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im·pres·sion·ism (ĭm-prĕsh'ə-nĭz'əm)
n.
  1. often Impressionism A theory or style of painting originating and developed in France during the 1870s, characterized by concentration on the immediate visual impression produced by a scene and by the use of unmixed primary colors and small strokes to simulate actual reflected light.
  2. A literary style characterized by the use of details and mental associations to evoke subjective and sensory impressions rather than the re-creation of objective reality.
  3. Music. A style of the late 19th and early 20th centuries, using somewhat vague harmony and rhythm to evoke a mood, place, and natural phenomena.
  4. The practice of expressing or developing one's subjective response to a work of art or to actual experience.



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