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Oxford Companion to American Theatre:
Al Pacino |
Pacino, Al (b. 1940), actor. The brooding, dynamic movie star who specializes in playing antiheroes began in the New York theatre and has returned much more often than most film stars of his stature. A native New Yorker, he briefly attended the High School of the Performing Arts before studying at the Herbert Berghof Studio and at the Actors Studio, then made a provocative debut Off Broadway in 1968 as the drunk prankster Murph in The Indian Wants the Bronx. He was further praised the next year for his Broadway performance as the drug addict Bickham in Does a Tiger Wear a Necktie? (1969). Pacino's film career began in 1971, but he managed to find time for such riveting stage performances as the boxing champ Kilroy in Camino Real (1970); the gullible, doomed recruit Hummel in The Basic Training of Pavlo Hummel (1977); a fierce Richard III (1979); the small‐time crook Walter Cole with a big‐time ego in American Buffalo (1981); the talkative salesman Erie Smith in Hughie (1996); and the Hitler‐like gangster Arturo Ui in The Resistible Rise of Arturo Ui (2002).
Gale Encyclopedia of Biography:
Al Pacino |
Al Pacino (born 1940) has been called one of the best actors in film history. He established himself as a Hollywood icon when he burst onto the scene in "The Godfather" and followed that critically acclaimed performance with eight Academy Award nominations and more than 20 movies over 30 years. Through it all, Pacino stayed grounded in his first love: theater. But despite three decades of fame and success, the man behind the actor, who cherished his privacy, remained something of a mystery.
The Young Actor
Pacino was born April 25, 1940, in New York City to Salvatore and Rose Pacino. Pacino's father left the family when Al was a baby and although Pacino visited his father in East Harlem, he was raised by his mother and maternal grandparents in a bilingual Italian American three-room household. Rose Pacino was ill throughout his childhood, as well as mentally troubled and poor, and died of a heart attack when Pacino was 22. He was under strict rule at home but had a happy, sheltered childhood. He was bored and unmotivated in school. He found his place in school plays and dreamed of a career in acting.
Pacino's first acting lessons were at the Dover Theater, where he would go with his mother or grandmother to watch movies. After imitating the action on the screen for his grandmother, he was often asked to do the "looking for the bottle scene" from The Lost Weekend. Pacino found he could get positive attention with his acting antics. He won admission into Manhattan's prestigious High School of the Performing Arts but dropped out at age 17. As a teenager, Pacino took acting lessons from Charlie Laughton, who became a friend. Pacino held odd jobs to support the family.
Broadway
Pacino moved to Greenwich Village and started to audition. Once on the theater scene, Pacino entered a period of depression and poverty. There were days when he could not afford bus fare or even lunch. He lived for awhile off the pay of his soap-opera-actor girlfriend and future movie star, Jill Clayburgh. He found work where he could, in a coffeehouse, a workshop, a mailroom, a theater, and elsewhere.
Finally, in 1966, he entered the prestigious Actors Studio and studied under Lee Strasberg, known for his Method Approach to acting. In 1967, Pacino won an Obie for his performance in The Indian Wants the Bronx, an off-Broadway, one-act play that ran for 204 performances. In 1969, he won the Antoinette Perry (Tony) Award for the Broadway play Does the Tiger Wear a Necktie? The play had only a brief run, but Pacino's work in Tiger got him noticed by film director Dominick Dunne.
Hit It Big with Godfather
In 1969 Pacino debuted on screen in Me, Natalie. But he felt awkward away from the stage and had such a bad experience that he did not return to film for a couple of years. He said to Jimmy Breslin of Esquire, "I was used to working on a tightrope onstage. A movie is just a line painted on the floor." In 1971 he played a junkie in Panic in Needle Park, directed by Dunne.
In the early 1970s, such actors as Robert Redford, Warren Beatty, Jack Nicholson, and Robert De Niro sought the role of Michael Corleone in Francis Ford Coppola's The Godfather. But Coppola wanted Pacino, who had given solid performances in Panic in Needle Park and on Broadway. After a series of disastrous screen tests, no one - from the producers to fellow actors - wanted Pacino in the film, except for Coppola. Coppola stuck to his guns, and Pacino earned his first Academy Award nomination.
Pacino decided not to ride a wave of Hollywood success into lightweight blockbusters. Instead, he took a series of difficult, important film roles that highlighted his genuine acting abilities. 1973's Serpico was a crime drama spotlighting the mental struggles of a New York cop. Pacino was nominated for an Oscar for Serpico and for his portrayal of Michael Corleone in The Godfather II in 1974. In 1975, Pacino was nominated for an Oscar for his role in Dog Day Afternoon, the story of a man trying to get money for his gay lover's sex change operation by holding up a bank and taking hostages. In 1977, Bobby Deerfield foreshadowed a downturn in his career, but Pacino received another Oscar nomination for best actor for the hard-hitting legal drama … And Justice for All.
A Decade Without a Blockbuster
Pacino's career turned south with the controversial Cruising, a look at the gay netherworld, in 1980, and Author! Author! in 1982. 1983's Scarface met with some criticism, partially for Pacino's Cuban accent and incessant cursing, but it would later become a cult classic.
Revolution - an epic war movie on the Revolutionary War released in 1985 - has been called by some critics the worst film of all time. Pacino was in the starring role. Revolution had a cursed shoot full of rewrites, Pacino became sick with pneumonia, and upon release the film was savagely attacked by critics. They were Pacino's first truly awful reviews, and he was criticized again for his accent. He stayed out of Hollywood for the next several years.
Caught the Limelight Again
Pacino's return to Hollywood came in the film Sea of Love in 1989, an erotic-romantic film that cast him as a hard-drinking cop. In 1990, Pacino reprised his role of Michael Corleone in The Godfather: Part III, earning praise for his acting amid mixed reviews for the film. Dick Tracy was also released in 1990, and Pacino got rave reviews for his comedic spoof on a gangster, a type of character he usually played seriously. He was nominated for another Oscar for best supporting actor for Dick Tracy.
Pacino teamed up with Michelle Pfieffer for a romantic role in Frankie and Johnny in 1991. Two years later, Pacino was nominated for Oscars for two roles: a shark-like real estate agent in Glengary Glen Ross and a bitter, blind former army colonel in Scent of a Woman. Pacino was awarded a best actor Oscar for Scent of a Woman. In subsequent years, Pacino turned out many films that were box-office successes. Between 1993 and 2003, Pacino appeared in such hits as Carlito's Way, Heat, City Hall, Donnie Brasco, Devil's Advocate, The Insider, Any Given Sunday, Insomnia, and The Recruit. As of 2002, his average salary was $10 million a picture.
Theatre Always His First Love
Even as Pacino's star was rising in Hollywood, he continued to act in the theater. In 1970 he appeared in Camino Real, and in 1972 he began playing the lead in The Basic Training of Pavlo Hummel in Boston. That story of a Vietnam War recruit began a stint in New York in 1977, with Pacino in the lead, and he won his second Tony.
During his self-imposed exile from film in the 1980s, Pacino immersed himself in theater. According to Breslin, "He stepped back and went to where he always felt at home - three flights up in a drafty place where they can put down enough chairs to call it a theater." He performed in Julius Caesar and gave readings at colleges and small theaters. He directed The Local Stigmatic and filmed it starring himself. It remains unreleased to the public. Stigmatic is a movie adaptation of a Heathcote Williams play that Pacino performed during his early days on the stage in 1968. In the 1990s, Pacino produced, directed, and starred in Looking for Richard, a marriage of theater (William Shakespeare's Richard III ) and film documentary that Pacino devoted himself and his money to for over four years. More than one reporter noted that while Pacino remained characteristically tight-lipped about most of his movies and his private life, he would enthusiastically talk about Looking for Richard.
Pacino often turned down potential hit movies to do theater, he took long breaks between films, and he was constantly involved in independent ventures. Breslin points out, "There is no other recorded case like this in the history of American movie stars. Sure, some big movie actor or actress will occasionally find a spare week or two to throw at Shakespeare… . But no movie star has ever created his own work of artistic obsession, let alone two of them. Only this guy." In 2000, he became involved in the Actors Studio in New York's Oedipus Rex. In 2002, Pacino was off-Broadway with The Resistible Rise of Arturo Ui and in Oscar Wilde's Salome opposite Marissa Tomei.
The Personal Pacino
Pacino was an enduring bachelor, one of the few Hollywood men never to marry despite romances with Diane Keaton and other high-profile actresses. Despite his aversion to matrimony, Pacino had a daughter, Julie Marie, by acting teacher Jan Tarrant, and a set of twins-Anton and Olivia-with long-time girlfriend Beverly D'Angelo. Breslin wrote, "Pacino is famous mostly because of his extreme, unique, and undeniable talents as an actor and movie star during the past twenty-five of his fifty-five years. But he is also well-known for being hard to figure… . He is reluctant to talk to reporters, for example." Pacino has never been comfortable with fame.
When he attained fame in his early 30s, he was un-equipped to handle it. He started drinking heavily and became reclusive and unstable. But his friends convinced him to join Alcoholics Anonymous, and in two years he quit both drinking and smoking.
Pacino is a living legend. He "can play small as rivetingly as he can play big… . he can implode as well as explode," according to Jeff Giles in Newsweek. Pacino told Bronwen Hruska of Entertainment Weekly, "For me it's always been the character - 'the play's the thing' - not my personality. When one overshadows the other, you become more a celebrity than an actor. I hope the perception is that I'm an act."
Books
American Decades, Gale Research, 1998.
Complete Marquis Who's Who, Marquis Who's Who, 2001.
Contemporary Theatre, Film and Television, Volume 23, Gale Group, 1999.
International Dictionary of Films and Filmmakers, Volume 3: Actors and Actresses, St. James Press, 1996.
Newsmakers 1993, Issue 4, Gale Research, 1993.
St. James Encyclopedia of Popular Culture, St. James Press, 2000.
Periodicals
Daily Variety, October 30, 2002; January 8, 2003.
Entertainment Weekly, November 12, 1993.
Esquire, February 1996.
Newsweek, June 3, 2002.
Rolling Stone, February 2, 1984.
US Weekly, January 29, 2001.
Online
"Pacino's Biography," http://www.fortunecity.com/lavender/exorcist/665/biography.htm. (February 10, 2003).
Quotes By:
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Al Pacino |
| Al Pacino | |
|---|---|
Al Pacino attending the Venice Film Festival in September 2004 |
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| Born | Alfredo James Pacino April 25, 1940 New York City |
| Occupation | Actor, director, screenwriter, producer |
| Years active | 1968–present |
| Children | 2 daughters, 1 son |
Alfredo James "Al" Pacino (/pəˈtʃiːnoʊ/; born April 25, 1940) is an American film and stage actor and director. He is famous for playing mobsters, including Michael Corleone in The Godfather trilogy and Tony Montana in Scarface, though he has also appeared several times on the other side of the law — as a police officer, a detective and a lawyer. His role as Frank Slade in Scent of a Woman won him the Academy Award for Best Actor in 1993 after receiving seven previous Oscar nominations, one of them being in the same year.
He made his feature film debut in the 1969 film Me, Natalie in a minor supporting role, before playing the leading role in the 1971 drama The Panic in Needle Park. Pacino made his major breakthrough when he was given the role of Michael Corleone in The Godfather in 1972, which earned him an Academy Award nomination for Best Supporting Actor. Other Oscar nominations for Best Supporting Actor were for Dick Tracy and Glengarry Glen Ross. Oscar nominations for Best Actor include The Godfather Part II, Serpico, Dog Day Afternoon, ...And Justice for All and Scent of a Woman.
In addition to a career in film, he has also enjoyed a successful career on stage, winning Tony Awards for Does a Tiger Wear a Necktie? and The Basic Training of Pavlo Hummel. A longtime fan of Shakespeare, he made his directorial debut with Looking for Richard, a quasi-documentary on the play Richard III. Pacino has received numerous lifetime achievement awards, including one from the American Film Institute. He is a method actor, taught mainly by Lee Strasberg and Charles Laughton at the Actors Studio in New York.
Although he has never married, Pacino has had several relationships with actresses and has three children.
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Pacino was born in East Harlem, New York City to Italian American parents Rose and Salvatore Pacino, who divorced when he was two years old.[1] When he was two, his mother moved to the South Bronx near the Bronx Zoo, to live with her parents, Kate and James Gerardi, who originated from Corleone, Sicily.[2] His father moved to Covina, California, and worked as an insurance salesman and restaurateur.[1] Pacino attended Fiorello H. LaGuardia High School in New York.[2] During his teenage years 'Sonny', as he was known to his friends, aimed to become a baseball player, though he was also nicknamed 'The Actor'.[3] Pacino flunked nearly all of his classes except English and dropped out of school at 17. His mother disagreed with his decision; they had an argument and he left home. He worked at a string of low-paying jobs, including messenger boy, busboy, janitor, and postal clerk, in order to finance his acting studies.[1]
He started smoking at age nine, drinking and casual marijuana use at age thirteen, but never took hard drugs.[4] His two closest friends died young of drug abuse at the ages of 19 and 30.[5] Growing up in the Bronx, he got into occasional fights and was something of a troublemaker at school.[6]
He acted in basement plays in New York's theatrical underground but was rejected for the Actors Studio while still a teenager.[3] Pacino then joined the Herbert Berghof Studio (HB Studio), where he met acting teacher Charlie Laughton, who became his mentor and best friend.[3] During this period, he was frequently unemployed and homeless, and sometimes had to sleep on the street, in theaters, or at friends' houses.[2][7] In 1962, his mother died at the age of 43.[8] The following year, his grandfather, James Gerardi, one of the most influential people in his life, also died.[1]
After having spent four years at HB Studio, Pacino successfully auditioned for the Actors Studio.[3] The Actors Studio is a membership organization for professional actors, theatre directors and playwrights in the Hell's Kitchen neighborhood of Manhattan in New York City.[9] Pacino studied "method acting"[1] under acting coach Lee Strasberg, who later appeared with Pacino in the films The Godfather Part II and in ...And Justice for All.[2] During later interviews he spoke about Strasberg and the Studio's effect on his career. "The Actors Studio meant so much to me in my life. Lee Strasberg hasn’t been given the credit he deserves ... Next to Charlie, it sort of launched me. It really did. That was a remarkable turning point in my life. It was directly responsible for getting me to quit all those jobs and just stay acting."[10] During another interview he added, "It was exciting to work for him [Lee Strasberg] because he was so interesting when he talked about a scene or talked about people. One would just want to hear him talk, because things he would say, you’d never heard before ... He had such a great understanding... he loved actors so much."[11]
Pacino is currently co-president, along with Ellen Burstyn and Harvey Keitel, of the Actors Studio.[9]
In 1967, Pacino spent a season at the Charles Playhouse in Boston, performing in Clifford Odets' Awake and Sing! (his first major paycheck: $125 a week); and in Jean-Claude Van Itallie's America, Hurrah, where he met actress Jill Clayburgh while working on this play. They went on to have a five-year romance and moved together back to New York City.[12]
In 1968, Pacino starred in Israel Horovitz's The Indian Wants the Bronx at the Astor Place Theater, playing Murph, a street punk. The play opened January 17, 1968, and ran for 177 performances; it was staged in a double bill with Horovitz's It's Called the Sugar Plum, starring Clayburgh. Pacino won an Obie Award for Best Actor for his role, with John Cazale winning for Best Supporting actor and Horowitz for Best New Play.[13] Martin Bregman saw the play and offered to be Pacino's manager, a partnership that became fruitful in the years to come, as Bregman encouraged Pacino to do The Godfather, Serpico and Dog Day Afternoon.[14] Pacino and this production of The Indian Wants the Bronx traveled to Italy for a performance at the Festival dei Due Mondi in Spoleto. It was Pacino's first journey to Italy; he later recalled that "performing for an Italian audience was a marvelous experience".[12] Pacino and Clayburgh were cast in "Deadly Circle of Violence", an episode of the ABC television series N.Y.P.D., premiering November 12, 1968. Clayburgh at the time was also appearing on the soap opera Search for Tomorrow, playing the role of Grace Bolton. Her father would send the couple money each month to help.[15]
On February 25, 1969, Pacino made his Broadway debut in Don Petersen's Does a Tiger Wear a Necktie? at the Belasco Theater. It closed after 39 performances on March 29, 1969, but Pacino received rave reviews and won the Tony Award on April 20, 1969.[12] Pacino continued performing onstage in the 1970s, winning a second Tony Award for The Basic Training of Pavlo Hummel and performing the title role in Richard III.[1] In 1980s Pacino again achieved critical success on the stage while appearing in David Mamet's American Buffalo, for which Pacino was nominated for a Drama Desk Award.[1] Since 1990 Pacino's stage work has included revivals of Eugene O'Neill's Hughie, Oscar Wilde's Salome and in 2005 Lyle Kessler's Orphans.[16]
Pacino made his return to the stage in summer 2010, as Shylock in a Shakespeare in the Park production of The Merchant of Venice.[17] The acclaimed production transferred to Broadway at the Broadhurst Theatre in October, earning US$1 million at the box office in its first week.[18][19] The performance also garnered him a Tony Award nomination for Best Leading Actor in a Play.[20]
Pacino found acting to be enjoyable and realized he had a gift for it while studying at The Actors Studio. However, his early work was not financially rewarding.[2] After his success on stage, Pacino made his movie debut in 1969 with a brief screen appearance in Me, Natalie, an independent film starring Patty Duke.[21] In 1970, Pacino signed with the talent agency Creative Management Associates (CMA).[12]
It was the 1971 film The Panic in Needle Park, in which he played a heroin addict, that brought Pacino to the attention of director Francis Ford Coppola, who cast him as Michael Corleone in the blockbuster Mafia film The Godfather (1972). Although several established actors – including Robert Redford, Warren Beatty, and then little-known Robert De Niro – also tried out for the part, Coppola selected the relatively unknown Pacino, much to the dismay of studio executives.[2] Pacino was even teased on the set because of his short stature. Pacino's performance earned him an Academy Award nomination, and offered a prime example of his early acting style, described by Halliwell's Film Guide as "intense" and "tightly clenched". Pacino boycotted the Academy Award ceremony, as he was insulted at being nominated for the Supporting Acting award, noting that he had more screen time than costar and Best Actor winner Marlon Brando – who was himself boycotting the awards.[22]
In 1973, he co-starred in Scarecrow, with Gene Hackman, and won the Palme d'Or at the Cannes Film Festival. That same year Pacino was nominated for an Academy Award for Best Actor after starring in Serpico, based on the true story of New York City policeman Frank Serpico, who went undercover to expose the corruption of fellow officers.[22] In 1974, Pacino reprised his role as Michael Corleone in the sequel The Godfather Part II, which became the first sequel to win the Best Picture Oscar; Pacino, meanwhile, was nominated for his third Oscar.[22] Newsweek has described his performance in the film as "arguably cinema's greatest portrayal of the hardening of a heart".[23] In 1975, he enjoyed further success with the release of Dog Day Afternoon, based on the true story of bank robber John Wojtowicz.[2] It was directed by Sidney Lumet, who also directed him in Serpico a few years earlier, and Pacino was again nominated for Best Actor.[24]
In 1977, Pacino starred as a race-car driver in Bobby Deerfield, directed by Sydney Pollack, and received a Golden Globe nomination for Best Motion Picture Actor – Drama for his portrayal of the title role, losing out to Richard Burton, who won for Equus. His next film was the courtroom drama ...And Justice for All, which again saw Pacino lauded by critics for his wide range of acting abilities, and nominated for the Best Actor Oscar for a fourth time.[24] However he lost out that year to Dustin Hoffman in Kramer vs. Kramer — a role that Pacino had declined.[24]
During the 1970s, Pacino had four Oscar nominations for Best Actor, for his performances in Serpico, The Godfather Part II, Dog Day Afternoon, and ...And Justice for All.[2]
Pacino's career slumped in the early 1980s; his appearances in the controversial Cruising, a film which provoked protests from New York's gay community,[25] and the comedy-drama Author! Author! were critically panned.[1] However, 1983's Scarface, directed by Brian De Palma, proved to be a career highlight and a defining role.[2] Upon its initial release, the film was critically panned,[26] but did fairly well at the box office, grossing over US$45 million domestically.[27] Pacino earned a Golden Globe nomination for his role as Cuban drug lord Tony Montana.[28]
In 1985, Pacino worked on his personal project, The Local Stigmatic, a 1969 Off Broadway play by the English writer Heathcote Williams. He starred in the play, remounting it with director David Wheeler and the Theater Company of Boston in a 50-minute film version. The film was never released theatrically but was later released as part of the Pacino: An Actor's Vision box set in 2007.[2]
His 1985 film Revolution about a fur trapper during the American Revolutionary War, was a commercial and critical failure, which Pacino blamed on a rushed production,[29] resulting in a four-year hiatus from films. During this time Pacino returned to the stage. He mounted workshop productions of Crystal Clear, National Anthems and other plays; he appeared in Julius Caesar in 1988 in producer Joseph Papp's New York Shakespeare Festival. Pacino remarked on his hiatus from film: "I remember back when everything was happening, '74, '75, doing The Resistible Rise of Arturo Ui on stage and reading that the reason I'd gone back to the stage was that my movie career was waning! That's been the kind of ethos, the way in which theater's perceived, unfortunately."[30] Pacino returned to film in 1989's Sea of Love,[2] in which he portrayed a detective hunting a serial killer who finds victims through the singles column in a newspaper. The film earned solid reviews.[31]
Pacino received an Academy Award nomination for playing Big Boy Caprice in the box office hit Dick Tracy in 1990, in which critic Roger Ebert wrote that Pacino is "the scene-stealer".[32] Later in the year he followed this up by a return to one of his most famous characters, Michael Corleone, in The Godfather Part III (1990).[2] The film received mixed reviews, and had problems during pre-production due to script rewrites and the withdrawal of actors shortly before production. In 1991, Pacino starred in Frankie and Johnny with Michelle Pfeiffer, who co-starred with Pacino in Scarface. Pacino portrays a recently paroled cook who begins a relationship with a waitress (Pfeiffer) in the diner he works in. It was adapted by Terrence McNally from his own Off-Broadway play Frankie and Johnny in the Clair de Lune (1987), which featured Kenneth Welsh and Kathy Bates. The film received mixed reviews, although Pacino later said he enjoyed playing the part.[33] Janet Maslin in The New York Times wrote, "Mr. Pacino has not been this uncomplicatedly appealing since his "Dog Day Afternoon" days, and he makes Johnny's endless enterprise in wooing Frankie a delight. His scenes alone with Ms. Pfeiffer have a precision and honesty that keep the film's maudlin aspects at bay."[34]
In 1992, Pacino won the Academy Award for Best Actor, for his portrayal of the blind U.S. Army Lieutenant Colonel Frank Slade in Martin Brest's Scent of a Woman.[2] That year, he was also nominated for Best Supporting Actor for Glengarry Glen Ross, making Pacino the first male actor ever to receive two acting nominations for two different movies in the same year, and to win for the lead role.[2]
Pacino starred alongside Sean Penn in the crime drama Carlito's Way in 1993, in which he portrayed a gangster who is released from prison with the help of his lawyer (Penn) and vows to go straight. Pacino starred in Michael Mann's Heat (1995), in which he and Robert De Niro appeared on-screen together for the first time (though both Pacino and De Niro starred in The Godfather Part II, they did not share any scenes).[2]
In 1996, Pacino starred in his theatrical docudrama Looking for Richard, which is both a performance of selected scenes of William Shakespeare's Richard III and a broader examination of Shakespeare's continuing role and relevance in popular culture. The cast brought together for the performance included Alec Baldwin, Kevin Spacey and Winona Ryder. Pacino played Satan in the supernatural thriller The Devil's Advocate (1997) which co-starred Keanu Reaves. The film was a success at the box office, taking US$150 million worldwide.[35] Roger Ebert wrote in the Chicago Sun-Times, ‘The satanic character is played by Pacino with relish bordering on glee.’[36] In Donnie Brasco Pacino played mafia gangster "Lefty", in the true story of undercover FBI agent Donnie Brasco (Johnny Depp) and his work in bringing down the mafia from the inside. Pacino also starred as real life 60 Minutes producer Lowell Bergman in the multi-Oscar nominated The Insider opposite Russell Crowe, before starring in Oliver Stone's Any Given Sunday in 1999.
Pacino has not received another nomination from the Academy since Scent of a Woman, but won two Golden Globes since the year 2000, the first being the Cecil B. DeMille Award in 2001 for lifetime achievement in motion pictures.[37]
In 2000, Pacino released a low budget film adaptation of Ira Lewis' play Chinese Coffee to film festivals.[38] Shot almost exclusively as a one-on-one conversation between the two main characters, the project took almost three years to complete and it was funded entirely by Pacino.[38] Chinese Coffee was included along with Pacino's two other rare films he has been involved in producing, The Local Stigmatic and Looking for Richard, on a special DVD boxset titled Pacino: An Actor's Vision which was released in 2007. Pacino produced prologues and epilogues for the discs containing the films.[39]
Pacino turned down an offer to reprise his role as Michael Corleone in the computer game version of The Godfather. As a result, Electronic Arts was not permitted to use Pacino's likeness or voice in the game, although his character does appear in it. He did allow his likeness to appear in the video game adaptation of the remake of 1983's Scarface, titled Scarface: The World is Yours.[40]
Director Christopher Nolan worked with Pacino for Insomnia, a remake of the Norwegian film of the same name, co-starring Robin Williams. Newsweek stated that "he [Pacino] can play small as rivetingly as he can play big, that he can implode as well as explode".[41] The film and Pacino's performance were well-received, gaining a favorable rating of 92 percent on the review aggregation website Rotten Tomatoes.[42] The film did moderately well at the box office, taking in $113 million dollars worldwide.[43] His next film, S1m0ne, was one that Pacino liked, but which did not gain much critical praise or box office success.[44]
He played the part of a publicist in People I Know, a small film that received little attention despite Pacino's well-received performance.[45] Rarely taking a supporting role since his commercial breakthrough, he accepted a small part in the box office flop Gigli in 2003 as a favor to director Martin Brest.[45] The Recruit, released in 2003, featured Pacino as a CIA recruiter and co-stars Colin Farrell. The film received mostly negative reviews,[46] and was described by Pacino as something he "personally couldn't follow".[45] Pacino next starred as lawyer Roy Cohn in the 2003 HBO miniseries Angels in America, an adaptation of Tony Kushner's Pulitzer Prize winning play of the same name.[2] For this performance, Pacino won his third Golden Globe, for Best Performance by an Actor, in 2004.[47]
Pacino starred as Shylock in Michael Radford's 2004 film adaptation of The Merchant of Venice, choosing to bring compassion and depth to a character traditionally played as a villainous caricature.[48] In Two for the Money, Pacino portrays a sports gambling agent and mentor for Matthew McConaughey, alongside Rene Russo. The film was released on October 8, 2005 and received mixed reviews.[49] Desson Thomson wrote in The Washington Post, "Al Pacino has played the mentor so many times, he ought to get a kingmaker's award (...) the fight between good and evil feels fixed in favor of Hollywood redemption."[50]
On October 20, 2006, the American Film Institute named Pacino the recipient of the 35th AFI Life Achievement Award.[51] On November 22, 2006, the University Philosophical Society of Trinity College, Dublin awarded Pacino the Honorary Patronage of the Society.[52]
Pacino starred in Steven Soderbergh’s Ocean's Thirteen alongside George Clooney, Brad Pitt, Matt Damon, Elliott Gould and Andy García as the villain Willy Bank, a casino tycoon targeted by Danny Ocean and his crew. The film received generally favorable reviews.[53]
88 Minutes was released on April 18, 2008 in the United States, having already been released in various other countries in 2007. The film co-starred Alicia Witt and was critically panned,[54] although critics found the fault to be in the plot instead of Pacino's acting.[55] In Righteous Kill, Pacino and Robert De Niro co-star as New York detectives searching for a serial killer; rapper 50 Cent also stars in it. The film was released to theaters on September 12, 2008. Although it was an anticipated return for the two stars, it was not well received by critics.[56] Lou Lumenick of The New York Post gave Righteous Kill one star out of four, saying: "Al Pacino and Robert De Niro collect bloated paychecks with intent to bore in Righteous Kill, a slow-moving, ridiculous police thriller that would have been shipped straight to the remainder bin at Blockbuster if it starred anyone else."[57]
Pacino played Dr. Jack Kevorkian in an HBO Films biopic entitled You Don't Know Jack, which premiered April 2010. The film is about the life and work of the physician-assisted suicide advocate. The performance earned Pacino his second Emmy Award[58] for lead actor[59] and his fourth Golden Globe award.[28]
Pacino and Robert De Niro are reportedly set to star in the upcoming project The Irishman, that will be directed by Martin Scorsese and co-star Joe Pesci.[60] He's also filming a biographical picture about Phil Spector.[61]
It was announced in May 2011 that Pacino was to be honored with the "Glory to the Film-maker" award at the 68th Venice International Film Festival.[62] The award will be presented ahead of the premier of his film Wilde Salome, which is the third film Pacino has directed.[62] Pacino, who plays the role of Herod in the film, describes it as his "most personal project ever".[62]
The United States premiere of Wilde Salomé took place on the evening of March 21, 2012, before a full house at the 1,400-seat Castro Theatre in San Francisco's Castro District. Marking the 130th anniversary of Oscar Wilde's visit to San Francisco, the event was a benefit for the GLBT Historical Society.[63][64][65]
Although he has never married, Pacino has three children. The eldest, Julie Marie (born 1989), is his daughter with acting coach Jan Tarrant. He also has twins, son Anton James and daughter Olivia Rose (born 2001), with actress Beverly D'Angelo, with whom he had a relationship from 1996 until 2003.[66][67] Pacino had a relationship with Diane Keaton, his co-star in the Godfather Trilogy. The on-again, off-again relationship ended following the filming of The Godfather Part III. [68] Other women he has had relationships with include Tuesday Weld, Marthe Keller, Kathleen Quinlan and Lyndall Hobbs.[39]
The Internal Revenue Service filed a tax lien against Pacino claiming he owes the government $169,143.06 in 2008 and $19,140.44 in 2009 for a total of $188,283.50. A representative for Pacino blamed his former business manager Kenneth Starr for the discrepancy.[69]
| Year | Title | Role | Notes |
|---|---|---|---|
| 2006 | Scarface: The World Is Yours | Tony Montana | Video game (voice) |
Pacino has been nominated and has won many awards during his acting career including eight Oscar nominations (winning one), 15 Golden Globe nominations (winning four), five BAFTA nominations (winning two), two Emmy Awards for his work on Television and two Tony Awards for his work on the Stage. In 2007 the American Film Institute awarded Pacino with a lifetime achievement award and in 2003 British television viewers voted Pacino as the greatest film star of all time in a poll for Channel 4.[80]
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| Preceded by Paul Newman |
President of the Actors Studio 1994 – present With: Ellen Burstyn and Harvey Keitel |
Succeeded by Incumbent |
| Preceded by Lee Strasberg |
Artistic Director of the Actors Studio 1982 With: Ellen Burstyn |
Succeeded by Ellen Burstyn |
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