|
For more information on Charles Schulz, visit Britannica.com.
On this page
Britannica Concise Encyclopedia:
Charles Schulz |
|
For more information on Charles Schulz, visit Britannica.com.
|
Featured Videos:
|
Gale Encyclopedia of Biography:
Charles M. Schulz |
Cartoonist and creator of "Peanuts," Charles M. Schulz (born 1922) was the winner of two Reuben, two Peabody, and five Emmy awards and a member of the Cartoonist Hall of Fame.
Charles Schulz was born in Minneapolis, Minnesota, on November 26, 1922, the son of Carl (a barber) and Dena (Halverson) Schulz. At school in St. Paul he was bright and rapidly promoted, which made him often the smallest in his class, a fact that may have been of psychological significance in his later development. Noting his aptitude for drawing, his mother encouraged him to take a correspondence course from the Federal School in Minneapolis.
In World War II Schulz was drafted and sent to Europe, mustering out after the war as a sergeant. He returned to Minnesota as a young man strongly imbued with Christian beliefs. For a while he free-lanced for a Catholic magazine and taught in the correspondence school, which had been renamed the Art Instruction Institute. Some of his work appeared in the Saturday Evening Post, and eventually he created a cartoon entitled "Li'l Folks" for the St. Paul Pioneer Press, signing it "Sparky," a nickname conferred on him by an uncle.
In 1950 the United Feature Syndicate of New York proposed publication of a new comic strip, which Schulz wished to call "Li'l Folks" but which was named "Peanuts" by the company. In 1950 the cartoon made its debut in seven newspapers with the characters Charlie Brown, Shermy, Patty, and Snoopy. Within a year the strip appeared in thirty-five papers, and by 1956 in over a hundred. Characters were added slowly, and psychological subtleties were much developed. Lucy, Linus, and Schroeder appeared; then Sally, Charlie Brown's sister; Rerun, Lucy's brother; Peppermint Patty; Marcie; Franklin; Jose Peterson; Pigpen; Snoopy's brother, Spike; and the bird, Woodstock. In 1955, and again in 1964, Schulz received the Reuben award from the National Cartoonists Society.
By this time Schulz' popularity was enormous and had become world-wide. "Peanuts" appeared in over 2,300 newspapers. The cartoon branched out into television, and in 1965 the classic "A Charlie Brown Christmas," produced by Bill Melendez and Lee Mendelson, won a Peabody and an Emmy award. Many more television "specials" and Emmys were to follow. An off-Broadway production, "You're a good man, Charlie Brown," staged in 1967, ran four years. In 1969, National Aeronautics and Space Administration astronauts named their command module "Charlie Brown" and their lunar lander "Snoopy." Many volumes of Schulz' work were published in at least 19 languages, and the success of "Peanuts" inspired many licensed products in textiles, stationery, toys, games, etc. Schulz also authored a book, "Why, Charlie Brown, Why?" (which became a CBS television special) to make the dreaded subject of cancer understandable to children (his mother had died of cancer during World War II).
Besides the previously mentioned awards, Schulz received the Yale Humor Award, 1956; School Bell Award, National Education Association, 1960; and honorary degrees from Anderson College, 1963, and St. Mary's College of California, 1969. A "Charles M. Schulz Award" honoring aspiring comic artists was created by the United Feature Syndicate in 1980. The year 1990 marked the 40th anniversary of "Peanuts." An exhibit at the Louvre, in Paris, called "Snoopy in Fashion," featured 300 Snoopy and BELLE plush dolls dressed in fashions created by more than 15 world-famous designers. It later traveled to the United States. Also in 1990, the Smithsonian Institution featured an exhibit titled, "This Is Your Childhood, Charlie Brown… Children in American Culture, 1945-1970."
The "Peanuts" cartoons were centered on the classically simple and touching figures of a boy and his dog, Charlie Brown and Snoopy, surrounded by family and school friends. Adults were present only by implication, and the action involved ordinary, everyday happenings, transformed by childhood fantasy.
Charlie Brown was the quintessence of ordinariness, as his name and his visible form suggest. His round head had minimal features, half-circles for ears and nose, dots for eyes, a line for a mouth, the rest of the body compressed to pint size. He was a combination of ineptness and puzzlement in the face of problems that life and his peers dealt out to him: the crabby superiority of Lucy; the unanswerable questions of Linus, a small intellectual with a security blanket; the self-absorption of Schroeder the musician; the teasing of his school mates; and the behavior of Snoopy, the flop-eared beagle with the wild imagination and the doghouse equipped with a Van Gogh, who sees himself as a World War I Flying Ace trying to shoot down the Red Baron when he is not running a "Beagle Scout" troop consisting of the bird Woodstock and his friends.
Charlie Brown's inability to cope with the constant, predictable disappointments in life, the failure and renewal of trust (typified by Lucy's tricking him every time he tries to kick the football), his touching efforts to accept what happens as deserved, all were traits shared in a lesser degree by his companions. Even crabby Lucy cannot interest Schroeder or understand baseball; Linus puzzled over life's mysteries and the refusal of the "Great Pumpkin" to show up on Halloween. The quirks and defects of humanity in general were reflected by Schulz' gentle humor, which constituted the appeal of the cartoon to the public, as it pinpointed our own adult weaknesses in a diminished and entertaining form, with a dash of pathos.
Part of the pleasure of "Peanuts" was the readers' expectation fulfilled, as the build-up to the penultimate frame reached the let-down of the final. "I realize … I am not alone … I have friends!" says Charlie Brown, momentarily reassured by "psychiatrist" Lucy. "Name one!" retorts Lucy, returning to her usual role.
Some writers find a moral and religious gospel to be drawn from Charlie Brown's dilemmas. Schulz maintained that he was more preoccupied by getting the strip on the drawing board. However, even to the casual reader "Peanuts" offered lessons to be learned. Schulz employed everyday humor, even slapstick, to make a point, but usually it was the intellectual comment that carries the charge, even if it was only "Good Grief!" Grief was the human condition, but it was good when it taught us something about ourselves and was lightened by laughter.
Schulz was twice married, to Joyce Halverson in 1949 (divorced 1972) and to Jean Clyde in 1973. He had five children by his first marriage: Meredith, Charles Monroe, Craig, Amy, and Jill. He was an avid hockey player, had a passion for golf, and enjoyed tennis.
Charles Schulz and the "Peanuts" characters remained a mainstay in the late 1990s. Schulz's work was beloved by the masses. He has had two retrospectives dedicated to his work within the past 15 years. The first was in 1985 at the Oakland Museum in Oakland, California and the second occurred in 1990 at the Louvre's Museum of Decorative Art in Paris. As of the late 1990s the syndicated cartoon strip of the "Peanuts" ran in over 2000 newspapers throughout the world on a daily basis.
Further Reading
The most complete biography was Rheta Grimsley Johnson, Good Grief: the Story of Charles M. Schulz (1989). The Funnies, An American Idiom, edited by David Manning White and Robert H. Abel (Part V, 1963), contained interesting comment placing Schulz in the context of American cartoonists. The Gospel According to Peanuts (1964) by Robert L. Short pointed out the similarity between "Peanuts" and many passages of the Bible. Charlie Brown & Charlie Schulz (1970) by Lee Mendelson with Charles M. Schulz presented useful comments but is somewhat dated. America's Great Comic-Strip Artists (Part 16, 1989), edited by Richard Marschall, provided up-to-date commentary on Schulz and other cartoonists and some comparison.
Among Schulz' best-known works were: Happiness Is a Warm Puppy (1962); Good Grief, Charlie Brown (1963); A Charlie Brown Christmas (1965); Charlie Brown's Yearbook (1969); and You're A Good Sport, Charlie Brown (1976). Additional information may be obtained at http://www.unitedmedia.com (July 1997).
Columbia Encyclopedia:
Charles M. Schulz |
Bibliography
See his Charlie Brown, Snoopy and Me (1980); biographies by R. G. Johnson (1989) and D. Michaelis (2007).
Dictionary of Cultural Literacy: Fine Arts:
Schulz, Charles M. |
An American cartoonist who drew the syndicated “Peanuts” comic strip from 1950 until shortly before his death in 2000. Unlike many other cartoonists, Schulz did not allow others to do the initial drawings for the strip.
Quotes By:
Charles M. Schulz |
Quotes:
"Just remember, once you're over the hill you begin to pick up speed."
"Jogging is very beneficial. It's good for your legs and your feet. It's also very good for the ground. If makes it feel needed."
"Big sisters are the crab grass in the lawn of life."
"I know the answer! The answer lies within the heart of all mankind! The answer is twelve? I think I'm in the wrong building."
"I love mankind; it's people I can't stand."
"I have a new philosophy. I'm only going to dread one day at a time."
See more famous quotes by
Charles M. Schulz
Wikipedia on Answers.com:
Charles M. Schulz |
|
|
This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (January 2012) |
| Charles M. Schulz | |
|---|---|
Charles Schulz in 1956 |
|
| Born | November 26, 1922 Minneapolis, Minnesota, USA |
| Died | February 12, 2000 (aged 77) Santa Rosa, California, USA |
| Nationality | American |
| Area(s) | Cartoonist, Writer, Artist |
| Notable works | Peanuts (1950–2000) |
| Awards | See this article's awards section |
| Official website | |
Charles Monroe Schulz (November 26, 1922 – February 12, 2000),[1] nicknamed Sparky, was an American cartoonist, whose comic strip Peanuts proved one of the most popular and influential in the history of the medium and is still widely reprinted on a daily basis.
|
Contents
|
Born in Minneapolis, Minnesota, Schulz grew up in Saint Paul. He was the only child of Carl Schulz, who was born in Germany, and Dena Halverson, who was Norwegian.[2] His uncle called him "Sparky" after the horse Spark Plug in Billy DeBeck's comic strip, Barney Google.[3]
Schulz loved drawing and sometimes drew his family dog, Spike, who ate unusual things, such as pins and tacks. Schulz drew a picture of Spike and sent it to Ripley's Believe It or Not!; his drawing appeared in Robert Ripley's syndicated panel, captioned, "A hunting dog that eats pins, tacks and razor blades is owned by C. F. Schulz, St. Paul, Minn." and "Drawn by 'Sparky'"[4] (C.F. was his father, Carl Fred Schulz.)[5]
Schulz attended St. Paul's Richard Gordon Elementary School, where he skipped two half-grades. When he was in first grade, his mother helped him get valentines for everybody in his class, so that nobody would be offended by not getting one; but he felt too shy to put them in the box at the front of the classroom, so he took them all home again to his mother.[6]
He became a shy, timid teenager, perhaps as a result of being the youngest in his class at Central High School. One episode in his high school life was the rejection of his drawings by his high school yearbook. A five-foot-tall statue of Snoopy was placed in the school's main office 60 years later.[6]
In 1943, he was drafted into the United States Army and served as a buck sergeant with the 20th Armored Division in Europe as a squad leader on a .50 caliber machine gun team. The unit saw combat only at the very end of the war. Schulz stated that he only ever had one opportunity to fire his machine gun but forgot to load it. Fortunately, he said, the German soldier he ran into willingly surrendered. Years later, he proudly spoke of his wartime service.[7]
After discharge in late 1945, he returned to Minneapolis and took a job as an art teacher at Art Instruction, Inc. He had studied the school's correspondence course before he was drafted. Schulz did lettering for a Roman Catholic comic magazine, Timeless Topix, while teaching at Art Instruction.
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, he tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
In 1957 and 1961 he illustrated two volumes of Art Linkletter's Kids Say the Darndest Things,[8][9] and in 1964 a collection of letters, Dear President Johnson, by Bill Adler.[10]
Charlie Brown, the principal character for Peanuts, was named after a co-worker at the Art Instruction Inc. Schulz drew much more inspiration from his own life:
The Charles M. Schulz Museum counts Milton Caniff (Terry and the Pirates) and Bill Mauldin as key influences on Schulz's work. In his own strip, Schulz regularly described Snoopy's annual Veterans Day visits with Mauldin, including mention of Mauldin's World War II cartoons.[14][15]
Critics have also credited George Herriman (Krazy Kat), Roy Crane (Wash Tubbs), Elzie C. Segar (Thimble Theater) and Percy Crosby (Skippy) among Schulz's influences. However,
| “ | It would be impossible to narrow down three or two or even one direct influence on [Schulz's] personal drawing style. The uniqueness of Peanuts has set it apart for years... That one-of-kind quality permeates every aspect of the strip and very clearly extends to the drawing. It is purely his with no clear forerunners and no subsequent pretenders. — Good Grief: The Story of Charles M. Schulz, Rheta Grimsley Johnson, p. 68 |
” |
In 1951, Schulz moved to Colorado Springs, Colorado. The same year, Schulz married Joyce Halverson.[16] His son, Monte, was born at this time, with their three further children being born later, in Minnesota.[17] He painted a wall in that home for his adopted daughter Meredith Hodges, featuring Patty, Charlie Brown and Snoopy. The wall was removed in 2001 and donated to the Charles M. Schulz Museum in Santa Rosa, California.
Schulz and his family returned to Minneapolis and stayed until 1958. They then moved to Sebastopol, California, where Schulz built his first studio. It was here that Schulz was interviewed for the unaired television documentary A Boy Named Charlie Brown. Some of the footage was eventually used in a later documentary, Charlie Brown and Charles Schulz. The original documentary is available on DVD from the Charles M. Schulz Museum.
Schulz's father died while visiting him in 1966, the same year his Sebastopol studio burned down. By 1969, Schulz had moved to Santa Rosa, California, where he lived and worked until his death.
By Thanksgiving 1970, it was clear that Schulz's first marriage was in trouble,[18] and their divorce was final in 1972. Schulz married Jean Forsyth Clyde in 1973; they met when Jean brought her daughter to Schulz's hockey rink.[18]
Schulz had a long association with ice sports, and both figure skating and ice hockey featured prominently in his cartoons. In Santa Rosa, he was the owner of the Redwood Empire Ice Arena, which opened in 1969 and featured a snack bar called "The Warm Puppy".[6] Schulz's daughter Amy served as a model for the figure skating in the 1980 television special She's a Good Skate, Charlie Brown.
Schulz also was very active in senior ice-hockey tournaments; in 1975, he formed Snoopy's Senior World Hockey Tournament at his Redwood Empire Ice Arena, and in 1981, Schulz was awarded the Lester Patrick Trophy for outstanding service to the sport of hockey in the United States.
Schulz also enjoyed playing golf and was a member of the Santa Rosa Golf and Country Club from 1959 to 2000.
In July 1981, Schulz underwent heart bypass surgery. During his hospital stay, President Reagan called him on the phone to wish him a quick recovery.
On Sunday, May 8, 1988, two gunmen wearing ski masks entered the cartoonist's home through an unlocked door, planning to kidnap Jean Schulz, but the attempt failed when the couple's daughter, Jill, drove up to the house, prompting the would-be kidnappers to flee. She saw what was happening and called the police from a neighbor's house. Sonoma County Sheriff Dick Michaelsen said, "It was obviously an attempted kidnap-ransom. This was a targeted criminal act. They knew exactly who the victims were." Neither Schulz nor his wife were hurt during the incident.[19][20]
In 1998, Schulz hosted the first Over 75 Hockey Tournament. In 2001, Saint Paul renamed the Highland Park Ice Arena the Charles M. Schulz Highland Arena in his honor.
Biographies have been written about Schulz, including Rheta Grimsley Johnson's Good Grief: The Story of Charles M. Schulz (1989), which was authorized by Schulz.
The lengthiest biography, Schulz and Peanuts: A Biography by David Michaelis (2007), has been heavily criticized by the Schulz family, with son Monte stating it has "a number of factual errors throughout ... [including] factual errors of interpretation" and extensively documenting these errors in a number of essays; for his part, Michaelis maintains that there is "no question" his work is accurate.[21][22] Although cartoonist Bill Watterson (creator of Calvin & Hobbes) feels that the biography does justice to Schulz's legacy, while giving insight into the emotional impetus of the creation of the strips, cartoonist and critic R.C. Harvey regards the book as falling short both in describing Schulz as a cartoonist and in fulfilling Michaelis' stated aim of "understanding how Charles Schulz knew the world", feeling the biography bends the facts to a thesis rather than evoking a thesis from the facts.[23][24][25] A review of Michaelis' biography by Dan Shanahan in the American Book Review (vol 29, no. 6) faults the biography not for factual errors, but for "a predisposition" to finding problems in Schulz's life to explain his art, regardless of how little the material lends itself to Michaelis' interpretations. Shanahan cites, in particular, such things as Michaelis' crude characterizations of Schulz's mother's family, and "an almost voyeuristic quality" to the hundred pages devoted to the breakup of Schulz's first marriage.
In light of David Michaelis' biography and the controversy surrounding his interpretation of the personality that was Charles Schulz, responses from his family reveal some intimate knowledge about the Schulz's persona beyond that of mere artist.[26]
Peanuts ran for nearly 50 years, almost without interruption. During the life of the strip, Schulz took only one vacation, a five-week break in late 1997 to celebrate his 75th birthday; reruns of the strip ran during his vacation. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered several small strokes along with a blocked aorta and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999. This was difficult for Schulz, and he was quoted as saying to Al Roker on The Today Show, "I never dreamed that this would happen to me. I always had the feeling that I would stay with the strip until I was in my early eighties, or something like that. But all of sudden it's gone. I did not take it away. This has been taken away from me."[cite this quote] In his later years, Schulz also suffered from Parkinson's Disease. As a result, he experienced hand tremors that made his linework shaky. He admitted that the tremors sometimes were so bad that while working, he had to hold onto the side of his desk with one hand to steady himself. In addition, he had to reduce the strip from four panels to three (starting on February 29, 1988) to reduce the amount of drawing.[citation needed]
Charles Schulz died in his sleep at home around 9:45 p.m. on February 12, 2000. Although he was dying of cancer, he suffered a fatal heart attack. The last original Peanuts strip was published the very next day, on Sunday, February 13, 2000, just hours after his death the night before. Schulz was buried at Pleasant Hills Cemetery in Sebastopol, California.[27]
Schulz indicated that his family wished for the strip to end when he was no longer able to produce it. Schulz had previously predicted that the strip would outlive him, with his reason being that comic strips are usually drawn weeks before their publication. As part of his will, Schulz had requested that the Peanuts characters remain as authentic as possible and that no new comic strips based on them be drawn. United Features had legal ownership of the strip, but honored his wishes, instead syndicating reruns of the strip to newspapers. New television specials have also been produced since Schulz's death, but the stories are based on previous strips, and Schulz always stated that Peanuts TV shows were entirely separate from the strip.
Schulz had been asked if, for his final Peanuts strip, Charlie Brown would finally get to kick that football after so many decades. His response: "Oh, no! Definitely not! I couldn't have Charlie Brown kick that football; that would be a terrible disservice to him after nearly half a century." Yet, in a December 1999 interview, holding back tears, he recounted the moment when he signed the panel of his final strip, saying, “All of a sudden I thought, 'You know, that poor, poor kid, he never even got to kick the football. What a dirty trick — he never had a chance to kick the football!'”[18][28]
He was posthumously honored on May 27, 2000, by cartoonists of more than 100 comic strips paying homage to him and Peanuts.[29][30]
Schulz received the National Cartoonists Society's Humor Comic Strip Award in 1962 for Peanuts, the Society's Elzie Segar Award in 1980, and was also the first ever two-time winner of their Reuben Award for 1955 and 1964, and their Milton Caniff Lifetime Achievement Award in 1999.[31] He was also an avid hockey fan; in 1981, Schulz was awarded the Lester Patrick Trophy for outstanding contributions to the sport of hockey in the United States, and he was inducted into the United States Hockey Hall of Fame in 1993.[32] On June 28, 1996, Schulz was honored with a star on the Hollywood Walk of Fame, adjacent to Walt Disney's.[33] A replica of this star appears outside his former studio in Santa Rosa. Schulz is a recipient of the Silver Buffalo Award, the highest adult award given by the Boy Scouts of America, for his service to American youth.[34]
A proponent of manned space flight, Schulz was honored with the naming of Apollo 10 command module Charlie Brown, and lunar module Snoopy, launched on May 18, 1969.
On January 1, 1974, Schulz served as the Grand Marshal of the Rose Parade in Pasadena, California.
On February 10, 2000, Congressman Mike Thompson introduced H.R. 3642, a bill to award Schulz the Congressional Gold Medal, the highest civilian honor the United States legislature can bestow.[35] The bill passed the House (with only Ron Paul voting no and 24 not voting)[36] on February 15, and the bill was sent to the Senate where it passed unanimously on May 2.[37] The Senate also considered a bill S.2060 (introduced by Diane Feinstein).[38] President Bill Clinton signed the bill into law on June 20, 2000. On June 7, 2001, Schulz's widow Jean accepted the award on behalf of her late husband in a public ceremony.[39]
Schulz was inducted into the United States Figure Skating Hall of Fame in 2007.[40]
When the Mall of America in Bloomington, Minnesota opened in 1992, the Amusement Park in the center of the Mall was themed around Schulz' "Peanuts" characters, until the Mall lost the rights to use the branding in 2006.
In 2000, the Sonoma County Board of Supervisors rechristened the Charles M. Schulz - Sonoma County Airport in his honor. The airport's logo features Snoopy in goggles and scarf, taking to the skies on top of his red doghouse.
The Charles M. Schulz Museum and Research Center in Santa Rosa opened on August 17, 2002, two blocks away from his former studio and celebrates his life's work and art of cartooning. A bronze statue of Charlie Brown and Snoopy stands in Depot Park in downtown Santa Rosa.
The Jean and Charles Schulz Information Center at Sonoma State University is one of the largest libraries in the CSU system and the state of California, with a 400,000-volume general collection and with a 750,000-volume automated retrieval system capacity. The $41.5 million building was named after Schulz, and his wife donated $5 million needed to build and furnish the structure. The library opened in 2000 and now stands as one of the largest buildings in the university.
Peanuts on Parade has been St. Paul, Minnesota’s tribute to its favorite native cartoonist. It began in 2000 with the placing of 101 5-foot-tall (1.5 m) statues of Snoopy throughout the city of St. Paul. Every summer for the next four years, statues of a different Peanuts character were placed on the sidewalks of St. Paul. In 2001, there was Charlie Brown Around Town, 2002 brought Looking for Lucy, then in 2003 along came Linus Blankets St. Paul, ending in 2004 with Snoopy lying on his doghouse. The statues were auctioned off at the end of each summer, so some remain around the city, but others have been relocated. The auction proceeds were used for artists' scholarships and for permanent, bronze statues of the Peanuts characters. These bronze statues are in Landmark Plaza and Rice Park in downtown St. Paul. Santa Rosa, CA celebrated the 60th anniversary of the strip in 2005 by continuing the Peanuts on Parade tradition beginning with It's Your Town Charlie Brown (2005), Summer of Woodstock (2006), Snoopys Joe Cool Summer (2007) & Look Out For Lucy (2008)
In 2006, Forbes ranked Schulz as the third highest-earning deceased celebrity, having earned $35 million in the previous year.[41] In 2009, he was ranked 6th.[42] According to Tod Benoit in his book Where Are They Buried? How Did They Die?, Charles M. Schulz's income during his lifetime totaled more than $1.1 billion.[43]
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8–14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side.
Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items.
From the late 1980s, however, Schulz described himself in interviews as a "secular humanist":[44]
| “ | I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.[45] | ” |
| Wikiquote has a collection of quotations related to: Charles M. Schulz |
| Wikimedia Commons has media related to: Charles M. Schulz |
|
||||||||||||||||||||||||||
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
| “Peanuts” (Fine Arts) | |
| Snoopy, Come Home (1972 Children's/Family Film) | |
| It's the Pied Piper, Charlie Brown (2000 Children's/Family Film) |
| Who is Charles M. Schulz? Read answer... | |
| Why is Charles m schulz great? Read answer... | |
| Is Charles m schulz dead? Read answer... |
| Does Charles m schulz have sibblings? | |
| Where was Charles M Schulz funeral at? | |
| What religion was Charles M Schulz? |
Copyrights:
![]() | Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 1994-2012 Encyclopædia Britannica, Inc. All rights reserved. Read more | |
![]() |
![]() | Gale Encyclopedia of Biography. Gale Encyclopedia of Biography. © 2006 by The Gale Group, Inc. All rights reserved. Read more |
![]() |
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2012, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/. Read more |
![]() |
![]() | Dictionary of Cultural Literacy: Fine Arts. The New Dictionary of Cultural Literacy, Third Edition Edited by E.D. Hirsch, Jr., Joseph F. Kett, and James Trefil. Copyright © 2002 by Houghton Mifflin Company. Published by Houghton Mifflin. All rights reserved. Read more |
![]() |
![]() | Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved. Read more |
![]() |
![]() | Wikipedia on Answers.com. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article Charles M. Schulz. Read more |
Mentioned in