Roman architecture was primarily a Roman development. They Romans effected what historians call the Roman architectural revolution (see below). They adopted the three Greek orders (styles) for building columns (Dorian, Ionian and Corinthian) and modelled their temples of those of the Greeks. They also developed the composite order (which mixed elements of two orders) and developed a new type of temple which was circular and had a dome.
In art, the biggest influence was Greek art, particularly Geek sculpture. With the change from republic to rule by emperors, Roman sculpture changed from being realistic bust to making idealised full body statues modelled of Greek sculpture of the Hellenistic period.
The Roman architectural revolution or concrete revolution, involved the extensive use of concrete, the barrel (simple) arch and the vaulted arch. These three elements enabled the Romans to go beyond Greek methods of construction which used cut-stone and post-and-beam or post-and-lintel structures. They became essential for large roofs and large buildings, such as basilicas (public buildings) amphitheatres (arenas), theatres, baths, circuses (racing tracks) domes, forts and fortifications and dams. They also made it possible to build bridges which were much longer than before and could cross much wider rivers and valleys.
Prior to the Romans concrete was hardly used. The Romans the first to made large scale use of it. They developed a type of concrete (opus caementicium) which was as resistant as modern concrete. It also set underwater (and therefore could be used to build docks for ports, dams and bridges). It was less fluid than modern concrete and had to be layered by hand. It was made by mixing a volcanic rock called pozzolana (which is named after Pozzuoli, a suburb of Naples) with lime and adding rubble from stones, bricks or pottery shreds as aggregates which added body to it. Concrete had technical and practical advantages. It was exceptionally strong and could span great distances when shaped into arches, vaults and domes as it could be moulded. It could be layered into a formwork and it took the shape of its container. It did not require skilled labour and therefore was cheaper. It was much faster for construction than laborious masonry walls. It was safer because concrete vaulted roofing was fireproof, unlike the wooden-beamed roofs of traditional post-and-lintel construction methods.
The potential of the previously very little used arch and vault, was fully exploited for the first time. The Romans were the first to fully appreciate the advantage of these structures and make large scale use of them. The Etruscans are thought to have invented the simple (barrel) arch. The oldest example of the vaulted arch has been found in the Greek city of Pergamon (in western Turkey). The (simple, barrel) arch has a strong load- bearing capacity and was useful to build large walls without using the post-and-lintel method and to build bridges which were much longer than ever before. The vault (vaulted arch) has an even greater load-bearing capacity and its structure is suited to support large roofs. Their construction in concrete made them easier to build and even stronger. This led to the use larger and monumental arches and vaults on a grand scale. However, the Romans did not abandon masonry arches and vaults. The vaulted arch came into two forms: the groin arch is formed by two to four intersecting barrel (simple) arches and the rib arch, where the intersecting arches were of different diameter.
The Romans also perfected the dome and built monumental domes which were much larger that ever before. The best example of this is the dome of the Pantheon in Rome, which was a temple and has been converted into a Christian church. it is still the largest unreinforced concrete in the world.
Roman art and literature were influenced by the Greeks
The Greeks did-massively.
GREEK
Byzantine art evolved from early Christan art, particularly that of the eastern part of the Roman Empire which, in turn, was influenced by Greek and Roman art.
The Statue of Liberty was made in the Neoclassical style. This style was modelled on Roman sculpture and Roman architecture.
Graeco-Roman art was the art of the classical period of European antiquity. It influenced the painting, sculpture and architecture of Renaissance art (renaissance means rebirth of interest in the classics) of the 15th and 16th centuries, the sculpture of the baroque period (17th century) and the sculpture and architecture of the neoclassicism of the 18th century. The latter remained influential in the 19th and 20th centuries. Scenes from classical mythology retained a presence in painting until the beginning of the 20th century. Palladio was a 16th century Italian architect who based his design of mansions for the rich on Vitruvius' textbook on Roman architecture. He was influential in Europe until the 19th century.
When national monuments were being created, the popular and strong Neo-Classical style was used in their creation (columns and whatnot).
Not really.
Arch,VaultDome
arcitecture and sculpture.
Byzantine art evolved from early Christan art, particularly that of the eastern part of the Roman Empire which, in turn, was influenced by Greek and Roman art.
The term Greco-Roman art refers to the fact that Roman Art was influenced by Greek art and has similarities with it.
Greeks were heavily influenced by Roman art.
Ancient Egyptian tomb builders
The Statue of Liberty was made in the Neoclassical style. This style was modelled on Roman sculpture and Roman architecture.
In Terms of Portrait sculpture and also also in terms of traditional classical architecture
The art of the eastern and western parts of the Roman Empire were similar because in both parts of this empire it was Greco-Roman art. This is a term which indicates the fact that Roman art became heavily influenced by Greek art. Greek art had already influenced the eastern Mediterranean before it was taken over by the Romans because the Greeks had ruled this area for three hundred years prior to this. The Romans spread Greco-Roman art in the western part of the empire. It has to be noted that, however, many of the local peoples in the empire retained their traditional art.
Well seeing as Byzantine Art really only applies to a style of art in the Byzantine Empire and not the world, one can't really give a definite name to its predecessor. However, Byzantine Art was influenced by art from the Roman Empire (Roman Art).
ancient Egyptian tomb builders: apex
The Renaissance influenced architecture and art.