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Cass Elliot

 
Cass Elliot
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Pop singer

"Mama" Cass Elliot’s strong contralto voice attraeted much of the attention focused on the popular late 1960s vocal group the Mamas and the Papas. She helped provide harmony on all the quartet’s hits, including "California Dreaming," "Monday, Monday," and "Dedicated to the One I Love." Following The Mamas and the Papas’ breakup in 1968, Elliot enjoyed a successful solo career until her death in 1974.

Born Ellen Naomi Cohen in Baltimore, Maryland, on September 19, 1940, Elliot demonstrated her musical interests early in life. During grade school she took piano lessons; later, she tried the guitar, feeling it was more useful for the folk genre. By the time she reached high school, she focused more on her vocal abilities, and often sang in school shows. After graduation, Elliot rebelled against her parents’ wishes that she attend a prestigious women’s college, and moved to New York City to become involved in the folk scene a few years later. She adopted the name Cassandra Elliot, thinking it would help her in show business.

In New York’s Greenwich Village, Elliot joined a folk group called the Big Three. The Big Three also included James Hendricks, to whom she was married for a time. They were successful enough to record two albums, The Big Three and Live at the Recording Studio on the FM label. By 1964, Elliot and her husband were singing with the Mugwumps. This group, too, was able to make a self-titled album, but it was not put out by Warner Bros, until Elliot had gained fame with the Mamas and the Papas.

Meanwhile, Elliot’s career was being admiringly followed by musician John Phillips, and when he decided to form a vocal group in 1965, he recruited her and fellow Mugwump Denny Doherty. Elliot, Phillips, Doherty, and Phillips’s wife Michelle traveled to the Virgin Islands to practice their distinctive sound for five months before heading for Los Angeles, California, to look for a record deal. There, they were discovered by producer Lou Adler, who had just formed the Dunhill label and offered not only to record them but to be their manager.

The Mamas and the Papas’ first album, If You Can Believe Your Eyes and Ears, was released in 1966. And the first single from it, "California Dreamin’," was an attention-gaining smash for them. Geoffrey Stokes explained in Rock of Ages: The Rolling Stone History of Rock and Roll that the tune "might have been a hit no matter what it was about, for the group’s hallmark harmonies—controlled, elaborate, cool—were an extraordinarily beautiful pop sound…. It also offered a vision of California that was as romantic as the Beach Boys’ 1965 "California Girls," without any of that song’s holdover teenage ethos … tantalizing] Easterners with a California that was enigmatically magical."

If You Can Believe Your Eyes and Ears also includes the classic "Monday, Monday," a recording of the John Lennon and Paul McCartney tune "I Call Your Name," and the enthusiastically upbeat "Go Where You Wanna Go." Elliot and the Mannas and the Papas followed up their initial success with a late 1966 self-titled album that included two big hits, "I Saw Her Again" and "Words of Love." Their 1967 effort, Deliver, also produced two chart-climbers—a remake of the Shirelles’ "Dedicated to the One I Love," which Stokes lauded as a "three-minute chorale," and "Creeque Alley," which more or less told the group’s story. But 1968’s The Papas and the Mamas produced only minor singles like "Twelve Thirty" and "Glad to Be Unhappy." In addition, the Phillips’s souring marriage, along with musical differences among the members, was creating tension within the group, and the Mamas and the Papas broke up.

Elliot, still recording for Dunhill, wasted no time in launching her solo career. She took a song from the last Mamas and Papas album and turned it into the title track for her debut album, released late in 1968. Her solo rendition of "Dream a Little Dream" became a much bigger hit for her than it had for the group. Elliot made two albums the following year, Bubblegum, Lemonade, and Something for Mama, and Make Your Own Kind of Music, the title tune of the latter scoring another hit for her. In 1971, Elliot made an album with musician Dave Mason, which Brock Helander in his book The Rock Who’s Who kindly remembered as "an ill-received but underrated album."

Though Elliot changed to the RCA label in 1972, she never had another hit. She did, however, continue to be a popular nightclub and concert performer. Elliot had just finished a 1974 stint at the Palladium Theater in London, England, when she was found dead in her hotel room. She reportedly had choked on a ham sandwich, but at least one source listed the cause of death as a heart attack. Elliot’s "crystal voice" was recalled in her Newsweek obituary.

Selected discography

With the Big Three
The Big Three, FM, 1963.
Live at the Recording Studio, FM, 1964.

With the Mamas and the Papas
If You Can Believe Your Eyes and Ears (includes "California Dreamin’," "Monday, Monday," "Go Where You Wanna Go," and "I Call Your Name"), Dunhill, 1966.
The Mamas and the Papas (includes "I Saw Her Again," "Words of Love," "No Salt on Her Tail," "Dancing Bear," "Strange Young Girls," and "Trip, Stumble, and Fall"), Dunhill, 1966.
Deliver (includes "Dedicated to the One I Love" and "Creeque Alley"), Dunhill, 1967.
The Papas and the Mamas (includes "Twelve Thirty," "Safe in My Garden," "Dream a Little Dream of Me," and "Glad to Be Unhappy"), Dunhill, 1968.

With others
(With The Mugwumps) The Mugwumps, Warner Bros., 1967.
(With Dave Mason) Dave Mason and Cass Elliot, Blue Thumb, 1971.

Solo LPs
Dream a Little Dream (includes "Dream a Little Dream"), Dunhill, 1968.
Bubblegum, Lemonade, and Something for Mama, Dunhill, 1969.
Make Your Own Kind of Music (includes "Make Your Own Kind of Music"), Dunhill, 1969.
Cass Elliot, RCA, 1972.
The Road Is No Place for a Lady, RCA, 1972.
Don’t Call Me Mama Anymore, RCA, 1973.

Sources
Books
Helander, Brock, The Rock Who’s Who, Schirmer Books, 1982.
Ward, Ed, Geoffrey Stokes, and Ken Tucker, Rock of Ages: The Rolling Stone History of Rock and Roll, Summit Books, 1986.

Periodicals
Newsweek, August 12, 1974.
New York Times, July 30, 1974.
Time, August 12, 1974.
  • Genres: Rock

Biography

Best-known as one of the singers of the renowned '60s psychedelic pop outfit the Mamas & the Papas, Cass Elliot (or Mama Cass), was born Ellen Naomi Cohen on September 19, 1941, in Baltimore, MD, but grew up in Washington, D.C. It was during her senior year in high school that Elliot began singing (as well as acting), relocating to New York City by the early '60s and eventually touring in a production of The Music Man. With the folk music movement sweeping the nation around this time, Elliot formed the Big Three with other members Tim Rose and James Hendricks, issuing a few underappreciated albums (Live at the Recording Studio, The Big 3). The group eventually metamorphosized into the Mugwumps after Rose was replaced by a few other members, including Denny Doherty, but with only an obscure single to show for their hard work, the Mugwumps were kaput by 1964. To make a long story short, Elliot and Doherty eventually teamed up with the husband/wife team of John and Michelle Phillips, forming the Mamas & the Papas by the mid-'60s. Although the group would only remain together for a few short years, their impact on the rock music world was great, resulting in such classic hit singles as "California Dreamin'," "Monday Monday," and "I Saw Her Again," among others.

Upon the group's breakup in 1968, Elliot launched a solo career, issuing such albums as 1968's Dream a Little Dream of Me, 1969's Bubble Gum, Lemonade, & Something for Mama and Make Your Own Kind of Music, 1970's Mama's Big Ones, 1971's Dave Mason & Cass Elliot, 1972's The Road Is No Place for a Lady, and finally, 1973's Don't Call Me Mama Anymore. In addition, Elliot hosted two prime time TV specials of her own in 1969 and 1973, and appeared on numerous TV shows in the early '70s (including co-hosting The Tonight Show, as well as programs by Mike Douglas, Johnny Cash, Ed Sullivan, Carol Burnett, Tom Jones, and Red Skelton). But tragedy struck on July 29, 1974, as Elliot died from a heart attack in London during a sold-out, two-week engagement at the London Palladium. But Elliot's contributions to rock music didn't go unnoticed as the Mamas & the Papas were inducted into the Rock and Roll Hall of Fame in 1998 (with Elliot's only child, Owen, accepting the award at the ceremony for her late mother). ~ Greg Prato, Rovi
Wikipedia on Answers.com:

Cass Elliot

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Cass Elliot

Elliot with Johnny Cash, 1969.
Background information
Birth name Ellen Naomi Cohen
Also known as Mama Cass
Born September 19, 1941(1941-09-19)
Baltimore, Maryland, U.S.
Died July 29, 1974(1974-07-29) (aged 32)
London, England, UK
Genres Pop, folk rock
Occupations Singer
Instruments Vocals
Years active 1959–1974
Labels Dunhill Records, RCA Records
Associated acts The Mamas & the Papas
The Big Three
The Mugwumps

Cass Elliot (September 19, 1941 – July 29, 1974), born Ellen Naomi Cohen and also known as Mama Cass, was an American singer and member of The Mamas & the Papas. After the group broke up, she released five solo albums. In 1998, Elliot, John Phillips, Denny Doherty, and Michelle Phillips were inducted into the Rock and Roll Hall of Fame for their work as The Mamas & the Papas.[1]

Contents

Early life and career

Ellen Cohen was born to Philip and Bess Cohen in Baltimore, Maryland, where she grew up. The family then moved to Alexandria, Virginia (a suburb of Washington, D.C.). She adopted the name "Cass" in high school—possibly, as Denny Doherty tells it, borrowing it from the actress Peggy Cass—but in any case, it was "Cass", not "Cassandra." She assumed the surname Elliot sometime later, in memory of a friend who had died.

While still attending George Washington High School, she became interested in acting and was cast in a school production of the play The Boy Friend. She left high school shortly before graduation and relocated to New York City to further her acting career, and toured in the musical The Music Man, but lost the part of Miss Marmelstein in I Can Get It for You Wholesale to Barbra Streisand in 1962.

Cass Elliot with Tim Rose and James Hendricks as part of the Big Three

While working as a cloakroom attendant at The Showplace in Greenwich Village, Elliot would sometimes sing, but it wasn't until she returned to the Washington area, to attend American University, that she began to pursue a singing career. As America's folk music scene was on the rise, Elliot met banjoist and singer Tim Rose and singer John Brown, and the three began performing as The Triumvirate. In 1963, James Hendricks replaced Brown and the trio was renamed The Big Three. Elliot's first recording with The Big Three was Winkin', Blinkin' and Nod, was released by FM Records in 1963.

When Tim Rose left The Big Three in 1964, Elliot and Hendricks teamed with Canadians Zal Yanovsky and Denny Doherty as The Mugwumps. This group lasted eight months, after which Cass performed as a solo act for a while. Yanovsky joined with John Sebastian to co-found The Lovin' Spoonful while Doherty joined The New Journeymen, a group that also included John Phillips and his wife, Michelle. In 1965, Doherty convinced Phillips that Cass should join the group. She did so while she and the group members were vacationing in the Virgin Islands.

A popular legend about Elliot is that her vocal range was improved by three notes after she was hit on the head by some copper tubing shortly before joining The New Journeymen in the Virgin Islands. Elliot herself confirmed the story in a 1968 interview with Rolling Stone magazine, saying,

It’s true, I did get hit on the head by a pipe that fell down and my range was increased by three notes. They were tearing this club apart in the islands, revamping it, putting in a dance floor. Workmen dropped a thin metal plumbing pipe and it hit me on the head and knocked me to the ground. I had a concussion and went to the hospital. I had a bad headache for about two weeks and all of a sudden I was singing higher. It’s true. Honest to God.[2]

However, friends later said that the pipe story was a less embarrassing explanation for why John Phillips had kept her out of the group for so long, the real reason being, he considered her too fat.[3]

The Mamas and the Papas

With two female members, The New Journeymen needed a new name. According to Doherty, Elliot had the inspiration for the band's new name, as Doherty wrote on his website:

We're all just lying around vegging out watching TV and discussing names for the group. The New Journeymen was not a handle that was going to hang on this outfit. John was pushing for The Magic Cyrcle. Eech, but none of us could come up with anything better, then we switch the channel and, hey, it's the Hells Angels on this talk show... And the first thing we hear is: "Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas." Cass jumped up: "Yeah! I want to be a Mama." And Michelle is going: "We're the Mamas! We're the Mamas!" OK. I look at John. He's looking at me going: "The Papas?" Problem solved. A toast! To The Mamas and the Papas. Well, after many, many toasts, Cass and John are passed out."[4]

Doherty also says that the occasion marked the beginning of his affair with Michelle Phillips. Elliot, who was in love with Doherty, was displeased when he told her of the affair. Doherty has said that she once proposed to him, but that he was so stoned at the time, he could not even respond.

Elliot, known for her sense of humor and optimism, was considered by some to be the most charismatic member of the group. Her powerful, distinctive voice was a large factor in their success. She is best remembered for her vocals on the group's hits "California Dreamin'," "Monday Monday," and "Words of Love," and particularly for the solo "Dream a Little Dream of Me," which the group recorded in 1968 after learning about the death of Fabian Andre, one of the men who co-wrote it, whom Michelle Phillips had met years earlier. Elliot's version is noteworthy for its contemplative pace, whereas almost all earlier recordings of "Dream a Little Dream of Me" (including one by Nat King Cole) had been up-tempo versions—the song having actually been written in 1931 as a dance tune for the nightclubs of the day.

The Mamas & the Papas continued to record to meet the terms of their record contract until their final album was released in 1971.

Solo career

Photo from the special Don't Call Me Mama Anymore.

After the breakup of The Mamas & the Papas, Elliot embarked on a solo singing career. Her most successful recording during this period was 1968's Dream a Little Dream of Me from her solo album of the same name, released by Dunhill Records though it had originally been released on the album The Papas & the Mamas Presented By The Mamas and the Papas earlier that year. She headlined briefly in Las Vegas at Caesars Palace for $40,000 per week, but her performances were not well reviewed.

Elliot had two television variety specials: The Mama Cass Television Show (ABC, 1969) and Don't Call Me Mama Anymore (CBS, 1973). She was a regular guest on TV talk shows and variety shows in the 1970s, including The Julie Andrews Hour, The Mike Douglas Show, The Andy Williams Show, Hollywood Squares, The Johnny Cash Show, The Smothers Brothers Comedy Hour, and The Carol Burnett Show and was a guest panelist for a week on the game show Match Game '73. She guest-hosted for Johnny Carson on The Tonight Show and appeared on that show 13 other times. She also appeared on and co-hosted The Music Scene on ABC and was featured on the first The Midnight Special on NBC. She performed in Saga of Sonora, a 1973 TV music-comedy-western special with Jill St. John, Vince Edwards, Zero Mostel, and Lesley Ann Warren. She also sang the jingle "Hurry on down to Hardee's, where the burgers are charco-broiled" for Hardee's fast-food advertisements.

Throughout the early 1970s, Elliot continued her acting career as well. She had a featured role in the 1970 movie Pufnstuf and made guest appearances on TV's The New Scooby-Doo Movies, Young Dr. Kildare, Love, American Style, and The Red Skelton Show, among others.

Family and death

Elliot was married twice, the first time in 1963 to James Hendricks, her groupmate in The Big Three and The Mugwumps. This was reportedly a platonic arrangement to assist him in avoiding being drafted into the army during the Vietnam War;[5] the marriage reportedly was never consummated and was annulled in 1968.[6] In 1971, Elliot married journalist Baron Donald von Wiedenman[7][8] who was heir to a Bavarian barony. Their marriage ended in divorce after a few months.

Elliot gave birth to a daughter, Owen Vanessa Elliot, on April 26, 1967. She never publicly identified the father, but many years later, Michelle Phillips helped Owen locate her biological father.[9] Owen grew up to become a singer as well and toured with Beach Boy Al Jardine.[10]

At the height of her solo career in 1974, Elliot performed two weeks of sold-out concerts at the London Palladium. She telephoned Michelle Phillips after the final concert on July 28, elated that she had received standing ovations each night. She then retired for the evening, and died in her sleep at age 32. Sources state her death was due to a heart attack.[11][12] Elliot died in a London flat, No. 12 at 9 Curzon Place, Shepherd Market, Mayfair, which was on loan from singer/songwriter Harry Nilsson. Four years later, The Who's drummer Keith Moon died in the same flat at the same age.[13]

Elliot was entombed in Mount Sinai Memorial Park Cemetery in Los Angeles. After her death, Elliot's younger sister, Leah Kunkel, received custody of Cass' daughter Owen, then just seven years old. Kunkel is also a singer and charted in 1984 as a member of the Coyote Sisters on the single "Straight From The Heart (Into Your Life)". Kunkel was interviewed by VH1 in 1997 and discussed her sister for the "Mamas & Papas" episode of the network's documentary series Behind The Music.

An oft-repeated urban legend states that Elliot choked to death on a ham sandwich.[14] The story, which started following the discovery of her body, was based on speculation in the initial media coverage. Police had told reporters that a partially eaten sandwich found in her room might have been to blame, though an autopsy had yet to be conducted. Despite the post-mortem examination finding that Elliot had died of a heart attack and no food at all was found in her windpipe,[12] the false story that she choked on a sandwich has persisted in the decades following her death. In fact Elliot had lost 80 pounds (36 kg) in the eight months before her death by fasting four days a week. Her fatal heart attack was most likely related to this extreme weightloss measure.[15]

Tributes and other popular culture references

The song "Mama, I Remember You Now" by the Swedish artist Marit Bergman is a tribute to Elliot. She was the subject of a 2004 stage production in Dublin,[16] The Songs of Mama Cass, with Kristin Kapelli performing main vocals. The Crosby, Stills & Nash Greatest Hits album released in 2005 was dedicated to Cass Elliot. The British film Beautiful Thing heavily features her recordings, and the memory of her plays a role in the life of one character.

Anthony Kiedis of Red Hot Chili Peppers cited The Mamas & the Papas, and especially Elliot as an influence, in an interview for Rolling Stone, saying, "There have been times when I've been very down and out in my life, and the sound of her voice has sort of given me a reason to want to carry on."[17] Boy George and k.d. lang also cited Elliot as an influence.[18] George described her as "the greatest white female singer ever."[19] Beth Ditto, singer of the band Gossip, named Elliot both as music and fashion inspiration, saying, "I really wanted to sound like Mama Cass growing up."[20][21]

Elliot's recording of "Make Your Own Kind of Music" is featured prominently in several episodes of seasons 2 and 3 of Lost. Her recording of "It's Getting Better" was also featured in a season 4 episode.

Elliot is mentioned as one of the upcoming concert acts in the Stephen King short story "You Know They Got a Hell of a Band," which concerns a couple who wander into a small town inhabited by dead rock and roll legends.

Donovan's song "The Fat Angel" is a heartfelt tribute to Cass Elliot.

Since her death, Elliot and the circumstances surrounding her death have been the butt of numerous jokes in comedy routines, movies, and songs, by performers such as Frank Zappa, Adam Sandler,[22] Denis Leary, Mike Myers (in the first Austin Powers movie), "Weird Al" Yankovic, Robin Williams, and others.

Industrial musician Foetus mentions that he is the one that "gave the sandwich to Mama Cass" in the song "Throne of Agony."[23]

In a Scooby-Doo! Mystery Incorporated episode, "The Secret Serum" a cameo of Elliot appears as an buyer at an auction.[24]

Discography

Albums

The Big Three

The Mugwumps

  • The Mugwumps (1965)

The Mamas and the Papas

Solo

Singles

  • 1968: "Dream a Little Dream of Me" (Mama Cass with the Mamas & the Papas) - US #12 Pop/#2 AC, UK #11[25]
  • 1968: "California Earthquake" - US #67
  • 1969: "Move in a Little Closer, Baby" - US #58 Pop/#32 AC
  • 1969: "It's Getting Better" - US #30 Pop/#13 AC, UK #8[25]
  • 1969: "Make Your Own Kind of Music" - US #36 Pop/#6 AC
  • 1970: "New World Coming" - US #42 Pop/#4 AC
  • 1970: "A Song That Never Comes" - US #99 Pop/#25 AC
  • 1970: "The Good Times Are Coming" - US #104 Pop/#19 AC
  • 1970: "Don't Let the Good Life Pass You By" - US #110 Pop/#34 AC

References

  1. ^ Rockhall.com
  2. ^ Rolling Stone magazine, October 26, 1968, No. 20 reprinted as "Rolling Stone:October 26, 1968, No. 20 THE ROLLING STONE INTERVIEW: Cass Elliot: Page 19". http://www.casselliot.com/rollingst.htm. Retrieved 11 December 2011. 
  3. ^ "Pipe Dream" Snopes.com debunking of pipe story
  4. ^ "Dream A Little Dream" performance transcript from Denny Doherty's website, DennyDoherty.com
  5. ^ Cass Elliot dies at age 32
  6. ^ Meet the Mugwumps
  7. ^ July 12, 1971 Time Magazine announcement of Elliot's marriage to von Wiedenman
  8. ^ For a photo, see the Official Cass Elliot Website.
  9. ^ "California Dreamgirl". Vanity Fair. December 2007. http://www.vanityfair.com/culture/features/2007/12/phillips200712. Retrieved 2008-11-28. 
  10. ^ Beach Boys FAQ
  11. ^ "Cass Elliot, Pop Singer, Dies; Star of the Mamas and Papas" (paid archive). The New York Times. 1974-07-30. http://select.nytimes.com/mem/archive/pdf?res=F10613FD3F5B1A7493C2AA178CD85F408785F9. Retrieved 2008-06-20. 
  12. ^ a b "Cass Elliot's Death Linked to Heart Attack" (paid archive). The New York Times. 1974-08-06. http://select.nytimes.com/mem/archive/pdf?res=F70E11F93E5E1A7493C4A91783D85F408785F9. Retrieved 2008-06-20. 
  13. ^ Wilkes, Roger (17 February 2001). "Inside story: 9 Curzon Place". The Daily Telegraph. http://www.telegraph.co.uk/property/4812977/Inside-story-9-Curzon-Place.html. Retrieved 5 March 2011. 
  14. ^ "Ham and Wheeze" from Snopes.com
  15. ^ Farrell, Amy Erdman. Fat Shame: Stigma and the Fat Body in American Culture. New York, NY: New York UP, 2011.
  16. ^ "Pop: Kristin Kapelli". The Sunday Times (London). 2004-01-11. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article990330.ece. Retrieved 2007-10-30. 
  17. ^ Anthony Kiedis' interview in Rolling Stone magazine
  18. ^ Cass Elliot on veryimportantpotheads.com
  19. ^ Fiegel, Eddi (September 28, 2005). Dream a Little Dream of Me: The Life of Cass Elliot. Chicago Review Press. p. 372. ISBN 978-1-55652-588-9. 
  20. ^ Wooten, Amy (6 September 2006). "Gossiping with Beth Ditto". Windy City Times. http://www.windycitymediagroup.com/ARTICLE.php?AID=12572. Retrieved 19 April 2010. 
  21. ^ Alexander, Hilary (06 Jul 2009). "Beth Ditto's collection for Evans". Telegraph Media Group. http://www.telegraph.co.uk/fashion/style/5734946/Beth-Dittos-collection-for-Evans.html. Retrieved 19 April 2010. 
  22. ^ Sandler lyrics
  23. ^ "The Throne of Agony lyrics". lyricstime.com. http://www.lyricstime.com/foetus-the-throne-of-agony-lyrics.html. Retrieved 2011-09-09. 
  24. ^ Watch the auction scene in "The Secret Serum" before the vampire takes off with the painting being auctioned and in the crowd you see Elliot.
  25. ^ a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 345. ISBN 1-904994-10-5. 

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Gale Musician Profiles. Contemporary Musicians © 1989-2010 The Gale Group, Inc. All rights reserved.  Read more
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