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Lonnie Johnson

Did you mean: Lonnie Johnson (Blues Artist, '20s-'70s), Lonnie Johnson (inventor), Lonnie Johnson (American football), Lonnie Johnson (lyrics)

 
Black Biography:

Lonnie G. Johnson

inventor; engineer; president (organization); founder

Personal Information

Born Lonnie George Johnson on October 6, 1949, in Mobile, AL; father was a civilian driver at local Air Force base, mother was a homemaker and sometimes laundry worker or nurse's aid; married with children.
Education: Tuskegee University, B.S., mechanical engineering, 1973, M.S., nuclear engineering, 1976.

Career

U.S. Air Force Weapons Laboratory, acting chief of Space Nuclear Power Safety section, 1978-79; Jet Propulsion Laboratory, senior systems engineer, Galileo Project, 1979-82, engineer on Mariner Mark II Spacecraft series for Comet Rendezvous and Saturn Orbiter Probe missions, 1987-91; U.S. Air Force, Advanced Space Systems Requirements manager for nonnuclear strategic weapons technology, 1982-85, Strategic Air Command, chief of data management branch, 1985-87; Johnson Research and Development Co., Inc., founder and president, 1991- .

Life's Work

Squirt guns used to be benign little things, lacking the firepower to do any serious dampening. But that was before Lonnie G. Johnson came along. Johnson, inventor of the Super Soaker, has changed the way we think about recreational drenching. While revolutionizing waterarms will forever be Johnson's main claim to fame, people who know about such things think his spacecraft cooling systems and rechargeable power storage devices are pretty good, too.

Lonnie George Johnson was born on October 6, 1949, the third of six children. He grew up in Mobile, Alabama, where his father was employed as a civilian driver at the local Air Force base. His mother was primarily a homemaker, with occasional stints as a laundry worker or nurse's aid.

Launched Career with Robot "Linex"

Johnson's inventing skills were apparent early on. As a child, he was inspired by the historic feats of George Washington Carver, and he showed great aptitude in science and math. Johnson and his brothers spent hours fashioning go-carts powered by lawn mower engines, and weapons that shot projectiles from pressurized chambers. Johnson made his biggest bang, literally, cooking up a batch of rocket fuel in the family kitchen. The homemade fuel recipe eventually came out right, resulting in the launch of a miniature rocket Johnson built for a school project.

But Johnson's breakthrough invention was probably the remote-controlled robot, named Linex, he constructed during his senior year in high school. Linex earned Johnson first prize in a statewide science fair in 1968, the University of Alabama Junior Engineering Technical Society Exposition. The robot, inspired by the Robinson family's bubble-headed companion on the 1960s television series Lost in Space, was constructed from a combination of junkyard pickings, walkie-talkie innards, and a reel-to-reel tape recorder belonging to Johnson's sister.

Engineered for the Air Force

After graduating from high school, Johnson entered Tuskegee University on an Air Force ROTC scholarship. He earned a bachelor's degree in Mechanical Engineering in 1973, followed by a master's degree in Nuclear Engineering three years later. After receiving his M.S., Johnson joined the Air Force, serving for a couple years in the late 1970s as acting chief of the Space Nuclear Power Safety Section at the Air Force Weapons Laboratory near Albuquerque, where he worked on methods for using atomic energy in space. In 1979 Johnson moved to the Jet Propulsion Laboratory in Pasadena, California, a renowned center for research and experimentation on aerospace technology. There he worked as a senior systems engineer on the Galileo mission, helping to develop nuclear power systems for the $1.6 billion spacecraft designed to study Jupiter and its 16 moons. After three years there, Johnson returned to the Air Force, and was assigned to Strategic Air Command in Omaha, Nebraska, where he worked on nonnuclear strategic weapons technology, followed by a three-year stint on the Stealth bomber program at Edwards Air Force Base in California. Over the course of his Air Force career, Johnson received numerous honors, including two Commendation Medals and the Air Force Achievement Medal. He was also nominated for NASA astronaut training in 1985.

Blasted into History with Super Soaker

Johnson left the military in 1987 and returned to the Jet Propulsion Lab, where he worked on the Mars Observer Project and the Cassini mission to Saturn. Meanwhile, Johnson had dabbled with various inventions in his spare time throughout his career in both the military and civilian aerospace industries. The idea for the invention that eventually made him famous popped into his head in 1982, while he was fiddling in his home workshop with a model of a heat pump that used water instead of Freon, a gas known to harm the Earth's ozone layer. Hooking the pump up to the bathroom sink, Johnson was amazed to witness a powerful stream of water shoot across the room. It immediately occurred to him that the same idea could be used for an awesome squirtgun. The concept for the Super Soaker, first called the Power Drencher, was born.

Johnson built a prototype for his pneumatic water gun out of PVC pipe, a plastic Coke bottle, and Plexiglas. He set his six-year-old daughter, Aneka, loose in the neighborhood armed with the new device, and it instantly received rave reviews from the other local kids. The revolutionary thing about Johnson's squirt gun was that it allowed the shooter to build up a huge amount of pressure by pumping air into a chamber with repeated pump strokes before shooting, as opposed to conventional water weaponry, which fired only with the pressure of a single trigger pull. He applied for a patent on October 14, 1983, eventually receiving U.S. patent number 4,591,071.

While Johnson had the idea and the patent, he did not have the resources to bring the Super Soaker to the public on his own. He spent most of the 1980s trying to find a company willing to manufacture and market his toy. Finally, Johnson caught the attention of a representative of Larami Corporation at a New York toy fair in 1989. He arranged a meeting at Larami's Philadelphia headquarters. The folks at Larami were immediately impressed, and quickly agreed to take on the Super Soaker.

Launched Own R&D Firm

Later that year, Larami unveiled the first commercially-available Super Soaker, which retailed for $10, an eye-popping price for a squirtgun at that time. By 1990 the new water weapons were practically leaping off of toy store shelves, and two years later the Super Soaker surpassed Nintendo as the number one selling toy in America. In 1991 Johnson left the Jet Propulsion lab to strike out on his own, forming Johnson Research and Development Company, Inc. In 1993 Johnson Research was awarded a contract by NASA to develop the Johnson Tube, a water-based cooling system that is 25 percent more efficient than conventional heat pumps and air conditioners. In 1994 the mayor of Marietta, Georgia proclaimed February 25th "Lonnie G. Johnson Day."

Over the remainder of the 1990s, Johnson Research dreamed up an array of gadgets for serious scientists and kids alike, ranging from a new type of rechargeable battery to an advanced dart gun, which was licensed to toymaker Hasbro in 1998. By 2001, Johnson had over 80 patents to his name, with another 20 pending. Due out from Johnson Research in 2002 was a revolutionary type of hair curler.

Lonnie G. Johnson may well end up inventing the next generation of rechargeable batteries and the breakthrough system for powering spaceships that makes space travel as routine as a quick spin to the beach. But even if he never concocts another gizmo, Johnson's contribution to summer fun, the Super Soaker, is enough to place in him in the pantheon of modern inventors.

Awards

First place, University of Alabama Junior Engineering Technical Society Exposition, for "Linex the Robot," 1968; elected to Pi Tau Sigma National Engineering Honor Society, 1973; Air Force Commendation Medal, 1979, 1986; Air Force Achievement Medal, 1984; inducted into Hasbro Inventor's Hall of Fame, 2000, for the Super Soaker water gun; Golden Torch Award, National Society of Black Engineers, 2001.

Further Reading

Periodicals

  • Black Enterprise, November 1993, p. 71.
  • Chicago Tribune, August 14, 2001.
  • New York Times, July 31, 2001.
  • Newsweek, June 22, 1992, p. 58.
  • Time, December 4, 2000, p. 108.
Online
  • iSoaker.com, http://isoaker.com/Info/history_supersoaker.html.
  • The Invention Dimension: Inventor of the Week, http://web.mit.edu/invent/www/inventorsI-Q/Johnson.html.
Other
  • Additional material was provided by Johnson Research and Development Company, Inc.

— Robert R. Jacobson

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Artist:

Lonnie Johnson

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  • Born: February 08, 1899, New Orleans, LA
  • Died: June 16, 1970, Toronto, Ontario, Canada
  • Active: '20s, '30s, '40s, '50s, '60s, '70s
  • Genres: Blues
  • Instrument: Guitar (Acoustic)
  • Representative Albums: "Steppin' on the Blues", "Tomorrow Night", "Complete Recorded Works (1925-1932), Vol. 1: 1925-1926"
  • Representative Songs: "Handful of Riffs", "Mr. Johnson's Blues", "Have to Change Keys (To Play These Blues)"

Biography

Blues guitar simply would not have developed in the manner that it did if not for the prolific brilliance of Lonnie Johnson. He was there to help define the instrument's future within the genre and the genre's future itself at the very beginning, his melodic conception so far advanced from most of his pre-war peers as to inhabit a plane all his own. For more than 40 years, Johnson played blues, jazz, and ballads his way; he was a true blues originator whose influence hung heavy on a host of subsequent blues immortals.

Johnson's extreme versatility doubtless stemmed in great part from growing up in the musically diverse Crescent City. Violin caught his ear initially, but he eventually made the guitar his passion, developing a style so fluid and inexorably melodic that instrumental backing seemed superfluous. He signed up with OKeh Records in 1925 and commenced to recording at an astonishing pace -- between 1925 and 1932, he cut an estimated 130 waxings. The red-hot duets he recorded with White jazz guitarist Eddie Lang (masquerading as Blind Willie Dunn) in 1928-29 were utterly groundbreaking in their ceaseless invention. Johnson also recorded pioneering jazz efforts in 1927 with no less than Louis Armstrong's Hot Five and Duke Ellington's orchestra.

After enduring the Depression and moving to Chicago, Johnson came back to recording life with Bluebird for a five-year stint beginning in 1939. Under the ubiquitous Lester Melrose's supervision, Johnson picked up right where he left off, selling quite a few copies of "He's a Jelly Roll Baker" for old Nipper. Johnson went with Cincinnati-based King Records in 1947 and promptly enjoyed one of the biggest hits of his uncommonly long career with the mellow ballad "Tomorrow Night," which topped the R&B charts for seven weeks in 1948. More hits followed posthaste: "Pleasing You (As Long as I Live)," "So Tired," and "Confused."

Time seemed to have passed Johnson by during the late '50s. He was toiling as a hotel janitor in Philadelphia when banjo player Elmer Snowden alerted Chris Albertson to his whereabouts. That rekindled a major comeback, Johnson cutting a series of albums for Prestige's Bluesville subsidary during the early '60s and venturing to Europe under the auspices of Horst Lippmann and Fritz Rau's American Folk Blues Festival banner in 1963. Finally, in 1969, Johnson was hit by a car in Toronto and died a year later from the effects of the accident.

Johnson's influence was massive, touching everyone from Robert Johnson, whose seminal approach bore strong resemblance to that of his older namesake, to Elvis Presley and Jerry Lee Lewis, who each paid heartfelt tribute with versions of "Tomorrow Night" while at Sun. ~ Bill Dahl, All Music Guide
Discography:

Lonnie Johnson

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Hot Fingers [Catfish/Arpeggio Blues]

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Rhythm and Blues Years, Vol. 2

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Essential [Collector's Edition]

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1949-1952

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Rambler's Blues

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Playing with the Strings [JSP]

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Playing with the Strings [Snapper]

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Blues by Lonnie Johnson

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1948-1949

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First of the Guitar Heroes: 1925-1947

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Very Best of Lonnie Johnson

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Idle Hours

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Blues in My Soul 1937/1946

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Swing Out Rhythm

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Original Guitar Wizard

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Losing Game

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Another Night to Cry

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Best of Lonnie Johnson

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Blues & Ballads

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Blues, Ballads, and Jumpin' Jazz, Vol. 2

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Essential [Classic Blues]

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A Life in Music Selected Sides 1925-1953

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A Life in Music Selected Sides 1925-1953

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Unsung Blues Legend: The Living Room Sessions

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Blues in My Fingers: The Essential Recordings of Lonnie Johnson

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He's a Jelly Roll Baker

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Complete Recorded Works (1925-1932), Vol. 5: 1929-1930

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Complete 1937 to June 1947 Recordings, Vol. 1: 8 November 1937 to 22 May 1940

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Complete 1937 to June 1947 Recordings, Vol. 3: 14 December 1944 to 2 June 1947

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Complete Recorded Works (1925-1932), Vol. 7: 1931-1932

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Complete Recorded Works (1925-1932), Vol. 7: 1931-1932

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Complete Recorded Works (1925-1932), Vol. 6: 1930-1931

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Complete 1937 to June 1947 Recordings, Vol. 2: 22 May 1940 to 13 February 1942

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Complete Recorded Works (1925-1932), Vol. 4: 1928-1929

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Me and My Crazy Self

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Complete Recorded Works (1925-1932), Vol. 1: 1925-1926

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Blues Masters

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Steppin' on the Blues

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Originator of Modern Guitar Blues

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Tomorrow Night

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Complete Folkways Recordings

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Mr. Johnson Blues [Mamush/Aim]

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Jersey Belle Blues

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Hot Fingers [Proper]

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Mr. Johnson's Blues [Proper]

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Wikipedia:

Lonnie Johnson

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Lonnie Johnson

Lonnie Johnson in Chicago, 1941
Background information
Birth name Alonzo Johnson
Born February 8, 1899(1899-02-08)
Origin New Orleans, Louisiana, USA
Died June 16, 1970 (aged 71)
Genres St. Louis blues
Country blues
Piedmont blues
Blues revival
Jazz blues
Instruments Guitar, Vocals, violin
Labels Okeh
Bluebird
King
Bluesville

Alonzo[1] "Lonnie" Johnson (February 8, 1899[2] – June 16, 1970) was an American blues and jazz singer/guitarist and songwriter who pioneered the role of jazz guitar and is recognized as the first to play single-string guitar solos.[3]

Contents

Biography

Early career

Johnson was born in Orleans Parish, New Orleans, Louisiana and raised in a family of musicians. He studied violin, piano and guitar as a child, and learned to play various other instruments including the mandolin, but concentrated on the guitar throughout his professional career. "There was music all around us," he recalled, "and in my family you'd better play something, even if you just banged on a tin can."[4]

By his late teens, he played guitar and violin in his father's family band at banquets and weddings, alongside his brother James "Steady Roll" Johnson.[5] He also worked with jazz trumpeter Punch Miller in the city's Storyville district.

In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic.

He and his brother settled in St. Louis in 1921.[6] The two brothers performed as a duo, and Lonnie also worked on riverboats, working in the orchestras of Charlie Creath and Fate Marable. In 1925 Lonnie married Mary Smith (i.e. Mary Johnson, a blues singer on her own right, who recorded from 1929 until 1936 - curiously enough never with Lonnie Johnson), with whom he had six children before their divorce in 1932.

Success in the 1920s and 1930s

In 1925, Johnson entered and won a blues contest at the Booker T. Washington Theatre in St. Louis, the prize being a recording contract with Okeh Records.[7] To his regret, he was then tagged as a blues artist, and later found it difficult to be regarded as anything else. He later said, "I guess I would have done anything to get recorded - it just happened to be a blues contest, so I sang the blues."[6] Between 1925 and 1932 he made about 130 recordings for the Okeh label. He was called to New York to record with the leading blues singers of the day including Victoria Spivey and country blues singer Alger "Texas" Alexander. He also toured with Bessie Smith's T.O.B.A. show.[7]

In 1927, Johnson recorded in Chicago as a guest artist with Louis Armstrong and his Hot Five, paired with banjoist Johnny St. Cyr. In 1928 he recorded with Duke Ellington, as well as with a group, The Chocolate Dandies. He pioneered the guitar solo on the 1927 track "6/88 Glide"[5] and many of his early recordings showed him playing 12-string guitar solos in a style that influenced such future jazz guitarists as Charlie Christian and Django Reinhardt, and gave the instrument new meaning as a jazz voice. He excelled in purely instrumental pieces, some of which he recorded with the white jazz guitarist Eddie Lang, whom he teamed up with in 1929. These recordings were among the first in history to feature black and white musicians performing together, but Lang was credited as Blind Willie Dunn to disguise the fact.[6]

Much of Johnson's music featured experimental improvisations that would now be categorised as jazz rather than blues. According to blues historian Gérard Herzhaft,[3] Johnson was "undeniably the creator of the guitar solo played note by note with a pick, which has become the standard in jazz, blues, country, and rock". Johnson's style reached both the Delta bluesmen and urban players who would adapt and develop his one string solos into the modern electric blues style.[5] However, writer Elijah Wald[8] has written that, in the 1920s and 1930s, Johnson was best known as a sophisticated and urbane singer rather than an instrumentalist - "Of the forty ads for his records that appeared in the 'Chicago Defender' between 1926 and 1931, not one even mentioned that he played guitar."

Johnson's compositions often depicted the social conditions confronting urban African Americans ("Racketeers' Blues", "Hard Times Ain't Gone Nowhere", "Fine Booze and Heavy Dues"). In his lyrics he captured the nuances of male-female love relationships in a way that went beyond Tin Pan Alley sentimentalism. His songs displayed an ability to understand the heartaches of others that Johnson saw as the essence of his blues.[7]

After touring with Bessie Smith in 1929, Johnson moved to Chicago, and recorded for Okeh with stride pianist James P. Johnson. However, with the temporary demise of the recording industry in the Great Depression, Johnson was compelled to make a living outside music, working at one point in a steel mill in Peoria, Illinois. In 1932 he moved again to Cleveland, Ohio, where he lived for the rest of the decade. There, he played intermittently with the band of vocalist and singer Putney Dandridge, and performed on radio programs.[5]

By the late 1930s, however, he was recording and performing in Chicago for Decca Records, working with Roosevelt Sykes and Blind John Davis among others. In 1939, during a session for the Bluebird label with pianist Joshua Altheimer, Johnson used an electric guitar for the first time.[6] He recorded 34 tracks for Bluebird over the next five years, including the hits "He's a Jelly Roll Baker" and "In Love Again".[5]

Later career

After World War II, Johnson made the transition to rhythm and blues, recording for King Records in Cincinnati, and having a major hit with "Tomorrow Night" in 1948. This topped the Billboard "Race Records" chart for 7 weeks, also made # 19 on the pop charts, and had reported sales of three million copies.[6] A blues ballad with piano accompaniment and background singers, the song bore little resemblance to much of Johnson's earlier blues and jazz material. The follow-ups "Pleasing You" and "So Tired" were also major R&B hits.[9]

In 1952 Johnson toured England. Tony Donegan, a British musician who played on the same bill, paid tribute to Johnson by changing his name to Lonnie Donegan.

After returning to the U.S., Johnson moved to Philadelphia. His career had been a roller coaster ride that sometimes took him away from music. In between great musical accomplishments, he had found it necessary to take menial jobs that ranged from working in a steel foundry to mopping floors as a janitor. He gradually dropped out of music again in the 1950s, and took menial janitorial jobs; he was working at Philadelphia's Benjamin Franklin Hotel in 1959 when WHAT-FM disc jockey Chris Albertson happened upon him and produced a comeback album, for the Prestige Bluesville Records label, Blues by Lonnie Johnson. This was followed by other Prestige albums, including one with former Ellington boss, Elmer Snowden, who had helped Albertson locate Johnson. There followed a Chicago engagement for Johnson at the Playboy Club and this succession of events placed him back on the music scene at a fortuitous time: young audiences were embracing folk music and many veteran performers were stepping out of obscurity. In short order, Lonnie Johnson found himself reunited with Duke Ellington and his orchestra and appearing as special guest at an all-star folk concert, both at Town Hall, New York City.

In 1961, Johnson was reunited with his old Okeh recording partner, Victoria Spivey, for another Prestige album, Idle Hours, and the two singers performed at Gerdes Folk City. In 1963 he toured Europe as part of the American Folk Blues Festival show, with Muddy Waters and others, and recorded an album with Otis Spann in Denmark.

In 1965, he landed a series of dates in Toronto, Canada, and decided to stay there, opening his own club, Home of the Blues, in 1966. Throughout the decade he recorded and played local clubs in Canada as well as embarking on several regional tours.[5]

He died in Toronto on June 16, 1970, of complications resulting from a 1969 auto accident.

In 1993, Smithsonian Folkways released The Complete Folkways Recordings, Johnson's anthology of music on Folkways Records. He had been featured on several compilation blues albums, on Folkways, beginning in the 1960s, but had never released a solo album on the label in his lifetime.[10]

Johnson was posthumously inducted into the Louisiana Blues Hall of Fame in 1997.

Biopic Depiction

Lonnie Johnson is featured as a character in the Film "Who Do You Love", starring Alessandro Nivola, David Oyelow, Chi McBride and newcomer TJ Hassan as Lonnie Johnson. The film is directed by Jerry Zaks. The film features Lonnie Johnson as one of the first guitarists approached by Leonard Chess to play with Andrew Tibbs in recording sessions. The film is scheduled for release in 2009

Influence

One of Elvis Presley's earliest recordings was Johnson's blues ballad, "Tomorrow Night", which was also recorded by LaVern Baker. In 1957, it was also recorded by Jerry Lee Lewis.

In the liner notes for Biograph, Dylan describes his encounters with Johnson in New York City. "I was lucky to meet Lonnie Johnson at the same club I was working and I must say he greatly influenced me. You can hear it in that first record. I mean Corrina, Corrina...that's pretty much Lonnie Johnson. I used to watch him every chance I got and sometimes he'd let me play with him. I think he and Tampa Red and of course Scrapper Blackwell, that's my favorite style of guitar playing."[11] Also, Bob Dylan wrote about the performing method he learned from Robert Johnson in Chronicles, Vol. 1. Dylan thinks Robert Johnson had learned a lot from Lonnie. Also some of Robert's songs are seen as new versions of songs recorded by Lonnie.

See also

References

  1. ^ Some online sources state "Alfonzo", incorrectly.
  2. ^ There is some dispute over the year of his birth, and 1894 is what appears on his passport.[citation needed] Some other sources give 1889.
  3. ^ a b Gérard Herzhaft, Encyclopedia of the Blues, 1979
  4. ^ Conversation w. Chris Albertson - Bluesland - Edited by Pete Welding and Toby Byron. Dutton 1991, ISBN 0-525-93375-1
  5. ^ a b c d e f Biographical article by John Cohassey at www.musicianguide.com
  6. ^ a b c d e Biographical article by James M. Manheim at www.musicianguide.com
  7. ^ a b c Barlow, William. "Looking Up At Down": The Emergence of Blues Culture. Temple University Press (1989), pp. 259-63. ISBN 0-87722-583-4.
  8. ^ Elijah Wald, Escaping the Delta : Robert Johnson and the invention of the blues, 2004, ISBN 978-0-06-052427-2
  9. ^ Joel Whitburn, Top R&B Singles 1942-1995, ISBN 0-89820-115-2
  10. ^ Johnson Discography at Smithsonian Folkways
  11. ^ Cameron Crowe, Biograph Liner Notes (Columbia, 1985), 10.

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Did you mean: Lonnie Johnson (Blues Artist, '20s-'70s), Lonnie Johnson (inventor), Lonnie Johnson (American football), Lonnie Johnson (lyrics)

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