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canvas

Did you mean: canvas (in textile), Canvas (technology), Canvas (art), Canvas (band), Canvas (Belgium), Canvas (2005 Album by Robert Glasper), Canvas (2006 Drama Film), Project Canvas More...

 
Dictionary: can·vas   (kăn'vəs) pronunciation
 
n.
  1. A heavy, coarse, closely woven fabric of cotton, hemp, or flax, used for tents and sails.
    1. A piece of such fabric on which a painting, especially an oil painting, is executed.
    2. A painting executed on such fabric.
  2. A fabric of coarse open weave, used as a foundation for needlework.
  3. The background against which events unfold, as in a historical narrative: a grim portrait of despair against the bright canvas of the postwar economy.
  4. Nautical. A sail or set of sails.
    1. A tent or group of tents.
    2. A circus tent.
  5. Sports. The floor of a ring in which boxing or wrestling takes place.
idiom:

under canvas

  1. Nautical. With sails spread.
  2. In a tent or tents.

[Middle English canevas, from Old French and from Medieval Latin canavāsium, both ultimately from Latin cannabis, hemp. See cannabis.]


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Stout cloth. Canvas (probably named for cannabis, or hemp), has been made from hemp and flax fibres since ancient times to produce cloth for sails. More recently it has also been made from tow, jute, cotton, and mixtures of such fibres. Flax canvas is essentially of double warp (see weaving), being invariably intended to withstand pressure or rough usage. Articles made from canvas include camera and golf bags, running shoes, tents, and mailbags. Tarred canvas is used for tarpaulins to cover goods. Artists' canvas for painting is much lighter than sail canvas; those of the best quality are made of cream or bleached flax fibre.

For more information on canvas, visit Britannica.com.

 
Architecture: canvas
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A closely woven cloth of cotton, hemp, or flax; sometimes adhered to a wall or deck to serve as a substrate for paint; used to cover roof decks that are walking surfaces or sun decks.


 
canvas, strong, coarse cloth of cotton, flax, hemp, or other fibers, early used as sailcloth. Left in its natural color, bleached, or dyed, it has a wide variety of uses, as for game, duffel, sport, mail, and nose bags, tennis shoes, covers, tents, and awnings. Waterproofed with tar, paint, or the like, it is called tarpaulin and used to protect boats, hatches, and machinery. Duck is a fine light quality used for summer clothing, awnings, and sails. Artists' canvas is a light, smooth, single-warp texture, specially treated to receive paint. Art or embroidery canvas is an open-mesh type, usually linen, for working in crewels and for needlepoint.


 
Word Tutor: canvas
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pronunciation

IN BRIEF: n. - A heavy, closely woven fabric (used for clothing or chairs or sails or tents); The mat that forms the floor of the ring in which boxers or professional wrestlers compete. Also: a piece of cloth used for painting.

pronunciation Life in itself is an empty canvas, it becomes whatsoever you paint on it. You can paint misery, you can paint bliss. The freedom is your glory. — Osho

Tutor's tip: She had to "canvass" (to look out carefully) all the stores before she found the right "canvas" (fabric used in sails and by artists) for the painting.

 
Wikipedia: Canvas
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Splined canvas

Canvas is an extremely heavy-duty plain-woven fabric used for making sails, tents, marquees, backpacks, and other functions where sturdiness is required. It is also popularly used as a painting surface, typically stretched, and on fashion handbags and shoes.

Contents

Etymology

The word canvas is derived from the 13th century Anglo-French canevaz and the Old-French canevas. Both may be derivatives of the Vulgar Latin cannapaceus for "made of hemp".[1]

Physical characteristics

Modern canvas is usually made of cotton. It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave. Canvas comes in two basic types: plain and duck. The threads in duck canvas are more tightly woven. The term 'duck' refers to the dutch word for cloth, 'doek'. In the United States, canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number 4.

Canvas for painting

Canvas has become the most common support medium for oil painting, replacing wooden panels. One of the earliest surviving oils on canvas is a French Madonna with angels from around 1410 in the Gemäldegalerie, Berlin. However, panel painting remained more common until the 16th century in Italy and the 17th century in Northern Europe. Mantegna and Venetian artists were among those leading the change; Venetian sail canvas was readily available and regarded as the best quality.

Canvas is typically stretched across a wooden frame called a stretcher, and may be coated with gesso before it is to be used; this is to prevent oil paint from coming into direct contact with the canvas fibers, which will eventually cause the canvas to decay. A traditional and flexible chalk gesso is composed of lead carbonate and linseed oil, applied over a rabbit skin glue ground; a variation using titanium white pigment and calcium carbonate is rather brittle and susceptible to cracking. As lead-based paint is poisonous, care has to be taken in using it. Various alternative and more flexible canvas primers are commercially available, the most popular being a synthetic latex paint composed of titanium dioxide and calcium carbonate, bound with a thermo-plastic emulsion. Many artists have painted onto unprimed canvas, such as Jackson Pollock[2], Kenneth Noland, Francis Bacon, Helen Frankenthaler, Dan Christensen, Larry Zox, Ronnie Landfield, Color Field painters, Lyrical Abstractionists and others.

Early canvas was made of linen, a sturdy brownish fabric of considerable strength. Linen is particularly suitable for the use of oil paint. In the early 20th century, cotton canvas, often referred to as "cotton duck", came into use. Linen is composed of higher quality material, and remains popular with many professional artists, especially those who work with oil paint. Cotton duck, which stretches more fully and has an even, mechanical weave, offers a more economical alternative. The advent of acrylic paint has greatly increased the popularity and use of cotton duck canvas. Linen and cotton derive from two entirely different plants, the flax plant and the cotton plant.

Gesso-ed canvases on stretchers are also available. These pre-stretched, pre-primed canvases are suitable for all but the most exacting professional standards. They are available in a variety of weights: light-weight is about 4 oz. or 5 oz.; medium-weight is about 7 oz. or 8 oz.; heavy-weight is about 10 oz. or 12 oz. They are prepared with two or three coats of gesso and are ready for use straight away. Artists desiring greater control of their painting surface may add a coat or two of their preferred gesso. Professional artists who wish to work on canvas may prepare their own canvas in the traditional manner.

One of the most outstanding differences between modern painting techniques and those of the Flemish and Dutch Masters is in the preparation of the canvas. "Modern" techniques take advantage of both the canvas texture as well as those of the paint itself. Renaissance masters took extreme measures to ensure that none of the texture of the canvas came through. This required a painstaking, months-long process of layering the raw canvas with (usually) lead-white paint, then polishing the surface, and then repeating.[3] The final product had little resemblance to fabric, but instead had a glossy, enamel-like finish. This flat surface was crucial in attaining photographic realism.

With a properly prepared canvas, the painter will find that each subsequent layer of color glides on in a "buttery" manner, and that with the proper consistency of application (fat over lean technique), a painting entirely devoid of brushstrokes can be achieved. A warm iron is applied over a piece of wet cotton to flatten the wrinkles.

Canvas can also be printed onto using offset or specialist digital printers to create canvas prints. This process of digital inkjet printing is popularly referred to as Giclée. After printing, the canvas can be wrapped around a stretcher and displayed.

Splined canvas, stretched canvas and canvas boards

Splined canvases differ from traditional side-stapled canvas in that canvas is attached with a spline at the rear of the frame. This allows the artist to incorporate painted edges into the artwork itself without staples at the sides, and the artwork can be displayed without a frame. Splined canvas can be restretched by adjusting the spline.

Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises.

Canvas boards are made of cardboard with canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a certain type of paint. They are primarily used by artists for quick studies.

Canvas used for canoes

Stretching canvas on a canoe
Wood-and-canvas canoe built by Joe Seliga

Wood-and-canvas canoes are made by fastening an external waterproofed canvas shell to a wooden hull formed with white cedar planks and ribs. These canoes evolved directly from birchbark construction. Maine was the location of the development of commercial wood-and-canvas canoes. E. H. Gerrish, of Bangor, is now recognized as the first person to produce wood-and-canvas canoes commercially, but other Maine builders soon followed, including, B. N. Morris, of Veazie, E. M. White, of Old Town, and, of course, the Gray family of the Old Town Canoe Co. In the adjoining Canadian province of New Brunswick, from the late 1800s until being disbanded in 1979, the Chestnut Canoe Company, along with the Old Town Canoe Company in Maine, became the pre-eminent producers of wood-and-canvas canoes. American President Teddy Roosevelt purchased Chestnut canoes for a South American expedition. Wood-and-canvas canoes have undergone a resurgence in recent years, spurred in part by the Wooden Canoe Heritage Association [4]. Builders abound, including Jerry Stelmok, Rollin Thurlow, Ken Solway, Joe Seliga, and many others.

Canvas used for trampolines

Canvas has become a very popular choice of use for trampoline manufacturers in the last decade. As the number of trampoline sales has increased in the UK, so has the amount of Canvas used in order to make them. Cheaper trampolines usually have a bed made from simple woven fabric making them liable to more damage when used by multiple users at any one time. Canvas is used for more expensive trampolines because it's tougher and therefore allows for more people to bounce at one time.

Non-traditional uses for stretched canvas

It has become popular to use the myriad of stretched canvasses sizes and shapes for unconventional creative expression. Artists can create miniature works on business card sized stretched canvas and use them as trading cards to make connections with other artists. Many artists use canvas for altered art pieces as well as for scrapbook pages—because stretched canvas is available in many sizes, from miniatures to wall size, it is used for decoupage and needlework projects, made into lamps, or painted simply for home decor.

Canvas Types

Waterproof canvas
Water Resistant Canvas
Fire Proof Canvas
Dyed Canvas
Stripe Canvas
Printed Canvas

Canvas Products

Canvas tent
Canvas tarpaulins
Canvas Bags
Canvas Covers

See also

References


 
Translations: Canvas
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Dansk (Danish)
n. - lærred, sejldug, telt, groft lærred, madras i boksering, sejl
v. tr. - dække med sejldug

idioms:

  • under canvas    for fulde segl, i telt

Nederlands (Dutch)
canvas, doek, schilderslinnen, schilderdoek, schilderij, zeildoek, borduurgaas, mat voor worstelen, tent, met canvas bedekken

Français (French)
n. - toile, (Art) toile, (fig) panorama, échelle, tapis (de boxe)
v. tr. - peindre une toile

idioms:

  • under canvas    sous la tente

Deutsch (German)
n. - Gemälde, Leinwand, Segeltuch, Kanevas, Zelt
v. - mit Segeltuch überziehen

idioms:

  • under canvas    im Zelt, (mar.) unter Segel

Ελληνική (Greek)
n. - καμβάς, καραβόπανο, ελαιογραφία, δάπεδο παλαίστρας, καναβάτσο
attrib. - σε καμβά, από καραβόπανο

idioms:

  • under canvas    (καθομ.) σε κατασκήνωση, με σηκωμένα πανιά

Italiano (Italian)
canovaccio, tela, tenda

idioms:

  • under canvas    a vele spiegate

Português (Portuguese)
n. - lona (f), tela (f) (Pint.), vela (f) (Náut.), tenda (f)

idioms:

  • under canvas    com as velas desfraldadas, dentro da tenda

Русский (Russian)
холст, полотно, брезент

idioms:

  • under canvas    в палатках

Español (Spanish)
n. - pintura, cuadro, lienzo, lona, tienda de campaña, carpa
v. tr. - pintar sobre lienzo

idioms:

  • under canvas    en una tienda de campaña, con velamen desplegado

Svenska (Swedish)
n. - kanvas, segelduk, tält, målning, ringgolv
attr. - segel-, duk-

中文(简体)(Chinese (Simplified))
帆布, 油画, 画布, 用帆布覆盖, 用帆布装备

idioms:

  • under canvas    过帐蓬生活, 张着帆

中文(繁體)(Chinese (Traditional))
n. - 帆布, 油畫, 畫布
v. tr. - 用帆布覆蓋, 用帆布裝備

idioms:

  • under canvas    過帳蓬生活, 張著帆

한국어 (Korean)
n. - 캔버스, 서커스, 유화
v. tr. - 간청하다, 유세하다, 정사하다

idioms:

  • under canvas    배가 돛을 달고, 야영 중

日本語 (Japanese)
n. - ズック, カンバス, 油絵, 粗布

العربيه (Arabic)
‏(الاسم) لوحه أو صورة زيتيه, مشمع, جنفاص, قماش للرسم (صفه) لوحه زيتيه‏

עברית (Hebrew)
n. - ‮צמח הקנבוס, אריג גס, ציור על אריג קנבוס, בד"כ בצבעי שמן, זירת היאבקות או התאגרפות (מדוברת), קצה מכוסה של סירת מירוץ‬
v. tr. - ‮כיסה באריג קנבוס‬


 
 

Did you mean: canvas (in textile), Canvas (technology), Canvas (art), Canvas (band), Canvas (Belgium), Canvas (2005 Album by Robert Glasper), Canvas (2006 Drama Film), Project Canvas More...


 

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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Architecture. McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
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