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Dionne Warwick

 
Who2 Biography: Dionne Warwick, Singer
Dionne Warwick
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  • Born: 12 December 1940
  • Birthplace: East Orange, New Jersey
  • Best Known As: Singer of "Walk On By" and "Do You Know the Way to San Jose?"

Name at birth: Marie Dionne Warrick

Warwick was a pop and R&B music star of the 1960s and 1970s, particularly known for singing the songs of the composer-lyricist team of Burt Bacharach and Hal David. (Her Bacharach/David hits include "Walk On By," "Do You Know the Way to San Jose," "I Say A Little Prayer" and "I'll Never Fall In Love Again.") In the 1980s she collaborated with Elton John, Gladys Knight and Stevie Wonder on the Grammy-winning single "That's What Friends Are For," a fundraiser for AIDS victims. In the 1990s she gained fresh notoriety with her infomercials for the Psychic Friends Network, a pay-per-call service that offered "psychic" readings over the phone. Warwick lives in Brazil and the United States and maintains a music career and a line of skin care products, and in 2008 she published a children's book, Say A Little Prayer.

Warwick is the cousin of pop star Whitney Houston... She also founded the Dionne Warwick Design Group, an interior design firm... Warwick hosted the 1980s TV show Solid Gold... She was arrested at Miami International Airport and charged with possession of marijuana on 12 May 2002... Warwick's younger sister Dee Dee was also a pop singer; she died in 2008.

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Black Biography: Dionne Warwick
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singer

Personal Information

Born Marie Dionne Warrick, December 12, 1940, in East Orange, NJ; daughter of Mancel (a chef), and Lee Warrick (business manager for a musical group); married Bill Elliott (actor and jazz drummer), c. 1967 (divorced 1975); children: David and Damon.
Education: Attended Hartt College of Music, University of Hartford, Hartford, CT, c.1959-62.

Career

Sang with The Gospelaires, a musical group, from 1955 to early 1960s. Recording session back up singer for The Drifters, and other musical groups in the early 1960s. Solo performer with numerous hit records, beginning with "Don't Make Me Over" in 1962. Other hits include "Anyone Who Had a Heart," "Walk On By," "Trains and Boats and Planes," "Do You Know the Way to San Jose?," "I'll Never Fall in Love Again," "I Say a Little Prayer for You," "Heartbreaker," "Deja Vu," and "That's What Friends Are For." Host of television program Solid Gold, 1980-81. Spokesperson for the Psychic Friends Network, 1992-97. Made film appearances in Slaves, 1969, and Rent-A-Cop, 1987.

Life's Work

A popular recording artist and concert performer since the early 1960s, Dionne Warwick has so firmly established herself with the public that hit records now seem icing on the cake rather than an attention-getting neccessity. By becoming a trend-defying musical fixture, Warwick has achieved one of her early goals. "Someday I want the kind of loyalty among audiences that Ella Fitzgerald has. So that if I want to stop for two years or ten years, I could come back and still be Miss Dionne Warwick," Warwick told Newsweek in 1966. Though more than three decades have passed since her initial success, and several years have gone by since she has had a hit record, Warwick can still sell out concert halls and supper clubs. "In an age when the music industry is crammed to bursting with pretentious one-hit wonders, it was an education and a privilege to witness an artist with true class, style and talent," wrote a reviewer for Ethnic Newswatch about Warwick's appearance with the BBC Concert Orchestra at London's Royal Festival Hall in 1995.

Dionne Warwick was born Marie Dionne Warrick in East Orange, New Jersey, a suburb of New York City, in 1940. Her father, Mancel, worked as a chef and butcher. Her mother, Lee, managed a well-known gospel group called the Drinkard Singers. The family included Warwick's two younger siblings, Dee Dee, and Mancel, Jr. Warwick's parents were devout Methodists who gave their children a highly moral and extremely supportive upbringing. "They have always been 100 percent for me. As long as I'm happy and can earn a decent living, they're happy for me," Warwick said of her parents to Mary Smith of Ebony in 1968.

As a teenager in the mid-1950s, Warwick, her sister Dee Dee, and two cousins formed a group called The Gospelaires. The group performed locally and sometimes worked as backup singers for other acts. Planning to become a public school music teacher, Warwick accepted a scholarship to study at the University of Hartford's Hartt College of Music. In 1961, during a summer vacation from college, Warwick rejoined The Gospelaires to sing backup on The Drifters' recording of "Mexican Divorce." Conducting the session was the song's composer, Burt Bacharach. "She was singing louder than everybody else so I couldn't help noticing her," Bacharach recalled to Smith. "Not only was she clearly audible, but Dionne had something. Just the way she carries herself, the way she works, her flow and feeling for the music--it was there when I first met her. She had, and still has, a kind of elegance, a grace that very few other people have."

Bacharach, and his lyricist partner Hal David, asked Warwick to sing on a demonstration record of one of their compositions. The record was heard by Florence Greenberg of Scepter Records, a small label specializing in rhythm and blues. Greenberg did not like the song but did like the singer and signed Warwick to a contract. Warwick's first recording for Scepter, released in 1962, was more Bacharach-David material. Though Scepter was promoting the song "I Smiled Yesterday" as the potential hit, it was the record's "B" side, the powerfully plaintive "Don't Make Me Over," that caught on and went to the number twenty-one position on the Billboard chart. A misspelling on the record--Warwick instead of Warrick--gave Warwick her stage name.

The trio of Warwick-Bacharach-David followed up with a long string of top ten hits over the next decade, including "Anyone Who Had a Heart" and "Walk on By," both in 1964, "Message to Michael" in 1966, "I Say a Little Prayer for You" in 1968, "This Girl's in Love with You" in 1969. Other hits include "Trains and Boats and Planes," "Alfie," "You'll Never Get to Heaven," and "Make It Easy on Yourself." Warwick took two songs from Bacharach and David's 1968 Broadway musical Promises, Promises--"I'll Never Fall in Love Again," and the title song--to the pop charts. She won the Grammy Award for Contemporary Pop Vocal twice during this period--for "Do You Know the Way to San Jose?" in 1968 and "I'll Never Fall in Love Again" in 1970.

Bacharach told Newsweek that Warwick's sound "has the delicacy and mystery of sailing ships in bottles. It's tremendously inspiring. We cut songs for her like fine cloth, tailor-made." Though numerous other performers made hits of Bacharach-David songs, including The Carpenters with "Close to You," and B.J. Thomas with "Raindrops Keep Falling on My Head," it was their work with Warwick that best exemplified their distinctive style. In The Faber Companion to 20th-Century Popular Music, Phil Hardy and Dave Laing sum up the Warwick-Bacharach-David magic as follows--"Warwick provided the light, lithe voice, David the literate, witty lyrics and Bacharach the imaginative melodies, unusual arrangements and complex rhythms that few singers other than Warwick could have managed: on 'Anyone Who Had Heart,' for example, she deftly weaves into and through 5/4 to 4/4 to 7/8." Strangely enough, it was a non-Bacharch-David song--"Theme from The Valley of the Dolls," written by Andre and Dory Previn--that brought Warwick closest to the top of the chart in the 1960s. The song climbed to number two in early 1968.

Warwick's appeal crossed racial barriers. She was to the 1960s what Nat King Cole had been to the 1950s--a mainstream performer who happened to be black. Nevertheless, Warwick occasionally faced race-related problems such as bigoted hecklers in the audience and department store clerks who questioned her ability to pay for costly items (shopping is one of Warwick's primary pastimes, and for a time she rented an additional apartment just to store her clothes). Cool and confident, Warwick responded to anti-black sentiment with cutting remarks and, if neccessary, forceful letters to local authorities. Having grown up in a racially mixed, lower- middle-class community in the North, Warwick was never hesitant about appearing in the South. "To me, Mississippi is just a long word. They've got their problems, but they're not going to make them my problems," Warwick explained to Ebony in 1968.

In 1972, Bacharch and David brought their songwriting partnership to an acrimonious end. The split shocked Warwick and left her unable to fulfill her obligation to Warner Bros., the record company with which she had signed the previous year, to make a new album of Bacharch-David material. "I had heard the scuttlebutt but I thought if anybody would know, I would know. Famous last words. I found out in the paper like everybody else that they weren't going to do the album, they weren't writing together, they weren't even talking to each other. What hurt me the most was that I thought I was their friend. But I was wrong. They did not care about Dionne Warwick. It was devastating," Warwick told Stephen Holden of Rolling Stone. Threatened with a breach of contract suit from Warner Bros., Warwick sued Bacharach and David and eventually won an out-of-court settlement.

Though her collaboration with The Spinners on the song "Then Came You," went to the top of the Billboard chart in the autumn of 1974, Warwick's career languished for much of the 1970s. Warwick's personal life also reached a low point during this period. Her marriage to Bill Elliott, a musician and actor whom she had married in 1967, began to founder. On the advice of an astrologer and numerologist, Warwick added an e to the end of her last name in the hope of improving her fortunes. The extra letter did not help. "Every place I worked that had the 'e' on the marquee, something went wrong," Warwick told Rich Wiseman of People. Warwick and Elliot, who had two young sons together, were divorced in 1975. Two years later, Warwick's father died suddenly and her mother suffered a stroke. To deal with her personal and professional troubles, Warwick turned to almost nonstop touring. "I felt I'd blow emotionally if I didn't immerse myself in work. I pushed myself," Warwick told Wiseman.

Warwick's career got back on track when she signed with Arista records in 1979. Arista president Clive Davis, who has also been instrumental in the career of Warwick's cousin, Whitney Houston, was excited and proud to have Warwick on his label. "I can see now that while I was at Warners, everything was wrong but me. Now, once again, everything is being done absolutely for me. There's no overshadowing. I'm sitting on top of everything, which is the way it should be," Warwick told Holden.

Davis arranged for Barry Manilow to produce Warwick's first Arista album, Dionne. Warwick was at uneasy at first about working with Manilow, fearing their differing styles would clash. She was especially concerned that the album might have a "disco" sound. Warwick was deliberately ignoring the disco trend. "I'm too much of a snob to do faddish material," she explained to Wiseman. Happily, the Warwick-Manilow collaboration was spectacularly successful, resulting in the hits "I'll Never Love This Way Again" and "Deja Vu." Each song earned a Grammy award for Warwick (in the Pop Female Vocal and in Rhythm and Blues Female Vocal categories, respectively). Manilow told Wiseman that "Dionne is one of the all- time best. She doesn't have to snort coke and wait for the lightning bolt to strike."

Warwick further increased her visibility by hosting the television show Solid Gold, which featured a countdown of the week's top hits and guest appearances by popular recording artists. Warwick began hosting the show in July 1980 and was fired in the Spring of 1981. The official reason for the firing was that the producers wanted to a younger host to attract a younger audience but there were rumors that the real reason was that Warwick was temperamental and difficult to work with. Warwick denied being temperamental, only perfectionistic, and said that sexism and racism had a great deal to do with her dismissal. She claimed that female performers who assert their opinions are unfairly labeled "difficult." Also, one of her chief concerns as host was to ensure that black performers had their share of attention and were presented in the best possible light. Warwick was critical of her replacement, singer Marilyn McCoo, formerly of The Fifth Dimension. "I'm angry at her, and it's not sour grapes," Warwick told Dennis Hunt of Ebony. "She came in with an I'll-do-anything-you-want-me-to-do attitude...She came in at a subservient position, which is not right for a black woman. When I was with the show, I was always in a position of strength, I was the main person on the show, but she's secondary...She's a black woman, and she should not have settled for less. You have to fight for what you can get."

The Solid Gold brouhaha had little effect on Warwick's popularity. The title song from her 1982 album Heartbreaker took her yet again to the top ten on the Billboard chart. The song was written by Barry Gibb of the Bee Gees, who also produced the album. As with Manilow three years earlier, Warwick was reluctant to work with Gibb, an established performer/composer whose style was very different from her own. Also, she was concerned that their collaboration might be a replica of Gibb's recent work on Barbra Streisand's Guilty album. "There's some of the Bee Gees sound on my album," Warwick explained to Hunt. "But that's Barry's style, and you can't avoid it. But at least the Bee Gee thing isn't overwhelming. The main thing is that the album did not turn out to be Guilty II. It just had to be different from Streisand's. I think we were successful in that. The songs on this album are in my style, not hers."

Since the early 1980s, Warwick has devoted much of her time to charitable activities. In 1984, she was one of 45 top performers to sing on the hit single "We Are the World," the proceeds of which went to USA for Africa's hunger relief program. Warwick brought together Stevie Wonder, Gladys Knight, and Elton John to join her on the recording "That's What Friends Are For." The song, written by Burt Bacharach, with whom Warwick had patched up her differences, and lyricist Carole Bayer Sager, was a smash that went to number one on the Billboard chart in January 1986 and raised an estimated $2 million for AIDS research. Warwick, who has hosted countless fundraising benefits for AIDS research, has also been involved in raising awareness of other health issues, including Sudden Infant Death Syndrome and Sickle Cell Anemia. In the mid-1980s she founded the group BRAVO (Blood Revolves Around Victorious Optimism) to raise awareness of blood diseases.

Bringing her social concerns to the music industry, Warwick served on the Entertainment Commmision of the National Political Congress of Black Women (NPCBW). In 1995, she co-chaired with Melba Moore, a special meeting of the commission during the NPCBW's convention in Seattle. One of the commission's major concerns was gangsta rap lyrics, which the NPCBW views as degrading and insulting to black women. "There are some songs that are just a little too much. I feel that our young people are creative enough musically to find positive sides of life and put them into songs. I know they can do it," Warwick told Don Thomas of Ethnic Newswatch.

A heavy schedule of charitable activities has not caused Warwick's singing career to languish. She has continued to record and perform regularly. In 1987, her duet with Jeffery Osborne on the song "Love Power" went to number twelve on the Billboard chart. Among her notable albums is the 1992 release Friends Can Be Lovers, which featured the song "Sunny Weather Lover," Warwick's first Bacharach- David material in twenty years. Another song on the album, "Love Will Find a Way," was written by Warwick's son David Elliott and his songwriter partner, Terry Steele. The song was performed as a duet with cousin Whitney Houston. The album also features Warwick in a duet with close friend Luther Vandross on the song "Fragile," written by pop star Sting. "The entire album feels the way that it actually happened, which is why I am so proud of it," Warwick told Jet. "It's full of love. It's full of friendship, it's full of family and it's full of people (producers) who wanted to give the very best that they could possibly give."

Another notable album is Aquarela do Brasil (Watercolors of Brazil), a collection of Brazilian music released in 1994. Warwick first visited Brazil in the early 1960s and has become so entranced by the South American country that she has bought a home there and has studied Portuguese. "I love Brazil. I see there so much of what we've lost here in America. I see complete families, from grandmother to grandchild and in between at the malls on Saturdays together, on Sundays at the park together ... I think the most important thing is that we all have problems obviously, but for whatever reasons it appears that through it all, people in Brazil still have the ability to smile, there is always tomorrow still. This attitude particularly captivated me," Warwick told Cristina M. Eibscher of News from Brazil in 1995. Warwick has adopted a favela or shanty town in Rio de Janeiro. "The Brazilian people have been offering me so much that I felt that it was time for me to give something in return for their hospitality and friendship. That's when I decided to adopt a favel and help people who are needy. It's a great feeling to know that you can contribute for the happiness and well being of others, especially for the well being of Brazilian children," Warwick explained to Eibscher.

Away from music, Warwick devotes her time to a Beverly Hills-based interior design business she operates with business partner Bruce Garrick. "It's another extension of my artistic expression," Warwick said of interior design to Ruth Ryon of the Los Angeles Times in 1992. Most of the firm's work has been for private homes, including those of Burt Reynolds and Tom Jones. Warwick's appearances on "infomercials" for the Psychic Friends Network is one of her best known non-musical endeavors. "It's the most successful infomercial of all time," said Jack Schember, publisher of Response TV, a magazine that tracks the direct-response television, to David Barboza of the New York Times. Warwick defends her sometimes mocked association with the Psychic Friends Network. She told Clarence Waldron of Jet, "I find psychics and astrologers and numerologists to be very fascinating people...I feel that there are people who have developed eyes and have an ability that we have to question because we can't do it...God will always be first. God can't be any place but first. And any of those who doubt that, then they have a problem."

Awards

Grammy Awards for Best Contemporary Pop Vocal (Female) for "Do You Know the Way to San Jose? in 1968, "I'll Never Fall in Love Again" in 1970, and "I'll Never Love This Way Again" in 1979. Grammy Award for Best Rhythm and Blues Vocal (Female) for "Deja Vu" in 1979. Gold Records for "I Say a Little Prayer" in 1968, "I'll Never Love This Way Again," in 1979, "Then Came You" in 1974, and "That's What Friends are For" in 1986. National Association of Colored People (NAACP) Entertainer of the Year Award, 1986; NAACP Key of Life Award, 1990; Jackie Robinson Foundation Robie Award, 1992.

Works

Selective Discography

  • Presenting Dionne Warwick, 1964.
  • Anyone Who Had a Heart, 1964.
  • Make Way for Dionne Warwick, 1964.
  • The Sensitive Sound of Dionne Warwick, 1965.
  • Here I Am, 1965.
  • Dionne Warwick in Paris, 1965.
  • Here Where There is Love, 1967.
  • On Stage and in the Movies, 1967.
  • Windows of the World, 1967.
  • The Magic of Believing, 1967.
  • Valley of the Dolls and Others, 1968.
  • Soulful, 1969.
  • Greatest Motion Picture Hits, 1969.
  • Dionne Warwick's Golden Hits, Volume 1, 1969.
  • Dionne Warwick's Golden Hits, Volume 2, 1970.
  • I'll Never Fall in Love Again, 1970.
  • Very Dionne, 1971.
  • Promises, Promises, 1971.
  • From Within, Volume 1, 1972.
  • Dionne, 1973.
  • Just Being Myself, 1973.
  • Then Came You, 1975.
  • Track of the Cat, 1975.
  • Love at First Sight, 1977.
  • Dionne, 1979.
  • No Night So Long, 1980.
  • Hot! Live and Otherwise, 1981.
  • Heartbreaker, 1983.
  • Finder of Lost Loves, Dionne and Friends, 1986.
  • Anthology, 1962-1971, 1986.
  • Masterpieces, 1986.
  • Reservations for Two, 1987.
  • Dionne Warwick Sings Cole Porter, 1990.
  • Hidden Gems: The Best of Dionne Warwick, 1992.
  • Friends Can Be Lovers, 1993.
  • Aquarela do Brasil, 1994.
  • From the Vaults, 1995.

Further Reading

Books

  • Black Women in America: An Historical Encyclopedia. Brooklyn, NY Carlson Publishing, 1993.
  • Elrod, Bruce C. Your Hit Parade. Ann Arbor, MI: Popular Culture Ink, 1994 Hardy, Phil, and Dave Laing. The Faber Companion to 20th-Century Popular Music. London: Faber and Faber, 1992.
  • Notable Black American Women. Detroit, MI: Gale Research, Inc., 1992.
Periodicals
  • Billboard, October 1, 1994, p. 14.
  • California Voice, June 18, 1995, p. 3.
  • Cincinnati Call and Post, January 26, 1995, p. 1B.
  • Contemporary Musicians, Volume 2, 1990, p. 244-246.
  • Ebony, May 1968, p. 37-42; May 1983, p. 95-100; April 1995, p. 22.
  • Jet, March 29, 1993, p. 54-58; January 17, 1994, p. 56.
  • Los Angeles Times, October 4, 1992, p. K1, 10.
  • Miami Times, February 23, 1995, p. 1B.
  • Michigan Chronicle, February 13, 1996, p. 1D.
  • News from Brazil, October 31, 1995, p. 41.
  • Newsweek, October 10, 1966, p. 101-102.
  • New York Beacon, July 31, 1996, p.26.
  • New York Times, May 12, 1968, p. D17, 20; December 7, 1995, p. D8.
  • Oakland Post, December 10, 1995, p. 8B.
  • People, October 15, 1979, p. 85.
  • Rolling Stone, November 15, 1979, p. 16-17.
Other
  • Information also obtained from Ethnic Newswatch, Softline Information, Inc, Stamford, CT.

— Mary Kalfatovic

Artist: Dionne Warwick
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See Dionne Warwick Lyrics
  • Born: December 12, 1940, East Orange, NJ
  • Active: '60s, '70s, '80s, '90s, 2000s
  • Genres: Rhythm & Blues
  • Instrument: Vocals
  • Representative Albums: "Anthology (1962-1969)", "The Dionne Warwick Collection: Her All-Time Greatest Hits", "Dionne Warwick's Golden Hits, Pt. 2
  • Representative Songs: "Walk on By", "I'll Never Fall in Love Again", "I Say a Little Prayer

Biography

It is easier to define Dionne Warwick by what she isn't rather than what she is. Although she grew up singing in church, she is not a gospel singer. Ella Fitzgerald and Sarah Vaughan are clear influences, but she is not a jazz singer. R&B is also part of her background, but she is not really a soul singer, either, at least not in the sense that Aretha Franklin is. Sophisticated is a word often used to describe her musical approach and the music she sings, but she is not a singer of standards such as Lena Horne or Nancy Wilson. What is she, then? She is a pop singer of a sort that perhaps could only have emerged out of the Brill Building environment of post-Elvis Presley, pre-Beatles urban pop in the early '60s. That's when she hooked up with Burt Bacharach and Hal David, songwriters and producers who wrote their unusually complicated songs for her aching yet detached alto voice. Warwick is inescapably associated with those songs, even though she managed to build a career after leaving Bacharach and David that drew upon their style for other memorable recordings, such that she remains a unique figure in popular music.

Marie Dionne Warrick was born into a gospel-music family. Her father was a gospel record promoter for Chess Records and her mother managed the Drinkard Singers, a gospel group consisting of her relatives. She first raised her voice in song at age six at the New Hope Baptist Church in Newark, NJ, and soon after was a member of the choir. As a teenager, she formed a singing group called the Gospelaires with her sister Dee Dee and her aunt Cissy Houston (later the mother of Whitney Houston). After graduating from high school in 1959, she earned a music scholarship to the Hartt College of Music in Hartford, CT, but she also spent time with her group recording background vocals on sessions in New York. The Gospelaires are said to be present on such well-known recordings as Ben E. King's "Spanish Harlem" and "Stand By Me." They were at a Drifters session working on a song called "Mexican Divorce" composed by Burt Bacharach when Bacharach, attending the session, suggested Warwick might do some demos for him. She did, singing songs he had written with lyricist Hal David. Bacharach and David pitched one of the songs to Florence Greenberg, head of the small independent Scepter Records label, and Greenberg liked the demo singer enough to sign her as a recording artist. Bacharach and David wrote and produced her first single, "Don't Make Me Over," in 1962. When the record was released, the performer credit contained a typo; it read "Dionne Warwick" instead of "Dionne Warrick," and she kept the new name. (Her sister Dee Dee eventually became Dee Dee Warwick as well.)

"Don't Make Me Over" peaked in the Top 20 of the pop charts in early 1963, also reaching the Top Five of the R&B charts. Warwick's subsequent singles were not as successful, but in early 1964, she reached the pop and R&B Top Ten and the Top Five of the easy listening charts with "Anyone Who Had a Heart," which was also her first record to reach the charts in the U.K. (There, such singers as Cilla Black and Dusty Springfield sometimes would cover her records before her own versions had a chance to become hits.) "Walk on By" followed it into the Top Ten of the pop, easy listening, and U.K. charts in the spring of 1964, and it hit number one on the R&B charts. By then, the Beatles had arrived on the American scene, followed by the British Invasion, and for a while, pop artists like Warwick took a beating on the charts. Nevertheless, the singer continued to place singles and LPs in the rankings over the next couple of years and in the spring of 1966, she returned to the Top Ten of the pop charts and the Top Five of the R&B charts with "Message to Michael." Other, more modest hits followed, including the most successful U.S. recording of the title song from the movie Alfie, which reached the R&B Top Five and the pop Top 20 in the spring of 1967. That summer, Warwick topped the R&B LP charts with her gold-selling Here Where There Is Love album and by the fall, Scepter had amassed enough chart singles to issue Dionne Warwick's Golden Hits, Pt. 1, her first album to reach the pop Top Ten.

Curiously, Warwick's career reached a new level with a single not written by Bacharach and David, although they produced it. It was "(Theme From) Valley of the Dolls," written by André and Dory Previn and issued at the end of 1967. The record reached the Top Five of the pop, R&B, and easy listening charts. Its B-side, Bacharach and David's "I Say a Little Prayer," reached the Top Five of the pop and R&B charts, helping the single become a gold record and the Valley of the Dolls LP also made the Top Five of the pop and R&B charts and went gold. With that, Warwick was on a roll. Her next single, "Do You Know the Way to San José," reached the pop Top Ten and the R&B and easy listening Top Five in the spring of 1968 and won the Grammy Award for Best Contemporary Pop Vocal Performance, Female. In the winter of 1969, her version of "This Guy's in Love With You," re-titled "This Girl's in Love With You," made the pop and R&B Top Ten and the easy listening Top Five and in early 1970, "I'll Never Fall in Love Again" from Bacharach and David's score for the Broadway musical Promises, Promises made the pop Top Ten and topped the easy listening charts, bringing her another Grammy Award for Best Contemporary Vocal Performance, Female.

In 1971, Warwick added an "e" to the end of her name on the advice of a numerologist, retaining the new spelling until 1975. She also left Scepter Records and signed a deal with the major label Warner Bros. that included Bacharach and David as her writer and producer. The team produced the 1972 album Dionne, which was a modest seller, but then Bacharach and David split up in the wake of the critical and commercial failure of their work on a musical remake of the film Lost Horizon in 1973. Due to her contractual commitment, Warwick was forced to sue her old partners. A settlement was reached, but they would not work together again for many years and Warwick's career suffered.

Warwick bounced back with "Then Came You," a song she recorded with the Spinners, which topped the pop and R&B charts and reached the Top Five of the easy listening charts in October 1974, going gold in the process. It proved to be a one-off success, but Warwick (now without the "e") signed to Arista Records in 1979 and returned to the Top Five of the pop adult contemporary (formerly easy listening) charts with "I'll Never Love This Way Again," produced by labelmate Barry Manilow and featured on her first platinum-selling album, another LP simply titled Dionne. "Deja Vu," also from the album, was a Top 20 pop and number one adult contemporary hit. "I'll Never Love This Way Again" won Warwick her third Grammy for Best Pop Vocal Performance, Female; "Deja Vu" won her her fourth for Best Rhythm & Blues Vocal Performance, Female.

Warwick topped the adult contemporary charts in 1980 with "No Night So Long," but her next across-the-board hit did not come until she hooked up with the Bee Gees for her 1982 album Heartbreaker. Barry Gibb produced the gold-selling LP and the three Gibb brothers wrote the title song, which made the pop Top Ten and topped the adult contemporary charts. In 1985, Warwick was reconciled with Bacharach and she organized a charity recording of his and Carole Bayer Sager's song "That's What Friends Are For" to benefit AIDS, featuring Elton John, Gladys Knight, and Stevie Wonder, in addition to herself. The record topped the pop, R&B, and adult contemporary charts in the winter of 1985-1986, the album Friends on which it was included went gold, and the song earned Warwick her fifth Grammy for Best Pop Performance by a Duo or Group with Vocal. In 1987, Warwick topped the adult contemporary charts and reached the Top Five of the R&B charts with "Love Power," a duet with Jeffrey Osborne that was another Bacharach/Sager composition.

Warwick enjoyed less commercial success after the late '80s. She parted ways with Arista Records after her 1995 album Aquarela Do Brazil. In 1998, she issued Dionne Sings Dionne, an album consisting largely of re-recordings of her hits, on River North Records. ~ William Ruhlmann, All Music Guide
Discography: Dionne Warwick
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Legends

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At Her Very Best

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Essence of Dionne

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Live in Concert [CD/DVD]

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Greatest Hits Live

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Most Famous Hits

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My Favorite Time of the Year

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My Favorite Time of the Year

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Greatest Hits - Live In Concert

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Live: The Essential Collection

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Show More Albums

Classic Song Book

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I Say a Little Prayer and Other Hits

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Best of Dionne Warwick [BMG Japan]

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Dionne Sings Dionne

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Dionne Sings Dionne

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Sings Dionne

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Prime Concerts: In Concert with Edmonton Symphony

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My Friends & Me

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My Friends & Me

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Sings the Standards

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Very Best of Dionne Warwick [Rhino]

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Very Best of Dionne Warwick [WEA International]

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Forever Gold Live

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Live in Montreux 1980

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Live in Montreux 1980

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Platinum & Gold Collection

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Best of Dionne Warwick: Live [St. Clair]

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Best of Marvin Gaye: Live

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Her Greatest Hits

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Hidden Gems: The Best of Dionne Warwick, Vol. 2

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Music Legends - Dionne Warwick: I Say a Little Prayer

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Love Songs [Rhino]

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Back 2 Back [Intercontinental]

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Dionne Warwick Sings the Bacharach & David Songbook [1995]

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Dionne Warwick Sings the Bacharach & David Songbook [1995]

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Best of Dionne Warwick [Pegasus]

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Windows of the World/Valley of the Dolls

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Best of Dionne Warwick: Live [Direct Source]

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This Guy's in Love With You: In Concert

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Can't Hide Love: The Collection

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Her Classic Songs

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Essential: 40th Anniversary Tour Edition

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Love Songs [Warner Brothers]

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Live [Forever Gold]

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Promises, Promises/I'll Never Fall in Love Again

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Soulful Plus

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Golden Legends: Dionne Warwick Live

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Live in Cabaret July 18th 1975

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Walk on By: 20 Greatest Hits

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Love Songs [BMG/Arista Germany]

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I Say a Little Prayer: More Classic Songs

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Best of Dionne Warwick [Japan]

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I Say a Little Prayer for You

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Here I Am/Here Where There is Love

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Make Way For/The Sensitive Sound of Dionne Warwick

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Definitive Collection

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Essential Collection [BMG Sweden]

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Live [Image]

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Walk on By

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Best of Dionne Warwick [Paradiso]

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Best of Dionne Warwick [Compendia]

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From the Vaults

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Presenting Dionne Warwick/Anyone Who Had a Heart

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Aquarela Do Brazil

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Celebration in Vienna

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Friends Can Be Lovers

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Anthology (1962-1969)

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Sings Cole Porter

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Greatest Hits (1979-1990)

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Dionne Warwick Collection: Her All-Time Greatest Hits

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Love Songs [Arista 1989]

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Reservations for Two

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Love Songs [Arista 2005]

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Finder of Lost Loves

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Friends

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Love Songs: 20 Classic Hits

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Love Songs: 20 Classic Hits

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Love Songs: 20 Classic Hits

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Heartbreaker

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Heartbreaker: The Very Best of Dionne Warwick

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Friends in Love

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Friends of Love

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Hot! Live and Otherwise [Arista]

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Hot! Live and Otherwise [Bonus Tracks]

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Dionne [1979]

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Love at First Sight

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Love at First Sight

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In Concert: Recorded with the Edmonton Symphony Orchestra

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Then Came You

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Track of the Cat

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Just Being Myself

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From Within

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Dionne [1972]

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I'll Never Fall in Love Again

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Very Dionne

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Very Dionne [Expanded]

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Soulful

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Promises, Promises

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Magic of Believing

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Valley of the Dolls

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Windows of the World

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Here Where There Is Love [Collectors Choice]

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On Stage and in the Movies

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Dionne Warwick in Paris [Collectors Choice]

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Here I Am [Collectors Choice]

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Sensitive Sound Of

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Anyone Who Had a Heart

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Make Way for Dionne Warwick

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Presenting Dionne Warwick [Collectors Choice]

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Show Fewer Albums
Actor: Dionne Warwick
Top
  • Born: Dec 12, 1941 in East Orange, New Jersey
  • Occupation: Actor
  • Active: '70s-2000s
  • Major Genres: Music
  • Career Highlights: Valley of the Dolls, Rent-A-Cop, Oh Happy Day: Sunday Morning Music
  • First Major Screen Credit: Valley of the Dolls (1967)

Biography

Pop singer, onscreen in occasional dramatic roles from 1969. ~ All Movie Guide
Wikipedia: Dionne Warwick
Top
Dionne Warwick

Background information
Birth name Marie Dionne Warrick
Born December 12, 1940 (1940-12-12) (age 69)
Origin East Orange, New Jersey, U.S.
Genres R&B, Soul, Urban, Soft rock, Adult contemporary, Quiet storm, Pop
Occupations Singer/Actress
Instruments Vocals
Years active 1962–present
Labels Scepter (1962-1971)
Warner Bros. (1972-1977)
Arista (1979-1995)
Concord (2005-Present)
Associated acts Burt Bacharach, The Spinners, Isaac Hayes, Sacha Distel, Whitney Houston, Jeffrey Osborne, June Pointer, Stevie Wonder, Elton John, Dieter Bohlen, Gladys Knight, Smokey Robinson, Chuck Jackson, Barry Manilow, Bee Gees, Luther Vandross, Michael Jackson

Dionne Warwick (born December 12, 1940) is an American singer, actress, activist, United Nations Global Ambassador for the Food and Agriculture Organization, former United States Ambassador of Health, and humanitarian. She is best known for her partnership with songwriters and producers Burt Bacharach and Hal David.

According to Billboard magazine and Joel Whitburn's Top Pop Singles 1955-2009 book, Dionne Warwick ranks as the 30th most popular hit maker of the entire rock era based upon the Billboard Hot 100 Pop Singles Charts. She also ranks as one of the 10 all-time biggest Easy Listening/Adult Contemporary hit makers of all time.


Contents

Biography

Early life and career

Warwick was born Marie Dionne Warrick to parents Mancel Warrick, who began his career as a pullman porter, chef, a gospel record promoter for Chess Records and later a certified public accountant; and Lee Drinkard Warrick (1921-2005), manager of a renowned family gospel group and RCA recording artists The Drinkard Singers in East Orange, New Jersey. Dionne began singing gospel as a child at the New Hope Methodist Church in East Orange.[1] She performed her first gospel solo at the age of six and frequently joined The Drinkard Singers. Warwick's aunt Emily (Cissy) Drinkard Houston (Whitney Houston's mother) and sister, the late Delia (Dee Dee) Warrick also performed with the family group.[2] Other family members include Dionne's brother, Mancel Warrick, Jr., who was killed in an accident in 1968 at the age of eighteen.[citation needed]

Her first televised performances were in the mid-and late 1950s with the Drinkard Singers and were carried on local television stations in New Jersey and New York City. Warwick grew up in a racially mixed middle-class neighborhood. She stated in an interview on The Biography Channel in 2002 that the neighborhood in East Orange "was literally the United Nations of neighborhoods. We had every nationality, every creed, every religion right there on our street." Warwick was untouched by the harsher aspects of racial intolerance and discrimination until her early professional career when she began touring nationally. Warwick graduated from East Orange High School in 1959 and was awarded a Scholarship in Music Education to the Hartt College of Music in Hartford, Connecticut (a school from which she earned her Doctorate of Music Education in 1973).[3]

In 1958, Warwick, Myrna Utley, and Carol Slade, along with Warwick's sister Delia (known professionally as Dee Dee Warwick) formed their own group called the "The Gospelaires".[4] Their first performance together was at the world famous Apollo Theater, where they won the weekly amateur contest.[5] Various other singers joined The Gospelaires from time to time, including Judy Clay (adopted by Lee and Mancel Warrick), Cissy Houston, and Doris Troy (who had a hit with 1963's "Just One Look" featuring backing vocals from the Gospelaires). Warwick recalls, in her 2002 A&E Biography that "a man came running frantically backstage at The Apollo and said he needed background singers for a session for Sam "The Man" Taylor and old big-mouth here spoke up and said 'We'll do it!' and we left and did the session. I wish I remembered the gentleman's name because he was responsible for the beginning of my professional career." The backstage encounter led to the group being asked to sing background sessions at recording studios in New York. Soon, the group was in demand in New York music circles for their background work for such artists as The Drifters, Ben E. King, Chuck Jackson, Dinah Washington, Ronnie Hawkins and The Hawks, and Solomon Burke among many others. Warwick remembers, in her A&E Biography that after school, they would catch a bus from East Orange to the Port Authority Terminal, and then subway to recording studios in Manhattan, perform their background gigs and be back at home in East Orange in time to do their school homework. The background vocal work would continue while Warwick pursued her studies at Hartt.

While performing background on The Drifters' recording of "Mexican Divorce", Warwick's voice and star presence were noticed by the song's composer Burt Bacharach, a Brill Building songwriter who was writing songs with many other songwriters including Hal David. According to a July 14, 1967, article on Warwick from Time magazine, Bacharach stated, "She has a tremendous strong side and a delicacy when singing softly—like miniature ships in bottles." Musically, she was "no play-safe girl. What emotion I could get away with!" And what complexity, compared with the usual run of pop songs. During the session, Bacharach asked Warwick if she would be interested in recording demonstration recordings of his compositions to be used to pitch the tunes to record labels. One such demo, "It's Love That Really Counts"—destined to be recorded by Scepter-signed act The Shirelles—caught the attention of Scepter Records President Florence Greenberg. Greenberg, according to "Current Biography" 1969 Yearbook, told Bacharach "forget the song, get the girl!" Warwick was signed to Bacharach and David's production company, according to Warwick, which in turn was signed to Scepter Records in 1962 by Greenberg. The partnership would provide Bacharach with the freedom to produce Warwick without the control of recording company executives and company A&R men. Warwick's musical ability and education would also allow Bacharach to compose more challenging tunes. The demo version of "It's Love That Really Counts", along with her original demo of "Make It Easy on Yourself", would surface on Dionne's debut Scepter album entitled Presenting Dionne Warwick, released early in 1963.

Early stardom

Walk on By became Warwick's second international million-seller in April 1964.

Her first solo single for Scepter Records was released in November, 1962. The song was entitled "Don't Make Me Over", the title (according to the A&E Biography of Dionne Warwick) supplied by Warwick herself when she snapped the phrase at producers Burt Bacharach and Hal David in anger. Warwick found "Make It Easy on Yourself"—a song on which she had recorded the original demo and had wanted to be her first single release—had been given to another artist, Jerry Butler. From the phrase, Bacharach and David created their first top 40 pop hit (#21) and a top 5 US R&B hit. Warrick's name was misspelled on the single's label, and she began using the new spelling (i.e., "Warwick") both professionally and personally.[6] According to the July 14, 1967 Time magazine article, after "Don't Make Me Over" hit in 1962, she answered the call of her manager ("C'mon, baby, you gotta go"), left school and went on a tour of France, where critics crowned her "Paris' Black Pearl", having been introduced on stage at Paris Olympia that year by Marlene Dietrich. Rhapsodized Jean Monteaux in Arts: "The play of this voice makes you think sometimes of an eel, of a storm, of a cradle, a knot of seaweed, a dagger. It is not a voice so much as an organ. You could write fugues for Warwick's voice."

The two immediate follow-ups to "Don't Make Me Over"—"This Empty Place" (with "B" Side "Wishin' and Hopin'" later covered by Dusty Springfield) and "Make The Music Play"—charted briefly in the top 100. Her fourth single, "Anyone Who Had a Heart" in December 1963 was Warwick's first top 10 pop hit (#8) in the USA and also an international hit. This was followed by "Walk on By" in April 1964, a major international hit and million seller that solidified her career. For the rest of the 1960s, Warwick was a fixture on the US and Canadian charts, and virtually all of Warwick's output from 1962-1971 was written and produced by the Bacharach/David team.

Warwick weathered the British Invasion better than most American artists. Her UK hits were most notably "Walk On By" and "Do You Know the Way to San Jose". In the UK a number of Bacharach-David-Warwick songs were covered by UK singers Cilla Black, Sandie Shaw and Dusty Springfield, most notably Black's "Anyone Who Had a Heart" which went to #1 in the UK. This upset Warwick and she has described feeling insulted when told that in the UK, record company executives wanted her songs recorded by someone else. Warwick even met Cilla Black while on tour in the UK. She recalled what she said to her - " I told her that "You're My World" would be my next single in the States. I honestly believe that if I'd sneezed on my next record, then Cilla would have sneezed on hers too. There was no imagination in her recording." [1] [2] "You're My World"—recorded in no time by Black—was not released as a single by Warwick, but it did appear on a later album, Dionne Warwick in Valley of the Dolls, released in 1968.

Warwick was named the Bestselling Female Vocalist in the Cash Box Magazine Poll in 1964, with six chart hits in that year.[citation needed] Cash Box also named her the Top Female Vocalist in 1969, 1970 and 1971. In the 1967 Cash Box Poll, she was second to Petula Clark, and in 1968's poll second to Aretha Franklin. Playboy Magazine's influential Music Poll of 1970 named her the Top Female Vocalist[citation needed]. In 1969, Harvard's Hasty Pudding Society named her Woman of the Year.[citation needed]

In a May 21, 1965 Time Magazine cover article entitled "The Sound of the Sixties," Dionne Warwick's sound was described as follows: "Swinging World. Scholarly articles probe the relationship between the Beatles and the nouvelle vague films of Jean-Luc Godard, discuss "the brio and elegance" of Dionne Warwick's singing style as a "pleasurable but complex" event to be "experienced without condescension." In chic circles, anyone damning rock 'n' roll is labeled not only square but uncultured. For inspirational purposes, such hip artists as Robert Rauschenberg, Larry Rivers and Andy Warhol occasionally paint while listening to rock 'n' roll music. Explains Warhol: "It makes me mindless, and I paint better." After gallery openings in Manhattan, the black-tie gatherings often adjourn to a discotheque."

The mid-1960s to early 1970s

"I Say a Little Prayer" became an RIAA Certified USA Million Seller for Dionne in 1967

The mid 1960s to early 1970s became an even more successful time period for Warwick, who saw a string of Gold selling albums and Top 20 and Top 10 hit singles. "Message to Michael", a Bacharach-David composition that the duo was certain was a "man's song", became a top 10 hit for Warwick in May 1966. The January 1967 LP Here Where There Is Love was her first RIAA certified Gold Album and featured "Alfie", and two 1966 hits "Trains and Boats and Planes", and "I Just Don't Know What to Do With Myself". "Alfie" had become a radio hit when disc jockeys across the nation began to play the album cut early in 1967. "Alfie" was released as the "B" side of a Bacharach/David ballad, "The Beginning of Loneliness" in which charted in the Hot 100. Disc jockeys flipped the single and made it a double-sided hit. Bacharach had been contracted to produce "Alfie" for the Michael Caine film of the same name and wanted Dionne Warwick to sing the tune but the British producers wanted a British subject to cut the tune. Cilla Black was selected to record the song, and her version peaked at #95 upon its release in the USA. A cover version by Cher used in the USA prints of the film peaked at #33. In the UK and Australia, Black's version was a Top 10 hit.[citation needed] In a 1983 concert appearance televised on PBS, Warwick states she was the 43rd person to record "Alfie", at Bacharach's insistence, who felt Dionne could make it a big hit. Warwick, at first, balked at recording the tune and asked Bacharach "How many more versions of Alfie do you need?" to which Bacharach replied "Just one more, yours." Bacharach took Warwick into the studio with his new arrangement and cut the tune the way he wanted it to be, which she nailed in one take. Warwick's version peaked at #15 on the Billboard Hot 100 and #1 on both the R&B Chart and the AC Charts.[citation needed] Warwick performed the song at the Academy Awards in 1967. Today, "Alfie" is considered a signature song for Warwick.

Later that same year, Warwick earned her first RIAA Gold Single for US sales of over one million units for the single "I Say a Little Prayer" (from her album The Windows of the World). When disc jockeys across the nation began to play the track from the album in the fall of 1967 and demanded its release as a single, Florence Greenberg, President of Scepter Records, complied and "I Say a Little Prayer" became Warwick's biggest US hit to that point, reaching #4 on the US and Canadian Charts and # 8 on the R & B Charts. Aretha Franklin would cover the tune a year later and hit US #10. The tune was also the first RIAA certified USA million seller for Bacharach-David.[citation needed]

Her follow-up to "I Say a Little Prayer","(Theme from) Valley of the Dolls", was unusual in several respects. It was not written by Burt Bacharach and Hal David, it was the "B" side of her "I Say a Little Prayer" single, and it was a song that she almost didn't record. While the film version of Valley of the Dolls was being made, actress Barbara Parkins suggested that Warwick be considered to sing the film's theme song, written by songwriting team Andre and Dory Previn. The song was to be recorded by Judy Garland, who was fired from the film. Warwick performed the song, and when the film became a success in the early weeks of 1968, disc jockeys flipped the single and made the single one of the biggest double-sided hits of the rock era and another million seller. At the time, RIAA rules allowed only one side of a double-sided hit single to be certified as Gold, but Scepter awarded Warwick an "in-house award" to recognize "(Theme from) Valley of the Dolls" as a million selling tune.

Warwick had re-recorded a Pat Williams-arranged version of the theme at A&R Studios in New York because contractual restrictions would not allow the Warwick version from the film to be included in the 20th Century-Fox soundtrack LP. The LP Dionne Warwick in Valley of the Dolls, released in early 1968 and containing the re-recorded version of the movie theme (#2–4 weeks), "Do You Know the Way to San Jose" and several new Bacharach-David compositions, hit the #6 position on the Billboard Hot 100 Album Chart and would remain on the chart for over a year. The film soundtrack LP, sans Warwick vocals, failed to impress the public, while Dionne Warwick in Valley of the Dolls earned an RIAA Gold certification.

The single "Do You Know the Way to San Jose", an international million seller and a Top 10 hit in several countries, including the UK, Canada, Australia, South Africa, Japan and Mexico, was also a double sided hit with the "B" side "Let Me Be Lonely" charting at #79.

More hits ("Promises, Promises"-#19 1968; "Who Is Gonna Love Me"-#32 1968 with "B" side "(There's) Always Something There to Remind Me" becoming another double sided hit, "I'll Never Fall In Love Again"-#6 1969; "You've Lost That Lovin' Feeling"-#15 1969; "This Girl's In Love With You"-#7 1969; "Make It Easy On Yourself"-#37 1970; "Who Is Gonna Love Me"-#33 1968; "The April Fools"-#37 1969 (from the film of the same name); "Let Me Go To Him"-#32 1970; "Paper Mache"-#43 1970; The Green Grass Starts to Grow"-#43-1971) followed into 1971. Warwick's final Bacharach/David penned single was March 1971's "Who Gets the Guy" and her final "official" Scepter single release was "He's Moving On" backed with "Amanda" both from the soundtrack of the motion picture adaptation of Jacqueline Susann's The Love Machine. Other Scepter LPs certified RIAA Gold include Dionne Warwick's Golden Hits Part 1 released in 1967 and The Dionne Warwicke Story: A Decade of Gold released in 1971. By the end of 1971, Dionne Warwick had sold an estimated thirty-five million singles and albums internationally in less than nine years and more than 16 million singles in the USA alone. Exact figures of Warwick's sales are unknown, and probably underestimated, due to Scepter Records lax accounting policies and the company policy of not submitting recordings for RIAA audit. Dionne Warwick became the first Scepter artist to request RIAA audits of her recordings in 1967 with the release of "I Say A Little Prayer".

Warwick won her second Grammy Award for the 1970 album "I'll Never Fall In Love Again"

On Wednesday, September 17, 1969, CBS Television aired Dionne Warwick's first television special entitled "The Dionne Warwick Chevy Special." Dionne's guests were Burt Bacharach, George Kirby, Glen Campbell, and Creedence Clearwater Revival.

Warwick had become the priority act of Scepter Records, according to the website "The Scepter Records Story" and Luther Dixon in a 2002 A&E Biography of Burt Bacharach, with the release of "Anyone Who Had a Heart" in 1963. In 1971, Dionne Warwick left the family atmosphere of Scepter Records for Warner Bros. Records for what was at the time the most lucrative recording contract ever given a female vocalist according to Variety. Warwick's last LP for Scepter was the aforementioned soundtrack for the motion picture The Love Machine (in which she appeared in an uncredited cameo), released in July 1971. In 1975, Bacharach/David sued Scepter Records for an accurate accounting of royalties due the team from Warwick and labelmate B. J. Thomas recordings and was awarded almost $600,000 and the rights to all Bacharach/David recordings on the Scepter label. The label, with the defection of Warwick to Warner Bros. Records, filed for bankruptcy in 1975 and was sold to Springboard International Records in 1976.

Following her signing with Warners, with Bacharach and David as writers and producers Dionne returned to A&R Studios in late 1971 to begin recording her first album for the new label, the self-titled album Dionne (not to be confused with her later Arista debut album) in January 1972. The album peaked at #57 on the Billboard Hot 100 Album Chart. In 1972, Burt Bacharach and Hal David scored and wrote the tunes for the motion picture Lost Horizon. The film was panned by the critics, and in the fallout from the film, the songwriting duo decided to terminate their working relationship. The breakup left Dionne devoid of their services as her producers and songwriters. Dionne was contractually obligated to fulfill her contract with Warners without Bacharach and David and she would team with a variety of producers during her tenure with the label.

Faced with the prospect of being sued by Warner Bros. Records due to the breakup of Bacharach/David and their failure to honor their contract with Dionne, she filed a $5.5 million lawsuit against her former partners for breach of contract. The suit was settled out of court in 1979 for $5 million including the rights to all Warwick recordings produced by Bacharach and David.

Warwick, for years an aficionado of psychic phenomena, was advised by famed astrologer Linda Goodman in 1971 to add a small "e" to her last name, making Warwick "WARWICKe" for good luck and to recognize her married name and her spouse, actor and drummer William " Bill" Elliott. Goodman convinced Warwick that the extra small "e" would add a vibration needed to balance her last name and bring her even more good fortune in her marriage and her professional life. The extra "e", according to Dionne "was the worst thing I could have done in retrospect, and in 1975 I finally got rid of that damn "e" and became "Dionne Warwick" again."

The Warner era (1972-1978)

Without the guidance and songwriting that Bacharach/David had provided, Warwick's career slowed in the 1970s. There were no big hits until 1974's "Then Came You", recorded as a duet with the Spinners and produced by Thom Bell. Bell later noted, "Dionne made a face when we finished [the song]. She didn't like it much, but I knew we had something. So we ripped a dollar in two, signed each half and exchanged them. I told her, 'If it doesn't go number one, I'll send you my half.' When it took off, Dionne sent hers back. There was an apology on it." It was her first US #1 hit on the Billboard Hot 100. Other than this success, Warwick's five years on Warner Bros. Records—despite the fact that she worked the entire time—left her with few chart hits. Two notable songs recorded during this period were "His House and Me" and "Once You Hit The Road" (#79 R&B, #6 Adult Contemporary)—both of which were produced in 1975 by Thom Bell.

Warwick recorded five albums with Warners: Dionne, produced by Bacharach and David; Just Being Myself, produced by Holland-Dozier-Holland; Then Came You, produced by Jerry Ragovoy; Track of the Cat, produced by Thom Bell; and Love at First Sight, produced by Steve Barri and Michael Omartian. The singer's five-year contract with Warners expired in 1977, and with that, Warwick ended her stay at the label.

The 80s: Move to Arista

With the move to Arista Records and the release of her million-selling Gold 45 "I'll Never Love This Way Again" in 1979, Dionne was again enjoying top success on the charts. The song was produced by Barry Manilow. The accompanying album Dionne—not to be confused with the Warner Bros. Records album of the same name—was her first and only disc to be certified Platinum in the United States. (Although the 1985 release Friends has passed one million in US sales.) Warwick had been personally signed and guided by the label's founder Clive Davis, who stated to Dionne "You may be ready to give the business up, but the business is not ready to give you up." Dionne's followup was another huge hit. "Deja Vu" was written by Isaac Hayes and Adrienne Anderson and hit #1 Adult Contemporary as well as #15 on Billboard's Hot 100. In 1980, Dionne was nominated for the NARAS Grammy Award for Best Pop Vocal Performance, Female for "I'll Never Love This Way Again" and Best R&B Vocal Performance, Female for "Déjà Vu". Dionne became the first artist in the history of the awards to win in both categories the same year. Her followup album, 1980's No Night So Long featured the title track written by Richard Kerr and Will Jennings which became a major success - hitting #1 Adult Contemporary and #23 on Billboard's Hot 100 - and the album peaked at #23 on the Billboard Albums Chart, selling 500,000 copies in the US.

"Heartbreaker" an Arista album from 1982, earned Warwick another RIAA certified Gold Album and the title tune became an international smash hit.

In January 1980, while under contract to Arista Records, Dionne Warwick hosted a two-hour TV special called Solid Gold '79. This was adapted into the weekly one-hour show Solid Gold, which she hosted throughout 1980 and 1981 and again in 1985-86.

After a top forty hit recorded in early 1982 with her friend and fellow musical legend Johnny Mathis—the Jay Graydon-produced "Friends in Love" from the album of the same name—Warwick's next big hit later that same year was her full-length collaboration with Barry Gibb of The Bee Gees for the album Heartbreaker. The song "Heartbreaker" became one of Dionne's biggest international hits, returning her to the Top 10 of Billboard's Hot 100 as well as #1 Adult Contemporary and #2 in the UK. Internationally, the tune was also a smash in continential Europe, Australia, Japan, South Africa, Canada, and Asia. The title track was taken from the album of the same name which sold over 3 million internationally and earned Dionne an RIAA USA Gold record award for the album. The album peaked at a healthy #25 on the Billboard Album Chart, #13 on the R&B Albums Chart and #3 in the UK. Dionne stated to Wesley Hyatt in his The Billboard Book of Number One Adult Contemporary Hits that she was not fond of "Heartbreaker" but recorded the tune because she trusted The Bee Gees' judgment that it would be a hit. The project came about when Clive Davis was attending his aunt's wedding in Florida and spoke with Barry Gibb. Barry mentioned that he had always been a fan of Dionne's and Clive arranged for Dionne and The Bee Gees to discuss a project. Dionne and the brothers Gibb hit it off and the album and the title single were released in October 1982.

In 1983, Dionne released another notable album titled How Many Times Can We Say Goodbye which was produced by Luther Vandross. Their collaboration had been a lifelong dream of Vandross, who had maintained that he wanted to work with Warwick, Aretha Franklin, and Diana Ross. The album's most successful single was the title track, "How Many Times Can We Say Goodbye", a duet with Warwick, which peaked at #27 on the Billboard Hot 100. The second single, the Dance-pop song "Got a Date", became a moderate hit on the R&B chart. The album peaked at a dissapointing Number 57 on the Billboard 200 album chart and Number 19 on the R&B chart. Of note was a reunion with The Shirelles on Warwick's cover of "Will You Still Love Me Tomorrow". Warwick would not release another studio album until two years later, 1985's sales failure Finder of Lost Loves—an album that would reunite her with both Barry Manilow and Burt Bacharach, who was now writing with his new lyricist partner and wife, Carole Bayer Sager.

In 1985, Warwick contributed her voice to the Multi-Grammy award winning charity song: We Are the World, along with vocalists like Michael Jackson, Lionel Richie, Tina Turner and Diana Ross.

Dionne Warwick, Burt Bacharach, Carole Bayer-Sager, Gladys Knight, Stevie Wonder and Elton John, "That's What Friends Are For", 1985

In 1985, Warwick recorded the American Foundation for AIDS Research (AmFAR) benefit single "That's What Friends Are For" alongside Gladys Knight, Elton John, and Stevie Wonder. The single, credited to "Dionne and Friends" raised over three million dollars for that cause. The tune peaked at #1 for four weeks on the Billboard Hot 100 in January 1986. In 1988, the Washington Post wrote: So working against AIDS, especially after years of raising money for work on many blood-related diseases such as sickle-cell anemia, seemed the right thing to do. "You have to be granite not to want to help people with AIDS, because the devastation that it causes is so painful to see. I was so hurt to see my friend die with such agony," Warwick remembers. "I am tired of hurting and it does hurt." The single won the performers the NARAS Grammy Award for Best Pop Performance by a Duo or Group with Vocal, as well as Song of the Year for its writers, Bacharach and Bayer Sager. It also was ranked by Billboard magazine as the most popular song of 1986. With this single, Warwick also released her second most successful album of the decade, titled Friends.

In 1987 Dionne scored yet another smash with the sensual "Love Power", her eighth career #1 Adult Contemporary hit that went Top 10 Pop and R&B as well. "Love Power", a duet with Jeffrey Osborne, was another written by Burt Bacharach and Carole Bayer Sager, and featured in Warwick's album Reservations For Two. The album's title song, a duet with Kashif, was also a moderate hit. Other artists featured on the album included Smokey Robinson and the late June Pointer.

1990s to present

Despite the release of another Greatest Hits album—her first with Arista—Warwick's career waned strongly in the 1990s. During this period, Warwick hosted infomercials for the Psychic Friends Network which featured psychic Linda Georgian. The 900 number psychic service was active from 1991 to 1998. According to press statements throughout the 1990s, the program was the most successful infomercial for several years and Warwick earned in excess of three million dollars per year as spokesperson for the network. In 1998, Inphomation, the corporation owning the network, filed for bankruptcy and Warwick ended her association with the organization. Warwick's longtime friend and tour manager Henry Carr acknowledged in a 2002 Biography Channel interview that "when Dionne was going through an airport and a child recognized her as 'that psychic lady on TV' Dionne was crushed and said she had worked too hard as an entertainer to become known as 'the psychic lady'."

Dionne Warwick's "Friends Can Be Lovers" album was released in 1993

Warwick's most publicized album during this period was 1993's "Friends Can Be Lovers", a sales failure which was produced in part by Ian Devaney and Lisa Stansfield. Featured on the album was "Sunny Weather Lover", which was the first song that Burt Bacharach and Hal David had written together for Warwick since 1972. It was Warwick's lead single in the US, and was heavily promoted by Arista, but it failed to chart. A follow-up "Where My Lips Have Been" peaked at #95 on the Hot R&B/Hip-Hop Singles & Tracks.

In 1990 Dionne recorded a song "It's All Over" with former member of Modern Talking Dieter Bohlen (Blue System). The single peaked at #84 on U.S R&B charts and it appears on Blue System's album "Deja Vu".

In 1993, Forrest Sawyer, host of the ABC News/Entertainment program "Day One", alleged financial improprieties by the Warwick Foundation, founded in 1989 to benefit AIDS patients, particularly Dionne Warwick's charity concert performances organized to benefit the organization. ABC alleged the Foundation was operating at a near 90% administrative cost. ABC also alleged that Warwick flew first class and was accommodated at first class hotels for charity concerts and events in which she participated for the Foundation. Warwick, who had no executive, administrative or management role in the organization, challenged ABC to investigate the foundation further and alleged that the ABC report was racially motivated. An Internal Revenue Service investigation of the Warwick Foundation found no wrongdoing or criminal activity on the part of the Board of Directors or Warwick and its status as a non-profit charity was upheld. ABC maintained the report to be factually correct but the item has not been repeated since the original air date. The Foundation was later dissolved.

On 16 October 2002, Dionne Warwick was nominated Goodwill Ambassador of the Food and Agriculture Organization of the United Nations (FAO).

In 2004, Dionne Warwick's first Christmas album was released. The CD, entitled "My Favorite Time of the Year" featured jazzy interpretations of many holiday classics. In 2007, Rhino Records re-released the CD with new cover art.

In 2005, Dionne Warwick was honored by Oprah Winfrey at her Legends Ball.

Warwick appeared on the May 24, 2006, fifth-season finale of American Idol. Millions of U.S. viewers watched Warwick sing a medley of "Walk on By" and "That's What Friends Are For", with longtime collaborator Burt Bacharach accompanying her on the piano.

In 2006, Warwick signed with Concord Records after a fifteen-year tenure at Arista. Her first release for the label was My Friends and Me, a duets album containing reworkings of her old hits, very similar in fashion to her 1998 CD "Dionne Sings Dionne" . Among her singing partners were Gloria Estefan, Olivia Newton-John, Wynonna Judd and Reba McEntire. The album peaked at #66 on the Top R&B/Hip-Hop Albums chart. The album was produced by her son, Damon Elliott. A followup album featuring Warwick's old hits as duets with male vocalists was planned but the project was cancelled.

A compilation CD of her greatest hits and love songs "The Love Collection" entered the UK pop charts at number 27 on February 16, 2008.

Dionne Warwick's new gospel album, "Why We Sing", was due to be released on February 26, 2008 in the UK and on April 1, 2008 in the USA. The album features guest spots by her sister Dee Dee Warwick and Bebe Winans.

On October 18, 2008, Warwick's sister Dee Dee Warwick died in a nursing home in Essex County, New Jersey. She had been in failing health for several months which lead up to her death. Warwick was with her sister Dee Dee when she died.

On November 24, 2008 Dionne was the star performer on "Divas II" a UK ITV1 special. The show also featured Rihanna, Leona Lewis, Sugababes, Pink, Gabriella Climi and Anastacia.

Personal life

Warwick with First Lady Pat Nixon, 1971‎

Dionne Warwick married actor and drummer William Elliott (CBS's Bridget Loves Bernie-1972-73) in 1966 and the couple divorced in May 1967 after being wed for less than a year. They reconciled and were remarried in Milan, Italy, in August 1967 according to Time Magazine. Warwick has stated in many interviews that "It was a case of can't do with, can't do without, so I married him again." On May 30, 1975, the couple separated and Warwick was granted a divorce in December 1975 in Los Angeles. The court denied Elliott's request for $2,000 a month in support pending a community property trial and for $5,000, when Elliott insisted that he was making $500 a month in comparison to Warwick making $100,000 a month. Dionne stated in "Don't Make Me Over: Dionne Warwick", a 2002 Biography Channel interview, "I was the breadwinner. The male ego is a fragile thing. It's hard when the woman is the breadwinner. All my life, the only man who ever took care of me financially was my father. I have always taken care of myself." Warwick has been connected romantically with Philadelphia Eagles great Timmy Brown, French singer-songwriter Sacha Distel, actor Phillip Michael Thomas ("Miami Vice"), Seagram heir and CEO Edgar Bronfman, Jr., and Las Vegas restaurateur and actor Gianni Russo ("The Godfather").

On January 18, 1969, while living in East Orange, NJ, Warwick gave birth to her first son, David Elliott. Elliott is a singer-songwriter (Luther Vandross' "Here and Now" among others) and a former Los Angeles police officer. In 1993, David co-wrote with Terry Steele the Dionne Warwick-Whitney Houston duet "Love Will Find A Way" featured on her album Friends Can Be Lovers. Since 2002, David has toured with and performed duets with his famous mother periodically, and had his acting debut in the film "Ali" as the singer Sam Cooke. In 1973, Warwick's second son Damon Elliott was born. Damon Elliott is a noted music producer (Mýa, Pink, Keyshia Cole) and arranged and produced his mother's 2006 Concord release My Friends and Me.

Dionne Warwick made the Top 250 Delinquent Taxpayers List published in October 2007. California Revenue & Taxation Code Section 19195 directs the Franchise Tax Board to publish an annual list of the top 250 taxpayers with liened state income tax delinquencies greater than $100,000 in an effort to collect money from those taxpayers, some of whom have been delinquent since 1987. Dionne Warwick is listed with a tax delinquency of $2,665,305.83 in personal income tax and a tax lien was filed July 24, 1997.[7] As of April 2009, Warwick is still delinquent although now owes $2,185,908.08.[8] Her publicist stated that she is actively paying off the debt.[9]

Dionne Warwick now lives in Brazil. Warwick first visited Brazil in the early 1960s and has become so entranced by the South American country that she has bought a home there and has studied Portuguese.

Famous relations

  • Warwick's sister Dee Dee Warwick also had a successful singing career, scoring several notable R&B hits, notably "I'm Gonna Make You Love Me" in 1967 and "She Didn't Know (She Kept On Talking)" in 1970. In 1971, at the advice of a numerologist, both Dionne and her sister Dee Dee added an "e" to the end of Warwick (thus making their professional last names "Warwicke"). The "e" was eventually dropped in mid-1975. Dee Dee died on October 18, 2008 in a nursing home in Essex County, New Jersey, after a long illness.

Discography

Dionne Warwick's US Top 40 Chart Singles from the Billboard Hot 100 Charts: (*During 1964 Billboard's Top 100 and R & B Charts were combined)

Year Song U.S. Hot 100 U.S R&B U.S. Adult Contem- porary CANADA Singles(CHUM-62-64) UK Singles
1962 "Don't Make Me Over" 21 5 - 38 -
1963 "Anyone Who Had a Heart" 8 8* 2 11 42
1964 "Walk on By" (A-side)/"Any Old Time of Day" (B-side) 6 6* 7 14 8
1964 "You'll Never Get to Heaven (If You Break My Heart)" (A-side)/"A House Is Not a Home" (B-side) 34 34* - 15 20
1964 "Reach Out for Me" 20 20* - 12 23
1965 "Are You There (With Another Girl)" 39 35 - 13 -
1966 "Message to Michael" 8 5 12 6 -
1966 "Trains and Boats and Planes" 22 49 37 18 -
1966 "I Just Don't Know What to Do with Myself" 26 20 - 36 -
1967 "Alfie" (B-side)/“The Beginning of Loneliness” (A-side) 15 5 - 10 -
1967 "The Windows of the World" 32 27 32 20 -
1967 "I Say a Little Prayer" (A-side) 4 8 - 4 -
→ 1968 "(Theme from) Valley of the Dolls" (B-side) 2 13 2 4 28
1968 "Do You Know the Way to San Jose" (A-side)/”Let Me Be Lonely” (B-side) 10 23 4 8 8
1968 "Who Is Gonna Love Me?" (A-side)/"(There's) Always Something There to Remind Me" (B-side) 33 43 4 19 -
1968 "Promises, Promises" 19 47 7 8 -
1969 "This Girl's in Love with You" 7 7 2 7 -
1969 "The April Fools" 37 33 8 32 -
1969 "You've Lost That Lovin' Feeling" 16 13 10 12 -
1969 "I'll Never Fall in Love Again" 6 17 1 3 -
1970 "Let Me Go to Him" 32 45 5 30 -
1970 "Make It Easy on Yourself" 37 26 2 24 -
1974 "Then Came You" (with The Spinners) 1 2 3 7 29
1979 "I'll Never Love This Way Again" 5 18 5 6 62
1979 "Déjà Vu" 15 25 1 34 -
1980 "No Night So Long" 23 19 1 - -
1982 "Friends in Love" (with Johnny Mathis) 38 22 5 - -
1982 "Heartbreaker" 10 14 1 15 2
1982 "All the Love in the World" - - 16 - 10
1983 "How Many Times Can We Say Goodbye" (with Luther Vandross) 27 7 4 - 99
1985 "That's What Friends Are For"
(Dionne & Friends: Elton John, Gladys Knight and Stevie Wonder)
1 1 1 1 16
1987 "Love Power" (with Jeffrey Osborne) 12 5 1 21 63
1991 "It's All Over" (with Blue System) - - - - -

Awards and honors

  • NARAS Grammy Award 1968: "Best Contemporary Female Solo Vocal Performance" for the single, "Do You Know the Way to San Jose?."
  • NARAS Grammy Award 1970: "Best Contemporary Vocal Performance, Female" for the album, "I'll Never Fall in Love Again."
  • NARAS Grammy Award 1979: "Best R&B Vocal Performance, Female" for the single, "Déjà Vu."
  • NARAS Grammy Award 1979: "Best Pop Vocal Performance, Female" for the single, "I'll Never Love This Way Again."
  • NARAS Grammy Award 1986: "Best Pop Performance By a Duo or Group With Vocal" for the single, "That's What Friends Are For."
  • NARAS Grammy Hall of Fame-Don't Make Me Over
  • NARAS Grammy Hall of Fame-Walk on By.
  • NARAS Grammy Hall of Fame-Alfie.
  • NARAS Grammy Nominations for: Walk On By-1964; Alfie-1967; I Say A Little Prayer-1967; This Girl's In Love With You-1969; Then Came You-1974; That's What Friends Are For (Record of the Year)-1986; Friends (Album)-1986.
  • Woman of the Year-1969 Harvard Hasty Pudding Society
  • Cannes Film Festival Nominee-Slaves-1969
  • Cash Box Magazine-#1 Female Vocalist-1964
  • Cash Box Magazine-#1 R & B Female Vocalist; #2 Pop-1966
  • Cash Box Magazine-#2 R & B;# 2 Pop-1967
  • Cash Box Magazine-#2 R & B;# 2 Pop-1968
  • Cash Box Magazine-#1 Female Vocalist (Albums and Singles)-1969
  • Cash Box Magazine-#1 Female Vocalist (Albums and Singles)-1970
  • Cash Box Magazine-#1 Female Vocalist (Albums and Singles)-1971
  • NARM (National Association of Record Mercandisers) #1 Popular Vocalist-Female 1964, 1966, 1967, 1968, 1969, 1970,1971.
  • Playboy Magazine Music Poll-Top Female Vocalist-1971;Playboy's All-Star Band for 1971-Female Vocals
  • The first People's Choice for Favorite Female Singer (1975)-Televised as a special on CBS as "The People's Choice." The CBS special became the basis for the "The People's Choice Awards" and was first broadcast on CBS in the fall of 1975 under that title.
  • Mayors Award and Key to the City-San Jose, California-1968
  • NAACP Image Awards Entertainer of the Year-1986
  • American Music Awards-Special Recognition- "That's What Friends Are For"-1987
  • Billboard Music Awards-# 1 Single of the Year-"That's What Friends Are For"-1987
  • ACE Award Nominee for "Sisters in the Name of Love"-Dionne Warwick (HBO-1987)
  • United States Ambassador of Health-Appointed by Ronald Reagan-1987
  • ASCAP Lifetime Achievement Award-1998
  • National Academy of Popular Music/Songwriters Hall of Fame-Hitmaker Award-2001
  • ASCAP Heroes Award-2002
  • United Nations Global Ambassador for the Food and Agriculture Organization (FAO)-appointed 2002
  • Women's World Award-Lifetime Achievement Award-2003
  • Rhythm & Blues Foundation-Lifetime Achievement Award-2003
  • American Society of Young Musicians-Luminary Award-1997
  • National Music Foundation-Cultural Impact Award-1998
  • NABFEME Shero Award (The National Association of Black Female Executives in Music & Entertainment)-2006
  • The Temecula Valley International Film & Music Festival-Lifetime Career Achievement Award-2006
  • Miami Dade Life Time Achievement Award-2007 and Dionne Warwick Day-May 25
  • Kleenex American Hero Award-1987
  • Starlight Foundation's Humanitarian of the Year Award
  • Bella Rackoff Women in Film Humanitarian Award
  • Trumpet Awards-Living Legend Award-2007
  • Lincoln Elementary School in East Orange, NJ, honored her by renaming it to the Dionne Warwick Institute of Economics and Entrepreneurship

Filmography

Concerts

  • 2005: Prime Concerts: In Concert with Edmonton Symphony
  • 2007: Dionne Warwick - Live
  • 2008: Live in Cabaret July 18 1975

As an actress

Documentary film appearances

  • 1977: The Day the Music Died
  • 2002: The Making and Meaning of We Are Family

Compilations

  • 2002: A Tribute to Burt Bacharach & Hal David
  • 2005: The 5th Dimension Travelling Sunshine Show
  • 2005: Straight from the Heart Live, Vol. 1
  • 2006: Flashbacks: Soul Sensations
  • 2006: Flashbacks: Pop Parade
  • 2008: Lost Concerts Series: Uptown Divas

External links

Notes

References

  • Harvey, Stephen: What’s It All About Dionne? Interview – Dionne Warwick, The Independent on Sunday, February 23, 2003
  • Ayres, Sabra: Dionne Warwick's Charges Dropped in Plea Bargain, Associated Press, June 5, 2002.
  • Nathan, David (1999). The Soulful Divas: Personal Portraits of over a dozen divine divas from Nina Simone, Aretha Franklin, & Diana Ross, to Patti LaBelle, Whitney Houston, Mariah Carey, & Janet Jackson. Watson-Guptill Publications. ISBN [[Special:BookSources/0-8230-8425-6
  • Current Biography. H. W. Wilson, Company. Current Biography Yearbook 1969. Subject: Dionne Warwick. 1969. H.W. Wilson Company, Chicago, Ill.
  • Current Biography. H. W. Wilson, Company. Current Biography Yearbook 1971. Subject: Burt Bacharach. 1971. H.W. Wilson Company, Chicago, Ill.
  • Hitmakers: The Teens Who Stole Popular Music: Dionne Warwick-Don't Make Me Over. Performers-Dionne Warwick main subject, Burt Bacharach, Dee Dee Warwick, Dick Clark, et al. A&E Entertainment Video. 2002.
  • Hitmakers: Burt Bacharach. Performers-Burt Bacharach main subject, Dionne Warwick, Angie Dickinson, Steve Lawrence, et al. A&E Entertainment Video. 2002.
  • Lifetime Television's Intimate Portrait: Dionne Warwick. Performers: Dionne Warwick, Lee Warrick, David Elliott, Damon Elliott, Cissy Houston, et al. Lifetime Entertainment Video. 2004.
  • 'Dionne Warwick Profile". People Magazine. 15 October 1979. Time-Warner, Inc.
  • "Dionne Warwick." Rolling Stone, 15 Nov. 1979. Rolling Stone Press.
  • "Dionne the Universal Warwick." Ebony Magazine, May 1968. Johnson Publications.
  • "The Sound of the Sixties." Time Magazine. May 21, 1965. Time, Inc.
  • 'Spreading the Faith." Time Magazine. July 14, 1967. Time, Inc.
  • "Dionne Warwick Married." Time Magazine. September 8, 1967. Time, Inc.|0-8230-8425-6
  • Current Biography. H. W. Wilson, Company. Current Biography Yearbook 1969. Subject: Dionne Warwick. 1969. H.W. Wilson Company, Chicago, Ill.
  • Current Biography. H. W. Wilson, Company. Current Biography Yearbook 1971. Subject: Burt Bacharach. 1971. H.W. Wilson Company, Chicago, Ill.
  • Hitmakers: The Teens Who Stole Popular Music: Dionne Warwick-Don't Make Me Over. Performers-Dionne Warwick main subject, Burt Bacharach, Dee Dee Warwick, Dick Clark, et al. A&E Entertainment Video. 2002.
  • Hitmakers: Burt Bacharach. Performers-Burt Bacharach main subject, Dionne Warwick, Angie Dickinson, Steve Lawrence, et al. A&E Entertainment Video. 2002.
  • Lifetime Television's Intimate Portrait: Dionne Warwick. Performers: Dionne Warwick, Lee Warrick, David Elliott, Damon Elliott, Cissy Houston, et al. Lifetime Entertainment Video. 2004.
  • 'Dionne Warwick Profile". People Magazine. 15 October 1979. Time-Warner, Inc.
  • "Dionne Warwick." Rolling Stone, 15 Nov. 1979. Rolling Stone Press.
  • "Dionne the Universal Warwick." Ebony Magazine, May 1968. Johnson Publications.
  • "The Sound of the Sixties." Time Magazine. May 21, 1965. Time, Inc.
  • 'Spreading the Faith." Time Magazine. July 14, 1967. Time, Inc.
  • "Dionne Warwick Married." Time Magazine. September 8, 1967. Time, Inc.]]. 

 
 

 

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