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Charles Bukowski |
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Charles Bukowski |
A prolific and seminal figure in underground literature, Charles Bukowski (1920-1994) is best known for poetry and fiction in which he caustically indicts bourgeois society while celebrating the desperate lives of alcoholics, prostitutes, decadent writers, and other disreputable characters in and around Los Angeles.
Born in 1920 in Andernach, Germany, Bukowski emigrated to Los Angeles in 1922 with his father, an American soldier, and his German mother. As an adolescent he was distanced from his peers by a disfiguring case of acne and he resisted the attempts of his abusive and uncompromising father to instill in him the American ideals of hard work and patriotism. Following high school, Bukowski attended Los Angeles City College from 1939 to 1941 but left without obtaining a degree. He began writing hundreds of unsuccessful short stories while drifting from city to city in a succession of low-paying jobs - including work as a mailman, post office clerk, Red Cross orderly, and laborer in a slaughterhouse and a dog biscuit factory. Although he published his first short story, "Aftermath of a Lengthy Rejection Slip," in a 1944 issue of Story magazine at the age of twenty-four, Bukowski virtually stopped writing for a decade, choosing instead to live as an alcoholic on skid row. After being hospitalized with a bleeding ulcer in 1955, Bukowski began writing poetry and resolved to drink less heavily. During this period he discovered the literature of Upton Sinclair, Sinclair Lewis, and especially Ernest Hemingway, which offered him an alternative to alcoholism and aided in the development of his own concise, realistic prose style.
Bukowski published his first collection of poetry, Flower, Fist, and Bestial Wail, in 1960. He quickly produced a series of poetry chapbooks, including Longshot Poems for Broke Players and Run with the Hunted, featuring surreal verse that expresses sentimentality for the West's Romantic past as well as disgust for the vacuousness of modern culture. While these poems garnered him a small but loyal following over the next decade, Bukowski's work in the short story genre first gained him a wide readership and established his literary reputation. Beginning in 1967, when the antiwar and counterculture movements flourished in the United States, Bukowski began contributing a weekly column, "Notes of a Dirty Old Man," to the Los Angeles alternative newspaper Open City, and later, to the Los Angeles Free Press. Combining journalism, fiction, and philosophy in a rambling, disjointed style, these pieces established his philosophy and defiant, anarchic persona. Perceiving American culture as hypocritical, Bukowski censured American films and television as escapist wish-fulfillment, morality as organized hypocrisy, patriotism as conformism, and academic writers, scholars, and intellectuals as self-righteous charlatans who attack American society while reaping its benefits.
Bukowski began his career writing poetry critical of American bourgeois institutions while disclaiming the title of writer: "To say I'm a poet puts me in the company of versifiers, neontasters, fools, clods, and skoundrels [sic] masquerading as wise men." In Longshot Poems for Broke Players, Bukowski introduces his characteristic outsider protagonist: the unstudied, self-exiled poet who provokes public enmity through his apparent rudeness to writers and other socialites, and maintains his freedom and uniqueness as a writer by rejecting the public literary world. In "Letter from the North," for example, the narrator responds to a despondent writer's request for sympathy with the question: "write you? about what my friend? / I'm only interested in poetry." In ensuing collections such as It Catches My Heart in Its Hands and Crucifix in a Deathhand, Bukowski's narrator retains his hostility to the outer world while revealing a paradoxical inner gentleness. In "Fuzz," the unsteady protagonist unexpectedly empathizes with a group of children who are taunting him: "when I go into the liquor store / they whirl around outside / like bees / shut out from their nest. / I buy a fifth of cheap / whiskey / and/3/ candy bars." Much of Bukowski's subsequent poetry, collected in such volumes as Poems Written before Jumping out of an 8-story Window, The Days Run Away Like Wild Horses over the Hills, and Fire Station, deals in concrete, realistic terms with acts of rape, sodomy, deceit, and violence, particularly focusing on sexual relationships characterized by physical and emotional abuse in which women seek to enslave men through marriage and men attempt to avoid such enslavement through the equally imprisoning pursuit of wealth and material pleasures.
Many of the events described in Bukowski's poetry recur in the autobiographical short stories and novels he began writing in the 1970s. While his earlier stories, many of which were published in men's pornographic magazines, generally employ stock formulas, Bukowski's later fiction, published in Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness and South of No North: Stories of the Buried Life, is more sophisticated, philosophical, and pointedly critical of American society. Many of these stories focus on sexual relationships that feminist and other critics have faulted as misogynistic. Other critics, however, believe these works expose the short-sightedness, pettiness, and spiritual bankruptcy of a dysfunctional society.
During the 1970s Bukowski began writing semiautobiographical novels featuring the first-person narrator Henry ("Hank") Chinaski, a hard-boiled, alcoholic survivor who trades a mediocre, normal life for a position that allows for unromanticized self-awareness in the socially unrestricted environment of the ghetto. Bukowski's first novel, Post Office, contrasts the mindlessness and monotony of Chinaski's work life as an employee of the United States Post Office with the varying degradation and vitality of his unconventional personal life. Factotum chronicles Chinaski's experiences as a young man before the events related in Post Office, while Ham on Rye recounts his adolescent years and conflicts with his tyrannical father. Women details Chinaski's sexual exploits after the events chronicled in Post Office and his eventual desire for a monogamous relationship. Chinaski is also a central character in Bukowski's novel Barfly, which he adapted into a screenplay for the film directed by Barbet Schroeder and starring Mickey Rourke and Faye Dunaway. Bukowski's encounters with California's film industry are also detailed in Hollywood, another novel featuring Chinaski. Bukowski died of leukemia in Los Angeles in 1994
Further Reading
Contemporary Literary Criticism, Gale, Volume 2, 1974, Volume 5, 1976, Volume 9, 1978, Volume 41, 1987.
Contemporary Novelists, 4th edition, edited by D. L. Kirkpatrick, St. James Press, 1986.
Dictionary of Literary Biography, Volume 5: American Poets since World War II, Gale, 1980.
A Bibliography of Charles Bukowski, Dorbin, Sanford, Black Sparrow Press, 1969.
Charles Bukowski: A Critical and Bibliographical Study, Fox, Hugh, Abyss Publications, 1969.
Bukowski: Friendship, Fame, and Bestial Myth, Sherman, Jory, Blue Horse Press, 1982.
A Charles Bukowski Checklist, Weinberg, Jeffrey, editor, Water Row Press, 1987.
Columbia Encyclopedia:
Charles Bukowski |
Bibliography
See his The Pleasures of the Damned: Poems, 1951-1993 (2007); his selected letters (3 vol., 1993-99); D. Weitzmann, Drinking with Bukowski: Recollections of the Poet Laureate of Skid Row (2000); biographies by N. Cherkovski (rev. ed. 1997), H. Sounes (1999), M. G. Baughan (2004), and B. Miles (2006); studies by H. Fox (1968), J. Sherman (1982), R. Harrison (1994), G. Locklin (1995), J. J. Smith, ed. (1995), G. Brewer and F. Day, ed. (1997), J. Christy (1997), J. Thomas (1997), and B. Pleasants (2004); bibliography by A. Krumhansi (1999).
Houghton Mifflin Chronology of US Literature:
Works by Charles Bukowski |
| 1960 | Flower, Fist, and Bestial Wail. The first of Bukowski's more than sixty books establishes in aggressively unsettling verses his characteristic themes of desolation among society's misfits and outcasts and the absurdity of life. Nearly annual volumes would follow, published during the decade by small presses to a small, appreciative coterie. Born in Germany and raised in Los Angeles, Bukowski endured a nearly decade-long alcoholic binge before beginning his professional writing career at age thirty-five. |
Quotes By:
Charles Bukowski |
Quotes:
"The whole LSD, STP, marijuana, heroin, hashish, prescription cough medicine crowd suffers from the Watchtower itch: you gotta be with us, man, or you're out, you're dead. This pitch is a continual and seeming MUST with those who use the stuff. It's no wonder they keep getting busted."
"That is what friendship means. Sharing the prejudice of experience."
"Show me a man who lives alone and has a perpetually clean kitchen, and 8 times out of 9 I'll show you a man with detestable spiritual qualities."
"You begin saving the world by saving one man at a time; all else is grandiose romanticism or politics."
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Charles Bukowski |
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Charles Bukowski |
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Charles Bukowski |
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| Charles Bukowski | |
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| Born | Heinrich Karl Bukowski August 16, 1920 Andernach, Germany |
| Died | March 9, 1994 (aged 73) San Pedro, California, U.S. |
| Occupation | Novelist, poet, short story writer, columnist |
| Nationality | German-American |
| Literary movement | Dirty realism,[1][2] Transgressive fiction[3] |
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Henry Charles Bukowski (born Heinrich Karl Bukowski; August 16, 1920 – March 9, 1994) was an American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles. It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books. In 1986 Time called Bukowski a "laureate of American lowlife".[6] Regarding Bukowski's enduring popular appeal, Adam Kirsch of The New Yorker wrote, "the secret of Bukowski’s appeal. . . [is that] he combines the confessional poet’s promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero."[7]
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Charles Bukowski was born as Heinrich Karl Bukowski in Andernach, Germany, to Heinrich Bukowski and Katharina (née Fett). Bukowski's mother was a native German and his father was an American serviceman of German descent.[8] His paternal grandfather Leonard had emigrated to America from Germany in the 1880s. In Cleveland, Leonard met Emilie Krausse who had emigrated from Danzig, then part of Germany. They married and settled in Pasadena. He worked as a carpenter, setting up his own very successful construction company. The couple had four children, including Henry, Charles Bukowski's father.[8]
Charles Bukowski's parents met in Andernach, in Western Germany following World War I, the poet's father posted as a sergeant in the American army of occupation following Germany's defeat in 1918.[8] He had an affair with Katherina, the German sister of a friend, and she quickly became pregnant. Charles Bukowski repeatedly claimed to be born out of wedlock, but Andernach marital records indicate that his parents married one month prior to his birth.[8][9] His father set himself up as a building contractor, set to make great financial gains in the aftermath of the war. After two years that family moved to Pfaffendorf. Given the crippling reparations being required of Germany and high levels of inflation Henry was unable to make a living, and so he decided to move the family back to America. On April 23, 1923 they sailed from Bremerhaven to Baltimore, Maryland, where they settled. Wanting a more Anglophone name, Bukowski's parents began calling their son 'Henry', which the poet would later change to Charles. They altered the pronunciation of the family name from /buːˈkɒfski/ boo-KOF-skee to /buːˈkaʊski/ boo-KOW-ski, Bukowski's parents were Roman Catholic.[8]
The family settled in South Central Los Angeles in 1930, the city where Charles Bukowski's father and grandfather had previously worked and lived.[8][9] In the '30s the poet's father was often unemployed. In the autobiographical Ham on Rye Charles Bukowski says that, with his mother's acquiescence, his father was frequently abusive, both physically and mentally, beating his son for the smallest imagined offence.[10][11] During his youth Bukowski was shy and socially withdrawn, a condition exacerbated during his teens by an extreme case of acne.[11] Neighborhood children ridiculed his German accent and the clothing his parents made him wear. Although he seemed to suffer from Dyslexia, he was highly praised at school for his art work.[8]
In his early teens, Henry had an epiphany when he was introduced to alcohol by his loyal friend William "Baldy" Mullinax, depicted as "Eli Lacross" in Ham on Rye, son of an alcoholic surgeon. "This [alcohol] is going to help me for a very long time", he later wrote, describing the genesis of his chronic alcoholism; or, as he saw it, the genesis of a method he could utilize to come to more amicable terms with his own life.[10] After graduating from Los Angeles High School, Bukowski attended Los Angeles City College for two years, taking courses in art, journalism, and literature, before quitting at the start of World War II. He then moved to New York to begin a career as a writer.[11]
On July 22, 1944, with World War II ongoing, Bukowski was arrested by FBI agents in Philadelphia, Pennsylvania, where he was living at the time, on suspicion of draft evasion. He was held for 17 days in Philadelphia's Moyamensing Prison. Sixteen days later he failed a psychological exam that was part of his mandatory military entrance "physical" and was given a Selective Service Classification of 4-F (unfit for military service).
When Bukowski was 24, his short story, "Aftermath of a Lengthy Rejection Slip", was published in Story magazine. Two years later, another short story, "20 Tanks from Kasseldown", was published by the Black Sun Press in Issue III of Portfolio: An Intercontinental Quarterly, a limited-run, loose-leaf broadside collection printed in 1946 and edited by Caresse Crosby. Failing to break into the literary world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a "ten-year drunk." These "lost years" formed the basis for his later semi-autobiographical chronicles, although they are fictionalized versions of Bukowski's life through his highly stylized alter-ego, Henry Chinaski.
During part of this period he continued living in Los Angeles, working at a pickle factory for a short time but also spending some time roaming about the United States, working sporadically and staying in cheap rooming houses.[8] In the early 1950s, Bukowski took a job as a fill-in letter carrier with the U.S. Postal Service in Los Angeles but resigned just before he reached three years' service.
In 1955 he was treated for a near-fatal bleeding ulcer. After leaving the hospital he began to write poetry.[8] In 1957 he agreed to marry small-town Texas poet Barbara Frye, sight unseen, but they divorced in 1959. According to Howard Sounes's Charles Bukowski: Locked in the Arms of a Crazy Life, she later died under mysterious circumstances in India. Following his divorce, Bukowski resumed drinking and continued writing poetry.[8]
By 1960, Bukowski had returned to the post office in Los Angeles where he began work as a letter filing clerk, a position he held for more than a decade. In 1962, he was traumatized by the death of Jane Cooney Baker, the object of his first serious romantic attachment. Bukowski turned his inner devastation into a series of poems and stories lamenting her death. In 1964 a daughter, Marina Louise Bukowski, was born to Bukowski and his live-in girlfriend Frances Smith, whom he referred to as a "white-haired hippie," "shack-job," and "old snaggle-tooth.".[12]
Jon and Louise Webb, now recognized as giants of the post-war 'small-press movement', published The Outsider literary magazine and featured some of Bukowski's poetry. Under the Loujon Press imprint, they published Bukowski's It Catches My Heart in Its Hands in 1963 and Crucifix in a Deathhand in 1965.
Beginning in 1967, Bukowski wrote the column "Notes of a Dirty Old Man" for Los Angeles' Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press as well as the hippie underground paper NOLA Express in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced three issues over the next two years.[citation needed]
In 1969 Bukowski accepted an offer from Black Sparrow Press publisher John Martin and quit his post office job to dedicate himself to full-time writing. He was then 49 years old. As he explained in a letter at the time, "I have one of two choices – stay in the post office and go crazy ... or stay out here and play at writer and starve. I have decided to starve."[13] Less than one month after leaving the postal service he finished his first novel, Post Office. As a measure of respect for Martin's financial support and faith in a relatively unknown writer, Bukowski published almost all of his subsequent major works with Black Sparrow Press. An avid supporter of small independent presses, he continued to submit poems and short stories to innumerable small publications throughout his career.[11]
Bukowski embarked on a series of love affairs and one-night trysts. One of these relationships was with Linda King, a poet and sculptress. Critic Robert Peters viewed the debut of Linda King’s play The Tenant in which she and Bukowski starred back in the 1970s in Los Angeles. This play was a one-off performance. His other affairs were with a recording executive and a 23-year-old redhead; he wrote a book of poetry as a tribute of his love for the latter, titled, "Scarlet" (Black Sparrow Press, 1976). His various affairs and relationships provided material for his stories and poems. Another important relationship was with "Tanya", pseudonym of "Amber O'Neil" (also a pseudonym), described in Bukowski's "Women" as a pen-pal that evolved into a weekend tryst at Bukowski's residence in Los Angeles in the 1970s. "Amber O'Neil" later self-published a chapbook about the affair entitled "Blowing My Hero."[14]
In 1976, Bukowski met Linda Lee Beighle, a health food restaurant owner, aspiring actress and devotee of Meher Baba, leader of an Indian religious society. Two years later Bukowski moved from the East Hollywood area, where he had lived for most of his life, to the harborside community of San Pedro,[15] the southernmost district of the City of Los Angeles. Beighle followed him and they lived together intermittently over the next two years. They were eventually married by Manly Palmer Hall, a Canadian-born author and mystic, in 1985. Beighle is referred to as "Sara" in Bukowski's novels Women and Hollywood.[citation needed]
Bukowski died of leukemia on March 9, 1994, in San Pedro, California, aged 73, shortly after completing his last novel, Pulp. The funeral rites, orchestrated by his widow, were conducted by Buddhist monks. An account of the proceedings can be found in Gerald Locklin's book Charles Bukowski: A Sure Bet. His gravestone reads: "Don't Try", a phrase which Bukowski uses in one of his poems, advising aspiring writers and poets about inspiration and creativity. Bukowski explained the phrase in a 1963 letter to John William Corrington: "Somebody at one of these places [...] asked me: 'What do you do? How do you write, create?' You don't, I told them. You don't try. That's very important: 'not' to try, either for Cadillacs, creation or immortality. You wait, and if nothing happens, you wait some more. It's like a bug high on the wall. You wait for it to come to you. When it gets close enough you reach out, slap out and kill it. Or if you like its looks you make a pet out of it."[16]
In 2007 and 2008 there was a movement to save Bukowski's bungalow at 5124 De Longpre Ave. from destruction.[11] The campaign was spearheaded by preservationist Lauren Everett. The cause was covered extensively in the local and international press, including a feature in David S. Wills's Beatdom magazine, and was ultimately successful. The bungalow subsequently was listed as a Los Angeles Historic-Cultural Monument called Bukowski Court. The cause was criticized by some as cheapening Bukowski's "outsider" reputation.[17][18]
Bukowski published extensively in small literary magazines and with small presses beginning in the early 1940s and continuing on through the early 1990s. These poems and stories were later republished by Black Sparrow Press (now HarperCollins/ECCO) as collected volumes of his work. In the 1980s he collaborated with illustrator Robert Crumb on a series of comic books, with Bukowski supplying the writing and Crumb providing the artwork.
Bukowski also performed live readings of his works, beginning in 1962 on radio station KPFK in Los Angeles and increasing in frequency through the 1970s. Drinking was often a featured part of the readings, along with a combative banter with the audience.[19] By the late 1970s Bukowski's income was sufficient to give up live readings. His last international performance was in October 1979 in Vancouver, British Columbia. It was released on DVD as There's Gonna Be a God Damn Riot in Here.[20] In March 1980 he gave his very last reading at the Sweetwater club in Redondo Beach, which was released as Hostage on audio CD and The Last Straw on DVD.[21][22]
Bukowski often spoke of Los Angeles as his favorite subject. In a 1974 interview he said, "You live in a town all your life, and you get to know every bitch on the street corner and half of them you have already messed around with. You've got the layout of the whole land. You have a picture of where you are.... Since I was raised in L.A., I've always had the geographical and spiritual feeling of being here. I've had time to learn this city. I can't see any other place than L.A."[13]
One critic has described Bukowski's fiction as a "detailed depiction of a certain taboo male fantasy: the uninhibited bachelor, slobby, anti-social, and utterly free", an image he tried to live up to with sometimes riotous public poetry readings and boorish party behaviour.[23] Since his death in 1994 Bukowski has been the subject of a number of critical articles and books about both his life and writings. His work has received relatively little attention from academic critics. ECCO continues to release new collections of his poetry, culled from the thousands of works published in small literary magazines. According to ECCO, the 2007 release The People Look Like Flowers At Last will be his final posthumous release as now all his once-unpublished work has been published.[24]
In June 2006 Bukowski's literary archive was donated by his widow to the Huntington Library in San Marino, California. Copies of all editions of his work published by the Black Sparrow Press are held at Western Michigan University which purchased the archive of the publishing house after its closure in 2003.
Bukowski: Born Into This, a film documenting the author's life, was released in 2003. It features contributions from Sean Penn, Tom Waits, Harry Dean Stanton and Bono (U2's song "Dirty Day" was dedicated to Bukowski when released in 1993).
In 1981, the Italian director Marco Ferreri made a film, Storie di ordinaria follia aka Tales of Ordinary Madness, loosely based on the short stories of Bukowski; Ben Gazzara played the role of Bukowski's character.[25]
Barfly (1987) starred Mickey Rourke as Henry Chinaski (Bukowski) and Faye Dunaway as Wanda Wilcox (his lover). Sean Penn had offered to play the part of Chinaski (Bukowski) for as little as a dollar as long as his friend Dennis Hopper would provide direction, but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it.[citation needed] Bukowski wrote the screenplay for the film and appears as a bar patron in a brief cameo.
Also in 1987 a small Belgian film called Crazy Love came out, with script co-written by Bukowski himself. The film was loosely based upon 3 frequently-told episodes from his life.
A film adaptation of Factotum, starring Matt Dillon, Lili Taylor, and Marisa Tomei, was released in 2005.
In 2011, the actor James Franco publicly stated that he is in the process of making a film adaptation of Bukowski's novel Ham on Rye.[26] He is currently writing the script with his brother David Franco and explained that his reason for wanting to make the film is because "Ham on Rye is one of my favorite books of all time."
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