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Cézanne declared he was looking for geometrical shapes in nature.

Georges Braque exaggerated these shapes in landscape paintings.

When Braque and Picasso got together in 1908, they broke up the subject in small fragments. They then put the fragments together again as if simultaneously seen from different angles.

Picasso said this was a way for painting (2-dimensional) to Add something of a sculptural view (3-dimensional).

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