For more information on Robert Pinsky, visit Britannica.com.
| Britannica Concise Encyclopedia: Robert Pinsky |
For more information on Robert Pinsky, visit Britannica.com.
| Works: Works by Robert Pinsky |
| 1975 | Sadness and Happiness. Pinsky's first collection receives praise and comparison with the works of Rilke, James Wright, and Robert Lowell. Reviewer Louis L. Martz declares that the volume suggests that "somehow, American poetry has entered a new era of confidence." |
| 1977 | The Situation of Poetry. Pinsky considers the modernist and Romantic roots of contemporary poetry. |
| 1979 | An Explanation of America. Pinsky's second volume is a book-length poem, which ranges over the history of America. Critic Michael Hamburger remarks that it "seems to defy not only all the dominant trends in contemporary poetry but all the dominant notions--both American and non-American--of what is expected of an American poet." |
| 1984 | History of My Heart. Pinsky combines an autobiographical impulse with poems about political, social, and philosophical issues. His dreams of becoming a musician also figure in his many references to music and musicians such as Fats Waller. Sensitive evocations of his childhood shift abruptly to his recollection, for example, of visiting a concentration camp. Such "tonal shifts," as one critic puts it, reflect a much-admired versatility in his work. |
| 1988 | Poetry and the World. Pinsky's second collection of criticism explores the impact of words on his life and the importance of the literary tradition. Reviewer Amy Edith Johnson praises its "jargon-free analyses" and commitment to larger issues, which confirm "the dignity and creative dimensions of... the function of criticism at the present time." |
| 1990 | The Want Bone. "Visions of Daniel," one of the major poems in this collection, is representative of Pinksy's exploration of moral dilemmas in verse that is formal yet supple. Daniel as prophet metamorphoses into a twentieth-century poet who must speak out of his political, social, and philosophical concerns. |
| 1996 | The Figured Wheel. Pinsky's volume contains new and collected poems dating from the past three decades. For reviewer Katha Pollitt, one of Pinsky's distinctions is "the way he recoups for poetry some of the pleasures of prose: storytelling, humor, the rich texture of a world filled with people and ideas." |
| 1998 | The Sounds of Poetry. Pinsky considers sound as the building block of English-language verse. This practical book is addressed to poets and those interested in how sound is manipulated in different verse forms. Pinsky's style is informal and free of jargon, and he draws examples from canonical poems by William Wordsworth, Elizabeth Bishop, Robert Browning, Robert Frost, and others. |
| Wikipedia: Robert Pinsky |
| Robert Pinsky | |
|---|---|
Robert Pinsky (b. 1940), at a 2005 event. |
|
| Born | 20 October 1940 . Long Branch, New Jersey United States |
| Occupation | poet, literary critic, editor, academic |
| Nationality | American |
| Writing period | 1968-present |
| Genres | poetry, literary criticism |
| Notable work(s) | Landor's Poetry (1968) |
Robert Pinsky (born October 20, 1940) is an American poet, essayist, literary critic, and translator. From 1997 to 2000, he served as Poet Laureate Consultant in Poetry to the Library of Congress. Pinsky is the author of nineteen books, most of which are collections of his own poetry. His published work also includes critically acclaimed translations, including a collection of poems by Czesław Miłosz and Dante Alighieri. He teaches at Boston University. [1]
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Early on, Pinsky was inspired by the flow and tension of jazz and the excitement that it made him feel. He said it was an incredible experience that he has tried to reproduce in his poetry. The musicality of poetry was and is extremely important to his work.[1]
He received a National Endowment for the Humanities Fellowship in 1974, and in 1997 he was named the United States Poet Laureate and Consultant in Poetry to the Library of Congress. He now lives in Cambridge, Massachusetts, and teaches in the graduate writing program at Boston University.
As Poet Laureate, Robert Pinsky founded the Favorite Poem Project, in which thousands of Americans of varying backgrounds, all ages, and from every state share their favorite poems. Pinsky believed that, contrary to stereotype, poetry has a strong presence in the American culture. The project sought to document that presence, giving voice to the American audience for poetry.[citation needed]
Pinsky is also the author of the interactive fiction game Mindwheel (1984) developed by Synapse Software and released by Broderbund. [2]
Pinsky guest-starred in a 2002 episode of the animated sitcom The Simpsons, "Little Girl in the Big Ten", and appeared on The Colbert Report in April, 2007, as the judge of a "Meta-Free-Phor-All" between Stephen Colbert and Sean Penn.
Pinsky is praised for "his grasp of traditional metrical forms and his ability to evoke timeless meaning within the strictures of contemporary idioms." Critics applaud, "his ability to imbue simple images—a Brownie troop square dance, cold weather, the music of Fats Waller—with underlying meaning to create order out of the accidental events people encounter in their lives." Commentators admire Pinsky's, "ambitiousness, his juxtaposition of the personal with the universal, the present with the past, the simple with the complex, and it has been noted that his intellectual style presents challenges to readers, obliging them to unravel the complexity behind the clarity of language and imagery."[citation needed]
About Robert Pinsky's first book of poems Robert Lowell wrote, "It is refreshing to find a poet who is intellectually interesting and technically first-rate. Robert Pinsky belongs to that rarest category of talent, a poet-critic."
In the Times Literary Supplement, William Pritchard[citation needed] called "Sadness and Happiness", "the best work by any younger poet within recent memory."
Louis Martz called Pinsky[citation needed]"the most exhilarating new poet that I have read since A. R. Ammons entered upon the scene. In his peculiar and original combination of abstract utterance and vivid image Pinsky points the way toward the future of poetry."
"The Inferno of Dante" has been celebrated by Stephen Greenblatt[citation needed] as, "the premier modern text for English-language readers to experience Dante's power."
"In his poems Pinsky talks, with democratic warmth and intimacy, to the common things of this world. His extraordinary poems remind us that he has always embodied the very ideal he proposes for what a poet can do," Lloyd Schwarz, The Boston Phoenix[citation needed]
"Robert Pinsky's poetry is noted for its combination of vivid imagery and clear, discursive language that explores such themes as truth, the history of nations and individuals, and the transcendent aspects of simple acts. Pinsky strives to create an organized view of the world, often confronting and trying to explain the past to bring order to the present. Recurring subjects in his work include the Holocaust, religion, and childhood. Pinsky's moral tone and mastery of poetic meter often are compared to eighteenth- and nineteenth-century English poets, and the insights conveyed in his analytical works on poetry have led critics to place him in the tradition of other poet-critics such as Samuel Taylor Coleridge, Matthew Arnold, T. S. Eliot, and W. H. Auden."[citation needed]
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| Song of Reasons (Sources) (poem) | |
| Sounds of Poetry, Vol. 1 (2000 Culture & Society Film) | |
| Song of Reasons (Critical Overview) (poem) |
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