by Henry Selick and written by Michael McDowell and
Caroline Thompson, based on Burton's original story, world and characters. The film continues to have a wide cult following.
Burton collaborated with Selick again for James and the Giant
Peach (1996), which Burton co-produced. The movie helped to generate a renewed interest in stop-motion animation.
A combination of a child-like fantasy tale turned gothic and musical numbers composed by Danny Elfman, Nightmare Before
Christmas went on to become a cult movie, with a large selection of merchandising.
A deleted scene from The Nightmare Before Christmas features a group of vampires playing hockey on the frozen pond with
the decapitated head of producer Tim Burton. The head was later replaced with a jack-o-lantern.
Ed Wood
-
His next film, Ed Wood (1994), was of a much smaller scale, depicting the life of Ed Wood Jr, a filmmaker sometimes called "the worst director of all time." Starring Johnny Depp in the title role, the film is a homage to the low-budget sci-fi and horror films of Burton's
childhood, and handles its comical protagonist and his motley band of collaborators with surprising fondness and sensitivity. Due
to creative squabbles during the making of The Nightmare Before
Christmas, Danny Elfman declined to score Ed Wood, and the assignment
went to Howard Shore. While a commercial failure at the time of its release, Ed Wood
was well received by critics and has since gathered a considerable fanbase, as well as helped revive the public interest for the
films of Ed Wood Jr.
Mars Attacks!
-
Elfman and Burton reunited for Mars Attacks! (1996). Based on a popular science fiction trading card series, the film
was a hybrid of 1950s' sci-fi flicks and 1970s' all-star disaster flicks -- an anarchic cacophony of clever satire and goofy
mayhem. Coincidence made it an inadvertent spoof of the blockbuster, Independence
Day, made around the same time and released five months earlier. Although the film boasted an all-star cast, including
Jack Nicholson, Pierce Brosnan, Michael J. Fox, Sarah Jessica Parker and Rod Steiger, among others, the film was panned by American critics and mostly ignored by domestic audiences.
It was however more successful abroad, and later managed to gather a domestic fan base from its television airings and DVD
release.[citation needed]
Sleepy Hollow
-
Sleepy Hollow released in the autumn of 1999, was a return to vintage Burton, with a supernatural setting, unique sets
and another offbeat performance by Johnny Depp as Ichabod
Crane, now a detective with an interest in forensic science rather than the schoolteacher of Washington Irving's original tale. An enthusiastic fan of the old horror movies from English company
Hammer Film Productions, Burton paid homage to them with Hollow. A host
of Burton regulars appeared in supporting roles (Michael Gough, Ian McDiarmid, Jeffrey Jones and Christopher Walken, among others) and Christina Ricci was
cast as Katrina van Tassel. Mostly well-received by critics, and with a special mention to Elfman's Gothic score, the film won an
Academy Award for Best Art Direction, as well as two BAFTAs for Best Costume Design and Best Production Design. A box office
success, Sleepy Hollow was also a turning point for Burton. Along with change in his personal life (separation from Lisa
Marie), Burton changed radically in style for his next project, leaving the haunted forests and colorful outcasts behind to go on
to directing Planet of the Apes which, as Burton had repeatedly
noted, was "not a remake" of the earlier film.
Tim Burton's Lost In Oz
-
Conceived as an original television series based on the immortal works of L. Frank Baum, "Tim Burton's Lost In Oz" was never
aired. Though a pilot script was written by Trey Callaway with direct input from Burton as an executive producer and a number of
key scenes were filmed by veteran television producer/director Michael Katleman, budgetary constraints ultimately prevented the
project from being fully realized.
The Melancholy Death of Oyster Boy: and Other Stories
-
His book The Melancholy Death of Oyster Boy: and Other Stories was published in 1996. The collection of verse is about
misfit children such as Oyster Boy, Match Girl, Stainboy, the Girl Who Turned into a Bed, and other such
outcasts. The book was published by the publishing company Faber and Faber, which also published the original artwork of
Sleepy Hollow in 1999.
The 2000s
Planet of the Apes
Planet of the Apes was a commercial success, grossing $68
million in its opening weekend. It was however panned by critics and widely considered inferior to the first adaptation of
the book . The main criticism was that the movie went for a more watered down
"popcorn" feel than the dark, cerebral and nihilistic tone of the 1968 film. The film was a significant departure from Burton's
usual style, and there was much subsequent debate about whether the film was really Burton's, or if he was just a "hired gun" who
did what he was asked.[3] Burton reportedly clashed with
the studio during the whole making of the film, once going as far as abruptly leaving the set for the day. There were also many
reports about last minute changes in the movie. Despite the commercial success of the movie and an ending that clearly suggested
the possibility of a sequel, apparently there are no intentions from the studio or Burton to make another Apes movie.
Recent Years
Burton went on to direct Big Fish (2003) which received four Golden Globe nominations, Charlie and
the Chocolate Factory (2005) and Corpse Bride (2005), for which he
received an Academy Award nomination for Best Animated Feature Film. Charlie and Bride were Burton's most
critically-praised movies in years. Charlie was a huge box office success that made over $207 million domestically
alone.
Future projects
On June 13, 2006, Burton announced that he would be postponing his work on Believe It or
Not to concentrate on the film
adaptation of Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet
Street. Burton's regular, Johnny Depp, has been signed on to play the murderous
barber. On June 19th, 2007 Burton announced that he was withdrawing from the Believe It or Not film.[citation needed]
On February 5, 2007, Burton started principal production on Sweeney Todd, from a screenplay by John Logan. The film stars Depp as Sweeney Todd, Helena Bonham
Carter as Mrs. Lovett, Alan Rickman as Judge Turpin, and Sacha Baron Cohen as Adolfo Pirelli. Timothy Spall also plays
Beadle Bamford.(UTC)The Dreamworks/Warner Bros. production will be released in December 2007.
In a February 2006 interview, Burton debunked rumors of Beetlejuice 2, Edward Scissorhands 2, and The
Nightmare Before Christmas 2. In that same interview, he also expressed interest in an Edgar Allan Poe film in the near future. [4] However, this biographical film is set to be directed by
Michael Sporn and animated and is set for a release in 2008. The film will be entitled Poe.
Alice in Her Wonderland is another plan for Burton around 2009. Another
stop-motion is a possibility.
Personal life
In 1989, Burton married German artist Lena Gieseke. They divorced shortly after the filming of
Batman Returns. Burton was engaged to Lisa
Marie from 1992-2001. Currently, he is engaged to
Helena Bonham Carter (since 2001). They have a son, Billy-Ray Burton, born in
October 2003, whose godfather is Burton's friend Johnny Depp. In August 2007, they announced
that they will be having another baby due in December of the same year. Bonham Carter has appeared in all of Burton's films since
2001. Contrary to what some believe, the couple do not live in separate homes in London connected by a tunnel. When Bonham Carter
was questioned on Friday Night with Jonathan Ross about the
reports, she revealed they live in two houses connected by a hallway and that she does use a separate bedroom, as Burton is prone
to snoring.
Bonham Carter has been quoted as saying that the reason for Burton's unique vision and style of directing was because she
believed him to have Asperger Syndrome, a mild form of autism. She said that it helped
to inspire his creative fuel, and was in no way a hindrance, but in fact was a great asset.[5]
Burton reportedly remains estranged from his brother Daniel. His father, Bill, a former minor league baseball player, died in
October 2000 and his Mother, Jean, passed away in March 2002 (Salisbury 2006).
Trademarks
- Worked into the designs of many things seen on screen are elegant curls. The ends of lines often taper off into thin spirals
at the ends. The most famous of these curls is the hill in The Nightmare Before Christmas.
- Frequently uses the name "Edward". Examples include Edward Scissorhands,
Ed Wood, and Ed Bloom (Ewan McGregor
and Albert Finney) in Big Fish,
- Distinctive skeleton motif seems to show influences from artist Edward Burra (http://www.tate.org.uk/collection/N/N05/N05005_9.jpg).
- Frequently works with actor Johnny Depp. The two collaborated in the films
Edward Scissorhands, Ed Wood,
Sleepy Hollow, Charlie and the Chocolate Factory, Corpse
Bride, and the upcoming Sweeney
Todd. Burton wanted to cast Depp in his movie Mars Attacks! (in the role
that eventually went to Michael J Fox).
- Frequently shows dead dogs, clowns, falling snow, black and white checkered floors, twisted trees, jack-o'-lanterns,
scarecrows, striped snakes, butterflies, and redheads in his films.
- Several films, such as Batman Returns, The Nightmare Before Christmas, Corpse
Bride and Edward Scissorhands are set at Christmas or during
winter and feature the giving of presents.
- When presenting the film "House of Wax" with Vincent Price, he said his favorite scene was watching the wax figures melt and
their eyeballs fall out in such a manner. He got to express that excitement when he directed Charlie and the Chocolate Factory. He also got to work with Vincent Price by
casting him in Edward Scissorhands.
- His films frequently have dinner table scenes. See Beetlejuice,
Batman, Edward
Scissorhands, and Charlie and the Chocolate
Factory.
- His films often have gothic subtexts. See
Beetlejuice, Batman,
Batman Returns, Edward
Scissorhands, Sleepy Hollow, The Nightmare Before Christmas, and Corpse
Bride.
- Personalizes the production logo in the beginning of his films.
- Opening credits usually utilize a tracking shot. They also tend to go either on,
through, or into something.
- His long standing collaboration with Danny Elfman, who scored all his films since
Pee-wee's Big Adventure, except Ed
Wood, which featured the noted composer Howard Shore and Tim's new film
Sweeney Todd, based on a musical with already existing music and lyrics by renowned
Broadway composer Stephen Sondheim. See also List of noted film producer and composer
collaborations.
- His main characters tend to be outsiders, and are usually shy, with a pale complexion and unruly black hair, similar to his
own.
- A caricature of Burton appeared on the Plucky Duck Show episode "Return of
Batduck". In the episode, the titular character hunts down Burton and attempts to score a role in Batman Returns. Burton did not provide his voice for the episode; Maurice LaMarche (who, incidentally, provided the voice-over for Vincent D'Onofrio's portrayal of Orson Welles in
Ed Wood) took the role.
- Many of his characters are given a back story regarding their relationships with their fathers, often as a means of
explaining erratic behavior. Sleepy Hollow, Big Fish, Charlie and the Chocolate
Factory, and Edward Scissorhands are some prominent examples.
Ironically, he has received some criticism for not delving enough into Bruce Wayne's
origins regarding his parents in Batman (1989 film).
- Many of his stop-motion film main characters have long legs and small feet
Filmography
Director filmography
Animator filmography
Producer filmography
Cameos and other film work
Television work
Music videos
References
- Burton, Tim and Fraga, Kristian (2005) Tim Burton : interviews University Press of Mississippi, Jackson, MS, ISBN
1-57806-758-8 ;
- Hanke, Ken (1999) Tim Burton: an unauthorized biography of the filmmaker Renaissance Books, Los Angeles, ISBN
1-58063-046-4 ;
- Lynette, Rachel (2006) Tim Burton, filmmaker KidHaven Press, San Diego, CA, ISBN 0-7377-3556-2 ;
- Maio, Kathi (May 1994) "Sick puppy auteur?" The Magazine of Fantasy and Science Fiction 86(5): pp. 121-126;
- McMahan, Alison (2005) The films of Tim Burton: animating live action in contemporary Hollywood Continuum, New York,
ISBN 0-8264-1566-0 ;
- Merschmann, Helmut (2000) Tim Burton: The Life and Films of a Visionary Director (translated by Michael Kane) Titan
Books, London, ISBN 1-84023-208-0 ;
- Page, Edwin (2006) Gothic fantasy: the films of Tim Burton Marion Boyars Publishers, London, ISBN
0-7145-3132-4 ;
- Salisbury, Mark (2006) "Burton on Burton" Revised Edition. Faber and Faber, London, ISBN 0-571-22926-3 ;
- Smith, Jim and Matthews, J. Clive (2002) Tim Burton Virgin, London, ISBN 0-7535-0682-3 ;
- Woods, Paul A, (2002) Tim Burton : a child's garden of nightmares Plexus, London, ISBN 0-85965-310-2 ;
External links
| Persondata |
| NAME |
Burton, Tim |
| ALTERNATIVE NAMES |
Burton, Timothy William |
| SHORT DESCRIPTION |
Film Director, Producer, Writer, Conceptual artist |
| DATE OF BIRTH |
August 25, 1958 |
| PLACE OF BIRTH |
Burbank, California, U.S.A. |
| DATE OF DEATH |
|
| PLACE OF DEATH |
|
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