Results for Ashley MacIsaac
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Artist:

Ashley MacIsaac

Born:
Feb 24, 1975 in Criegnish, Cape Breton, Nova Scotia, Canada

Representative Songs:

"Sleepy Maggie," "Rusty D-Con-Struck-Tion (Tatter Jack Walsh/O'Reilly's/Sailor's Wife)," "King George IV/King George V/The Old King's Reel/The King's ..."

Representative Albums:

Hi How Are You Today?, Fine Thank You Very Much, Close to the Floor

Similar Artists:

Performed Songs By:

Followers:

  • Genre: Celtic
  • Active: '90s, 2000s
  • Instruments: Vocals, Fiddle

Biography

Ashley MacIsaac is, in a sense, the musical representative of the pre-millennial generation of Atlantic Canada. An ardent traditionalist (and cousin of international Celtic performer Natalie MacMaster) with a penchant, nevertheless, for experimentation, this young Nova Scotian native has been taught to play the fiddle the working-class, pub-stomp Cape Breton way: fast, furious, and with phenomenal precision. Alternately considered a rebel, taking the old fiddling conventions in newfangled directions they were never meant to go, or a champion, reforging and re-creating Celtic music with an updated, mass-appeal quality, MacIsaac has unarguably put his own spin on the sounds he was brought up with. This headstrong approach has led to MacIsaac working with an impressive array of talent: David Byrne, the Chieftains, Mary Jane Lamond, and others.

Already considered something of a local legend and prodigy by the time of his impressive 1992 debut, Close to the Floor, MacIsaac was not really introduced to Canadian audiences at large until he released the genre-bending Hi How Are You Today? in 1995. Along with nationwide radio play for the first single, Sleepy Maggie, featuring the dreamlike Gaelic vocals of Mary Jane Lamond, and a regular slot on Canadian video channel MuchMusic, MacIsaac was soon recognized coast-to-coast as something of a minor national icon. His ability to cross the boundaries of folk, punk, garage rock, and metal, all bound together by his astonishing fiddle-playing, branded him as an eccentric, an upstart, and in many cases, a pioneer. Additionally, his refusal to conform to a quick and easy "studio image" earned him a solid fan base.

In 1998, MacIsaac released his follow-up to Hi How Are You Today?, a more traditional return to form entitled Fine Thank You Very Much. In 1999, he again pushed the boundaries of stylistic conformity with the electronic and ambient-tinged Helter's Celtic. Following a departure from A&M later that year, the fiddler recorded the independently released Fiddle Music 101, an album of traditional instrumentals made with Halifax guitarist Dave MacIsaac, and he re-released his 1993 album, A Cape Breton Christmas. A move to Decca Records eventually produced 2003's accurately titled Ashley MacIsaac. "Special Edition" versions of Fiddle Music 101, A Cape Breton Christmas, Live at the Savoy, Hi How Are You Today?, and Close to the Floor arrived in 2005, followed by Pride in 2006. ~ Neufeld, All Music Guide
 
 
Wikipedia: Ashley MacIsaac
Ashley MacIsaac
Birth name Ashley Dwayne MacIsaac
Born February 24 1975 (1975--) (age 32)
Origin Creignish, Nova Scotia
Genre(s) Celtic fusion, folk, rock
Occupation(s) Fiddler
Singer/songwriter
Instrument(s) Fiddle
Vocals
Years active 1992
Label(s) A&M, RCA, Decca, Linus Entertainment
Website ashley-macisaac.com

Ashley Dwayne MacIsaac (born February 24, 1975) is a professional fiddler born in Creignish, Nova Scotia, Canada.

While MacIsaac's fiddle-playing is entirely traditional, he often sets it in contemporary rock songs with hip hop and dance elements. He has, however, also released several albums of more traditional folk music.

His greatest mainstream success in Canada was his 1995 album Hi™ How Are You Today?, featuring the hit single "Sleepy Maggie," with vocals in Gaelic by Mary Jane Lamond.

Controversy

MacIsaac has been a highly controversial figure, who has often used shock tactics to gain attention. In 1999, he told a journalist for The New Yorker that his goal was to become "weirder than Michael Jackson". [1]

He elicited a considerable amount of controversy in 1996, after being interviewed by Maclean's for their best of the year section. He told the Maclean's interviewer that he had previously discussed his sexual life, including his significantly younger boyfriend and his enjoyment of kinky sex acts including watersports, in an interview with the LGBT newsmagazine The Advocate. For its part, The Advocate did not print any of the controversial assertions, but Maclean's nonetheless dropped him from its year-end honours list and instead wrote a disparaging article on him, considered by many to be homophobic on their part.[1]

Also the same year, MacIsaac toured the United States as an opening act for The Chieftains. Another opener, folk singer Nanci Griffith, dropped out of the tour. While it was widely reported in the media that Griffith objected to MacIsaac's musical style, Griffith indicated in a 1998 interview with Rolling Stone that her primary conflict was not with MacIsaac himself, but with the tour organizers over how much time was actually available for her to perform after MacIsaac was added to the bill.[2]

In 1997, MacIsaac appeared on Late Night with Conan O'Brien, in a controversial performance during which one of his kick steps lifted his kilt high enough that his genitals were clearly visible to both the studio audience and the television cameras. MacIsaac stated that this was unintentional.[3]

In 1998, he reportedly gave a lewd performance, which is how the press portrayed the event, for including the "F" word once while he rapped a hip hop track-which included hip hop gestures, at an all-ages venue in Fort Erie. Shortly thereafter, MacIsaac fought successfully to be independent of his record label and was dropped from Universal Music.[4]

He subsequently signed with the independent label Loggerhead Records for his 1999 album Helter's Celtic. During the promotional tour for that album, he indicated to the press that he had previously battled an addiction to crack cocaine.[5]

On December 31, 1999, MacIsaac again gave a controversial performance at a show in Halifax, in which his entire performance consisted of a 20-minute rant containing numerous expletives and, allegedly, several racist statements, which turned out to be actually verbal irony. A few days later, MacIsaac got into a media spat with Loggerhead after the label sent out a press release distancing itself from his actions.[6]

Later in 2000, MacIsaac left a stage in Chatham, Ontario, after a patron approached him with a beer bottle, ready to throw it at the performer. Also the same year, MacIsaac told the Halifax Chronicle-Herald that he was on the verge of declaring bankruptcy, retracted the statement within a few days, and then actually filed for bankruptcy several months later.[6]

In 2003, MacIsaac was again alleged to have made racist statements on stage, at a show where he reportedly accused an Asian woman in the audience of spreading SARS. He subsequently stated that the comment was intended as an ironic of racism, and sued the Ottawa Citizen for misrepresenting the statement as racist when in fact he was speaking out against racial profiling happening in Canada at the time.[7]

New directions

In 2005, MacIsaac pursued a new direction, after signing on with Linus Entertainment (home to Gordon Lightfoot and Ron Sexsmith) forming a rock band with himself on lead vocals and guitar. He has declared an interest in politics and has stated, in a letter to the National Post, that he is studying constitutional law so as to pursue an entry into Canadian federal politics.

In the March 20, 2006, edition of the Halifax Daily News, MacIsaac declared himself a candidate for the leadership of the Liberal Party of Canada. Some Canadian journalists, including Mike Duffy, characterized MacIsaac's campaign as a publicity stunt to promote his new CD Pride which was released just a day after declaring himself a candidate.[citation needed] MacIsaac told the Canadian Press that he fully intended to mount a serious campaign, but on June 21, 2006, MacIsaac decided to no longer take part in the leadership race. However, he has not ruled out future attempts. His stated reasons for withdrawing from the race were a lack of French language skills, and his concern for other leading candidates' intentions on foreign policy.[citation needed]

In a comment to national press, another fiddler turned politician, Rodney MacDonald, Premier of Nova Scotia, praised MacIsaac by stating it would be a nice thing to see him in federal politics. Both MacIsaac and MacDonald played in a group together in the late eighties called The Next Generation and have been friends for many years, starting out as the only two well known young male step dancers from Cape Breton. MacDonald, however, is a Conservative while MacIsaac is a "life-long" Liberal.

Marriage

On February 17, 2007, MacIsaac was scheduled to perform in a showcase of Cape Breton talent at the Imperial Room of the Lord Nelson Hotel, in Halifax, NS. Rumours spread amongst the people of a potential wedding. At the end of his set, MacIsaac, dressed in a black tailored suit with a pink tie and hankerchief, announced to those attending the sold-out gala that the rumours were true and that they would all be present to his marriage to his boyfriend, Andrew Stokes. The two were married at approximately 12:45am on February 18, 2007. The newly married couple played a jig together following a toast from long-time friend, Stuart Cameron, and a warm reception from those in attendance.

Filmography

Discography

  • Close to the Floor (1992)
  • A Cape Breton Christmas (credited to Ashley MacIsaac and Friends, 1993)
  • Hi™ How Are You Today? (1995)
  • Fine®, Thank You Very Much (1996)
  • Helter's Celtic (1999)
  • capebretonfiddlemusicNOTCALM (with Howie MacDonald, 2001)
  • Ashley MacIsaac (2003)
  • Live at the Savoy (2004)
  • Fiddle Music 101 (with Dave MacIsaac, 2005)
  • Pride (2006)

MacIsaac has also published an autobiography, Fiddling with Disaster in 2003.

Trivia

  • Ashley's sister, Lisa is also a touring fiddler and appears on his album Helter's Celtic. His cousins Alexis MacIsaac, Wendy MacIsaac and Natalie MacMaster are also touring fiddlers.
  • In the manga series Bleach, the author Tite Kubo gives main characters theme songs based on their personality, and MacIsaac's "Wingstock" is the theme of character Rukia Kuchiki.
  • Ashley MacIsaac is a distant cousin of The White Stripes guitarist and lead vocalist Jack White. The two met and MacIsaac opened for The White Stripes concert in Glace Bay.[8]

Notes

External links


 
 

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Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Ashley MacIsaac" Read more

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