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alliteration

 
Dictionary: al·lit·er·a·tion   (ə-lĭt'ə-rā'shən) pronunciation
n.

The repetition of the same sounds or of the same kinds of sounds at the beginning of words or in stressed syllables, as in "on scrolls of silver snowy sentences" (Hart Crane). Modern alliteration is predominantly consonantal; certain literary traditions, such as Old English verse, also alliterate using vowel sounds.

[From AD- + Latin littera, letter.]


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Literary Dictionary: alliteration
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alliteration (also known as ‘head rhyme’ or ‘initial rhyme’), the repetition of the same sounds—usually initial consonants of words or of stressed syllables—in any sequence of neighbouring words: ‘Landscape‐lover, lord of language’ (Tennyson). Now an optional and incidental decorative effect in verse or prose, it was once a required element in the poetry of Germanic languages (including Old English and Old Norse) and in Celtic verse (where alliterated sounds could regularly be placed in positions other than the beginning of a word or syllable). Such poetry, in which alliteration rather than rhyme is the chief principle of repetition, is known as alliterative verse; its rules also allow a vowel sound to alliterate with any other vowel. See also alliterative metre, alliterative revival, assonance, consonance.


Repetition of consonant sounds in two or more neighbouring words or syllables. A frequently used poetic device, it is often discussed with assonance (the repetition of stressed vowel sounds within two or more words with different end consonants) and consonance (the repetition of end or medial consonants).

For more information on alliteration, visit Britannica.com.

alliteration, the literary device in which two or more words in close connection begin with the same letter (see ASSONANCE). It was not a common device of Greek poetry, but is a feature in Latin saturnian verse (see METRE, LATIN I), and was adopted thence by later Roman poets including Ennius and Virgil, as when Ennius writes:

fraxinu' frangitur atque abies consternitur alta.
pinus proceras pervortunt.
(‘The ash tree is shattered and the lofty fir laid low. They overturn the tall pines.’)


It is carried to grotesque excess by the same poet in the line:
o Tite tute Tati tibi tanta tyranne tulisti.
(‘O Titus Tatius, such great things you brought upon yourself, arrogant ruler.’)

German Literature Companion: Alliteration
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Alliteration occurs in German as an adornment of rhetorical or poetic speech, e.g.

…sie kann nicht vor euch her wie sonst
Die Fahne tragen—schwere Bande fesseln sie,
Doch frei aus ihrem Kerker schwingt die Seele
Sich auf den Flügeln ihres Kriegsgesangs.
Schiller, Die Jungfrau von Orleans.
It is also abundant in proverbial expressions (Haus und Hof, über Stock und Stein). Such uses are related to its role in the earlier poetry of the Old High German period. Its function then was analogous to that of rhyme as a means of cementing verse and isolating it from prose and it is, in fact, described as Stabreim in German. Old High German alliterative verse normally contained three similar initial sounds in each line, two in the first half and one early in the second. An example is the line
heuwun harmliccohuittȩ scilti
from the Hildebrandslied. The use of Stabreim died out in the 9th c. In the 19th c. Fouqué revived it for songs in Der Held des Nordens (1810); and Richard Wagner used Stabreim in Der Ring des Nibelungen (1852-4) and other works.

 
Columbia Encyclopedia: alliteration
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alliteration (əlĭt'ərā'shən), the repetition of the same starting sound in several words of a sentence. Probably the most powerful rhythmic and thematic uses of alliteration are contained in Beowulf, written in Anglo-Saxon and one of the earliest English poems extant. For example:

Ða com of more under mist-hleopumGrendel gongan; Godes yrre baer …

(Then came from the moor, under the misty hills,Grendel stalking; the God's anger bare).

-- Beowulf, Book XI

The poet was drawing here on an even older Germanic tradition, just as he was setting a high standard for other poets in Anglo-Saxon, who produced such alliterative works as Widsith, Deor's Lament, The Wanderer, The Seafarer, and The Ruin. Although the tradition lay dormant for centuries, an alliterative revival occurred in England in the mid-1400s, as evidenced by such masterworks as Piers Plowman and Sir Gawain and the Green Knight (see Langland, William; Pearl, The). Shakespeare parodies alliteration in Peter Quince's Prologue in A Midsummer Night's Dream:

Whereat, with blade, with bloody blameful blade,He bravely breach'd his boiling bloody breast.

Modern poets have continually renewed the possibilities of alliteration, e.g., Gerard Manley Hopkins's "Pied Beauty":

Glory be to God for dappled things …Landscapes plotted and pieced-fold, fallow and plough;And áll trádes, their gear and tackle and trim.


Grammar Dictionary: alliteration
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(uh-lit-uh-ray-shuhn)

The repetition of the beginning sounds of words, as in “Peter Piper picked a peck of pickled peppers,” “long-lived,” “short shrift,” and “the fickle finger of fate.”


Poetry Glossary: Alliteration
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the repetition of the consonant sounds within words or within lines.

Word Tutor: alliteration
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pronunciation

IN BRIEF: A repetition of the same sound in writing, especially poetry.

pronunciation Greg grunted gruffly as he tried to learn how to use an alliteration.

Wikipedia: Alliteration
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Alliteration is a literary or rhetorical stylistic device that consists in repeating the same consonant sound at the beginning of several words in close succession. An example is the Mother Goose tongue-twister, "Peter Piper picked a peck of pickled peppers …"

Assonance and consonance are types of alliteration.

In poetry, alliteration may also refer to repetition of a consonant in any syllables that, according to the poem's meter, are stressed as if they occurred at the beginning of a word, as in James Thomson's verse "Come…dragging the lazy languid Line along" [1].

Alliteration is usually distinguished from the mere repetition of the same sound in positions other than the beginning of each word — whether a consonant, as in "some mammals are clammy" (consonance) or a vowel, as in "yellow wedding bells" (assonance); but the term it is sometimes used in these broader senses.[citation needed] Alliteration may also include the use of different consonants with similar properties (labials, dentals, etc.) [2] or even the unwritten glottal stop that precedes virtually every word-initial vowel in the English language, as in the phrase "Apt alliteration's artful aid" (despite the unique pronunciation of the "a" in each word) [3].

Alliteration is commonly used in many languages, especially in poetry. Alliterative verse was an important ingredient of poetry in Old English and other old Germanic languages such as Old High German, Old Norse, and Old Saxon. On the other hand, its accidental occurrence is often viewed as a defect.

Contents

Usage in English

Literature and poetry

The relative formal accessibility of alliteration makes it one of the most commonly used literary tools in English, tracing its origins back to Old English and its ancestral languages. Old Germanic poetry was mostly in the form of alliterative verse that relied heavily on consonance akandycend assonance rather than rhyme. An example of Old English alliterative verse, is this passage from the famous poem Beowulf[4]:

[...] Þa cwom Wealhþeo forð
gan under gyldnum beage, þær þa godan twegen
sæton suhterge-fæderan; þa gyt wæs hiera sib ætgædere,
æghwylc oðrum trywe.

[...] Wealhtheow came to sit
in her gold crown between two good men,
uncle and nephew, each one of whom
still trusted the other

Beowulf, lines 1162-1165.

Statistical analysis of alliteraton use in a Thomas Churchyard poem was used in order to correctly date it in relation to his other works.[5] Statistics can also fuel debates on whether alliterations in literary works were included by chance or by the author’s volition, as in a recent study of 100 Shakespearian sonnets.[6]

Alliteration still seems to maintain an important, though perhaps more subtle, part in contemporary English poetry. Books aimed at young readers often use alliteration, as it consistently captures children's interest, as the "powerful Poo-A-Doo powder" and the "Bitsy Big-Boy Boomeroo" in Dr. Seuss's The Butter Battle Book.

Among contemporary literature, crime fiction writer James Ellroy employed alliteration extensively in the second volume of his Underworld USA Trilogy, The Cold Six Thousand, consistent with the novel's hard-boiled tabloid style.

Pop culture

Alliteration survives most obviously in modern English in magazine article titles, advertisements and business names, comic strip or cartoon characters, and common expressions: [7]


Old English names

Another use of alliteration in Old English, outside the literary sphere, is found in personal name giving.[11] This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th century by their direct descendants Æthelstan and Æthelred II, who ruled as kings of England.[12] The Anglo-Saxon saints Tancred, Torhtred and Tova provide a similar example, among siblings.[13]

A well-known modern example of alliteration in name giving is the Gracie family.

See also

References

  1. ^ James Thomson. The Castle of Indolence. 
  2. ^ Stoll, E. E. (May 1940). "Poetic Alliteration". Modern Language Notes 55 (5): 388. 
  3. ^ Scott, Fred N. (December 1915). "Vowel Alliteration in Modern Poetry". Modern Language Notes 30 (8): 237. 
  4. ^ Hieatt, Constance B., 'Alliterative Patterns in the Hypermetric Lines of Old English Verse', in Modern Philology Vol. 71, No. 3. (Feb. 1974), pp. 237
  5. ^ Shirley, Charles G, Jr. "Alliteration as Evidence in Dating a Poem of Thomas Churchyard: An Exploratory Computer-Aided Study". Modern Philology, Vol. 76, No. 4. (May, 1979), pp. 374.
  6. ^ Stoll, Elmer E. Modern Language Notes, Vol. 55, No. 5. (May, 1940), pp. 388-390.
  7. ^ Coard, Robert L. Wide-Ranging Alliteration. Peabody Journal of Education, Vol. 37, No. 1. (Jul., 1959),pp. 30-32.
  8. ^ Wylie, Philip G. Science has Spoiled my Supper. Atlantic Magazine, April 1954.
  9. ^ Dykeman, Wilma: Too Much Talent in Tennessee? Harper's Magazine, 210 (Mar 1955): 48-53.
  10. ^ Oppel, Richard A. Kurdish Control of Kirkuk Creates a Powder Keg in Iraq. New York Times. [1]
  11. ^ Gelling, M., Signposts to the Past (2nd edition), Phillimore, 1988, pp. 163-4.
  12. ^ Old English "Æthel" translates to modern English "noble". For further examples of alliterative Anglo-Saxon royal names, including the use of only alliterative first letters, see e.g. Yorke, B., Kings and Kingdoms of Early Anglo-Saxon England, Seaby, 1990, Table 13 (p. 104; Mercia, names beginning with "C", "M", and "P"), and pp. 142-3 (Wessex, names beginning with "C"). For discussion of the origins and purposes of Anglo-Saxon "king lists" (or "regnal lists"), see e.g. Dumville, D.N., 'Kingship, Genealogies and Regnal Lists', in Sawyer, P.H. & Wood, I.N. (eds.), Early Medieval Kingship, University of Leeds, 1977.
  13. ^ Rollason, D.W., 'Lists of Saints' resting-places in Anglo-Saxon England', in Anglo-Saxon England 7, 1978, p. 91.

External links


Translations: Alliteration
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Dansk (Danish)
n. - alliteration, bogstavrim

Nederlands (Dutch)
alliteratie (stafrijm)

Français (French)
n. - allitération

Deutsch (German)
n. - Stabreim, Alliteration

Ελληνική (Greek)
n. - (γραμμ.) παρήχηση

Italiano (Italian)
allitterazione

Português (Portuguese)
n. - aliteração (f)

Русский (Russian)
аллитерация

Español (Spanish)
n. - aliteración

Svenska (Swedish)
n. - allitteration

中文(简体)(Chinese (Simplified))
头韵

中文(繁體)(Chinese (Traditional))
n. - 頭韻

한국어 (Korean)
n. - 두운[법]

日本語 (Japanese)
n. - 頭韻

العربيه (Arabic)
‏(الاسم) تكرير حرف او اكثر في بدايه لفظتين متجاورتين‏

עברית (Hebrew)
n. - ‮היקרות של אותה אות או אותו צליל בהתחלת מלים קרובות זו לזו, שוויון צלילים, אליטרציה‬


 
 
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