Works Progress Administration

 

(WPA), former U.S. government agency, established in 1935 by executive order of President Franklin Delano Roosevelt as the Works Progress Administration; it was renamed the Work Projects Administration in 1939, when it was made part of the Federal Works Agency. Created when unemployment was widespread, the WPA—headed by Harry L. Hopkins until 1938—was designed to increase the purchasing power of persons on relief by employing them on useful projects. WPA's building program included the construction of 116,000 buildings, 78,000 bridges, and 651,000 mi (1,047,000 km) of road and the improvement of 800 airports. Also a part of WPA's diversified activities were the Federal Art Project, the Federal Writers' Project, and the Federal Theatre Project. Close to 10,000 drawings, paintings, and sculptured works were produced through WPA, and many public buildings (especially post offices) were decorated with murals. The experiments in theatrical productions were highly praised and introduced many fresh ideas. Musical performances under the project averaged 4,000 a month. The most notable product of writers in WPA was a valuable series of state and regional guidebooks. WPA also conducted an education program and supervised the activities of the National Youth Administration. At its peak WPA had about 3.5 million persons on its payrolls. Altogether WPA employed a total of 8.5 million persons, and total federal appropriations for the program amounted to almost $11 billion. There was sharp criticism of the WPA in a Senate committee report in 1939; the same year the WPA appropriation was cut, several projects were abolished, and others were curtailed. A strike of thousands of WPA workers to prevent a cut in wages on building projects was unsuccessful. Steadily increasing employment in the private sector, much speeded just before and during World War II, caused further drastic cuts in WPA appropriations and payrolls. In June, 1943, the agency officially went out of existence.

Bibliography

See D. S. Howard, WPA and Federal Relief Policy (1943).

The Works Progress Administration (later WOR Projects Administration; WPA) was the largest New Deal agency, employing millions of people and affecting most every locality, especially rural and western mountain populations. It was created on May 6, 1935 by Presidential order (U.S. Congress funded it annually but did not set it up).

It continued and extended the Federal Emergency Relief Administration (FERA) relief programs started by Herbert Hoover and continued under Franklin D. Roosevelt. Headed by Harry L. Hopkins, the WPA provided jobs and income to the unemployed during the Great Depression in the United States. The program built many public buildings, projects and roads, and operated large arts, drama, media and literacy projects. It fed children, redistributed food, clothing and housing.

Until closed down by Congress and the war boom in 1943, the various programs of the WPA added up to the largest employment base in the country — indeed, the largest cluster of government employment opportunities in most states. Anyone who needed a job could become eligible for most of its jobs.^{[citation needed]} Hourly wages were the prevailing wages in the area; the rules said workers could not work more than 30 hours a week but many projects included months in the field, with workers eating and sleeping on worksites. Before 1940, there was some training involved in teaching new skills and the project's original legislation went forward with a strong emphasis on family, training and building people up. The role and participation of labor unions in WPA processes is unclear.

Types of projects

About 75 percent of WPA employment and expenditures went to public facilities and infrastructure, such as highways, streets, public buildings, airports, utilities, small dams, sewers, parks, city halls, public libraries, and recreational fields. The WPA built 650,000 miles of roads, 78,000 bridges, 125,000 buildings, and 700 miles of airport runways. Seven percent of the budget was allocated to arts projects, presenting 225,000 concerts to audiences totaling 150 million, and producing almost 475,000 pieces of art.^[1]

Though some 90 percent of WPA projects were directed at unskilled blue-collar workers, it also took in many unemployed white-collar workers, artists, musicians, actors, doctors, and writers in such projects as the Federal Theatre Project and the Federal Writers' Project.

WPA projects represented a wide variety of architectural styles influenced by Arts and Crafts ideas, local products and artisans built to fit public need and built to last. Much of the decision-making and hiring was local, based on quick decisions for long overdue projects. Contrary to perceptions, there was not a lot of graft and the image of men building by leaning on shovels was betrayed by the enduring work of this government effort.

WPA programs ended by 1943 because World War II improved employment in the United States. Over 8.5 million Americans were hired through the WPA mostly to work in manual labor, building roads and making parks. Unemployed artists and writers were given work through a branch of the WPA known as the Federal Writers' Project. Among the most compelling products of the Writers' Project are the interviews with former slaves.^[2] A sampling of projects includes:

• Camp David
• Federal One
  • Federal Writers' Project
  • Historical Records Survey
  • Federal Theatre Project
  • Federal Art Project
  • Federal Music Project
• Fullerton, CA city hall, now home to the Fullerton Police Department
• Mathematical Tables Project
• Houston City Hall
• Lapham Peak
• Mendocino Woodlands State Park
• Timberline Lodge, Mount Hood, Oregon
• Lake Afton Kansas
• Dealey Plaza Dallas, Texas
• National Guard Armory of Columbia, Missouri

Worker profile

The target recipients were household heads on relief (about 15% of whom were women). Youth programs were operated separately by the National Youth Administration, or NYA. The average worker was about 40 years old (about the same as the average family head on relief).

The WPA reflected the strongly-held belief at the time that husbands and wives should not both be working (because they would take one job away from a breadwinner.) A study of 2,000 women workers in Philadelphia showed that 90% were married, but wives were reported as living with their husbands in only 15 percent of the cases. Only 2 percent of the husbands had private employment. "All of these [2,000] women," it was reported, "were responsible for from one to five additional people in the household." In rural Missouri 60% of the WPA-employed women were without husbands (12% were single; 25% widowed; and 23% divorced, separated or deserted.) Thus only 40% were married and living with their husbands, but 59% of the husbands were permanently disabled, 17% were temporarily disabled, 13% were too old to work, and the remaining 10% were either unemployed or handicapped. An average five years had elapsed since the husband's last employment at his regular occupation. [Howard 283] Most of the women worked in sewing projects, where they were taught to use sewing machines and made clothing, bedding and supplies for hospitals and orphanage.

Relief for Blacks

The share of FERA and WPA benefits going to blacks exceeded their proportion of the general population. The FERA's first relief census reported that more than two million black Americans were on relief in early 1933, a fraction of the black population (17.8%) that was nearly double the proportion of whites on relief (9.5%). By 1935, there were 3,500,000 blacks (men, women and children) on relief, almost 30 percent of the black population; plus another 200,000 black adults were working on WPA projects. Altogether in 1935, about 40 percent of the nation's black families were either on relief or were employed by the WPA. ^[3]

Civil rights leaders initially complained that black Americans were proportionally underrepresented. African-American leaders made such a claim with respect to WPA hires in New Jersey: "In spite of the fact that Negroes indubitably constitute more than 20 percent of the State's unemployed, they composed 15.9 per cent of those assigned to W.P.A. jobs during 1937." [Howard 287] Nationwide in late 1937, 15.2% were African American. The NAACP magazine Opportunity ^{check reference}hailed the WPA: [February, 1939, p. 34. in Howard 295]

It is to the eternal credit of the administrative officers of the WPA that discrimination on various projects because of race has been kept to a minimum and that in almost every community Negroes have been given a chance to participate in the work program. In the South, as might have been expected, this participation has been limited, and differential wages on the basis of race have been more or less effectively established; but in the northern communities, particularly in the urban centers, the Negro has been afforded his first real opportunity for employment in white-collar occupations.

Employment

The goal of the WPA was to employ most of the unemployed people on relief until the economy recovered. Harry Hopkins testified to Congress in January 1935 why he set the number at 3.5 million, using FERA data. At $1200 per worker per year he asked for and received $4 billion.

Many women were employed, but it was a mere amount compared to men. Many women were unemployed at this time. "On January 1 there were 20 million persons on relief in the United States. Of these, 8.3 million were children under sixteen years of age; 3.8 million were persons who, though between the ages of sixteen and sixty-five were not working nor seeking work. These included housewives, students in school, and incapacitated persons. Another 750,000 were persons sixty- five years of age or over. Thus, of the total of 20 million persons then receiving relief, 12.85 million were not considered eligible for employment. This left a total of 7.15 million presumably employable persons between the ages of sixteen and sixty-five inclusive. Of these, however, 1.65 million were said to be farm operators or persons who had some non-relief employment, while another 350,000 were, despite the fact that they were already employed or seeking work, considered incapacitated. Deducting this two million from the total of 7.15 million, there remained 5.15 million persons sixteen to sixty-five years of age, unemployed, looking for work, and able to work. Because of the assumption that only one worker per family would be permitted to work under the proposed program, this total of 5.15 million was further reduced by 1.6 million--the estimated number of workers who were members of families which included two or more employable persons. Thus, there remained a net total of 3.55 million workers in as many households for whom jobs were to be provided." [Howard p 562, paraphrasing Hopkins]

The WPA employed a maximum of 3.3 million in November 1938.^[4] Worker pay was based on three factors: the region of the country, the degree of urbanization and the individual's skill. It varied from $19/month to $94/month. The goal was to pay the local prevailing wage, but to limit a person to 30 hours or less a week of work.

Total expenditures on WPA projects through June, 1941, totaled approximately $11.4 billion. Over $4 billion was spent on highway, road, and street projects; more than $1 billion on public buildings; more than $1 billion on publicly owned or operated utilities; and another $1 billion on welfare projects including sewing projects for women, the distribution of surplus commodities and school lunch projects. [Howard 129]

Criticism and favoritism

The WPA had numerous conservative critics unlike the Civilian Conservation Corps, which was quite popular. One of the principal criticisms was that the program wasted federal dollars on projects that were not always needed or wanted. A relic of this criticism survives today in the form of a satirical observation that WPA workers were hired 'to rake leaves in the park.' White-collar WPA projects in particular were often singled out for their sometimes overtly left-wing social and political themes. One criticism of the allocation of WPA projects and funding was that they were often made for political considerations. Congressional leaders in favor with the Roosevelt administration, or who possessed considerable seniority and political power often helped decide which states and localities received the most funding. The most serious criticism was that Roosevelt was building a nationwide political machine with millions of workers. The Hatch Act of 1939 was designed to forbid political activities on government time but the WPA remained politically manipulated by left-wing interests.^{[citation needed]}

Some who were critical of the WPA referred to it as "We Poke Along," "We Piddle Along" or "We Putter Around." This is a sarcastic reference to WPA projects that sometimes slowed to a crawl, because foremen on a government project devised to maintain employment often had no incentive or ability to influence worker productivity by demotion or termination. This criticism was due in part to the WPA's early practice of basing wages on a "security wage," ensuring workers would be paid even if the project was delayed, improperly constructed, or incomplete. Other denigrating references to the WPA in popular culture include:

• A typical joke was repeated in Harper Lee's 1960 novel, To Kill a Mockingbird. Bob Ewell, the resident slacker of Maycomb County, is described as "the only person fired from the WPA for laziness."
• Ex-Dodger and Giant pitcher Billy Loes, who was selected by the Mets in the 1961 expansion draft, was credited with this quotation: "The Mets is a good thing. They give everybody jobs. Just like the WPA."

Evolution and termination

In 1940 the WPA changed policy and began vocational educational training of the unemployed to make them available for factory jobs. Previously labor unions had vetoed any proposal to provide new skills. Unemployment disappeared with the onset of war production in World War II, so Congress shut down the WPA in late 1943.

See also

• Hatch Act of 1939
• New Deal
• Civilian Conservation Corps
• National Recovery Administration
• Great Depression
• Civil Works Administration
• List of locks and dams of the Upper Mississippi River

References

Notes

1. ^ Nick Taylor
2. ^ Former Slave Interviews
3. ^ John Salmond, "The New Deal and the Negro" in John Braeman et al, eds. The New Deal: The National Level (1975). pp 188-89
4. ^ According to Nancy Rose' Put to Work.

Scholarly studies

• Jim Crouch, "The Works Progress Administration" Eh.Net Encyclopedia (2004)
• Hopkins, June. "The Road Not Taken: Harry Hopkins and New Deal Work Relief" Presidential Studies Quarterly Vol. 29, (1999)
• Howard; Donald S. The WPA and Federal Relief Policy (1943), detailed analysis of all major WPA programs.
• Lindley, Betty Grimes and Ernest K. Lindley. A New Deal for Youth: The Story of the National Youth Administration (1938)
• McJimsey George T. Harry Hopkins: Ally of the Poor and Defender of Democracy (1987)
• Meriam; Lewis. Relief and Social Security The Brookings Institution. 1946. Highly detailed analysis and statistical summary of all New Deal relief programs; 900 pages
• Millett; John D. and Gladys Ogden. Administration of Federal Work Relief 1941.
• Rose, Nancy E. Put to Work (Monthly Review Press, June 1994, ISBN 0-85345-871-5)
• Singleton, Jeff. The American Dole: Unemployment Relief and the Welfare State in the Great Depression (2000)
• Smith, Jason Scott. Building New Deal Liberalism: The Political Economy of Public Works, 1933-1956 (2005)
• Williams; Edward Ainsworth. Federal Aid for Relief 1939.

External links

• The Index of American Design at the National Gallery of Art
• Works by the Works Progress Administration at Project Gutenberg slave narratives
• Living New Deal project, California
• Posters from the WPA at the Library of Congress
• Database of WPA murals
• Text and Graphics from 1937 WPA Brochure: "Our Job with the WPA"
• Text and Graphics from 1939 WPA Brochure: "QUESTION'S AND ANSWERS ON THE WPA"
• WPA Membership Card and Lapel Pin
• Samples of WPA Work Assignment Forms used in the 1930s
• Guide to the WPA Oregon Federal Art Project collection at the University of Oregon
• WPA inspired Gulf Coast Civic Works Project
• WPA mural projects by noted muralist Sr. Lucia Wiley

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