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German Literature Companion:

Julius Waldemar Grosse

Grosse, Julius Waldemar (Erfurt, 1828-1902, Torbole, Lake Garda), studied painting in Munich and then turned to poetry, becoming one of the poets of the Munich School (see Münchner Dichterkreis). From 1855 to 1867 he was a literary journalist, chiefly in Munich, but was in Leipzig for a short time in 1861. In 1870 he became secretary of the German Schiller Foundation (Schillerstiftung) in Weimar. Grosse was a prolific author of poems, both lyrical and epic, verse plays, and stories and novels. In the Munich manner he laid stress in poetry on formal beauty and elegance. His first work was the tragedy Cola di Rienzi (1851), and among his numerous other plays only the tragedy Tiberius (1876) deserves mention. His poetry appeared in 2 vols., both entitled Gedichte (1857 and 1882). His principal epics were Gundel vom Königssee (1864), Der Wasunger Not (1872), and Das Volkramslied (1889). His prose fiction included Novellen (3 vols., 1862-4) and the novels Der getreue Eckart (2 vols., 1885), Das Bürgerweib von Weimar (2 vols., 1887), and Der Spion (2 vols., 1887). His autobiography, Ursachen und Wirkungen, appeared in 1896.

 
 
Wikipedia: Julius Waldemar Grosse

Julius Waldemar Grosse (April 25, 1828 - May 9, 1902), German poet, the son of a military chaplain, was born at Erfurt.

Biography

He received his early education at the gymnasium in Magdeburg, and on leaving school and showing disinclination for the ministry, entered an architect's office. But his mind was bent upon literature, and in 1849 he entered the university of Halle, where, although inscribed as a student of law, he devoted himself almost exclusively to letters. His first poetical essay was with the tragedy Cola di Rienzi (1851), followed in the same year by a comedy, Eine Nachtpartie Shakespeares, which was at once produced on the stage.

The success of these first two pieces encouraged him to follow literature as a profession, and proceeding in 1852 to Munich, he joined the circle of young poets of whom Paul Heyse and Hermann Lingg (1820-1905) were the chief. For six years (1855-1861) he was dramatic critic of the Neue Münchener Zeitung, and was then for a while on the staff of the Leipziger Illustrierte Zeitung, but in 1862 he returned to Munich as editor of the Bayrische Zeitung, a post he retained until the paper ceased to exist in 1867.

In 1869 Grosse was appointed secretary of the Schiller-Stiftung, and lived for the next few years alternately in Weimar, Dresden and Munich, until, in 1890, he took up his permanent residence in Weimar. He was made Grand-ducal Hofrat and had the title of professor. He died at Torbole on the Lago di Garda on the 9th of May 1902.

Grosse was a most prolific writer of novels, dramas and poems. As a lyric poet, especially in Gedichte (1857) and Aus bewegten Tagen, a volume of poems (1869), he showed himself more to advantage than in his novels, of which latter, however, Untreu aus Mitleid (2 vols, 1868); Vox populi, vox dei (1869); Maria Mancini (1871); Neue Erzahlungen (1875); Sophie Monnier (1876), and Ein Frauenlos (1888) are remarkable for a certain elegance of style. His tragedies, Die Ynglinger (1858); Tiberius (180); Johann von Schwaben; and the comedy Die steinerne Braut, had considerable success on the stage.

Grosse's Gesammelte dramatische Werke appeared in 7 vols in Leipzig (1870), while his Erzahlende Dichtungen were published at Berlin (6 vols, 1871-1873). See also his autobiography, Literarische Ursachen und Wirkungen (1896); R Prutz, Die Literatur der Gegenwart (1859); J Eth, J. Grosse all epischer Dichter (1872).


This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.


 
 

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