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incunabulum

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Dictionary: in·cu·nab·u·lum   (ĭn'kyə-năb'yə-ləm, ĭng'-) pronunciation
n., pl., -la (-lə).
  1. A book printed before 1501; an incunable.
  2. An artifact of an early period.

[New Latin incūnābulum, from sing. of Latin incūnābula, swaddling clothes, cradle : in-, in; see in-2 + cūnābula, cradle, infancy (from cūnae, cradle).]

incunabular in'cu·nab'u·lar (-lər) adj.

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Wordsmith Words: incunabulum
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(in-kyoo-NAB-yuh-luhm)

noun
A book printed during the infancy of printing, especially one produced before 1501.

Etymology
From Latin incunabula (swaddling clothes, cradle), from cunae (cradle, infancy). Ultimately from the Indo-European root kei- (to lie, bed, dear) that is also the source of such words as city, cemetery, and Sanskrit shiva

Imagine a newly-born book, swaddled in clothes. Etymology often shows the poetry of words. Gutenberg operated his pioneering printing press during the 1450s. Books printed during that time are known as incunabula though the term can be applied to any work of art or industry from its early period.

Usage
"The last public sale of a more or less complete copy of 'The Canterbury Tales' went to J. Paul Getty's Wormsley Library in 1998 for $4.2 million. We are thus assured that a strong financial incentive remains to preserve intact incunabula." — Joel Henning; Taking a Leaf From Celebrated Books; The Wall Street Journal (New York); May 12, 2005.



Book printed before 1501. The date, though convenient, is arbitrary and unconnected to any development in the printing art. The term was probably first applied to early printing in general c. 1650. The total number of editions produced by 15th-century European presses is generally estimated at above 35,000, excluding ephemeral literature (e.g., single sheets, ballads, and devotional tracts) that is now lost or exists only in fragments in places such as binding linings.

For more information on incunabulum, visit Britannica.com.

 
Columbia Encyclopedia: incunabula
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incunabula (ĭn'kyʊnăb'yʊlə), plural of incunabulum [Late Lat.,=cradle (books); i.e., books of the cradle days of printing], books printed in the 15th cent. The known incunabula represent about 40,000 editions. The books include products of more than 1,000 presses, including such famous printers as Gutenberg, Jenson, Caxton, and Aldus Manutius and give evidence as to the development of typography in its formative period. These books were generally large quarto size, bound in calf over boards of wood, decorated with red initials (rubricated) and ornamental borders, and carrying a colophon but no title page. Notable European collections of incunabula are in Paris, London (British Museum), Oxford (Bodleian Library), Vienna, Rome, Milan, Brussels, and The Hague. Notable American collections are in Washington, D.C. (Library of Congress), New York City (Morgan Library and others), Providence (John Carter Brown Library and Annmary Brown Memorial), San Marino, Calif. (Henry E. Huntington Library), and in the libraries of Harvard and Yale Univ. For an introduction to incunabula and a guide to further study, see Margaret B. Stillwell, Incunabula and Americana 1450-1800 (2d ed. 1961).


Obscure Words: incunabulum
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1) a book printed from movable type before 1501
2) artifact of an earlier age
Wikipedia: Incunable
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A page from a rare Blackletter Bible (1497) printed in Strasbourg by Johann Grüninger. The coloured chapter initials were hand written after the page was printed.


Incunable, or sometimes incunabulum, plural incunabula or incunables, is a book, or even a single sheet of text,[1] that was printed — not handwritten — before the year 1501 in Europe. Incunable is the Anglicized (singular) form of "incunabula", Latin for "swaddling clothes" or "cradle"[2] which can refer to "the earliest stages or first traces in the development of anything."[3]

The first recorded use of incunabula as a printing term is in a Latin pamphlet by Bernhard von Mallinckrodt, De ortu et progressu artis typographicae ("Of the rise and progress of the typographic art", Cologne, 1639), which includes the phrase prima typographicae incunabula, "the first infancy of printing", a term to which he arbitrarily set an end, 1500, which still stands as a convention.[4] The end date for identifying a printed book as an incunable is convenient but was chosen arbitrarily. It does not reflect any notable developments in the printing process around the year 1500. The term came to denote the printed books themselves in the late seventeenth century. A former term for "incunable" is fifteener, referring to the 15th century.

Contents

Types

There are two types of incunabula in printing: the Block book printed from a single carved or sculpted wooden block for each page, by the same process as the woodcut in art (these may be called xylographic), and the typographic book, made with individual pieces of cast metal movable type on a printing press, in the technology made famous by Johann Gutenberg. Many authors reserve the term incunabula for the typographic ones only.

The spread of printing to cities both in the north and in Italy ensured that there was great variety in the texts chosen for printing and the styles in which they appeared. Many early typefaces were modelled on local forms of writing or derived from the various European forms of Gothic script, but there were also some derived from documentary scripts (such as most of Caxton's types), and, particularly in Italy, types modelled on handwritten scripts and calligraphy employed by humanists.

Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles and professionals who formed their major customer base. Standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various vernaculars (or translations of standard works) began to appear.

Famous examples and collections

Famous incunabula include the Gutenberg Bible of 1455, the Peregrinatio in terram sanctam of 1486, printed and illustrated by Erhard Reuwich, both from Mainz, the Nuremberg Chronicle of Hartmann Schedel, printed by Anton Koberger in 1493, and the Hypnerotomachia Poliphili, printed by Aldus Manutius with important illustrations by an unknown artist. Other well-known incunabula printers were Albrecht Pfister of Bamberg, Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges and London.

The first incunable to have woodcut illustrations was Ulrich Boner's Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461. [5]

The British Library's Incunabula Short Title Catalogue now records over 29,000 titles, of which around 27,400 are incunabula editions (not all unique works). Studies of incunabula began in the seventeenth century. Michel Maittaire (1667-1747) and Georg Wolfgang Panzer (1729-1805) arranged printed material chronologically in annals format, and in the first half of the nineteenth century, Ludwig Hain published, Repertorium bibliographicum— a checklist of incunabula arranged alphabetically by author: "Hain numbers" are still a reference point. Hain was expanded in subsequent editions, by Walter A. Copinger and Dietrich Reichling, but it is being superseded by the authoritative modern listing, a German catalogue, the Gesamtkatalog der Wiegendrucke, which has been under way since 1925 and is still being compiled at the Staatsbibliothek zu Berlin. North American holdings were listed by F. R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue[6]

The largest collections, with the approximate numbers of incunabula held, include:

Hand-coloured woodcut by Erhard Reuwich of the entrance to the Church of the Holy Sepulchre, Jerusalem, from the Peregrinatio in terram sanctam of 1486.

Statistical data

The data in this section were derived from the Incunabula Short-Title Catalogue.[19]

  • Printing towns: The number of printing cities stands at 282. These are situated in some 20 countries in terms of present-day boundaries. In descending order of the number of editions printed in each, these are: Italy, Germany, France, Netherlands, Switzerland, Spain, Belgium, England, Austria, Czechoslovakia, Portugal, Poland, Sweden, Denmark, Turkey, Croatia, Montenegro, Balearic Islands, Hungary, and Sicily.
  • Languages: The 18 languages that incunabula are printed in, in descending order, are: Latin, German, Italian, French, Dutch, Spanish, English, Hebrew, Catalan, Czech, Greek, Church Slavonic, Portuguese, Swedish, Breton, Danish, Frisian, and Sardinian.
  • Illustrations: Only about one edition in ten (i.e. just over 3000) has any illustrations, woodcuts or metalcuts.
  • Survival: The 'commonest' incunable is Schedel's Nuremberg Chronicle ("Liber Chronicarum") of 1493, with c 1250 surviving copies (which is also the most heavily illustrated). Very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a rather common (though extremely valuable) edition.
  • Total number of volumes: Counting extant incunabula is complicated by the fact that most libraries consider a single volume of a multi-volume work as a separate item, as well as fragments or copies lacking more than half the total leaves. A complete incunable may consist of a slip, or up to ten volumes.
  • Formats: In terms of format, the 29,000 odd editions comprise: 2000 broadsides, 9000 folios, 15,000 quartos, 3000 octavos, 18 12mos, 230 16tos, 20 32tos, and 3 64tos.
  • Caxton: ISTC at present cites 528 extant copies of books printed by Caxton, which together with 128 fragments makes 656 in total, though many are broadsides or very imperfect (incomplete).
  • Dispersal: Apart from migration to mainly North American and Japanese Universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to possess less than 2000 copies - i.e. about 97.75% remain north of the equator. However many incunabula are sold at auction or through the rare book trade every year.

See also

Notes

  1. ^ For example the Almanach cracoviense ad annum 1474
  2. ^ C.T. Lewis and C. Short, A Latin dictionary, Oxford 1879, p. 930. The word incunabula is a neuter plural; the singular incunabulum is never found in Latin and not used in English by most specialists.
  3. ^ Oxford English Dictionary, 1933, I:188.
  4. ^ Jacqueline Glomski, "Incunabula Typographiae: Seventeenth-Century Views on Early Printing" The Library 2.4 (2001 :336-348).
  5. ^ Daniel De Simone (ed), A Heavenly Craft: the Woodcut in Early Printed Books, New York, 2004, p. 48.
  6. ^ "ISTC". http://www.bl.uk/catalogues/istc/. Retrieved 2009-05-16. 
  7. ^ Bavarian State Library - Facts and Figures 2008
  8. ^ Incunabula at the Bodleian Library
  9. ^ Jagiellonian Library in numbers
  10. ^ Whitesell, David (2006). First supplement to James E. Walsh's Catalogue of the fifteenth-century printed books in the Harvard University Library. Cambridge, Mass.: Houghton Library. xiii. ISBN 9780674021457. OCLC 71691077. 
  11. ^ Uppsala University Library. Special collections: Incunabula
  12. ^ http://www.colmar.fr/adv/culture/biblio/biblio_municip.htm
  13. ^ http://www.bnu.fr/BNU/FR/Poles+Documentaires/Patrimoine/Incunables.htm
  14. ^ The Walters Art Gallery - Ancient, Medieval Illuminated Manuscripts Collections
  15. ^ http://www.bh-selestat.fr/rubrique.php?id_rubrique=255
  16. ^ http://www.mediatheques-cus.fr/medias/medias.aspx?INSTANCE=exploitation&PORTAL_ID=erm_portal_003.xml&SYNCMENU=003
  17. ^ University of Seville at Seville
  18. ^ http://cat.inist.fr/?aModele=afficheN&cpsidt=3736520
  19. ^ http://www.bl.uk/catalogues/istc/index.html, consulted in 2007. The figures are subject to slight change as new copies are reported. Exact figures are given but should be treated as close estimates; they refer to extant editions.

External links


Misspellings: incunabula
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Common misspelling(s) of incunabula

  • incunabla

 
 
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