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book

  (bʊk) pronunciation
n.
  1. A set of written, printed, or blank pages fastened along one side and encased between protective covers.
    1. A printed or written literary work.
    2. A main division of a larger printed or written work: a book of the Old Testament.
    1. A volume in which financial or business transactions are recorded.
    2. books Financial or business records considered as a group: checked the expenditures on the books.
    1. A libretto.
    2. The script of a play.
  2. Book
    1. The Bible.
    2. The Koran.
    1. A set of prescribed standards or rules on which decisions are based: runs the company by the book.
    2. Something regarded as a source of knowledge or understanding.
    3. The total amount of experience, knowledge, understanding, and skill that can be used in solving a problem or performing a task: We used every trick in the book to finish the project on schedule.
    4. Informal. Factual information, especially of a private nature: What's the book on him?
  3. A packet of like or similar items bound together: a book of matches.
  4. A record of bets placed on a race.
  5. Games. The number of card tricks needed before any tricks can have scoring value, as the first six tricks taken by the declaring side in bridge.

v., booked, book·ing, books.

v.tr.
  1. To list or register in or as if in a book.
    1. To record charges against (a person) on a police blotter.
    2. Sports. To record the flagrant fouls of (a player) for possible disciplinary action, as in soccer.
  2. To arrange for (tickets or lodgings, for example) in advance; reserve.
  3. To hire or engage: The manager booked a magic show for Saturday night.
  4. To allocate time for.
v.intr.

To make a reservation: Book early if you want good seats.

adj.
  1. Of or relating to knowledge learned from books rather than actual experience: has book smarts but not street smarts.
  2. Appearing in a company's financial records: book profits.
idioms:

bring to book

  1. To demand an explanation from; call to account.
in (one's) book
  1. In one's opinion: In my book they both are wrong.
like a book
  1. Thoroughly; completely: I know my child like a book.
one for the books
  1. A noteworthy act or occurrence.
throw the book at
  1. To make all possible charges against (a lawbreaker, for example).
  2. To reprimand or punish severely.

[Middle English bok, from Old English bōc.]

booker book'er n.

SYNONYMS  book, bespeak, engage, reserve. These verbs mean to cause something to be set aside in advance, as for one's use or possession: will book a hotel room; made sure their selections were bespoken; engaged a box for the opera season; reserving a table at a restaurant.

WORD HISTORY   From an etymological perspective, book and beech are branches of the same tree. The Germanic root of both words is *bōk-, ultimately from an Indo-European root meaning “beech tree.” The Old English form of book is bōc, from Germanic *bōk-ō, “written document, book.” The Old English form of beech is bēce, from Germanic *bōk-jōn, “beech tree,” because the early Germanic peoples used strips of beech wood to write on. A similar semantic development occurred in Latin. The Latin word for book is liber, whence library. Liber, however, originally meant “bark”—that is, the smooth inner bark of a tree, which the early Romans likewise used to write on.


 
 
How Products are Made: How is a book made?

Background

A book can be broadly defined as a written document of at least 49 text pages that communicates thoughts, ideas, or information. Throughout the ages, books have changed dramatically, assuming a number of different forms. To a great extent, the evolution of the book has followed the expansion of communication forms and methods and the ever-increasing demand for information.

The first known forms of written documentation were the clay tablet of Mesopotamia and the papyrus roll of Egypt. Examples of both date back as early as 3000 B.C. Independent of these developments were Chinese books, made of wood or bamboo strips bound together with cords. These books dated back to 1300 B.C.

Modern book production came about as a result of the invention of printing press. Although the invention of printing most likely occurred earlier in China as well, the introduction of movable type and the printing press to Europe is credited to Johann Gutenberg of Germany. Gutenberg, in collaboration with his partners Johann Fust and Peter Schoffer, printed a Latin Bible using a hand printing press with movable lead type by about 1456. Each individual letter of early hand-set type was designed in a style closely resembling script or handlettering. Thus, the first books printed in Europe appeared much like books produced by scribes. Books printed in the fifteenth century are now called incunabula, a word derived from the Latin word for cradle. In 1640, Stephen Day printed the first book in North America, in Cambridge, Massachusetts.

Because the printing press and moveable type mechanized the book production process, books became available in greater numbers. By the nineteenth century, however, the demand for books could not be met quickly enough by the process of hand printing. Printers developed larger presses to accommodate larger sheets of paper and/or the newly invented continuous rolls of paper. These improvements allowed printers to produce books at a much faster rate. During the decades of the mid-1800s, further progress was made, including the invention of the papermaking machine (1820s), binding machinery (1860), and the cylinder press (1840s); later, the linotype (invented in 1884), cast type by line rather than by individual letter.

Book production in America and throughout the industrialized world has flourished and expanded during the twentieth century. Important advances in printing, such as the introduction of the offset printing press and computerized typesetting, have made mass production more economical. The development of the paperback book, which was introduced in the 1940s to provide a less expensive alternative to the traditional hardback book, has also made books more accessible to the public. While the invention of other forms of media, such as radio and television, has had an adverse impact on reading in general, books remain the primary source of knowledge throughout most of the world.

Raw Materials

Books are made from a variety of different coated and uncoated paper stocks that differ in weight and size. In addition, different color inks may be used. Also, while front and back covers are generally made from a heavier stock of paper, they will vary in terms of weight. For example, hardback books have a durable cardboard stock cover while paperback books are made from a thinner paper stock. Usually, cover stocks are coated with different colors or designs.

Since the nineteenth century, book production has entailed the use of sophisticated machinery, including typesetting machines, a web or sheet-fed printing press, and book binding machines.

Design

The process of designing a book is ongoing throughout the stages of production. Initially, the author, in conjunction with an editor and book agent, will consider elements of design that pertain to the scope and purpose of the book, the desired approach to the subject matter, whether illustrations should be used, and other issues such as chapter headings and their placement. In determining those elements, the intended audience for the manuscript will be considered, along with accepted editorial standards. Other design considerations include whether a book should have a preface, a foreword, a glossary to define specific terms, an index to reference key words and concepts, and an appendix of supplementary material.

Once the book manuscript is written, editors and authors must refine the manuscript to attain a final edited version prior to production. In most cases, this involves a process of reviewing, editing, proofreading, revising and final approval. After such manuscript design factors are completed, editors and art directors will determine the following features:

  • page size and style
  • typeface size and style
  • the type and weight of paper for the text and cover
  • use of color
  • presentation of visuals/illustrations in the text, if needed
  • cover art/illustrations

The Manufacturing
Process

After the book is written and appropriate design elements are agreed upon, book production can begin. The first stage is type-setting, in which the actual text is converted into the appropriate typeface style (known as font) and size (known as point size). After the typeset version of the book has been reviewed and any necessary changes made, it is ready for printing and binding, in which the actual pages are printed and bound together with the cover, resulting in a finished book. The typesetting and printing—"printing" consists of filming and all subsequent steps—are typically done not by the publisher but by specialized vendors.

Typesetting

  • First, the manuscript is converted into the desired font and point size. If the manuscript has not been completed on a computer, it must be typed into a computer by the type-setter. If it is already in electronic form, however, the typesetter simply has to make programming changes to convert the manuscript into the proper style. The result is generally (but not always; see step #3 below) a galley of the text. A galley form of manuscript consists of long pages of text in a single column. The galley includes the proper typeface, but the proper pagination still must be worked out.
  • Galleys are then proofread and edited for errors by the publisher. This stage is particularly important if the manuscript has been typeset (typed) from a hard copy of the text. If the manuscript was typeset from a computer disk, most of the errors should have already been corrected during a review of the manuscript. The single-column format of galleys facilitates the proofreading.

Pages and mechanical

  • After galleys are thoroughly proofed and edited, pages (or lasers) are produced. An exact layout of typeset pages but usually printed on standard typing paper, pages are also reviewed for accuracy by the publisher. Some books skip the galley stage and proceed directly to pages. Once any necessary changes have been made, the typesetter then produces a mechanical of the typeset pages. Also called camera copy, the mechanical is printed on high-quality paper that is suitable for filming, the first stage in the printing process. The work of the typesetting vendor—if different from the publisher—is now done.

Filming

  • The typeset mechanical now goes to the printing and binding vendor. First, each text page, including line drawings, is photographed (or shot) using a large camera to produce page negatives. These negatives are the opposite of what will actually print. In other words, the text and photos will appear backward in negative form. Negatives are then checked to make sure there are no blemishes present. While printed words and line drawings are all one shade of black, photographs have many shades from palest gray to deepest black and must be filmed using a special process to maintain these shades. The process converts the shades into black and white dots—very light areas have many dots, while darker areas have fewer dots. The converted photographs are known as halftones. If the book will have more than one color of ink, a separate negative for each color is made. For color photos, for instance, four negatives are generally used: cyan, magenta, yellow, and black. For this reason, books with color will have negative overlays (one negative overlay for each color). Because of the added overlays, a book printed in more than one color involves additional preparation and cost.

Stripping

  • The negatives are then taped or "stripped" into their proper place onto a large sheet called a goldenrod or a flat. Each flat holds 32 or 64 pages, and enough flats are used to equal the number of pages in the book. Strippers examine each finished flat on a lineup table to ensure that text and illustrations are properly lined up and in sequence. (The book pages are not lined up in consecutive order on the flat, and in fact some of the pages are placed upside down. Such placing is necessary because the finished paper version of each flat will be folded several times; once the flat is folded, the 32 or 64 pages will be in the proper order. This placement method is known as imposition.) To make this examination process easier, the lineup tables are equipped with a fluorescent light that shines up through the negatives, so it is easier for the stripper to read and align the text.

Blueprints

  • To make sure the book is progressing properly, a proof of each flat is made by shining ultraviolet light through the negatives to expose their images onto a special light-sensitive paper. The resulting pages are called blueprints (or silverprints, bluelines, or dyluxes) because the paper and ink are blue or silver in appearance. The blueprints are then checked carefully by the publisher. If an editor or art director finds an error on a blueprint or decides to make a change, the page in question has to be rephotographed. The new negative will then be stripped onto the flat.

Plate making

  • After final approval, each flat is photographed, with the negatives being exposed onto (or "burned" onto) a thin sheet of aluminum called a plate. The sections of the plates that contain text and illustrations are then treated with a chemical that attracts ink, thereby ensuring that the text and illustrations will print when on press.

Printing

  • The plates are then sent to press. If printing in only one color, each plate will require only one pass through the press. If printing more than one color, an additional pass will be required for each color. For example, if two colors are used, the paper is fed through the press twice.
  • There are three main printing processes used in book production: offset lithography, letter-press, and gravure. The process used depends less on quality differences than on economic factors such as availability of machines, number of books being printed (the print run), and the speed of delivery. Presses are either sheet-fed (single sheets of paper are fed through) or web-fed (huge rolls of paper are unwound and run through).

Binding

  • After the sheets are printed and dry, they are delivered to the bindery. While many large printing companies have their own binderies, other smaller printers must send the printed sheets to a outside bindery. At the bindery, the flats are folded and collated into book signatures—properly folded 32- or 64-page sections—that are then bound in proper sequence. All of these functions are automated.
  • Book binding also involves sewing the signatures together, gluing the spine, and inserting lining and trimming the edges. The amount and type of binding depends on the type of book (paperback or hardback) and its size. In the final step, the book is "cased in," or enclosed in a cover.

Quality Control

To help ensure that a quality product is produced, print shops conduct a number of periodic checks. In addition to checking blueprints for accuracy, printers will pull a press proof, or sample, before the print run is begun. If certain areas of the proof are too light or too dark, adjustments to the press may be required.

After the book signatures are sewn together, the print shop will spot-check them to make sure they have been folded and sewn correctly. They will also check to see if the book covers are properly bound to prevent the books from deteriorating with use.

Some of the instruments used to control quality include densitometers and colorimeters, both of which are used to evaluate color printing processes; paper hygroscopes, which measure the moisture balance of paper against the relative humidity of printing rooms; and inkometers, which measure the quality of the ink to be used in printing.

The Future

Book production has remained much the same since the early twentieth century, except for changes in typesetting. While dedicated typesetting machines (linotype or monotype) have been standard equipment in print shops and typesetting businesses since 1900, desktop publishing on microcomputers has become a cost-effective alternative. With the proper typesetting software and a laser printer, users can generate text, insert graphics, and create layouts and page designs that are as sophisticated and detailed as those produced by traditional typesetting machines. As a result, authors, publishers, print shops, and virtually any other business have been able to set type and perform page layout and design on microcomputers. Furthermore, depending on the resolution and quality of the laser printer, users can create type that a printer can use to shoot a negative. Such type is referred to as camera-ready.

In addition, desktop publishing accessories such as scanners and graphics software allow users to insert still more computer graphics and scan in photographs, hardcopy graphics, and text into their desktop system.

For book production, many authors, publishers, and design shops now have their own desktop publishing equipment, allowing them to give printers camera-ready copy. If they do not have laser printers with sufficient print-quality resolution, they can simply give the printer the book in disk form and have the printer run the type out on a laser printer with high resolution. Either way, desktop publishing gives the user more design control and cuts down on production costs.

Because desktop publishing is relatively new, changes and enhancements continue to make the systems more user-friendly. As more people gain access to such systems, book publication and publishing in general will see more widespread use of desktop publishing in the future.

Where To Learn More

Books

Foot, Miriam. Studies in the History of Bookbinding. Ashgate Publishing Co., 1992.

Harrison, Thomas. The Bookbinding Craft & Industry. Garland Publishing, Inc., 1990.

Hollick, Richard. Book Manufacturing. Cambridge University Press, 1986.

Lyman, Ralph. Binding & Finishing. Graphic Arts Technical Foundation, 1993.

Matthews, Brander. Bookbinding Old & New. Garland Publishing, Inc., 1990.

McMurtrie, Douglas C. The Book: Story of Printing & Bookmaking. Dorset Press, 1990.

Pocket Pal: A Graphic Arts Production Handbook. International Paper, 14th ed., 1989.

Poynter, Dan. Book Production: Composition, Layout, Editing & DesignGetting It Ready for Printing, 3rd ed. Para Publishing, 1992.

Periodicals

Angstadt, Richard. "Why Typesetting Isn't as Good as It Should Be: An Experienced Typesetter Laments the Communications Problems in a Changing Industry," Publishers Weekly. September 7, 1990, p. 60.

Monkerud, Don. "Plate Full of Promises: Direct-to-Plate Technology Offers Faster and Cheaper Short-Run Color Printing," Publish. January, 1993, p. 48.

[Article by: Greg Ling]


 

A record of all the positions that a trader is holding. This record shows the total amount of long and short position that the trader has undertaken.

Investopedia Says:
For example, a trader with a very simple "book" may hold two positions: one long position of XYZ stock worth $1,500 and a short position worth $2,500. Keeping an up-to-date book allows a trader to be aware of his or her positions, and would be a good step in preventing a trader from being exposed to any one position for a long period of time.

Related Links:
From picking the right type of stock to setting stop-losses, learn how to trade wisely. Day Trading Strategies For Beginners
Learn about this controversial way of investing. Day Trading: An Introduction
Learn how the largest and fastest growing market can work for you. The Forex Market


 

1. Trader's log of purchases and sales creating a market position. Also called a position sheet. A trader's book may be Long (an excess of assets or forward market purchases over liabilities in the same asset), Short (an excess of liabilities or forward sales contracts over assets), or matched in which assets are roughly equivalent to liabilities of the same maturities. A trader who has more liabilities than assets, or vice versa, is said to be running an open book or Unmatched Book.

In the securities industry, specialists on the New York Stock Exchange maintain a book of orders to buy and sell stocks in which they are authorized to make markets.

2. To put a loan or Loan Participation on the balance sheet as an earning asset.

3. Shorthand expression for Book Value of a bank's common stock in relation to market value, as in "ABC Bank is selling at twice book."

 
Thesaurus: book

noun

    A printed and bound work: tome, volume. See words.

verb

  1. To register in or as if in a book: catalog, enroll, inscribe, list, set down, write down. See remember/forget.
  2. To cause to be set aside, as for one's use, in advance: bespeak, engage, reserve. See get/lose.

 
Antonyms: book

v

Definition: arrest
Antonyms: exonerate, free, let go

v

Definition: register, arrange for
Antonyms: bow out, cancel


 

Written (or printed) message of considerable length, meant for circulation and recorded on any of various materials that are durable and light enough to be easily portable. The papyrus roll of ancient Egypt is more nearly the direct ancestor of the modern book than is the clay tablet; examples of both date to c. 3000 BC. Somewhat later, the Chinese independently created an extensive scholarship based on books, many made of wood or bamboo strips bound with cords. Lampblack ink was introduced in China c. AD 400 and printing from wooden blocks in the 6th century. The Greeks adopted the papyrus roll and passed it on to the Romans. The parchment or vellum codex superseded the papyrus roll by AD 400. Medieval parchment or vellum leaves were prepared from the skins of animals. By the 15th century, paper manuscripts were common. Printing spread rapidly in the late 15th century. Subsequent technical achievements, such as the development of offset printing, improved many aspects of book culture. In the late 1990s, downloadable electronic books became available over the Internet.

For more information on book, visit Britannica.com.

 
The word book has come to have many meanings, e.g., any collection of sheets of paper, wood, or other material sewn or bound together; a division of a written work (books of the Bible, books of Caesar's Gallic War); and statements of financial accounting (bookkeeping). The primary meaning today is, however, a written work either in manuscript or in printed form that is of substantial length.

Early Books

Early in the history of bookmaking the printed book was distinguished in size by the number of times the original large sheet of paper on which the type was printed had been folded, i.e., folio, quarto, octavo, and duodecimo. With the advent of machine-made paper, these sizes were standardized. The standard octavo, according to the American Library Association, is between 20 cm and 25 cm in height.

Books apparently did not come into existence until long after writing, e.g., inscription, was widespread. Fragmentary early papyri represent literature in ancient Egypt and may possibly be considered as books, although it is customary to speak of the Book of the Dead as the first of the Egyptian papyrus books. The cuneiform tablets gathered into the great Assyrian library of Assurbanipal represented an enormous collection of works, but the book as we know it may be said to be derived from the Egyptian writings on papyrus.

The vast literature of the Greeks, collected in the greatest library of the ancient world, in Alexandria, was generally written on large sheets of papyrus, which were glued together and rolled up. The rolls varied greatly in size; many were about 1 ft (30 cm) wide and about 30 ft (9 m) long when unrolled. In the Hellenistic era large works were divided into tomes [Gr.,=cutting] that were stored together in cylinders and labeled.

The method of having the leaves held together in quires (24 or 25 sheets) in the fashion of the modern book seems not to have originated until about the 2d cent. A.D. From at least the early part of the 2d cent. B.C. the more permanent vellum (a type of fine parchment first used in the Middle East) was also used for writing books, and this grew to be very popular in the Middle Ages when books were copied by monks in the scriptoria of monasteries. In the scriptoria the art of illumination flourished, making artistic masterpieces of many medieval liturgical volumes.

Book Printing

The production of books in great quantity had to await the mechanical processes of printing from movable type. Printing was invented in China, where the first book printed by means of woodblocks is thought to date from the 9th cent. Korea developed movable metal type during the 13th cent. In the West movable metal type was developed by Johann Gutenberg of Mainz, and to a very large extent the history of the book is henceforth the history of printing.

Book production developed very rapidly, the craft becoming enormously sophisticated by the 16th cent. Italian printers set the standards of format and quality retained in Europe until the 19th cent. Great printing houses also arose in France and the Netherlands and, after a general decline in the 17th cent., in England and the United States. The 19th cent. witnessed machine replacement of all the old manual processes. By the end of the century printing quality had been so debased that a revolution, led by William Morris during the arts and crafts movement in England, was necessary to restore the concept of beauty to bookmaking.

Modern Book Production

In recent years computer technology has revolutionized book production and the printing and distribution of comparatively inexpensive softcover books, or paperbacks, has expanded. During the latter part of the 20th cent. the standing of the book as an information source has been challenged by other media including television, computers, and on-line databases. In addition, the very definition of a book as a collection of sheets of paper has also been challenged, as books recorded on audio tape and CD-ROM have become increasingly common and electronic books (small computers designed to display pages of books on their screens) have been introduced.

Related Entries

See also book clubs; book collecting; book publishing; incunabula; library; manuscript; type; typography; writing.

Bibliography

For a brief and excellent bibliography, see H. Lehmann-Haupt, One Hundred Books about Bookmaking (1949). See also F. G. Kenyon, Books and Readers in Ancient Greece and Rome (2d ed. 1951); E. Chiera, They Wrote on Clay (1958); F. L. Schick, The Paperbound Book in America (1959); R. B. McKerrow, An Introduction to Bibliography for Literary Students (1965); H. D. Vervliet, ed., The Book through Five Thousand Years (1972); W. Morris, The Ideal Book (reprints of essays and lectures on the book arts, ed. by W. S. Petersen, 1982).


 
pronunciation

IN BRIEF: A written work that has been published.

pronunciation A book is the only immortality. — Rufus Choate, (1799-1859), American lawyer, senator and representative.

 
Wikipedia: book

A book is a set or collection of written, printed, illustrated, or blank sheets, made of paper, parchment, or other material, usually fastened together to hinge at one side. A single sheet within a book is called a leaf, and each side of a sheet is called a page. A book produced in electronic format is known as an e-book.

The purpose of a book is to be read by the eyes or by fingertips and in some cases by hearing to gather information that has been recorded or printed onto a piece for the transferring of information to the brain for processing.

Books may also refer to a literary work, or a main division of such a work. In library and information science, a book is called a monograph, to distinguish it from serial periodicals such as magazines, journals or newspapers.

In novels, a book may be divided into several large sections, also called books (Book 1, Book 2, Book 3, etc).

A lover of books is usually referred to as a bibliophile, a bibliophilist, or a philobiblist, or, more informally, a bookworm.

Etymology

The word book comes from Old English "bōc" which comes from Germanic root "*bōk-", cognate to beech.[1]

Similarly, in Slavic languages (e.g. Russian and Bulgarian "буква" (bukva)—"letter") is cognate to "beech". It is thus conjectured that the earliest Indo-European writings may have been carved on beech wood.[2]

History of books

Main article: History of the book
Sumerian language cuneiform script clay tablet, 2400–2200 BC.
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Sumerian language cuneiform script clay tablet, 2400–2200 BC.

Antiquity

When writing systems were invented in ancient civilizations, nearly everything that could be written upon—stone, clay, tree bark, metal sheets—was used for writing. Alphabetic writing emerged in Egypt around 1800 BC. At first the words were not separated from each other (scripta continua) and there was no punctuation. Texts were written from right to left, left to right, and even so that alternate lines read in opposite directions. The technical term for this type of writing is 'boustrophedon,' which means literally 'ox-turning' for the way a farmer drives an ox to plough his fields.

Scroll

Main article: Scroll
Egyptian papyrus showing the god Osiris and the weighing of the heart.
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Egyptian papyrus showing the god Osiris and the weighing of the heart.

Papyrus, a thick paper-like material made by weaving the stems of the papyrus plant, then pounding the woven sheet with a hammer-like tool, was used for writing in Ancient Egypt, perhaps as early as the First Dynasty, although the first evidence is from the account books of King Neferirkare Kakai of the Fifth Dynasty (about 2400 BC).[1] Papyrus sheets were glued together to form a scroll. Tree bark such as lime (Latin liber, from there also library) and other materials were also used.[2]

According to Herodotus (History 5:58), the Phoenicians brought writing and papyrus to Greece around the tenth or ninth century BC. The Greek word for papyrus as writing material (biblion) and book (biblos) come from the Phoenician port town Byblos, through which papyrus was exported to Greece.[3] From Greeks we have also the word tome (Greek: τόμος) which originally meant a slice or piece and from there it became to denote "a roll of papyrus". Tomus was used by the Latins with exactly the same meaning as volumen (see also below the explanation by Isidore of Seville).

Whether made from papyrus, parchment, or paper in East Asia, scrolls were the dominant form of book in the Hellenistic, Roman, Chinese and Hebrew cultures. The more modern codex book format form took over the Roman world by late antiquity, but the scroll format persisted much longer in Asia.


Codex

Main article: Codex
Woman holding a book (or wax tablets) in the form of the codex. Wall painting from Pompeii, before 79 AD.
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Woman holding a book (or wax tablets) in the form of the codex. Wall painting from Pompeii, before 79 AD.

Papyrus scrolls were still dominant in the first century AD, as witnessed by the findings in Pompeii. The first written mention of the codex as a form of book is from Martial, in his Apophoreta CLXXXIV at the end of the century, where he praises its compactness. However the codex never gained much popularity in the pagan Hellenistic world, and only within the Christian community did it gain widespread use.[4] This change happened gradually during the third and fourth centuries, and the reasons for adopting the codex form of the book are several: the format is more economical, as both sides of the writing material can be used; and it is portable, searchable, and easy to conceal. The Christian authors may also have wanted to distinguish their writings from the pagan texts written on scrolls.

Wax tablets were the normal writing material in schools, in accounting, and for taking notes. They had the advantage of being reusable: the wax could be melted, and reformed into a blank. The custom of binding several wax tablets together (Roman pugillares) is a possible precursor for modern books (i.e. codex).[5]The etymology of the word codex (block of wood) also suggests that it may have developed from wooden wax tablets.[6]

In the 5th century, Isidore of Seville explained the relation between codex, book and scroll in his Etymologiae (VI.13): "A codex is composed of many books; a book is of one scroll. It is called codex by way of metaphor from the trunks (codex) of trees or vines, as if it were a wooden stock, because it contains in itself a multitude of books, as it were of branches."

Middle Ages

Manuscripts

Main article: Manuscript
Folio 14 recto of the 5th century Vergilius Romanus contains an author portrait of Virgil. Note the bookcase (capsa), reading stand and the text written without word spacing in rustic capitals.
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Folio 14 recto of the 5th century Vergilius Romanus contains an author portrait of Virgil. Note the bookcase (capsa), reading stand and the text written without word spacing in rustic capitals.

The fall of the Roman Empire in the fifth century A.D. saw the decline of the culture of ancient Rome. Papyrus became difficult to obtain, due to lack of contact with Egypt, and parchment, which had been used for centuries, began to be the main writing material.

Monasteries carried on the Latin writing tradition in the Western Roman Empire. Cassiodorus, in the monastery of Vivarium (established around 540), stressed the importance of copying texts[7]. St. Benedict of Nursia, in his Regula Monachorum (completed around the middle of the 6th century) later also promoted reading.[8] The Rule of St. Benedict (Ch. XLVIII), which set aside certain times for reading, greatly influenced the monastic culture of the Middle Ages, and is one of the reasons why the clergy were the predominant readers of books. The tradition and style of the Roman Empire still dominated, but slowly the peculiar medieval book culture emerged.

Before the invention and adoption of the printing press, almost all books were copied by hand, making books expensive and comparatively rare. Smaller monasteries usually had only some dozen books, medium sized perhaps a couple hundred. By the ninth century, larger collections held around 500 volumes; and even at the end of the Middle Ages, the papal library in Avignon and Paris library of Sorbonne held only around 2,000 volumes.[9]

Burgundian scribe (portrait of Jean Miélot, from Miracles de Notre Dame), 15th century. The depiction shows the room's furnishings, the writer's materials, equipment, and activity.
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Burgundian scribe (portrait of Jean Miélot, from Miracles de Notre Dame), 15th century. The depiction shows the room's furnishings, the writer's materials, equipment, and activity.

The scriptorium of the monastery was usually located over the chapter house. Artificial light was forbidden, for fear it may damage the manuscripts. There were five types of scribes:

  • Copyists, who dealt with basic production and correspondence
  • Calligraphers, who dealt in fine book production
  • Correctors, who collated and compared a finished book with the manuscript from which it had been produced
  • Rubricators, who painted in the red letters
  • Illuminators, who painted illustrations

The bookmaking process was long and laborious. The parchment had to be prepared, then the unbound pages were planned and ruled with a blunt tool or lead, after which the text was written by the scribe, who usually left blank areas for illustration and rubrication. Finally the book was bound by the bookbinder.[10]

Desk with chained books in the Library of Cesena, Italy.
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Desk with chained books in the Library of Cesena, Italy.

Different types of ink were known in antiquity, usually prepared from soot and gum, and later also from gall nuts and iron vitriol. This gave writing the typical brownish black color, but black or brown were not the only colours used. There are texts written in red or even gold, and different colours were used for illumination. Sometimes the whole parchment was coloured purple, and the text was written on it with gold or silver (eg Codex Argenteus).[11]

Irish monks introduced spacing between words in the seventh century. This facilitated reading, as these monks tended to be less familiar with Latin. However the use of spaces between words did not become commonplace before the 12th century. It has been argued,[12] that the use of spacing between words shows the transition from semi-vocalized reading into silent reading.

The first books used parchment or vellum (calf skin) for the pages. The book covers were made of wood and covered with leather. As dried parchment tends to assume the form before processing, the books were fitted with clasps or straps. During the later Middle Ages, when public libraries appeared, books were often chained to a bookshelf or a desk to prevent theft. The so called libri catenati were used up to 18th century.

At first books were copied mostly in monasteries, one at a time. With the rise of universities in the 13th century, the Manuscript culture of the time lead to an increase in the demand for books, and a new system for copying books appeared. The books were divided into unbound leaves (pecia), which were lent out to different copyists, so the speed of book production was considerably increased. The system was maintained by stationers guilds, which were secular, and produced both religious and non-religious material.[13]

Wood block printing

A 15th century incunabulum. Notice the blind-tooled cover, corner bosses and clasps for holding the book shut.
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A 15th century incunabulum. Notice the blind-tooled cover, corner bosses and clasps for holding the book shut.

In woodblock printing, a relief image of an entire page was carved into blocks of wood, inked, and used to print copies of that page. This method originated in China, in the Han dynasty (before 220AD), as a method of printing on textiles and later paper, and was widely used throughout East Asia. The oldest dated book printed by this method is The Diamond Sutra (868 AD).

The method (called Woodcut when used in art) arrived in Europe in the early 14th century. Books (known as block-books), as well as playing-cards and religious pictures, began to be produced by this method. Creating an entire book was a painstaking process, requiring a hand-carved block for each page; and the wood blocks tended to crack, if stored for long.

Movable type and incunabula

Main article: Incunabulum

The Chinese inventor Pi Sheng made movable type of earthenware circa 1045, but there are no known surviving examples of his printing. Metal movable type was invented in Korea during the Goryeo Dynasty (around 1230), but was not widely used: one reason being the enormous Chinese character set. Around 1450, in what is commonly regarded as an independent invention, Johannes Gutenberg invented movable type in Europe, along with innovations in casting the type based on a matrix and hand mould. This invention gradually made books less expensive to produce, and more widely available.

Early printed books, single sheets and images which were created before the year 1501 in Europe are known as incunabula. A man born in 1453, the year of the fall of Constantinople, could look back from his fiftieth year on a lifetime in which about eight million books had been printed, more perhaps than all the scribes of Europe had produced since Constantine founded his city in A.D. 330.[14]

A Chinese bamboo book, in a collection at the University of California, Riverside.
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A Chinese bamboo book, in a collection at the University of California, Riverside.

Modern world

Steam-powered printing presses became popular in the early 1800s. These machines could print 1,100 sheets per hour, but workers could only set 2,000 letters per hour.

Monotype and linotype presses were introduced in the late 19th century. They could set more than 6,000 letters per hour and an entire line of type at once.

The centuries after the 15th century were thus spent on improving both the printing press and the conditions for freedom of the press through the gradual relaxation of restrictive censorship laws. See also intellectual property, public domain, copyright. In mid-20th century, Europe book production had risen to over 200,000 titles per year.

Book structure

An uncut book; the pages must be separated before reading
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An uncut book; the pages must be separated before reading
Main article: Book design

The common structural parts of a book include:

  • Front cover: hardbound or softcover (paperback); the spine is the binding that joins the front and rear covers where the pages hinge
  • Front endpaper
  • Flyleaf
  • Body: the text or contents, the pages often collected or folded into signatures; the pages are usually numbered sequentially, and often divided into chapters.

Sizes

The Librarian, by Giuseppe Arcimboldo (1566), oil on canvas, at Skokloster Castle, Sweden.
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The Librarian, by Giuseppe Arcimboldo (1566), oil on canvas, at Skokloster Castle, Sweden.
Main article: Book size

The size of a modern book is based on the printing area of a common flatbed press. The pages of type were arranged and clamped in a frame, so that when printed on a sheet of paper the full size of the press, the pages would be right side up and in order when the sheet was folded, and the folded edges trimmed.

The most common book sizes are:

  • Quarto (4to): the sheet of paper is folded twice, forming four leaves (eight pages) approximately 11-13 inches (ca 30 cm) tall
  • Octavo (8vo): the most common size for current hardcover books. The sheet is folded three times into eight leaves (16 pages) up to 9 ¾" (ca 23 cm) tall.
  • DuoDecimo (12mo): a size between 8vo and 16mo, up to 7 ¾" (ca 18 cm) tall
  • Sextodecimo (16mo): the sheet is folded four times, forming sixteen leaves (32 pages) up to 6 ¾" (ca 15 cm) tall

Sizes larger than quarto are:

  • Folio: up to 15" (ca 38 cm) tall.
  • Elephant Folio: up to 23" (ca 58 cm) tall.
  • Atlas Folio: up to 25" (ca 63 cm) tall.
  • Double Elephant Folio: up to 50" (ca 127 cm) tall.

Sizes smaller than 16mo are:

  • 24mo: up to 5 ¾" (ca 13 cm) tall.
  • 32mo: up to 5" (ca 12 cm) tall.
  • 48mo: up to 4" (ca 10 cm) tall.
  • 64mo: up to 3" (ca 8 cm) tall.

Types of books

A collection of Penguin Books
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A collection of Penguin Books

Small books can be called booklets.

Notebooks are blank books to be written in by the user. Students use them for taking notes. Scientists and other researchers use lab notebooks to record their work. Many notebooks are simply bound by a spiral coil at the edge so that pages can be easily torn out. Books to be partly filled in by the user include a personal address book, phone book, or calendar book for recording appointments, etc.

Albums are books for holding collections of memorabilia, pictures or photographs. They are often made so that the pages are removable. albums hold collections of stamps.

Books for recording periodic entries by the user, such as daily information about a journey, are called logbooks or simply logs. A similar book for writing daily the owner's private personal events and information is called a diary.

Businesses use accounting books such as journals and ledgers to record financial data in a practice called bookkeeping.

Pre-printed school books for students to study are commonly called textbooks. Elementary school pupils often use workbooks which are published with spaces or blanks to be filled by them for study or homework.

A book with written prayers is called a prayerbook or missal. A book with a collection of hymns is called a hymnal.

In a library, a general type of non-fiction book which provides information as opposed to telling a story, essay, commentary, or otherwise supporting a point of view, is often referred to as a reference book. A very general reference book, usually one-volume, with lists of data and information on many topics is called an almanac. A more specific reference book with tables or lists of data and information about a certain topic, often intended for professional use, is often called a handbook. Books with technical information on how to do something or how to use some equipment are called manuals.

An encyclopedia is a book or set of books with articles on many topics. A book listing words, their etymology, meanings, etc. is called a dictionary. A book which is a collection of maps is an atlas. Books which try to list references and abstracts in a certain broad area may be called an index, such as Engineering Index, or abstracts such as Chemical Abstracts, Biological Abstracts, etc.

Bookmarks were used throughout the medieval period,[15] consisting usually of a small parchment strip attached to the edge of folio (or a piece of cord attached to headband). Bookmarks in the eighteenth and nineteenth centuries were narrow silk ribbons bound into the book and become widespread in the 1850's. They were usually made from silk, embroidered fabrics or leather. Not until the 1880's, did paper and other materials become more common.

Books may also be categorized by their binding or cover. Hard cover books have a stiff binding. Paperback books have cheaper, flexible covers which tend to be less durable.

Publishing is a process for producing books, magazines, newspapers, etc. pre-printed for the reader/user to buy, usually in large numbers by a publishing company. Such books can be categorized as fiction (made-up stories) or non-fiction (information written as fact). A book-length fiction story is called a novel.

Publishers may produce low-cost, pre-publication copies known as galleys or 'bound proofs' for promotional purposes, such as generating reviews in advance of publication. Galleys are usually made as cheaply as possible, since they are not intended for sale.

Collections of books

Main article: Library

Private or personal libraries made up of non-fiction and fiction books, (as opposed to the state or institutional records kept in archives) first appeared in classical Greece. In ancient world the maintaining of a library was usually (but not exclusively) the privilege of a wealthy individual. These libraries could have been either private or public, i.e. for individuals that were interested in using them. The difference from a modern public library lies in the fact that they were usually not funded from public sources. It is estimated that in the city of Rome at the end of the third century there were around 30 public libraries, public libraries also existed in other cities of the ancient Mediterranean region (e.g. Library of Alexandria).[16] Later, in the Middle Ages, monasteries and universities had also libraries that could be accessible to general public. Typically not the whole collection was available to public, the books could not be borrowed and often were chained to reading stands to prevent theft.

Celsus Library was built in 135 A.D. and could house around 12,000 scrolls.
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Celsus Library was built in 135 A.D. and could house around 12,000 scrolls.

The beginning of modern public library begins around 15th century when individuals started to donate books to towns.[17] The growth of a public library system in the United States started in the late 19th century and was much helped by donations from Andrew Carnegie. This reflected classes in a society: The poor or the middle class had to access most books through a public library or by other means while the rich could afford to have a private library built in their homes.

The advent of paperback books in the 20th century led to an explosion of popular publishing. Paperback books made owning books affordable for many people. Paperback books often included works from genres that had previously been published mostly in pulp magazines. As a result of the low cost of such books and the spread of bookstores filled with them (in addition to the creation of a smaller market of extremely cheap used paperbacks) owning a private library ceased to be a status symbol for the rich.

In library and booksellers' catalogues, it is common to include an abbreviation such as "Crown 8vo" to indicate the paper size from which the book is made.

When rows of books are lined on a bookshelf, bookends are sometimes needed to keep them from slanting.

Identification and classification

ISBN number with barcode.
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ISBN number with barcode.

During the 20th century, librarians were concerned about keeping track of the many books being added yearly to the Gutenberg Galaxy. Through a global society called the International Federation of Library Associations and Institutions (IFLA), they devised a series of tools including the International Standard Book Description or ISBD.

Each book is specified by an International Standard Book Number, or ISBN, which is unique to every edition of every book produced by participating publishers, world wide. It is managed by the ISBN Society. An ISBN has four parts: the first part is the country code, the second the publisher code, and the third the title code. The last part is a check digit, and can take values from 0–9 and X (10). The EAN Barcodes numbers for books are derived from the ISBN by prefixing 978, for Bookland, and calculating a new check digit.

Commercial publishers in industrialized countries generally assign ISBNs to their books, so buyers may presume that the ISBN is part of a total international system, with no exceptions. However many government publishers, in industrial as well as developing countries, do not participate fully in the ISBN system, and publish books which do not have ISBNs.

Books on library shelves with bookends, and call numbers visible on the spines
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Books on library shelves with bookends, and call numbers visible on the spines

A large or public collection requires a catalogue. Codes called "call numbers" relate the books to the catalogue, and determine their locations on the shelves. Call numbers are based on a Library classification system. The call number is placed on the spine of the book, normally a short distance before the bottom, and inside.

Institutional or national standards, such as ANSI/NISO Z39.41 - 1997, establish the correct way to place information (such as the title, or the name of the author) on book spines, and on "shelvable" book-like objects, such as containers for DVDs, video tapes and software.

One of the earliest and most widely known systems of cataloguing books is the Dewey Decimal System. This system has fallen out of use in some places, mainly because of a Eurocentric bias and other difficulties applying the system to modern libraries. However, it is still used by most public libraries in America. The Library of Congress Classification system is more popular in university libraries. [citation needed]

Classification systems