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Destiny’s Child

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Pop group

Like the female vocal group with whom it’s often compared, the Supremes, Destiny’s Child has experienced volatile shifts in its lineup while earning and retaining tremendous popularity for the group’s blending of musical styles, social commentary, physical beauty, and fashion statements. Initially a quartet comprised of Houston, Texas, natives Beyoncé Knowles, LaToya Luckett, Kelly Rowland, and LaTavia Roberson, Destiny’s Child began in the early 1990s as a group of preteen women singing rhythm-and-blues, gospel, and hip-hop harmonies in such acts as Something Fresh, Cliché, the Dolls, and Destiny, before becoming Destiny’s Child in 1995. Knowles’ father, Mathew, became the group’s manager. Tina Knowles, Mathew’s wife and Beyoncé’s mother, became the group’s stylist. The Knowleses met Rowland when she belonged to one of the musical groups that Beyoncé was a member of as a preteen. Rowland’s mother, Doris Lovett, was a nanny who often lived in other families’ homes and brought her daughter along. She wanted a more stable home for Rowland, so the Knowleses took her in when she was nine years old.

The group began to attract a loyal local following performing around the Houston area. The women

gained prominence from an appearance on the television show Star Search when they were ten-and eleven-year-olds. Although they did not win, the appearance won them opening stints for such acts as Dru Hill and Immature. Signed to Columbia Records in 1996, the quartet released the song "Killing Time" on the soundtrack for the film Men in Black, which was released in 1997. The song also appears on the group’s self-titled debut release, which features their first hit single, "No, No, No," produced by Wyclef Jean. Similarly, the group recorded the Timbaland-produced "Get on the Bus" for the Why Do Fools Fall in Love? film soundtrack. The song became one of the group’s biggest European hits. In Europe, they headlined to sold-out arenas, at one point performing 18 shows in 17 days.

Found Breakthrough Success
The group toured extensively throughout 1998 to promote Destiny’s Child, supporting such acts as Boyz II Men, K-Ci & Jo Jo, and Uncle Sam. But their breakthrough success came after the group’s 1999 release, The Writing’s on the Wall. Debuting at number six on the Billboard 200 album chart, the group’s sophomore effort sold more than nine million copies worldwide. For the remainder of 1999, Destiny’s Child enjoyed sales and chart success. Nine months after its release, the album advanced to number five on the Billboard 200 album chart, and the song "Bills, Bills, Bills" spent nine weeks as the number one single on the Billboard singles chart. Featuring production and writing contributions from Rodney Jenkins and Kevin "She’kspere" Briggs, the latter who performed similar duties for TLC’s hit single, "No Scrubs," The Writing’s on the Wall generated three top ten hits on the Billboard R&B singles chart. Two other singles from The Writing’s on the Wall, "Jumpin Jumpin" and "Say My Name," became radio staples, topping the Hot 100 and the R&B singles charts. The song "Say My Name," Rolling Stone critic Rob Sheffield noted, "was a hypnotic loop of sex and dread, twitching with unbearable lust while the lyrics spilled near-psychotic paranoia, and the whole song simmered until you didn’t think you’d ever get out of it alive—no wonder Elvis Costello was a fan." The group also guest-starred on the television situation comedy The Smart Guy The success of their first two efforts resulted in Destiny’s Child being awarded a total of 13 gold, platinum, and multiplatinum certifications from the Recording Industry Association of America for "No, No, No" (gold, platinum), Destiny’s Child (gold, platinum), "Bills, Bills, Bills" (gold), "Say My Name" (gold) and The Writing’s on the Wall (gold, six-times platinum).

In March of 2000, however, Destiny’s Child was wracked with personnel shifts that sometimes caused journalists and listeners to focus on the group’s lineup more than their music. Mathew Knowles was considered by Roberson and Luckett to be more concerned with advancing his daughter’s career than in the group’s future. When the pair reached the age of 18, they exercised their legal right to acquire new management, which resulted in their dismissal from the group. Luckett told Teen People that she knew she and Roberson were no longer in the group when she heard that the "Say My Name" video was filmed without their participation. Luckett and Roberson filed suit against Destiny’s Child, claiming a breach in the group’s partnership agreement. The suit was settled for an undisclosed amount, and Luckett and Roberson subsequently formed another group, Angel. Knowles and Rowland, on the other hand, drafted Michelle Williams and Farrah Franklin the following February to replace Luckett and Roberson. Williams, who had previously sung backup with R&B singer Monica, debuted with Destiny’s Child in the "Say My Name" video. Franklin had danced in the group’s "Bills, Bills, Bills" video. Within five months, however, Franklin also was out of the group. She had reportedly missed several live performances with the group, which is known for their dedication to long, arduous work schedules. Franklin told Teen People: "I never quit Destiny’s Child. I actually found out that I was no longer in the group on MTV. No one contacted me and told me that I was out of Destiny’s Child." Knowles countered: "It wasn’t a management decision; it was a group decision." The group decided to go forward as a trio comprised of Knowles, Rowland, and Williams.

Despite the controversies of the revolving lineup, Destiny’s Child continued to promote The Writing’s on the Wall throughout 2000, touring as a supporting act for Christina Aguilera’s summer tour and appearing on the VH1 Divas 2000 Tribute to Diana Ross. The trio also recorded "Independent Women, Part I" which appeared on the film soundtrack of Charlie’s Angels. The song became one of the act’s biggest hits, garnering extensive airplay well after the film left theater screens.

New Focus as Trio
Co-opting the title of the Genesis album And Then There Were Three (named after the departures of several founding members in the mid 1970s, including lead vocalist Peter Gabriel), the press focused on Destiny’s Child’s new status as a trio. The threesome performed at the inauguration ceremony for fellow Texan George W. Bush in January of 2001. In the meantime, nearly nonstop touring combined with immense radio and video airplay kept the group’s name and faces familiar with music fans. The youth and physical attractiveness of its remaining members also made the group mainstays of youthful fashion and lifestyle magazines. In May of 2001, Destiny’s Child released their third full-length musical recording, Survivor, to speculation that the recording’s title referred to the CBS television series where contestants competing in a remote location vote off other contestants until only one "survivor" remains. Rolling Stone’s Jancee Dunn wrote that the album’s title was "named after Beyoncé heard a radio DJ chortling that Destiny’s Child was just like the TV show." "The lyrics to the single ‘Survivor’ are Destiny’s Child’s story, because we’ve been through a lot," Knowles told Dunn. "We went through a lot of drama with the members, and everybody was like, ‘Oh, well, no more Destiny’s Child.’ Well, we sold even more records after all the changes. Any complications we’ve had in our ten-year period of time have made us closer and tighter and better."

Acknowledging its three-woman lineup, Survivor features a song entitled "DC-3," which is how the remaining members refer to the group. As if to emphasize the trio’s solidarity and downplay rumors that Knowles was preparing for a solo career, the album also features lead vocals performed by all three remaining members. These songs include light-hearted excursions into accepting aspects of an individual’s physique, such as "Bootylicious," a song Williams told Dunn is about "If you’ve got a big booty, then it’s OK." "Apple Pie a la Mode" is a female appreciation of a physically attractive young man. On a more serious note, Survivor includes a song, "Story of Beauty," that advises the victim of childhood sexual abuse that she is not at fault and can go on with her life. The trio’s acknowledged Christian faith is confirmed by the album’s inclusion of "Gospel Medley."

Survivors of Personnel Turmoil
Detroit Free Press music critic Kelley L. Carter noted that Survivor makes numerous references to the lineup changes: "The title track chronicles the turmoil, struggle and eventual success the group had [in 2000]…. The wise listener will easily notice that the lyrics of several of the songs, including ‘Happy Face, ’ ‘Fancy, ’ and ‘Gospel Medley, ’ focus on that DC-3 talent shake-up of 2000. Founding members Knowles and Kelly Rowland have said they felt as if they came out of a bad ten-year marriage." Carter concluded: "It’s still music that you can shake to and throw your hands up with." Rolling Stone critic Sheffield concurred: "But nobody would care about the backstage drama if the music didn’t rock, and as Survivor proves, Destiny’s Child are the great pop group of the moment, ruling the radio with fluid R&B harmonies, exotic techno beats and more floss than the American Dental Association." Co-production responsibilities for Survivor were handled by Beyoncé Knowles, who appropriated the Bee Gee-written, Samantha Sang disco hit "Emotion" and the guitar lead from the Stevie Nicks song "Edge of Seventeen." The recording features another version of the group’s hit, "Independent Women, Part I" from Charlie’s Angels, the new version entitled "Independent Women, Part II." In May of 2001, Knowles also debuted as the lead character in MTV’s Hip Hopera: Carmen, based on Bizet’s opera Carmen. Destiny’s Child also confirmed their stature as a popular culture phenomenon when Rolling Stone magazine selected the group to adorn their May 2001 cover. The group also released a DVD, The Platinum’s on the Wall, in 2001, featuring six music videos. Revolver critic Cheryl Tan acknowledged that all of the videos could have been taped from television and faulted the release for failing to provide live footage, biographical documentary, "or at least one juicy behind-the-scenes morsel."

Plans are under way for the members of Destiny’s Child to release solo albums. Knowles told Teen People, "We sat down and agreed on what would be best for Destiny’s Child, which is to [release the works] all at the same time." Besides her solo album, Knowles planned to write and produce for other musicians.

Selected discography
(Contributor) Men in Black (soundtrack), Sony/Columbia, 1997.
Destiny’s Child, Columbia, 1998.
(Contributor) Why Do Fools Fall in Love? (soundtrack), Elektra, 1998.
The Writing’s on the Wall, Columbia, 1999.
(Contributor) Life (soundtrack), Interscope, 1999.
(Contributor) Romeo Must Die (soundtrack), EMD/Virgin, 2000.
(Contributor) Charlie’s Angels (soundtrack), Sony/Columbia, 2000.
Survivor, Columbia, 2001.

Sources
Detroit Free Press, April 29, 2001, p. 5G.
Revolver, May/June 2001, p. 118.
Rolling Stone, May 10, 2001, p. 83; May 24, 2001, p. 52.
Teen People, October 2000, p. 120.
AMG AllMusic Guide: Pop Artists:

Destiny's Child

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  • Genres: Rhythm & Blues

Biography

Destiny's Child rose to become one of the most popular female R&B groups of the late '90s, eventually rivaling even TLC in terms of blockbuster commercial success. Their accomplishments came in spite of several abrupt personnel changes, which were accompanied by heated, well-publicized feuds in the media and the courts. In fact, for a time, Destiny's Child were known for that drama just as much as their music. Once the group stabilized again, though, they emerged with even more hitmaking power than ever before.

Destiny's Child were formed in Houston, TX, in 1990, when original members Beyoncé Knowles and LaTavia Roberson were just nine years old; the two met at an audition and became friends, and Knowles' father Mathew set about developing an act based on their singing and rapping, taking their name from a passage in the Book of Isaiah. Beyoncé's cousin Kelendria "Kelly" Rowland joined the group in 1992, and shortly thereafter they landed an appearance on Star Search, where they performed a rap song. The quartet's lineup was finalized (for the time being) when LeToya Luckett joined in 1993, and they spent the next few years working their way up from the Houston club scene, eventually opening for artists like SWV, Dru Hill, and Immature. Finally, in 1997, Destiny's Child was offered a recording contract by Columbia.

The group made its recorded debut on 1997's "Killing Time," a song included on the soundtrack of the blockbuster Men in Black. Their self-titled debut album was released in early 1998, featuring production by Wyclef Jean and Jermaine Dupri, among others. Its lead single, the Jean-produced "No No No," was a smash hit, selling over a million copies and topping the R&B charts. The follow-up singles -- "With Me" and "Get on the Bus," the latter of which was taken from the soundtrack of Why Do Fools Fall in Love? -- didn't quite duplicate the success of "No No No," although Destiny's Child would eventually go platinum (after the group's later success). Destiny's Child re-entered the studio quickly, bringing in producer Kevin "She'kspere" Briggs to handle the majority of their next record. Lead single "Bills, Bills, Bills" became the group's first number one pop hit (and second R&B number one) in the summer of 1999, and paced by its success, the accompanying album, The Writing's on the Wall, entered the charts at number six upon its release.

That was just the beginning of the group's breakout success. The second single, "Bug a Boo," didn't perform as well, but the third single, "Say My Name," was another massive hit, their biggest so far; it hit number one on both the pop and R&B charts for three weeks apiece in early 2000, and made Destiny's Child a pop-cultural phenomenon. However, at the peak of "Say My Name"'s popularity, the group splintered. In December 1999, Roberson and Luckett attempted to split with manager Mathew Knowles, charging that he kept a disproportionate share of the band's profits, attempted to exert too much control, and unfairly favored his daughter and niece. While they never intended to leave the group, relations naturally grew strained, and when the video for "Say My Name" premiered in February 2000, many fans (not to mention Roberson and Luckett) were surprised to find two new members -- Michelle Williams and Farrah Franklin -- joining Knowles and Rowland. Infuriated, Roberson and Luckett took legal action in March, suing both Knowles and their former bandmates for breach of partnership and fiduciary duties. A war of words followed in the press; meanwhile, the next Destiny's Child single, "Jumpin' Jumpin'," hit the Top Ten, and The Writing's on the Wall went on to sell a whopping eight million copies.

The personnel-turnover drama still wasn't over; in July 2000, just five months after joining, Farrah Franklin split with the group. The official reason was that Franklin missed several promotional appearances and concert gigs, although in later interviews she spoke of too much negativity and too little control in the group environment. Now reduced to a trio, Destiny's Child was tapped to record the theme song for the film version of Charlie's Angels; released as a single in October, "Independent Women, Pt. 1" raced up the charts and spent an astounding 11 weeks at number one. Destiny's Child were now indisputable superstars, the biggest female R&B group on the scene, and they quickly began work on a new album to capitalize. In the meantime, toward the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Rowland and Knowles in exchange for a settlement, though they continued to pursue action against Knowles' father; as part of the agreement, both sides were prohibited from ripping each other publicly.

Beyoncé had long since emerged as the group's focal point, and on the third Destiny's Child album, she assumed more control than ever before, taking a greater hand in writing the material and even producing some of the record herself. While recording sessions were going on, Rowland released the first Destiny's Child solo track; "Angel" appeared on the soundtrack of Chris Rock's Down to Earth. Former members Roberson and Luckett also announced the formation of a trio called, coincidentally, Angel, and Farrah Franklin set about starting a solo career.

Survivor -- whose title was reportedly inspired by a DJ's crack about Destiny's Child members voting one another off the island, much like the popular CBS reality series -- hit stores in the spring of 2001, and entered the charts at number one. The first two singles, "Survivor" and "Bootylicious," were predictably huge hits, with the latter becoming the group's fourth number one pop single. A cover of Andy Gibb's "Emotion" was also successful, albeit less so, and Survivor sold well -- over four million copies -- but not as well as its predecessor. Toward the end of the year, the group released a holiday album, 8 Days of Christmas, and announced plans for a series of side projects, including solo albums from all three members (to be staggered over the next year and a half, so as to avoid competition). In early 2002, shortly after This Is the Remix was released to tide fans over, Roberson and Luckett sued the group again, claiming that some of the lyrics in "Survivor" made reference to them (in violation of the earlier lawsuit settlement).

The first Destiny's Child solo album, Michelle Williams' all-gospel project Heart to Yours, was released in April and featured a duet with gospel legend Shirley Caesar. Meanwhile, Beyoncé won a leading role opposite Mike Myers in the third Austin Powers film, Goldmember, playing blaxploitation-style heroine Foxy Cleopatra; her first solo single, the Neptunes-produced "Work It Out," appeared on the soundtrack, and her full solo album, Dangerously in Love, became a huge hit upon release in mid-2003. Despite much critical speculation, the trio reunited the following year and released Destiny Fulfilled in November 2004. In October 2005, the #1's compilation was issued, followed by the Live in Atlanta DVD and CD sets in 2006 and 2007. ~ Steve Huey, Rovi
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Destiny's Child

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This article is about the group. For the group's eponymous album, see Destiny's Child (album).
Destiny's Child
Origin Houston, Texas, U.S.
Genres R&B, soul, hip hop, pop
Years active

1997–2005

2005-present
Labels Columbia/SME Records
Associated acts Girl's Tyme, Solange Knowles
Website DestinysChild.com
Members
Beyonce Knowles
Kelly Rowland
Michelle Williams
LeToya Luckett
LaTavia Roberson

Destiny's Child was an American R&B girl group whose final line-up comprised Beyoncé Knowles, Kelly Rowland, and Michelle Williams. Formed in 1997 in Houston, Texas, Destiny's Child members began their musical endeavors in their pre-teens under the name Girl's Tyme. After years of performing underground, they were signed to Columbia Records as Destiny's Child, comprising Knowles, Rowland, LaTavia Roberson and LeToya Luckett.

Destiny's Child was launched into mainstream recognition following the release of their best-selling second album, The Writing's on the Wall, which contained the number-one singles "Bills, Bills, Bills" and "Say My Name". Despite critical and commercial success, the group was plagued by internal conflict and legal turmoil, as Roberson and Luckett attempted to split off the group's manager Mathew Knowles. They were soon replaced with Williams and Farrah Franklin; however, in 2000, Franklin was dismissed, leaving them as a trio. Their third album, Survivor, which contains themes the public interpreted as a channel to the group's experience, contains the worldwide hits "Independent Women", "Survivor" and "Bootylicious". In 2002, they announced a hiatus and re-united two years later for the release of their fourth studio album, Destiny Fulfilled (2004).

During their career, the group sold over 40 million records worldwide,[1][2] becoming one of the best-selling recording artists in the United States.[3] Billboard magazine ranks the group as one of the greatest musical trios of all time,[4] the ninth most successful artist/band of the 2000s,[5] and placed the group 68th in its All-Time Hot 100 Artists list in 2008.[6] they are also on the (see List of best-selling girl groups).

Contents

Recording history

1990–97: Early beginnings and Girl's Tyme

In 1990, Beyoncé Knowles met rapper LaTavia Roberson while in an audition for a girl group.[7] Based in Houston, Texas, they were joined to a group that performed rapping and dancing. Kelly Rowland, who relocated to Knowles' house because of family issues, joined them in 1991. Originally named Girl's Tyme, they were eventually cut down to six members including Támar Davis and sisters Nikki and Nina Taylor.[8][9] With Knowles and Rowland, Girl's Tyme attracted nationwide attention:[8] west-coast R&B producer Arne Frager flew to Houston to see them. He brought them to his studio, The Plant Recording Studios, in Northern California, with focus on Knowles' vocals because Frager thought she had personality and the ability to sing.[8] With efforts to sign Girl's Tyme to a major record deal, Frager's strategy was to debut the group in Star Search, the biggest talent show on national TV at the time.[8] However, they lost the competition because, according to Knowles, their choice of song was wrong;[10] they were actually rapping instead of singing.[7]

Because of the group's defeat, Knowles' father, Mathew, voluntarily dedicated his time to manage them.[8][11] Mathew Knowles cut down the original lineup to four, with the removed of Davis and the Taylor sisters and the inclusion of LeToya Luckett in 1993.[7][8] Aside from spending time at their church in Houston, Girl's Tyme practiced at their backyards and Headliners Salon, owned by Knowles' mother, Tina. The group would test routines in the salon, when it was on Montrose Boulevard in Houston, and sometimes would collect tips from the customers. Their try out would be critiqued by the people inside. During their school days, Girl's Tyme performed at local gigs. When summer came, Mathew Knowles established a "boot camp" to train them in dance and vocal lessons.[12] After rigorous trainings, they began performing as opening acts for established R&B groups of that time such as SWV, Dru Hill and Immature.[7] Tina Knowles designed the group's attires for their performances. When she was on the road with Girl's Tyme most of the time, she left her managerial function in the salon to her best friend, Vernell Jackson.[12]

Over the course of the early years in their career, Girl's Tyme changed their name to Something Fresh, Cliché, the Dolls, and to Destiny.[13] The group signed with Elektra Records with the name Destiny, but it was dropped several months later before it could release an album.[11] The pursuit of a record deal affected the Knowles family: in 1995, Mathew Knowles resigned from his job as a medical-equipment salesman,[8] a move that reduced Knowles' family's income by half, and her parents briefly separated due to the pressure.[8][11] They finally changed their name to Destiny's Child in 1996, which was taken from a passage in the Book of Isaiah.[7][13] Mathew Knowles helped in negotiating a record deal with Columbia Records which signed the group in 1997.[7][9] Prior to signing with Columbia, the group had recorded several tracks in Oakland, California produced by Dwayne Wiggins of Tony! Toni! Toné!, including "Killing Time", which upon the label's recognition that Destiny's Child had a "unique quality", was included in the soundtrack to the 1997 film Men in Black.[7][14] The group released its debut single, "No, No, No", on November 11, 1997, in the United States.

1998–00: Career breakthrough and lineup changes

Wyclef Jean remixed the song "No, No, No", which became Destiny's Child's first successful single.

Destiny's Child released their self-titled debut album in the United States on February 17, 1998, featuring productions by Rob Fusari, Jermaine Dupri, Wyclef Jean, Dwayne Wiggins and Corey Rooney.[7] Destiny's Child peaked at number sixty-seven on the Billboard 200 and number fourteen on the Billboard Top R&B/Hip-Hop Albums.[15] It managed to sell over one million copies in the United States, earning a platinum certification by the Recording Industry Association of America (RIAA).[16] The remix version to the album's lead single, "No, No, No", reached number one on the Billboard Hot R&B/Hip-Hop Singles & Tracks and number three on the Billboard Hot 100. Domestically, the single sold over one million copies and certified platinum by the RIAA.[16] Its follow-up singles, "With Me Part 1" and "Get on the Bus" failed to reproduce the success of "No, No, No". In 1998, Destiny's Child garnered three Soul Train Lady of Soul awards[7] Best New Artist for "No, No, No". Knowles considered their debut successful but not as huge because she claimed it a neo soul record and was way too mature for them.[17]

After the success of their debut album, Destiny's Child re-entered the studio quickly, bringing in a new lineup of producers, including Kevin "She'kspere" Briggs[7] and Rodney Jerkins. Coming up with The Writing's on the Wall, they released it on July 27, 1999 and it eventually became their breakthrough album.[17] The Writing's on the Wall peaked at number five on the Billboard 200 and number two on R&B chart in early 2000.[15] "Bills, Bills, Bills" was released in 1999 as the album's lead single and reached the top spot of the Billboard Hot 100, becoming their first US number-one single.[7] The Writing's on the Wall has been credited to as Destiny's Child's breakthrough album, spurring their career and introducing them to wider audience.[12][18] The said key to the breakthrough is the album's third single, "Say My Name",[18] which topped the Billboard Hot 100 for three consecutive weeks. The successful release of the singles bolstered the album's sales,[9][19] eventually selling over eight million copies in the United States, gaining eight-time platinum certification by the RIAA.[7][16] The Writing's on the Wall sold more than fifteen million copies worldwide and was one of the top-selling albums of 2000.[20]

Michelle Williams joined the group as a replacement for Luckett and Roberson.

In December 1999, Luckett and Roberson attempted to split with their manager, claiming that he kept a disproportionate share of the group's profits and unfairly favored Knowles and Rowland.[7] While they never intended to leave the group, when the video for "Say My Name" surfaced in February 2000, Roberson and Luckett found out that two new members were joining Knowles and Rowland.[7] Prior to the video premiere, Knowles announced on TRL that original members Luckett and Roberson had left the group.[9] The group had included Michelle Williams, a former backup singer to Monica, and Farrah Franklin, an aspiring singer-actress.[12] Shortly after her stint with Monica, Williams was introduced to Destiny's Child by choreographer Braden Larson aka "Peanut Orlando", and was flown to Houston where she stayed with the Knowles family.[12]

In March 2000, Roberson and Luckett took legal action suing both Mathew Knowles and their band mates for breach of partnership and fiduciary duties. Following the suit, both sides were disparaging each other in the media.[7] Five months performing with Destiny's Child, Franklin left the group after, according to the group, being asked to leave due to missed promotional appearances and concerts. According to Williams, Franklin could not handle stress.[12] Franklin, however, disclosed that she left because of the negativity surrounding the strife and her inability to assert any control in the decision making.[7] Her departure was seen as less controversial. Williams, on the other hand, shared that her inclusion into the group resulted to "battling insecurity": "I was comparing myself to the other members, and the pressure was on me."[12]

Towards the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Rowland and Knowles in exchange for a settlement, though they retained one against their manager. As part of the agreement, both sides were prohibited from attacking each other publicly.[7] Roberson and Luckett formed another girl group Anjel but were unsuccessful in record sales and publicity. Although affected by the turmoil, Destiny's Child's success continued. The following years of their career were seen as the group's most successful stretch,[7] becoming a pop-cultural phenomenon.[9] "Say My Name" became their second number-one and biggest single to date.[17] The fourth single from The Writing's on the Wall, "Jumpin' Jumpin'", also became a top-ten hit. During this time, Destiny's Child began performing as an opening act at the concerts of pop singers Britney Spears and Christina Aguilera.[7]

With Williams in the new lineup, Destiny's Child recorded a theme song for the soundtrack to the film version of Charlie's Angels. Released as a single in October 2000, "Independent Women Part 1" spent eleven consecutive weeks atop the Billboard Hot 100 from November 2000 to January 2001,[9] the longest-running number-one single of Destiny's Child's career and of that year in the United States.[21] The successful release of the single boosted the sales of the soundtrack album to Charlie's Angels to 1.5 million by 2001.[13] In 2000, Destiny's Child won Soul Train's Sammy Davis Jr. Entertainer of the Year award.[13]

2001–03: Survivor, subsequent releases and hiatus

At the 2001 Billboard Music Awards, Destiny's Child won several accolades, including Artist of the Year and Duo/Group of the Year,[22] and again won Artist of the Year among five awards they snagged in 2001.[23] In September 2000, the group took home two at the sixth annual Soul Train Lady of Soul Awards, including R&B/Soul Album of the Year, Group for The Writing's on the Wall.[24] Destiny's Child recorded their third album, Survivor, in late 2000 until early 2001. In the production process, Knowles assumed more control in co-producing and co-writing almost the entire album.[7][25][26] Survivor hit record stores in the spring of 2001 and entered the Billboard 200 at number one, selling over 663,000 copies in its first week sales.[15][27] The first three singles, "Independent Women Part I", "Survivor" and "Bootylicious" reached the top three in the United States and were also successful in other countries;[7] the first two were consecutive number-one singles in the United Kingdom.[28] The album was certified four-time platinum in the United States[16] and double platinum in Australia.[29] To date, Survivor has sold over twelve million copies worldwide.[20]

Beyoncé performing Destiny's Child's hit "Independent Women Part I", the longest-charting single of the group, on The Beyoncé Experience

In October 2001, Destiny's Child released a holiday album, 8 Days of Christmas, which contained updated versions of several Christmas songs.[30] The album managed to reach number thirty-four on the Billboard 200.[15] In February 2001, Destiny's Child won two Grammy awards for "Say My Name": Best R&B Vocal Performance by a Duo or Group and Best R&B Song.[31] They also earned an American Music Award for Favorite Soul/R&B Band/Duo.[7] Also in 2001, Destiny's Child sang backup vocals for Solange Knowles, who was the lead, on the theme song to the animated Disney Channel series The Proud Family. In March 2002, a remix compilation titled This Is the Remix was released to win fans over before a new studio album would be released.[32] The remix album reached number 29 in the United States.[15] The album has sold over 1 million copies worldwide and lists in the List of best-selling remix album of all time. The lead single and Grammy-winning song "Survivor" was by some interpreted as a response to the strife between the band members, although Knowles claimed it was not directed at anybody. Seeing it as a breach of the agreement that barred each party from public disparagement, Roberson and Luckett once again filed a lawsuit against Destiny's Child and Sony Music, shortly following the release of This Is the Remix. In June 2002, remaining cases were settled in court.[7]

Knowles' sister, Solange, who had recorded songs and performed with Destiny's Child, was reported to join the group when they reunite, but this was later confirmed as only a test of the public's reaction.

In late 2000, Destiny's Child announced to embark on individual side projects, including releases of solo albums,[25] an idea by their manager.[33] In 2002, Williams released her solo album, Heart to Yours, a contemporary gospel collection.[7] The album reached number one on the Billboard Top Gospel Albums chart. In the same date Heart to Yours hit stores, Destiny's Child released their official autobiography, Soul Survivors.[34] Rowland collaborated with hip hop artist Nelly on "Dilemma", which became a worldwide hit and earned Rowland a Grammy;[33] she became the first member of Destiny's Child to have achieved a US number-one single. In the same year, Knowles co-starred with Mike Myers in the box-office hit Austin Powers in Goldmember. She recorded her first solo single, "Work It Out", for the film's soundtrack.[7]

Rowland in 2003.

To capitalize on the success of "Dilemma", Rowland's solo debut album Simply Deep was brought forward from its early 2003 release to September 2002.[35] Rowland's career took off internationally when Simply Deep hit number one on the UK Albums Chart.[36] In the same year, she made her feature film debut in the horror film Freddy vs. Jason. Meanwhile Knowles made her second film, "The Fighting Temptations", and appeared as featured vocalist on her then-boyfriend Jay-Z's single "'03 Bonnie and Clyde", which paved the way for the release of her debut solo album.[37]

As an upshot from the success of "Dilemma", Knowles' debut album, Dangerously in Love, was postponed many times until June 2003.[35][38] Knowles was considered the most successful among the three solo releases.[39] Dangerously in Love debuted at number one on the Billboard 200, selling 317,000 copies.[40] It yielded the number-one hits "Crazy in Love", and "Baby Boy"; and the top-five singles "Me, Myself and I" and "Naughty Girl". The album was certified 4x platinum by the Recording Industry Association of America (RIAA).[16] It remains as Knowles' best-selling album to date, with sales of 4.7 million copies in the United States, as of July 2009.[41] Worldwide, the album has sold more than eleven million copies.[20][42] Knowles solo debut was well-received by critics, earning five Grammy awards in one night for Dangerously in Love, tying the likes of Norah Jones, Lauryn Hill, and Alicia Keys for most Grammys received in one night by a female artist.[43] In November 2003, Williams appeared as Aida on Broadway. In January 2004, she released her second gospel album, Do You Know.[7]

Dwayne Wiggins, who had produced their first recordings as Destiny's Child, filed suit in 2002 against his former counsel (Bloom, Hergott, Diemer & Cook LLP) seeking $15 million in damages for lessening his contractual agreement with the group without his consent, effectively nullifying his original contract that offered Sony Music/Columbia Destiny's Child's exclusive recording services for an initial seven years, in exchange for "certain royalties", instead of royalties only from the first three albums. The case was settled for an undisclosed amount.[44]

In June 2003, Mathew Knowles announced that Destiny's Child would expand back to a quartet, revealing Knowles' younger sister, Solange, as the latest addition to the group.[45] Destiny's Child had previously recorded songs with Solange and shared the stage when she temporarily replaced Rowland after she broke her toes while performing. Their manager, however, said the idea was used to test reactions from the public.[46] In August 2003, Knowles herself confirmed that her sister would not be joining in the group, and instead promoted Solange's debut album, Solo Star, released in January 2003.[47]

2004–05: Destiny Fulfilled and final releases

Three years after the hiatus, members of Destiny's Child reunited to record their fourth and final studio album, Destiny Fulfilled.[7] The album introduces the trio to a harder, "urban" sound, and songs featured are conceptually interrelated.[48] Destiny Fulfilled saw equality in the trio:[17] each member contributed to writing on the majority songs,[49] as well as becoming executive producers aside from their manager.[50]

Destiny's Child performing "Say My Name" during their farewell concert tour, Destiny Fulfilled ... And Lovin' It

Released on November 15, 2004, Destiny Fulfilled failed to top Survivor; the album reached number two the following week, selling 497,000 copies in its first week, compared to 663,000 for the previous album.[51] Certified three-time platinum in the United States,[16] it was still one of the best-selling albums of 2005, selling over eight million copies worldwide;[20] it pushed the group back into the position of the best-selling female group and American group of the year. Four singles were released from the album: the lead "Lose My Breath", "Soldier", "Cater 2 U" and "Girl"; the first two reached number three in the United States. "Soldier" "Cater 2 U" were certified platinum by the RIAA in 2006.[16]

To promote the album, Destiny's Child embarked on their worldwide concert tour, Destiny Fulfilled... and Lovin' It Tour. On June 11, 2005, while at the Palau Sant Jordi in Barcelona, Spain, the group announced before 16,000 people their official breakup.[52] Destiny's Child claimed, however, that naming it Destiny Fulfilled was not a coincidence of sort.[53] Right in the making of the album, they planned to part ways after their fourteen-year career as a group to facilitate their continued pursuit in individual aspirations. Knowles stated that their destinies were already fulfilled.[53] The group exclusively sent a letter to MTV about the decision:

We have been working together as Destiny's Child since we were 9, and touring together since we were 14. After a lot of discussion and some deep soul searching, we realized that our current tour has given us the opportunity to leave Destiny's Child on a high note, united in our friendship and filled with an overwhelming gratitude for our music, our fans, and each other. After all these wonderful years working together, we realized that now is the time to pursue our personal goals and solo efforts in earnest...No matter what happens, we will always love each other as friends and sisters and will always support each other as artists. We want to thank all of our fans for their incredible love and support and hope to see you all again as we continue fulfilling our destinies.
—Destiny's Child, MTV[52]

Destiny's Child released their greatest hits album, #1's, on October 25, 2005. The compilation includes their number-one hits including "Independent Woman Part 1", "Say My Name" and "Bootylicious". Three new tracks were recorded for the compilation including "Stand Up For Love", which was recorded for the theme song to the World Children's Day, and "Check on It", a song Knowles recorded for The Pink Panther's soundtrack.[54] #1's was also released as a DualDisc, featuring the same track listing, seven videos of selected songs and a trailer of the concert DVD Destiny's Child: Live in Atlanta.[54] The DVD was filmed during the Atlanta visit of the Destiny Fulfilled ... And Lovin' It tour, and was released on March 28, 2006. It has been certified platinum by the RIAA, denoting shipments of over one million units.[16]

The title of the compilation fueled a ripple as it contained number-one singles, although not exclusively. While the liner notes of the compilation does not present any information regarding commercial performances of the songs featured, writer Keith Caulfield of Billboard magazine suggested that the name could only be "a marketing angle".[55] Despite this, journalist Chris Harris of MTV said that it "lives up to its name";[56] #1's debuted at number one on the Billboard 200 with sales of 113,000 in the first week and was certified platinum by the Recording Industry Association of America (RIAA).[16][57] "Stand Up For Love" was released as Destiny's Child's last single.

Disbandment and recent projects

Destiny's Child star on Hollywood Walk of Fame.

Destiny's Child reunited for a farewell performance at the 2006 NBA All-Star Game on February 19 in Houston, Texas; however, Knowles commented, "It's the last album, but it's not the last show."[58][59] Their final televised performance was at the Fashion Rocks benefit concert in New York at the same month.[58] On March 28, 2006, Destiny's Child was inducted into the Hollywood Walk of Fame, the 2,035th recipient of the coveted recognition.[60] At the 2006 BET Awards, Destiny's Child won Best Group, a category they also earned in 2005 and 2001.[61]

After their formal disbandment, all members continued on their solo projects including LeToya Luckett, who released her debut solo album, LeToya, in July 2006, peaking at number-one on the Billboard 200.[62] Knowles co-starred in the 2006 comedy film The Pink Panther, for which she recorded the number-one single "Check on It".[63] She landed a role in Dreamgirls, the film adaptation of the 1981 hit Broadway musical about a 1960s singing group loosely based on Motown all-female group The Supremes. In the film, she portrays the Diana Ross-based character Deena Jones.[63][64] Inspired by her role in the film, she went to crafting her second solo album, aptly titled B'Day, released on September 4, 2006 in the United States to coincide her birthday.[65] Knowles' music video to her single "Get Me Bodied" features Rowland, Williams, and Knowles' sister Solange. The video was released on the B'Day Anthology video album in April 2007. Knowles said: "It really sets the tone of the video, because you feel like you're there for part of the experience."[66]

In 2007, Rowland released her second solo album, Ms. Kelly. On June 26, 2007, the group made a mini-reunion at the 2007 BET Awards. Knowles performed "Get Me Bodied" with special guests Williams, Solange Knowles, and Mo'Nique. After her performance, Knowles introduced Rowland who performed her single "Like This" with Eve.[67] On the September 2, 2007 Los Angeles stop of The Beyoncé Experience tour, Knowles sang a snippet of "Survivor" with Rowland and Williams, it was the first time they were singing a song together since the last date on their world tour, Destiny Fulfilled ... And Lovin 'It. The latter two rendered a "Happy Birthday" song to Knowles. The performance was featured in Knowles' tour DVD, The Beyoncé Experience Live!, released on November 20, 2007.[68] In spring 2008 Rowland released a repackaged, reworked version of her 2007 album under the title Ms. Kelly Deluxe. This in turn spawned a UK Top 20 single with her newly-recorded cover of the Seventies Bobby Womack track "Daylight", which featured Gym Class Heroes rapper Travis McCoy.[69] Knowles recorded a cover of Billy Joel's "Honesty" which was included on a Mathew Knowles/Music World CD released only in Japan towards the end of June 2008 to celebrate the tenth-year anniversary of Destiny's Child. Williams released her first non-Gospel third solo album, Unexpected,[70] in October 2008, with several of the tracks boasting an uptempo Euro-dance flavour.[71] The following month, Knowles released her third studio solo album, I Am… Sasha Fierce. LeToya Luckett released her sophomore album, Lady Love, in the summer of 2009. Also, that summer Williams made history by becoming the first African-American actress to play murderous chorus-girl Roxie Hart in the London West End run of the stage musical Chicago.[72] In June 2010, Rowland released "Commander", the first single from her forthcoming album Here I Am.[73] Beyoncé released the single "Run the World (Girls)" from her fourth studio album, 4, in April 2011.

Artistry

Style and themes

R&B singer Diana Ross, the front woman of The Supremes, to whom Beyoncé Knowles was equated. (Photo: Harry Wad)

Destiny's Child recorded R&B songs with styles that encompasses urban, contemporary, and dance-pop.[74] Destiny's Child revealed that R&B singer Janet Jackson is one of their influences.[75] Ann Powers of The New York Times described Destiny's Child music as "fresh and emotional ... these ladies have the best mixes, the savviest samples and especially the most happening beats."[19] In the same publication, Jon Pareles noted that the sound that defines Destiny's Child, aside from Knowles' voice, "is the way its melodies jump in and out of double-time. Above brittle, syncopated rhythm tracks, quickly articulated verses alternate with smoother choruses."[76] The group usually harmonize their vocals in their songs, especially on the ballads. In most instances of their songs, each member sings one verse and chimes in at the chorus. In Survivor, each members sings lead in the majority of the album:[12] "... everybody is a part of the music ... Everybody is singing lead on every song, and it's so great — because now Destiny's Child is at the point vocally and mentally that it should be at."[77] Knowles, however, completely led songs like "Brown Eyes" and "Dangerously in Love". The group explored their lyrics to man-to-woman relationship, and sisterhood and female empowerment anthems.

Survivor contains themes interpreted by the public as a reference to the group's internal conflict. The title track, "Survivor", which set the theme used throughout the album,[12] features the lyrics "I'm not gonna blast you on the radio ... I'm not gonna lie on you or your family ... I'm not gonna hate you in the magazine" caused LaTavia and LeToya Luckett to file a lawsuit against the group; the lyrics were perceived to be a violation over their agreement following a settlement in court.[7] In an interview, Knowles commented: "The lyrics to the single 'Survivor' are Destiny's Child's story, because we've been through a lot, ... We went through our drama with the members ... Any complications we've had in our 10-year period of time have made us closer and tighter and better."[12] In another song called "Fancy", which contains the lyrics "You always tried to compete with me, girl ... find your own identity", was interpreted by critic David Browne, in his review of the album for Entertainment Weekly magazine, as a response to the lawsuit.[78] Stephen Thomas Erlewine of Allmusic summarized Survivor as "a determined, bullheaded record, intent on proving Destiny's Child has artistic merit largely because the group survived internal strife. ... It's a record that tries to be a bold statement of purpose, but winds up feeling forced and artificial."[79] Albeit critical praise to Destiny's Child's records, Knowles' close involvement in their projects have generated criticisms. Knowles wrote and co-produced the bulk of Survivor.[12] Browne suggested that her help made Survivor a "premature, but inevitable, growing pains album".[78]

Image

Destiny's Child were compared to The Supremes, a 1960s American female singing group, with which Knowles had been equated to as the Diana Ross, the frontwoman of The Supremes; Knowles, however, dismissed the notion.[17] Ironically, she starred in the film adaptation of the 1981 Broadway musical Dreamgirls as Deena Jones, the front woman of the Dreams, a female singing group based on the Supremes. With Knowles' wide role assumed in the production of Survivor, Gil Kaufman of MTV noted that "it became clear that Beyoncé was emerging as DC's unequivocal musical leader and public face".[7] Her dominance to the creative input in the album made the album "very much her work".[78] For Lola Ogunnaike of The New York Times, "It's been a long-held belief in the music industry that Destiny's Child was little more than a launching pad for Beyoncé Knowles's inevitable solo career."[80]

In the wake of Knowles' Dangerously in Love, rumors spread about possible split of Destiny's Child after each member had experienced success and had ongoing projects.[52][81] Comparisons were drawn to Justin Timberlake, who did not return to band 'N Sync after his breakthrough debut solo album, Justified.[7][81] Rowland responded to such rumors, announcing they were back in the studio together.[82] The group claimed that the reunion was destined to happen[7] and that their affinity to each other kept them cohesive.[48] Margeaux Watson, arts editor at Suede magazine, suggests that "the star does not want to appear disloyal to her former partners," and called Beyoncé's decision to return to the group "a charitable one".[80] Knowles' mother, Tina, wrote a 2002-published book, titled Destiny's Style: Bootylicious Fashion, Beauty and Lifestyle Secrets From Destiny's Child, an account of how fashion had an impact on Destiny's Child's success.[83]

Philanthropy

In 2005, record producer David Foster, his daughter Amy Foster-Gillies and Knowles wrote "Stand Up for Love" as the anthem to the World Children's Day, an annual worldwide event to raise awareness and funds for children causes. Over the past three years, more than $50 million have been raised to benefit Ronald McDonald House Charities and other children's organizations. Destiny's Child lent their voices and support as global ambassadors for the 2005 program.[84]

Rowland and Knowles, along with the latter's family, founded the Survivor Foundation, a charitable entity set up for the purpose of providing transitional housing for the Hurricane Katrina victims and storm evacuees in the Houston, Texas area. The Survivor Foundation extended the mission of the Knowles-Rowland Center For Youth, a multi-purpose community outreach facility in downtown Houston.[54] In the wake of the September 11 attacks, Destiny's Child canceled a European tour and performed in a concert benefit for the survivors.[7]

Reunion2012-Present

Band members

Girl's Tyme/Destiny Destiny's Child
Member 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005
Nikki Taylor
(1990–1993)
Nina Taylor
(1990–1993)
Támar Davis
(1990–1993)
LaTavia Roberson
(1990–2000)
Beyoncé Knowles
(1990–2006)
Kelly Rowland
(1991–2006)
LeToya Luckett
(1993–2000)
Farrah Franklin
(2000)
Michelle Williams
(2000–2006)

Discography

Main article: Destiny's Child discography
Studio albums
Other albums

See also

Book icon Book: Destiny's Child
Wikipedia books are collections of articles that can be downloaded or ordered in print.
Portal icon Houston portal
Portal icon Biography portal
Portal icon R&B and Soul Music portal


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