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Maurice Utrillo

 

Impasse Cottin, oil on cardboard by Maurice Utrillo,  1910; in …
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Impasse Cottin, oil on cardboard by Maurice Utrillo, 1910; in … (credit: © 1993 ARS N.Y./SPADEM; photograph, Scala/Art Resource, New York)
(born Dec. 25, 1883, Paris, Fr. — died Nov. 5, 1955, Le Vésinet) French painter. When he became an alcoholic in his teens, his mother, the painter and model Suzanne Valadon, encouraged him to take up painting as therapy; it soon became his obsession. He had no formal artistic training and was interested primarily in reproducing what he saw as faithfully as possible. Most of his compositions depict the old, deteriorating houses and streets of the Montmartre district of Paris. His best work is that of his "white period" (c. 1908 – 14), so called for his lavish use of zinc white in heavy layers to build up aging, cracked walls.

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Art Encyclopedia: Maurice Utrillo
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(b Paris, 26 Dec 1883; d Dax, 5 Nov 1955). French painter, son of SUZANNE VALADON. He was entrusted to his grandmother while his mother posed as a model for such painters as Renoir and Puvis de Chavannes before discovering her own talent for drawing and painting. His father, the Spanish painter Miguel Utrillo (1862-1934), only admitted paternity eight years after Maurice's birth. Maurice Utrillo had no predisposition for art, but when he was 19 his mother took medical advice and urged him to adopt drawing and painting as a distraction from his need for alcohol. In search of a suitable subject, he went to the countryside around Montmagny, a village to the north of Paris, where, between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings, sombre, heavily impasted landscapes, such as the Roofs of Montmagny (Paris, Pompidou). By 1906 the doctor felt that Utrillo could return to Montmartre. His pictures of the streets and suburbs were painted with a less heavy impasto and with lighter tones. He was attracted by ordinary houses, as in the Rue du Mont-Cenis (see fig.) and Berlioz's House (both 1914; Paris, Mus. Orangerie), and suburban churches, for instance the Church of Villiers-le-Bel (1909; priv. col., see P?trid?s, i, p. 129). These themes, associated with painters such as Daumier, Pissarro and Caillebotte, became Utrillo's chief source of inspiration, but he soon turned to a more ambitious subject, cathedrals. He was concerned with the development of an ordered composition and a flattened treatment of space that suggested the artificial appearance of a theatre set, as in Notre-Dame (1909; Paris, Mus. Orangerie). Particularly during World War I he also found that such subjects allowed him to project strong emotions, as in Rheims Cathedral in Flames (1914; Basle, priv. col., see P?trid?s, i, p. 67).

See the Abbreviations for further details.



 
Columbia Encyclopedia: Maurice Utrillo
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Utrillo, Maurice (ūtrē'lō, Fr. mōrēs' ütrēlō'), 1883-1955, French painter. He was the son of the painter Suzanne Valadon and was adopted by the writer Miguel Utrillo. His mother taught him to paint in order to divert him from the alcoholism that ravaged him from a very early age. Utrillo's favorite themes were the street scenes of Paris, particularly of Montmartre, and Montmagny. Within an almost hallucinatory vision, he developed a personal style based on a modified cubism and a fine sense of atmosphere and composition. In his later years he lost much of his original power. An extremely prolific painter, Utrillo is well represented in American and European collections.

Bibliography

See biographies by W. George (1960) and P. de Polnay (rev. ed. 1969).

Dictionary: U·tril·lo   (yū-trĭl'ō, ü-trē-ō') pronunciation, Maurice
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1883-1955.

French painter known especially for his street scenes of Paris.


Wikipedia: Maurice Utrillo
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La Rue Norvins à Montmartre, oil on board painting by Maurice Utrillo, c. 1910

Maurice Utrillo, born Maurice Valadon, (26 December 1883 – 5 November 1955) was a French painter who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre who were born there.

Contents

Biography

Utrillo was the son of the artist Suzanne Valadon (born Marie-Clémentine Valadon), who was then an eighteen-year-old artist's model. She never revealed who had been the father of her child; speculation exists that he was the offspring from a liaison with an equally young amateur painter named Boissy, or with the well established painter, Pierre-Cécile Puvis de Chavannes, or even with Renoir (see below under Utrillo's Paternity). In 1891 a Spanish artist, Miguel Utrillo y Molins, signed a legal document acknowledging paternity, although the question remains as to whether he was in fact the child's father.[1]

Valadon, who had become a model after a fall from a trapeze ended her chosen career as a circus acrobat, found that posing for Berthe Morisot, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and others provided her with an opportunity to study their techniques; in some cases, she had also become their mistress. She taught herself to paint, and when Toulouse-Lautrec introduced her to Edgar Degas, he became her mentor. Eventually she became a peer of the artists she had posed for.

Meanwhile, her mother was left in charge of raising the young Maurice, who soon showed a troubling inclination toward truancy and alcoholism.[2] When a mental illness took hold of the twenty-one year old Utrillo in 1904, he was encouraged to paint by his mother. He soon showed real artistic talent. With no training beyond what his mother taught him, he drew and painted what he saw in Montmartre. After 1910 his work attracted critical attention, and by 1920 he was internationally acclaimed. In 1928, the French government awarded him the Cross of the Légion d'honneur.[3] Throughout his life, however, his mental disorder would result in his being interned in mental asylums repeatedly.

Tomb of Utrillo, Cemetery Saint Vicent, Paris

Today, tourists to the area will find many of his paintings on post cards, one of which is his very popular 1936 painting entitled, Montmartre Street Corner or Lapin Agile.

In middle age Utrillo became fervently religious and in 1935, at the age of fifty-two, he married Lucie Valore and moved to Le Vesinet, just outside of Paris. By that time, he was too ill to work in the open air and painted landscapes viewed from windows, from post cards, and from memory.

Although his life also was plagued by alcoholism, he lived into his seventies. Maurice Utrillo died on 5 November 1955, and was buried in the Cimetière Saint-Vincent in Montmartre.

He is one of the most forged painters in history.[citation needed] His early works may fetch auction prices close to US$1 million.

Concerning Utrillo's Paternity

An anecdote concerning Utrillo's paternity is related in the unpublished memoirs of one of his American collectors, Ruth Bakwin:

"After Maurice was born to Suzanne Valadon, she went to Renoir, for whom she had modeled nine months previously. Renoir looked at the baby and said, 'He can't be mine, the color is terrible!' Next she went to Degas, for whom she had also modeled. He said, 'He can't be mine, the form is terrible!' At a cafe, Valadon saw an artist she knew named Miguel Utrillo, to whom she spilled her woes. The man told her to call the baby Utrillo: 'I would be glad to put my name to the work of either Renoir or Degas!'"[4]

Notes

  1. ^ Warnod, 1981, p.48.
  2. ^ Warnod, 1981, pp.57-59.
  3. ^ Warnod, 1981, p.85.
  4. ^ 'Parting With the Family van Gogh' in the New York Times, April 22, 2006

References

  • Jean Fabris, Claude Wiart, Alain Buquet, Jean-Pierre Thiollet, Jacques Birr, Catherine Banlin-Lacroix, Joseph Foret: Utrillo, sa vie, son oeuvre (Utrillo, his life, his works), Editions Frédéric Birr, Paris, 1982.
  • Warnod, Jeanine (1981). Suzanne Valadon. New York: Crown. ISBN 0-517-54499-7

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