Woodstock
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For more information on Woodstock, visit Britannica.com.
The Woodstock Music and Art Fair took place in Bethel in upstate New York from 15 to 17 August 1969. Attended by 450,000 people, it is remembered as the high point of the "peace and love" ethos of the period, largely because the disaster that the over-crowding, bad weather, food shortages, supposed "bad acid" (LSD), and poor facilities presaged was somehow avoided. Woodstock was originally conceived as a moneymaking venture by producers John Roberts, Joel Rosenman,
Artie Kornfield, and Michael Lang. However, poor planning and happenstance forced them to admit most attendees for free. They were left with a debt of $1.3 million and a site that cost $100,000 to restore. Credit for the festival's success should go to the endurance of the attendees and to the likes of Wavy Gravy and the Hog Farmers, the West Coast "hippies" who organized food and medical support for the crowd.
Many rock and folk luminaries—including Joan Baez, the Grateful Dead, Ten Years After, Joe Cocker, The Band, Sly and the Family Stone, Janis Joplin, The Who, Jefferson Airplane, and Crosby, Stills, and Nash—graced the hastily constructed stage. Cameras and recording equipment captured most performances, the best of which were subsequently released on a number of successful Woodstock albums and featured in an Academy Award– winning three-hour movie, Woodstock—Three Days of Peace and Music (1970).
To avert the feared crowd difficulties, the music continued virtually around the clock, stopping only for the recurrent rainfall. Jimi Hendrix, Sunday's headliner, eventually played at 8.30 A.M. on Monday to a thinning audience. Musicologists subsequently described his blistering rendition of "The Star Spangled Banner" as a defining moment in rock history. Less often stated is the fact that the high fees that many of the artists demanded and the star treatment that they received significantly altered the ethos and the economics of the rock music industry. Attempting to cash in on Woodstock nostalgia, the producers subsequently staged two more "Woodstock" festivals. The 1994 twenty-fifth anniversary concert in Saugerties, New York, attracted a crowd of more than 300,000 and featured some of the original acts, along with more contemporary artists. Sponsored by the likes of Pepsi and MCI and with tickets costing $135 apiece, the event is remembered mostly for its obviously commercial intentions. Woodstock 1999, featuring six-dollar bottles of water, three days of ninety-degree heat, and artists such as Kid Rock, Insane Clown Posse, and Limp Bizkit, ended in violence, rioting, and arson, with numerous reports of sexual assaults.
Bibliography
Curry, Jack. Woodstock: The Summer of Our Lives. New York: Weidenfeld and Nicolson, 1989.
Makower, Joel. Woodstock: The Oral History. New York: Doubleday, 1989.
Spitz, John. Barefoot in Babylon: The Creation of the Woodstock Music Festival, 1969. New York: Viking, 1989.

From our Archives: Today's Highlights, August 15, 2005
| Woodstock | |
|---|---|
| Location(s) | United States
|
| Years active | Original festival held in 1969; namesake events held in 1979, 1989, 1994, and 1999. |
| Founded by | Michael Lang, John Roberts, Joel Rosenman, Artie Kornfeld |
| Date(s) | The original festival was scheduled for three days (Friday, August 15, 1969 through Sunday, August 17, 1969), but owing to technical and weather delays, the festival ended at approximately 10:00 a.m. on Monday, August 18, 1969, following Jimi Hendrix's performance. |
| Genre(s) | Rock and Folk, including Blues-Rock, Folk-Rock, Jazz-Rock,
Latin rock and Psychedelic rock styles.
Alternative Rock and |
| Website | |
The Woodstock Music and Art Fair was a historic event held at Max Yasgur's 600 acre (2.4 km²) dairy farm in the rural town of Bethel, New York from August 15 to August 18 1969. Bethel (Sullivan County) is 43 miles southwest of the town of Woodstock, New York, which is in adjoining Ulster County.
To many, the festival exemplified the counterculture of the 1960s and the "hippie era." Thirty-two of the best-known musicians of this time period appeared during the sometimes rainy weekend. Though attempts have been made over the years to recreate the festival, the original event has proven to be unique and legendary. It is widely regarded as one of the greatest concerts in music history and was listed on Rolling Stone's 50 Moments That Changed the History of Rock and Roll.[1]
The event was captured in a successful 1970 movie, Woodstock, and Joni Mitchell's song "Woodstock", which memorialized the event, became a major hit for Crosby, Stills, Nash & Young. The concert signaled the end of the so-called "Flower Generation."
Woodstock has been idealized in the American popular culture as one of peak events of the hippie movement — a festival where nearly 500,000 "flower children" came together to celebrate. At the time, it held the record for the largest music audience in the world until the Summer Jam at Watkins Glen in 1973 held 100,000 more people. Yippie activist Abbie Hoffman crystallized this view of the event in his book, Woodstock Nation, written shortly afterwards.
Although the festival was remarkably peaceful given the number of people and conditions involved, there were three fatalities: one from a drug overdose; another caused by an occupied sleeping bag accidentally being run over by a tractor in a nearby hayfield; and a third when a festival participant fell off a scaffold.[citation needed] There were also three miscarriages and two births recorded at the event.[citation needed] Oral testimony in the film supports the overdose and run-over deaths and at least one birth, along with many colossal logistical headaches. Furthermore, because Woodstock was not intended for such a large crowd, there were not enough resources such as portable toilets and first-aid tents.
Woodstock began as a profit-making venture; it only became a free festival after it became obvious that the concert was drawing hundreds of thousands more people than the organizers had prepared for, and that the fence had been torn down by eager, unticketed arrivals. Tickets for the event cost US$18 in advance (approximately US$100 today adjusted for inflation) and $24 at the gate for all three days. Ticket sales were limited to record stores in the greater New York City area, or by mail via a Post Office Box at the Radio City Station Post Office located in Midtown Manhattan.
Yet, in tune with the idealistic hopes of the 1960s, Woodstock satisfied most attendees. Especially memorable were the sense of social harmony, the quality of music, and the overwhelming mass of people, many sporting bohemian dress, behavior, and attitudes.[2]
Sound for the concert was engineered by Bill Hanley, whose innovations in the sound industry have earned him the prestigious Parnelli Award."It worked very well," he says of the event. "I built special speaker columns on the hills and had 16 loudspeaker arrays in a square platform going up to the hill on 70-foot towers. We set it up for 150,000 to 200,000 people. Of course, 500,000 showed up."
The first day, which officially began at 5:08 p.m. with Richie Havens, featured folk artists.
Baez Source: Arthur Levy, annotator of the expanded editions of the 12 Joan Baez CDs on Vanguard
The day opened at 12:15 pm, and featured some of the event's biggest psychedelic and guitar rock headliners.
Grateful Dead's performance was plagued by technical problems, including a faulty electrical ground (which their roadie insisted on being fixed prior to the band's performance) and members Jerry Garcia and Bob Weir reported getting shocked every time they touched their guitars. While bootleg footage and audio of this performance exists, the Dead called it their worst performance ever and they were left out of the movie. At one point, Jerry Garcia appears in the film holding a joint, saying, "Marijuana. Exhibit A."
Joe Cocker was the first act on the last officially booked day (Sunday); he opened up the day's events at 2 PM.
"#wp-_note-The_Doors_decline_Woodstock">[3] There also was a widely spread legend that Morrison, in a fit of paranoia, was fearful that someone would take a shot at him while he was onstage.[citation needed] Drummer John Densmore attended; in the film, he can be seen on the side of the stage during Joe Cocker's set.
As the only reporter at Woodstock for the first 36 hours or so, Barnard Law Collier of the New York Times was almost continually pressed by his editors in New York to make the story about
the immense traffic jams, the less-than-sanitary conditions, the rampant drug use, the lack of "proper policing," and the
presumed dangerousness of so many young people congregating. Collier recalls: "Every major Times editor up to and including
executive editor James Reston insisted that the tenor of the story must be a social catastrophe in the making. It was difficult
to persuade them that the relative lack of serious mischief and the fascinating cooperation, caring and politeness among so many
people was the significant point. I had to resort to refusing to write the story unless it reflected to a great extent my
on-the-scene conviction that 'peace' and 'love' was the actual emphasis, not the preconceived opinions of Manhattan-bound
editors. After many acrimonious telephone exchanges, the editors agreed to publish the story as I saw it, and although the
nuts-and-bolts matters of gridlock and minor lawbreaking were put close to the lead of the stories, the real flavor of the
gathering was permitted to get across. After the first day's Times story appeared on Page 1, the event was widely recognized for
the amazing and beautiful accident it was."
Abbie Hoffman interrupted The Who's performance during Woodstock 1969 to attempt a protest speech against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit! While John Sinclair rots in prison..." The Who's guitarist, Pete Townshend, cut Hoffman off in mid-sentence, saying, "Fuck off! Fuck off my fucking stage!" He then struck Hoffman with his guitar, sending the interloper tumbling offstage, to the roaring approval of the crowd. Townshend later said he actually agreed with Hoffman on Sinclair's imprisonment, though he made the point that he would have knocked him offstage regardless of his message.
According to Hoffman, in his autobiography, the incident played out like this: "If you ever heard about me in connection with the festival it was not for playing Florence Nightingale to the flower children. What you heard was the following: 'Oh, him, yeah, didn't he grab the microphone, try to make a speech when Peter Townshend cracked him over the head with his guitar?' I've seen countless references to the incident, even a mammoth mural of the scene. What I've failed to find was a single photo of the incident. Why? Because it didn't really happen."
| “ | I grabbed the microphone all right and made a little speech about John Sinclair, who had just been sentenced to ten years in the Michigan State Penitentiary for giving two joints of grass to two undercover cops, and how we should take the strength we had at Woodstock home to free our brothers and sisters in jail. Something like that. Townshend, who had been tuning up, turned around and bumped into me. A non-incident really. Hundreds of photos and miles of film exist depicting the events on that stage, but none of this much-talked about scene. | ” |
A fifteen-second sound bite of the incident can be heard on The Who compilation set entitled Thirty Years of Maximum R&B (Disc 2). The Woodstock documentary also depicts this event.
A documentary film, Woodstock, directed by Michael Wadleigh and edited by Thelma Schoonmaker and Martin Scorsese, was released in 1970. It received the Academy Award for Documentary Feature. The film has been deemed culturally significant by the United States Library of Congress. In 1994, the "director's cut" was released; it included performances by Jefferson Airplane and Janis Joplin, who were not in the original version of the film.
In 1997, the site of the concert and 1,400 surrounding acres was purchased by Alan Gerry for the purpose of creating the
Bethel Woods Center for the Arts. It opened on July 1,
2006 with a performance of the New York
Philharmonic. On August 13, 2006,
In August 2007, the 103-acre parcel that contains Max Yasgur's former homestead was placed on the market for $8 million by its current owners, Roy Howard and Jeryl Abramson. [1] The home, barn, fieldhouse, and acreage, which are listed by Joshpe Real Estate of New York City, have been the site of frequent Woodstock reunions.[2]
A plaque has been placed commemorating the festival. The field and the stage area remain preserved and well kept in their rural upstate New York setting. On the field are the remnants of a neon flower and bass from the original concert. In the middle of the field, there is a totem pole with wood carvings of Jimi Hendrix on the bottom, Janis Joplin in the middle, and Jerry Garcia on top. A concert hall has been erected up the hill, and the fields of the old Yasgur farm are still visited by people of all generations.
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