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Dionne Warwick

 
Dionne Warwick
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singer

Personal Information

Born Marie Dionne Warrick, December 12, 1940, in East Orange, NJ; daughter of Mancel (a chef), and Lee Warrick (business manager for a musical group); married Bill Elliott (actor and jazz drummer), c. 1967 (divorced 1975); children: David and Damon.
Education: Attended Hartt College of Music, University of Hartford, Hartford, CT, c.1959-62.

Career

Sang with The Gospelaires, a musical group, from 1955 to early 1960s. Recording session back up singer for The Drifters, and other musical groups in the early 1960s. Solo performer with numerous hit records, beginning with "Don't Make Me Over" in 1962. Other hits include "Anyone Who Had a Heart," "Walk On By," "Trains and Boats and Planes," "Do You Know the Way to San Jose?," "I'll Never Fall in Love Again," "I Say a Little Prayer for You," "Heartbreaker," "Deja Vu," and "That's What Friends Are For." Host of television program Solid Gold, 1980-81. Spokesperson for the Psychic Friends Network, 1992-97. Made film appearances in Slaves, 1969, and Rent-A-Cop, 1987.

Life's Work

A popular recording artist and concert performer since the early 1960s, Dionne Warwick has so firmly established herself with the public that hit records now seem icing on the cake rather than an attention-getting neccessity. By becoming a trend-defying musical fixture, Warwick has achieved one of her early goals. "Someday I want the kind of loyalty among audiences that Ella Fitzgerald has. So that if I want to stop for two years or ten years, I could come back and still be Miss Dionne Warwick," Warwick told Newsweek in 1966. Though more than three decades have passed since her initial success, and several years have gone by since she has had a hit record, Warwick can still sell out concert halls and supper clubs. "In an age when the music industry is crammed to bursting with pretentious one-hit wonders, it was an education and a privilege to witness an artist with true class, style and talent," wrote a reviewer for Ethnic Newswatch about Warwick's appearance with the BBC Concert Orchestra at London's Royal Festival Hall in 1995.

Dionne Warwick was born Marie Dionne Warrick in East Orange, New Jersey, a suburb of New York City, in 1940. Her father, Mancel, worked as a chef and butcher. Her mother, Lee, managed a well-known gospel group called the Drinkard Singers. The family included Warwick's two younger siblings, Dee Dee, and Mancel, Jr. Warwick's parents were devout Methodists who gave their children a highly moral and extremely supportive upbringing. "They have always been 100 percent for me. As long as I'm happy and can earn a decent living, they're happy for me," Warwick said of her parents to Mary Smith of Ebony in 1968.

As a teenager in the mid-1950s, Warwick, her sister Dee Dee, and two cousins formed a group called The Gospelaires. The group performed locally and sometimes worked as backup singers for other acts. Planning to become a public school music teacher, Warwick accepted a scholarship to study at the University of Hartford's Hartt College of Music. In 1961, during a summer vacation from college, Warwick rejoined The Gospelaires to sing backup on The Drifters' recording of "Mexican Divorce." Conducting the session was the song's composer, Burt Bacharach. "She was singing louder than everybody else so I couldn't help noticing her," Bacharach recalled to Smith. "Not only was she clearly audible, but Dionne had something. Just the way she carries herself, the way she works, her flow and feeling for the music--it was there when I first met her. She had, and still has, a kind of elegance, a grace that very few other people have."

Bacharach, and his lyricist partner Hal David, asked Warwick to sing on a demonstration record of one of their compositions. The record was heard by Florence Greenberg of Scepter Records, a small label specializing in rhythm and blues. Greenberg did not like the song but did like the singer and signed Warwick to a contract. Warwick's first recording for Scepter, released in 1962, was more Bacharach-David material. Though Scepter was promoting the song "I Smiled Yesterday" as the potential hit, it was the record's "B" side, the powerfully plaintive "Don't Make Me Over," that caught on and went to the number twenty-one position on the Billboard chart. A misspelling on the record--Warwick instead of Warrick--gave Warwick her stage name.

The trio of Warwick-Bacharach-David followed up with a long string of top ten hits over the next decade, including "Anyone Who Had a Heart" and "Walk on By," both in 1964, "Message to Michael" in 1966, "I Say a Little Prayer for You" in 1968, "This Girl's in Love with You" in 1969. Other hits include "Trains and Boats and Planes," "Alfie," "You'll Never Get to Heaven," and "Make It Easy on Yourself." Warwick took two songs from Bacharach and David's 1968 Broadway musical Promises, Promises--"I'll Never Fall in Love Again," and the title song--to the pop charts. She won the Grammy Award for Contemporary Pop Vocal twice during this period--for "Do You Know the Way to San Jose?" in 1968 and "I'll Never Fall in Love Again" in 1970.

Bacharach told Newsweek that Warwick's sound "has the delicacy and mystery of sailing ships in bottles. It's tremendously inspiring. We cut songs for her like fine cloth, tailor-made." Though numerous other performers made hits of Bacharach-David songs, including The Carpenters with "Close to You," and B.J. Thomas with "Raindrops Keep Falling on My Head," it was their work with Warwick that best exemplified their distinctive style. In The Faber Companion to 20th-Century Popular Music, Phil Hardy and Dave Laing sum up the Warwick-Bacharach-David magic as follows--"Warwick provided the light, lithe voice, David the literate, witty lyrics and Bacharach the imaginative melodies, unusual arrangements and complex rhythms that few singers other than Warwick could have managed: on 'Anyone Who Had Heart,' for example, she deftly weaves into and through 5/4 to 4/4 to 7/8." Strangely enough, it was a non-Bacharch-David song--"Theme from The Valley of the Dolls," written by Andre and Dory Previn--that brought Warwick closest to the top of the chart in the 1960s. The song climbed to number two in early 1968.

Warwick's appeal crossed racial barriers. She was to the 1960s what Nat King Cole had been to the 1950s--a mainstream performer who happened to be black. Nevertheless, Warwick occasionally faced race-related problems such as bigoted hecklers in the audience and department store clerks who questioned her ability to pay for costly items (shopping is one of Warwick's primary pastimes, and for a time she rented an additional apartment just to store her clothes). Cool and confident, Warwick responded to anti-black sentiment with cutting remarks and, if neccessary, forceful letters to local authorities. Having grown up in a racially mixed, lower- middle-class community in the North, Warwick was never hesitant about appearing in the South. "To me, Mississippi is just a long word. They've got their problems, but they're not going to make them my problems," Warwick explained to Ebony in 1968.

In 1972, Bacharch and David brought their songwriting partnership to an acrimonious end. The split shocked Warwick and left her unable to fulfill her obligation to Warner Bros., the record company with which she had signed the previous year, to make a new album of Bacharch-David material. "I had heard the scuttlebutt but I thought if anybody would know, I would know. Famous last words. I found out in the paper like everybody else that they weren't going to do the album, they weren't writing together, they weren't even talking to each other. What hurt me the most was that I thought I was their friend. But I was wrong. They did not care about Dionne Warwick. It was devastating," Warwick told Stephen Holden of Rolling Stone. Threatened with a breach of contract suit from Warner Bros., Warwick sued Bacharach and David and eventually won an out-of-court settlement.

Though her collaboration with The Spinners on the song "Then Came You," went to the top of the Billboard chart in the autumn of 1974, Warwick's career languished for much of the 1970s. Warwick's personal life also reached a low point during this period. Her marriage to Bill Elliott, a musician and actor whom she had married in 1967, began to founder. On the advice of an astrologer and numerologist, Warwick added an e to the end of her last name in the hope of improving her fortunes. The extra letter did not help. "Every place I worked that had the 'e' on the marquee, something went wrong," Warwick told Rich Wiseman of People. Warwick and Elliot, who had two young sons together, were divorced in 1975. Two years later, Warwick's father died suddenly and her mother suffered a stroke. To deal with her personal and professional troubles, Warwick turned to almost nonstop touring. "I felt I'd blow emotionally if I didn't immerse myself in work. I pushed myself," Warwick told Wiseman.

Warwick's career got back on track when she signed with Arista records in 1979. Arista president Clive Davis, who has also been instrumental in the career of Warwick's cousin, Whitney Houston, was excited and proud to have Warwick on his label. "I can see now that while I was at Warners, everything was wrong but me. Now, once again, everything is being done absolutely for me. There's no overshadowing. I'm sitting on top of everything, which is the way it should be," Warwick told Holden.

Davis arranged for Barry Manilow to produce Warwick's first Arista album, Dionne. Warwick was at uneasy at first about working with Manilow, fearing their differing styles would clash. She was especially concerned that the album might have a "disco" sound. Warwick was deliberately ignoring the disco trend. "I'm too much of a snob to do faddish material," she explained to Wiseman. Happily, the Warwick-Manilow collaboration was spectacularly successful, resulting in the hits "I'll Never Love This Way Again" and "Deja Vu." Each song earned a Grammy award for Warwick (in the Pop Female Vocal and in Rhythm and Blues Female Vocal categories, respectively). Manilow told Wiseman that "Dionne is one of the all- time best. She doesn't have to snort coke and wait for the lightning bolt to strike."

Warwick further increased her visibility by hosting the television show Solid Gold, which featured a countdown of the week's top hits and guest appearances by popular recording artists. Warwick began hosting the show in July 1980 and was fired in the Spring of 1981. The official reason for the firing was that the producers wanted to a younger host to attract a younger audience but there were rumors that the real reason was that Warwick was temperamental and difficult to work with. Warwick denied being temperamental, only perfectionistic, and said that sexism and racism had a great deal to do with her dismissal. She claimed that female performers who assert their opinions are unfairly labeled "difficult." Also, one of her chief concerns as host was to ensure that black performers had their share of attention and were presented in the best possible light. Warwick was critical of her replacement, singer Marilyn McCoo, formerly of The Fifth Dimension. "I'm angry at her, and it's not sour grapes," Warwick told Dennis Hunt of Ebony. "She came in with an I'll-do-anything-you-want-me-to-do attitude...She came in at a subservient position, which is not right for a black woman. When I was with the show, I was always in a position of strength, I was the main person on the show, but she's secondary...She's a black woman, and she should not have settled for less. You have to fight for what you can get."

The Solid Gold brouhaha had little effect on Warwick's popularity. The title song from her 1982 album Heartbreaker took her yet again to the top ten on the Billboard chart. The song was written by Barry Gibb of the Bee Gees, who also produced the album. As with Manilow three years earlier, Warwick was reluctant to work with Gibb, an established performer/composer whose style was very different from her own. Also, she was concerned that their collaboration might be a replica of Gibb's recent work on Barbra Streisand's Guilty album. "There's some of the Bee Gees sound on my album," Warwick explained to Hunt. "But that's Barry's style, and you can't avoid it. But at least the Bee Gee thing isn't overwhelming. The main thing is that the album did not turn out to be Guilty II. It just had to be different from Streisand's. I think we were successful in that. The songs on this album are in my style, not hers."

Since the early 1980s, Warwick has devoted much of her time to charitable activities. In 1984, she was one of 45 top performers to sing on the hit single "We Are the World," the proceeds of which went to USA for Africa's hunger relief program. Warwick brought together Stevie Wonder, Gladys Knight, and Elton John to join her on the recording "That's What Friends Are For." The song, written by Burt Bacharach, with whom Warwick had patched up her differences, and lyricist Carole Bayer Sager, was a smash that went to number one on the Billboard chart in January 1986 and raised an estimated $2 million for AIDS research. Warwick, who has hosted countless fundraising benefits for AIDS research, has also been involved in raising awareness of other health issues, including Sudden Infant Death Syndrome and Sickle Cell Anemia. In the mid-1980s she founded the group BRAVO (Blood Revolves Around Victorious Optimism) to raise awareness of blood diseases.

Bringing her social concerns to the music industry, Warwick served on the Entertainment Commmision of the National Political Congress of Black Women (NPCBW). In 1995, she co-chaired with Melba Moore, a special meeting of the commission during the NPCBW's convention in Seattle. One of the commission's major concerns was gangsta rap lyrics, which the NPCBW views as degrading and insulting to black women. "There are some songs that are just a little too much. I feel that our young people are creative enough musically to find positive sides of life and put them into songs. I know they can do it," Warwick told Don Thomas of Ethnic Newswatch.

A heavy schedule of charitable activities has not caused Warwick's singing career to languish. She has continued to record and perform regularly. In 1987, her duet with Jeffery Osborne on the song "Love Power" went to number twelve on the Billboard chart. Among her notable albums is the 1992 release Friends Can Be Lovers, which featured the song "Sunny Weather Lover," Warwick's first Bacharach- David material in twenty years. Another song on the album, "Love Will Find a Way," was written by Warwick's son David Elliott and his songwriter partner, Terry Steele. The song was performed as a duet with cousin Whitney Houston. The album also features Warwick in a duet with close friend Luther Vandross on the song "Fragile," written by pop star Sting. "The entire album feels the way that it actually happened, which is why I am so proud of it," Warwick told Jet. "It's full of love. It's full of friendship, it's full of family and it's full of people (producers) who wanted to give the very best that they could possibly give."

Another notable album is Aquarela do Brasil (Watercolors of Brazil), a collection of Brazilian music released in 1994. Warwick first visited Brazil in the early 1960s and has become so entranced by the South American country that she has bought a home there and has studied Portuguese. "I love Brazil. I see there so much of what we've lost here in America. I see complete families, from grandmother to grandchild and in between at the malls on Saturdays together, on Sundays at the park together ... I think the most important thing is that we all have problems obviously, but for whatever reasons it appears that through it all, people in Brazil still have the ability to smile, there is always tomorrow still. This attitude particularly captivated me," Warwick told Cristina M. Eibscher of News from Brazil in 1995. Warwick has adopted a favela or shanty town in Rio de Janeiro. "The Brazilian people have been offering me so much that I felt that it was time for me to give something in return for their hospitality and friendship. That's when I decided to adopt a favel and help people who are needy. It's a great feeling to know that you can contribute for the happiness and well being of others, especially for the well being of Brazilian children," Warwick explained to Eibscher.

Away from music, Warwick devotes her time to a Beverly Hills-based interior design business she operates with business partner Bruce Garrick. "It's another extension of my artistic expression," Warwick said of interior design to Ruth Ryon of the Los Angeles Times in 1992. Most of the firm's work has been for private homes, including those of Burt Reynolds and Tom Jones. Warwick's appearances on "infomercials" for the Psychic Friends Network is one of her best known non-musical endeavors. "It's the most successful infomercial of all time," said Jack Schember, publisher of Response TV, a magazine that tracks the direct-response television, to David Barboza of the New York Times. Warwick defends her sometimes mocked association with the Psychic Friends Network. She told Clarence Waldron of Jet, "I find psychics and astrologers and numerologists to be very fascinating people...I feel that there are people who have developed eyes and have an ability that we have to question because we can't do it...God will always be first. God can't be any place but first. And any of those who doubt that, then they have a problem."

Awards

Grammy Awards for Best Contemporary Pop Vocal (Female) for "Do You Know the Way to San Jose? in 1968, "I'll Never Fall in Love Again" in 1970, and "I'll Never Love This Way Again" in 1979. Grammy Award for Best Rhythm and Blues Vocal (Female) for "Deja Vu" in 1979. Gold Records for "I Say a Little Prayer" in 1968, "I'll Never Love This Way Again," in 1979, "Then Came You" in 1974, and "That's What Friends are For" in 1986. National Association of Colored People (NAACP) Entertainer of the Year Award, 1986; NAACP Key of Life Award, 1990; Jackie Robinson Foundation Robie Award, 1992.

Works

Selective Discography

  • Presenting Dionne Warwick, 1964.
  • Anyone Who Had a Heart, 1964.
  • Make Way for Dionne Warwick, 1964.
  • The Sensitive Sound of Dionne Warwick, 1965.
  • Here I Am, 1965.
  • Dionne Warwick in Paris, 1965.
  • Here Where There is Love, 1967.
  • On Stage and in the Movies, 1967.
  • Windows of the World, 1967.
  • The Magic of Believing, 1967.
  • Valley of the Dolls and Others, 1968.
  • Soulful, 1969.
  • Greatest Motion Picture Hits, 1969.
  • Dionne Warwick's Golden Hits, Volume 1, 1969.
  • Dionne Warwick's Golden Hits, Volume 2, 1970.
  • I'll Never Fall in Love Again, 1970.
  • Very Dionne, 1971.
  • Promises, Promises, 1971.
  • From Within, Volume 1, 1972.
  • Dionne, 1973.
  • Just Being Myself, 1973.
  • Then Came You, 1975.
  • Track of the Cat, 1975.
  • Love at First Sight, 1977.
  • Dionne, 1979.
  • No Night So Long, 1980.
  • Hot! Live and Otherwise, 1981.
  • Heartbreaker, 1983.
  • Finder of Lost Loves, Dionne and Friends, 1986.
  • Anthology, 1962-1971, 1986.
  • Masterpieces, 1986.
  • Reservations for Two, 1987.
  • Dionne Warwick Sings Cole Porter, 1990.
  • Hidden Gems: The Best of Dionne Warwick, 1992.
  • Friends Can Be Lovers, 1993.
  • Aquarela do Brasil, 1994.
  • From the Vaults, 1995.

Further Reading

Books

  • Black Women in America: An Historical Encyclopedia. Brooklyn, NY Carlson Publishing, 1993.
  • Elrod, Bruce C. Your Hit Parade. Ann Arbor, MI: Popular Culture Ink, 1994 Hardy, Phil, and Dave Laing. The Faber Companion to 20th-Century Popular Music. London: Faber and Faber, 1992.
  • Notable Black American Women. Detroit, MI: Gale Research, Inc., 1992.
Periodicals
  • Billboard, October 1, 1994, p. 14.
  • California Voice, June 18, 1995, p. 3.
  • Cincinnati Call and Post, January 26, 1995, p. 1B.
  • Contemporary Musicians, Volume 2, 1990, p. 244-246.
  • Ebony, May 1968, p. 37-42; May 1983, p. 95-100; April 1995, p. 22.
  • Jet, March 29, 1993, p. 54-58; January 17, 1994, p. 56.
  • Los Angeles Times, October 4, 1992, p. K1, 10.
  • Miami Times, February 23, 1995, p. 1B.
  • Michigan Chronicle, February 13, 1996, p. 1D.
  • News from Brazil, October 31, 1995, p. 41.
  • Newsweek, October 10, 1966, p. 101-102.
  • New York Beacon, July 31, 1996, p.26.
  • New York Times, May 12, 1968, p. D17, 20; December 7, 1995, p. D8.
  • Oakland Post, December 10, 1995, p. 8B.
  • People, October 15, 1979, p. 85.
  • Rolling Stone, November 15, 1979, p. 16-17.
Other
  • Information also obtained from Ethnic Newswatch, Softline Information, Inc, Stamford, CT.

— Mary Kalfatovic

AMG AllMovie Guide:

Dionne Warwick

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Biography

Pop singer, onscreen in occasional dramatic roles from 1969. ~ Rovi
Gale Musician Profiles:

Dionne Warwick

Top

Singer

The elegant Dionne Warwick was one of the first black recording artists to reach a mainstream pop audience that knew no racial or ethnic barriers. During the 1960s Warwick sold a phenomenal 12 million albums and placed numerous singles in the Top Ten as the result of her association with successful songwriters Burt Bacharach and Hal David. During those years, wrote Rich Wiseman of People, Warwick was "a red-hot singer of cold-hearted hits spanning pop, jazz and R&B." Indeed, Warwick's voice and manner were ideally suited to the sometimes coy, sometimes plaintive Bacharach-David tunes, and her work completed independently of that team has followed the same formula.

A Newsweek reporter described Warwick's style as "deliciously phrased, uncontrived and in a polished, flexible voice … a dazzling acrobatic display of vocal weightlessness, changing colors and dynamics with chilling impact." The reporter added, "Cushioning all her songs is an uncanny rhythmic sense…. Her body pulsates and twitches, and her voice seems somehow to swing to its own built-in rhythm section." In the Washington Post, William Rice observed that Warwick "can produce the impression of a 'soul singer's scream' without raising her voice and so practiced is her vocal control and her technical mastery that she glides from a gospel chant to a torchsinger's moan with disarming ease."

Warwick was born Marie Dionne Warrick in the comfortable middle-class community of Orange, New Jersey. She began her professional career as a gospel singer, working with the well-known Drinkard Singers and with her own group, the Gospelaires. Ironically, Warwick has claimed that she did not want to go into show business at all; instead, she wanted to teach music to schoolchildren. Her mother, Lee, managed the Drinkard Singers from a base at the New Hope Baptist Church in nearby Newark, and as a teenager Dionne was often called in as a substitute singer when a regular group member was missing. Warwick was also in her teens when she formed the Gospelaires with her sister Dee Dee and two cousins. Gospel, she told Newsweek, "is the Bible in the form of song. It's open prayer. Religion gives me comfort and complete freedom."

Discovered by Bacharach and David
Warwick attended Hartt College of Music on a scholarship, studying piano, voice, and music theory. Between terms she worked as a backup singer for Sam ("the Man") Taylor and the Drifters, among others. In 1959 Warwick was working on a Drifters recording when she caught the eye of Burt Bacharach, then a relatively unknown composer. "She was singing louder than everybody else," Bacharach told Ebony, "so I couldn't help noticing her. Not only was she clearly audible, but Dionne 'had something.' Just the way she carries herself, the way she works, her flow and feeling for the music—it was there when I first met her. She had, and still has, a kind of elegance, a grace that very few other people have." Bacharach and his partner, Hal David, invited Warwick to record some of their songs on demonstration records, and by 1961 the pretty young singer had signed a contract with Scepter Records. She had her first hit, "Don't Make Me Over," the following year. When the record company misspelled her name on a label, Marie Dionne Warrick became Dionne Warwick, and her fortunes began to rise.

Possessing a vocal style that alluded as much to Ella Fitzgerald as to classic soul, Warwick was as popular with listeners of adult contemporary as she was with dreamy-eyed teens. "I came along in an era when kids were tired of hearing songs that just said, 'Boo-boo-boo,'" Warwick told the New York Times. "I had a different kind of sound that was accepted by both the R&B audience and the pop audience." Young and old, white and black listeners alike, all responded to Warwick's gentle songs, and the passing decades have hardly dimmed the appeal of "Walk On By," "Alfie," "Do You Know the Way to San Jose?" and "I'll Never Fall in Love Again." In four years during the 1960s the entertainer sold 12 million records and made the Top Forty charts 31 times. She also gave solo concerts in Europe and at New York's prestigious Philharmonic Hall at the Lincoln Center for the Performing Arts. "Show business," Warwick told People, "became my life."

Revived Her Career at Arista
Warwick was at her commercial peak when she recorded the multi-genre smash "Then Came You" with the red hot funk and soul group the Spinners in 1974. However, pop careers are notoriously fragile, as Warwick discovered in 1975. First Bacharach and David dissolved their partnership, leaving Warwick with a five-record contract with Warner Brothers to fulfill. Then her marriage fell apart, and her husband sued for alimony. Warwick found herself immersed in legal battles with her former spouse and with Bacharach and David, whom she sued for breach of contract. She managed to release the contracted albums as planned, but as Wiseman noted, the efforts "bombed her into obscurity."

She was rescued from the slump by pop star/songwriter Barry Manilow, who produced her 1979 gold album Dionne for Clive Davis's Arista Records. The album contained two hit singles, the heartbreakingly wistful "I'll Never Love This Way Again" and the mysterious "Deja Vu."

On the strength of that comeback, Warwick was invited to host a weekly syndicated television music show, "Solid Gold." She worked on the show for a year in 1980–81, eventually parting on bad terms with its producers. Answering charges that she had been "temperamental" during filming, Warwick told Ebony, "I'm a perfectionist. I won't stand for less than the best…. What's wrong with that?" She eventually returned during the show's 1985–86 season.

Warwick returned to recording, this time working with ex-Bee Gee Barry Gibb. Her 1983 release, Heartbreaker, was yet another million seller. In 1986 Warwick lent her voice to a project to benefit AIDS research, producing the hit single "That's What Friends Are For," which raised millions of dollars for the cause. She claimed that her career was salvaged by a 1979 move to Arista Records. "Now, once again, everything is being done absolutely for me," she told Rolling Stone. "There's no overshadowing. I'm sitting on top of everything, which is the way it should be." The mother of two sons, Warwick lived in Beverly Hills. She rarely socialized with the Hollywood "party crowd," preferring a degree of discretion in her personal life.

Also an Entrepreneur
Warwick's days as a hitmaker came to an end during the late 1980s, although she continued to record popular albums for Arista into the 1990s. Her personal favorite was the 1995 release Aquarela Do Brazil, which precipitated her move to Brazil, where she now spends much of her leisure time. The artist's last chart single was a remake of Jackie DeShannon's 1965 hit "What the World Needs Now is Love," recorded with Hip-Hop Nation in 1998.

Still a popular entertainer, Warwick also hosted television infomercials for the Psychic Friends Network, and although she had always been sincere about her interest in psychic phenomenon, her association with the commercials made her somewhat of a laughing stock among non-believers.

When not performing at high profile charity events or with symphony orchestras worldwide, Warwick has proven to be a successful entrepreneur. She helped create Carr/Todd/Warwick Production Inc, a television and film company. The singer has also teamed with partner Bruce Garrick to form the Dionne Warwick Design Group Inc., a company that re-designs private estates and world class hotels. If that weren't enough, she markets her own skin care regimen and personal fragrance.

Yet there is no question that Warwick is still best known as a one-of-a-kind vocalist, something she prophetically acknowledged to People in 1979. "Talent will prevail," she remarked. "Nobody, bar none, can do what Dionne Warwick does."

Selected discography

Singles
"Don't Make Me Over," Scepter, 1963."This Empty Place," Scepter, 1963."Anyone Who Had a Heart," Scepter, 1963."Make the Music Play," Scepter, 1963."Walk On By," Scepter, 1964."A House is Not a Home," Scepter, 1964."You'll Never Get to Heaven (If You Break My Heart)," Scepter, 1964."Reach Out For Me," Scepter, 1964."Who Can I Turn To," Scepter, 1965."You Can Have Him," Scepter, 1965."Here I Am," Scepter, 1965."Looking With My Eyes," Scepter 1965."Are You There (with Another Girl)," Scepter, 1966."Message to Michael," Scepter, 1966."Trains Boats and Planes," Scepter, 1966."Another Night," Scepter, 1966."I Just Don't Know What to Do with Myself," Scepter, 1966."Alfie," Scepter, 1967."The Windows of the World," Scepter, 1967."I Say a Little Prayer," Scepter, 1967."(Theme from) Valley of the Dolls," Scepter, 1967."The April Fools," Scepter, 1968."Do You Know the Way to San Jose," Scepter, 1968."Always Something There to Remind Me," Scepter, 1968."Promises, Promises," Scepter, 1968."This Girl's in Love with You," Scepter, 1969."You've Lost That Lovin' Feelin'," Scepter, 1969."I'll Never Fall in Love Again," Scepter, 1970."Make it Easy on Yourself," Scepter, 1970."Paper Mache," Scepter, 1970."Let Me Go to Him," Scepter, 1970."Who Gets the Guy," Scepter, 1971.(With the Spinners) "Then Came You," Atlantic, 1974."Take it From Me," Warner Bros, 1975."Once You Hit the Road," Warner Bros., 1975."I'll Never Love This Way Again," Arista, 1978."Deja Vu," Arista, 1979."After You," Arista, 1980."No Night So Long,"Arista, 1980."Some Changes Are For Good," Arista, 1981.(With Johnny Mathis) "Friends in Love," Arisat, 1982."Heartbreaker," Arista, 1982."All the Love in the World," Arista, 1983.(With Luther Vandross) "How Many Times Can We Say Goodbye," Arista, 1983."Take the Short Way Home," Arista, 1984."Finder of Lost Loves," Arista, 1985."Run to Me," Arista, 1985.(With Elton John, Gladys Knight, and Stevie Wonder) "That's What Friends Are For," Arista, 1985.(With Jeffrey Osborne) "Love Power," Arista, 1987.(With Kashif) "Reservations for Two," Arista, 1987."Another Chance to Love," Arista, 1988.
Albums
Presenting Dionne Warwick, Scepter, 1964.Anyone Who Had a Heart, Scepter, 1964.Make Way for Dionne Warwick, Scepter, 1964.The Sensitive Sound of Dionne Warwick, Scepter, 1965.
Here I Am, Scepter, 1965.Dionne Warwick in Paris, Scepter, 1966.Here Where There Is Love, Scepter, 1967.On Stage and in the Movies, Scepter, 1967.Windows of the World, Scepter, 1967.The Magic of Believing, Scepter, 1967.Valley of the Dolls and Others, Scepter, 1968.Soulful, Scepter, 1969.Greatest Motion Picture Hits, Scepter, 1969.Dionne Warwick's Golden Hits, Volume 1, Scepter, 1969.Dionne Warwick's Golden Hits, Volume 2, Scepter, 1970.I'll Never Fall in Love Again, Scepter, 1970.Very Dionne, Scepter, 1971.Promises, Promises, Scepter, 1971.From Within, Volume 1, Scepter, 1972.Dionne, Warner Brothers, 1973.Just Being Myself, Warner Brothers, 1973.Then Came You, Warner Brothers, 1975.Track of the Cat, Warner Brothers, 1975.Love at First Sight, Warner Brothers, 1977.Dionne, Arista, 1979.No Night So Long, Arista, 1980.Hot! Live and Otherwise, Arista, 1981.Heartbreaker, Arista, 1983.Finder of Lost Loves, Arista, 1985.Dionne and Friends, Arista, 1986.Anthology, 1962–1971, Rhino, 1986.Then Came You, Arista, 1986.Masterpieces, Arista, 1986.Reservations for Two, Arista, 1987.Sings Cole Porter, Arista, 1990.Friends Can Be Lovers, Arista, 1993.Celebration in Vienna [Live], Arista/Sony, 1994.Aquarela Do Brazil, Arista, 1995.Dionne Sings Dionne, River North, 1998.The Definitive Collection, Arista, 1999.Soulful Plus, Rhino Handmade, 2004.Love Songs, Arista/Legacy, 2005.My Favorite Time of the Year, DMI, 2004.Say a Little Prayer, DCC, 2004.Me & My Friends, Concord, 2006.

Sources
Books
Rees, Dafydd, and Luke Crampton, VH1 Music First: Rock Stars Encyclopedia, DK, 1999; new rev. edition, 1995.
Nathan, David, The Soulful Divas, Billboard Books, 1998.
Whitburn, Joel, The Billboard Book of Top 40 R&B and Hip-Hop Hits, Billboard, 2006.

Periodicals
Ebony, May 1968; May 1983.
Newsday, May 12, 1969.
Newsweek, October 10, 1966.
New York Times, May 12, 1968.
People, October 15, 1979.
Rolling Stone, November 15, 1979.
Washington Post, December 22, 1967.

Online
"Dionne Warwick," All Music Guide, http://www.allmusic.com (June 28, 2006).
"Dionne Warwick," Internet Movie Database, http://www.imdb.com (June 28, 2006).
  • Genres: Rhythm & Blues

Biography

It is easier to define Dionne Warwick by what she isn't rather than what she is. Although she grew up singing in church, she is not a gospel singer. Ella Fitzgerald and Sarah Vaughan are clear influences, but she is not a jazz singer. R&B is also part of her background, but she is not really a soul singer, either, at least not in the sense that Aretha Franklin is. Sophisticated is a word often used to describe her musical approach and the music she sings, but she is not a singer of standards such as Lena Horne or Nancy Wilson. What is she, then? She is a pop singer of a sort that perhaps could only have emerged out of the Brill Building environment of post-Elvis Presley, pre-Beatles urban pop in the early '60s. That's when she hooked up with Burt Bacharach and Hal David, songwriters and producers who wrote their unusually complicated songs for her aching yet detached alto voice. Warwick is inescapably associated with those songs, even though she managed to build a career after leaving Bacharach and David that drew upon their style for other memorable recordings, such that she remains a unique figure in popular music.

Marie Dionne Warrick was born into a gospel-music family. Her father was a gospel record promoter for Chess Records and her mother managed the Drinkard Singers, a gospel group consisting of her relatives. She first raised her voice in song at age six at the New Hope Baptist Church in Newark, NJ, and soon after was a member of the choir. As a teenager, she formed a singing group called the Gospelaires with her sister Dee Dee and her aunt Cissy Houston (later the mother of Whitney Houston). After graduating from high school in 1959, she earned a music scholarship to the Hartt College of Music in Hartford, CT, but she also spent time with her group recording background vocals on sessions in New York. The Gospelaires are said to be present on such well-known recordings as Ben E. King's "Spanish Harlem" and "Stand By Me." They were at a Drifters session working on a song called "Mexican Divorce" composed by Burt Bacharach when Bacharach, attending the session, suggested Warwick might do some demos for him. She did, singing songs he had written with lyricist Hal David. Bacharach and David pitched one of the songs to Florence Greenberg, head of the small independent Scepter Records label, and Greenberg liked the demo singer enough to sign her as a recording artist. Bacharach and David wrote and produced her first single, "Don't Make Me Over," in 1962. When the record was released, the performer credit contained a typo; it read "Dionne Warwick" instead of "Dionne Warrick," and she kept the new name. (Her sister Dee Dee eventually became Dee Dee Warwick as well.)

"Don't Make Me Over" peaked in the Top 20 of the pop charts in early 1963, also reaching the Top Five of the R&B charts. Warwick's subsequent singles were not as successful, but in early 1964, she reached the pop and R&B Top Ten and the Top Five of the easy listening charts with "Anyone Who Had a Heart," which was also her first record to reach the charts in the U.K. (There, such singers as Cilla Black and Dusty Springfield sometimes would cover her records before her own versions had a chance to become hits.) "Walk on By" followed it into the Top Ten of the pop, easy listening, and U.K. charts in the spring of 1964, and it hit number one on the R&B charts. By then, the Beatles had arrived on the American scene, followed by the British Invasion, and for a while, pop artists like Warwick took a beating on the charts. Nevertheless, the singer continued to place singles and LPs in the rankings over the next couple of years and in the spring of 1966, she returned to the Top Ten of the pop charts and the Top Five of the R&B charts with "Message to Michael." Other, more modest hits followed, including the most successful U.S. recording of the title song from the movie Alfie, which reached the R&B Top Five and the pop Top 20 in the spring of 1967. That summer, Warwick topped the R&B LP charts with her gold-selling Here Where There Is Love album and by the fall, Scepter had amassed enough chart singles to issue Dionne Warwick's Golden Hits, Pt. 1, her first album to reach the pop Top Ten.

Curiously, Warwick's career reached a new level with a single not written by Bacharach and David, although they produced it. It was "(Theme From) Valley of the Dolls," written by André and Dory Previn and issued at the end of 1967. The record reached the Top Five of the pop, R&B, and easy listening charts. Its B-side, Bacharach and David's "I Say a Little Prayer," reached the Top Five of the pop and R&B charts, helping the single become a gold record and the Valley of the Dolls LP also made the Top Five of the pop and R&B charts and went gold. With that, Warwick was on a roll. Her next single, "Do You Know the Way to San José," reached the pop Top Ten and the R&B and easy listening Top Five in the spring of 1968 and won the Grammy Award for Best Contemporary Pop Vocal Performance, Female. In the winter of 1969, her version of "This Guy's in Love With You," re-titled "This Girl's in Love With You," made the pop and R&B Top Ten and the easy listening Top Five and in early 1970, "I'll Never Fall in Love Again" from Bacharach and David's score for the Broadway musical Promises, Promises made the pop Top Ten and topped the easy listening charts, bringing her another Grammy Award for Best Contemporary Vocal Performance, Female.

In 1971, Warwick added an "e" to the end of her name on the advice of a numerologist, retaining the new spelling until 1975. She also left Scepter Records and signed a deal with the major label Warner Bros. that included Bacharach and David as her writer and producer. The team produced the 1972 album Dionne, which was a modest seller, but then Bacharach and David split up in the wake of the critical and commercial failure of their work on a musical remake of the film Lost Horizon in 1973. Due to her contractual commitment, Warwick was forced to sue her old partners. A settlement was reached, but they would not work together again for many years and Warwick's career suffered.

Warwick bounced back with "Then Came You," a song she recorded with the Spinners, which topped the pop and R&B charts and reached the Top Five of the easy listening charts in October 1974, going gold in the process. It proved to be a one-off success, but Warwick (now without the "e") signed to Arista Records in 1979 and returned to the Top Five of the pop adult contemporary (formerly easy listening) charts with "I'll Never Love This Way Again," produced by labelmate Barry Manilow and featured on her first platinum-selling album, another LP simply titled Dionne. "Deja Vu," also from the album, was a Top 20 pop and number one adult contemporary hit. "I'll Never Love This Way Again" won Warwick her third Grammy for Best Pop Vocal Performance, Female; "Deja Vu" won her her fourth for Best Rhythm & Blues Vocal Performance, Female.

Warwick topped the adult contemporary charts in 1980 with "No Night So Long," but her next across-the-board hit did not come until she hooked up with the Bee Gees for her 1982 album Heartbreaker. Barry Gibb produced the gold-selling LP and the three Gibb brothers wrote the title song, which made the pop Top Ten and topped the adult contemporary charts. In 1985, Warwick was reconciled with Bacharach and she organized a charity recording of his and Carole Bayer Sager's song "That's What Friends Are For" to benefit AIDS, featuring Elton John, Gladys Knight, and Stevie Wonder, in addition to herself. The record topped the pop, R&B, and adult contemporary charts in the winter of 1985-1986, the album Friends on which it was included went gold, and the song earned Warwick her fifth Grammy for Best Pop Performance by a Duo or Group with Vocal. In 1987, Warwick topped the adult contemporary charts and reached the Top Five of the R&B charts with "Love Power," a duet with Jeffrey Osborne that was another Bacharach/Sager composition.

Warwick enjoyed less commercial success after the late '80s. She parted ways with Arista Records after her 1995 album Aquarela Do Brazil. In 1998, she issued Dionne Sings Dionne, an album consisting largely of re-recordings of her hits, on River North Records. ~ William Ruhlmann, Rovi
Wikipedia on Answers.com:

Dionne Warwick

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Dionne Warwick
Background information
Birth name Marie Dionne Warrick
Born (1940-12-12) December 12, 1940 (age 71)
East Orange, New Jersey, United States
Genres R&B, soul, urban, soft rock, adult contemporary, quiet storm, pop
Occupations Singer, actress
Instruments Vocals
Years active 1962–present
Labels Scepter (1962–1971)
Warner Bros. (1972–1977)
Arista (1979–1995)
Concord (2005–2007)
Rhino (2008–present)
Associated acts Burt Bacharach, The Spinners, Isaac Hayes, Sacha Distel, Whitney Houston, Jeffrey Osborne, June Pointer, Stevie Wonder, Elton John, Dieter Bohlen, Gladys Knight, Patti LaBelle, Smokey Robinson, Chuck Jackson, Barry Manilow, Bee Gees, Luther Vandross, Marvin Gaye, Kashif, Howard Hewett, Johnny Mathis

Dionne Warwick (born Marie Dionne Warrick; December 12, 1940) is an American singer, actress and TV show host, who became a United Nations Global Ambassador for the Food and Agriculture Organization, and a United States Ambassador of Health.

Having been in a partnership with Burt Bacharach and Hal David, Warwick ranks among the 40 biggest hit makers of the entire rock era (1955–1999), based on the Billboard Hot 100 Pop Singles Charts. Warwick ranks second only to Aretha Franklin as the most-charted female vocalist with 56 singles making the Billboard Hot 100 between 1962 and 1998. She is also a cousin of Whitney Houston.

Contents

Biography

Early life and career

Warwick was born in East Orange, New Jersey, to Mancel Warwick (1911–1977), who began his career as a Pullman porter and subsequently became a chef, a gospel record promoter for Chess Records and later a Certified Public Accountant; and Lee Drinkard Warwick (1920–2005), manager of The Drinkard Singers (see below). Warwick had a sister Delia "Dee Dee" and a brother, Mancel Jr., who was killed in an accident in 1968 at the age of 21.[citation needed]. She has African American, Native American, Brazilian and Dutch ancestry.[1]

Dionne's career as a singer was almost inevitable considering her family background. Dionne's mother, aunts and uncles were members of the Drinkard Singers, the renowned family gospel group and RCA recording artists that frequently performed throughout the New York metropolitan area. The Drinkard family originated in Blakley, Georgia and migrated to Newark, New Jersey in the late '20s. The family was composed of Nitcholas "Nitch" Drinkard, and Delia Drinkard, Warwick's grandparents, and their children: William, Lee (Warwick's mother), Marie "Rebbie" (Warwick's namesake), Hansom, Anne, Larry, Nicky, and Emily "Cissy" (who is the mother of Warwick's late cousin, Whitney Houston). Dionne's paternal grandfather Elzae Warrick was the preacher at St. Luke's AME, the church attended by the Drinkard family. Lee Drinkard and the preacher's son, Mancel, were later married, and Dionne became the Drinkard family's first grandchild on December 12, 1940. The original Drinkard Singers (known as the Drinkard Jubilairs) consisted of Cissy, Anne, Larry, and Nicky. Marie instructed the group and they were managed by Lee. As they became more successful, Lee and Marie also began performing with the group, and they were augmented by Judy Guoins, later known as pop/R&B singer Judy Clay, whom Lee had unofficially adopted. Elvis Presley eventually expressed an interest in having them join his touring entourage. Dionne began singing gospel as a child at the New Hope Baptist Church in Newark, New Jersey.[2] She performed her first gospel solo at the age of six and frequently joined The Drinkard Singers. Her first televised performances were in the mid-and late 1950s with the Drinkard Singers on local television stations in New Jersey and New York City. Warwick grew up in a racially mixed middle-class neighborhood. She stated in an interview on The Biography Channel in 2002 that the neighborhood in East Orange "was literally the United Nations of neighborhoods. We had every nationality, every creed, every religion right there on our street." Warwick was untouched by the harsher aspects of racial intolerance and discrimination until her early professional career, when she began touring nationally.

Warwick graduated from East Orange High School in 1958 and was awarded a Scholarship in Music Education to the Hartt College of Music in Hartford, Connecticut (a school from which she earned her Doctorate of Music Education in 1973).

Also, in 1958, Warwick, Myrna Utley, Carol Slade, and Warwick's sister Delia, who by this time had begun to be known professionally as Dee Dee Warwick, formed their own group, which they called called "The Gospelaires."[3] Their first performance together was at the Apollo Theater, where they won the weekly amateur contest.[4] Various other singers joined The Gospelaires from time to time, including Judy Clay, Cissy Houston, and Doris Troy, whose chart selection "Just One Look," when she recorded it in 1963, featured backing vocals from the Gospelaires. After various personnel changes (Dionne and Doris left the group after achieving solo success) The Gospelaires eventually became the recording group the Sweet Inspirations, which had minor chart success but were much sought-after as studio background singers. The Gospelaires and later the Sweet Inspirations performed on dozens and dozens of records cut in New York City for artist such as Garnet Mims, the Drifters, Jerry Butler, and later Dionne's recordings, Aretha Franklin, and Elvis Presley.

Warwick recalled, in her 2002 A&E Biography, that "a man came running frantically backstage at The Apollo and said he needed background singers for a session for Sam 'The Man' Taylor and old big-mouth here spoke up and said 'We'll do it!' and we left and did the session. I wish I remembered the gentleman's name because he was responsible for the beginning of my professional career."

The backstage encounter led to the group being asked to sing background sessions at recording studios in New York. Soon, the group was in demand in New York music circles for their background work for such artists as The Drifters, Ben E. King, Chuck Jackson, Dinah Washington, Ronnie "The Hawk" Hawkins, and Solomon Burke among many others.

Warwick remembered, in her A&E Biography, that after school, they would catch a bus from East Orange to the Port Authority Terminal, and then subway to recording studios in Manhattan, perform their background gigs and be back at home in East Orange in time to do their school homework. The background vocal work would continue while Warwick pursued her studies at Hartt.

While she was performing background on The Drifters's recording of "Mexican Divorce," Warwick's voice and star presence were noticed by the song's composer, Burt Bacharach, a Brill Building songwriter who was writing songs with many other songwriters, including lyricist Hal David. According to a July 14, 1967, article on Warwick from Time, Bacharach stated, "She has a tremendous strong side and a delicacy when singing softly—like miniature ships in bottles." Musically, she was "no play-safe girl. What emotion I could get away with!" And what complexity, compared with the usual run of pop songs.

During the session, Bacharach asked Warwick, if she would be interested in recording demonstration recordings of his compositions to be used to pitch the tunes to record labels. One such demo, "It's Love That Really Counts" -- destined to be recorded by Scepter-signed act The Shirelles -- caught the attention of Scepter Records President Florence Greenberg. Greenberg, according to Current Biography 1969 Yearbook, told Bacharach, "Forget the song, get the girl!"

Warwick was signed to Bacharach's and David's production company, according to Warwick, which in turn was signed to Scepter Records in 1962 by Greenberg. The partnership would provide Bacharach with the freedom to produce Warwick without the control of recording company executives and company A&R men. Warwick's musical ability and education would also allow Bacharach to compose more challenging tunes. The demo version of "It's Love That Really Counts," along with her original demo of "Make It Easy on Yourself," would surface on Dionne's debut Scepter album, titled Presenting Dionne Warwick, which was released early in 1963.

Early stardom

Walk on By became Warwick's second international million-seller in April 1964.

Her first solo single for Scepter Records was released in November, 1962. The song was titled "Don't Make Me Over", the title (according to the A&E Biography of Dionne Warwick) supplied by Warwick herself, when she snapped the phrase at producers Burt Bacharach and Hal David in anger. Warwick found "Make It Easy on Yourself" —- a song on which she had recorded the original demo and had wanted to be her first single release —- had been given to another artist, Jerry Butler. From the phrase, Bacharach and David created their first top 40 pop hit (#21) and a top 5 U.S. R&B hit. Warrick's name was misspelled on the single's label, and she began using the new spelling (i.e., "Warwick") both professionally and personally.[5] According to the July 14, 1967 Time magazine article, after "Don't Make Me Over" hit in 1962, she answered the call of her manager ("C'mon, baby, you gotta go"), left school and went on a tour of France, where critics crowned her "Paris' Black Pearl," having been introduced on stage at Paris Olympia that year by Marlene Dietrich. Rhapsodized Jean Monteaux in Arts: "The play of this voice makes you think sometimes of an eel, of a storm, of a cradle, a knot of seaweed, a dagger. It is not a voice so much as an organ. You could write fugues for Warwick's voice."

The two immediate follow-ups to "Don't Make Me Over" —- "This Empty Place" (with "B" Side "Wishin' and Hopin'" later covered by Dusty Springfield) and "Make The Music Play" -— charted briefly in the top 100. Her fourth single, "Anyone Who Had a Heart," released in December 1963, was Warwick's first top 10 pop hit (#8) in the U.S. and also an international hit. This was followed by "Walk On By" in April 1964, a major international hit and million seller that solidified her career. For the rest of the 1960s, Warwick was a fixture on the U.S. and Canadian charts, and much of Warwick's output from 1962 to 1971 was written and produced by the Bacharach/David team.

Warwick weathered the British Invasion better than most American artists. Her UK hits were most notably "Walk On By" and "Do You Know the Way to San Jose?" In the UK, a number of Bacharach-David-Warwick songs were covered by UK singers Cilla Black, Sandie Shaw and Dusty Springfield, most notably Black's "Anyone Who Had a Heart" which went to #1 in the UK. This upset Warwick and she has described feeling insulted when told that in the UK, record company executives wanted her songs recorded by someone else. Warwick even met Cilla Black while on tour in the UK. She recalled what she said to her: "I told her that "You're My World" would be my next single in the States. I honestly believe that if I'd sneezed on my next record, then Cilla would have sneezed on hers too. There was no imagination in her recording." [1] [2] "You're My World"--recorded in no time by Black—was not released as a single by Warwick, but it did appear on a later album, Dionne Warwick in Valley of the Dolls, released in 1968.

Warwick was named the Bestselling Female Vocalist in the Cash Box Magazine Poll in 1964, with six chart hits in that year.[citation needed] Cash Box also named her the Top Female Vocalist in 1969, 1970 and 1971. In the 1967 Cash Box Poll, she was second to Petula Clark, and in 1968's poll second to Aretha Franklin. Playboy's influential Music Poll of 1970 named her the Top Female Vocalist[citation needed]. In 1969, Harvard's Hasty Pudding Society named her Woman of the Year.[citation needed]

In a May 21, 1965 Time Magazine cover article entitled "The Sound of the Sixties," Dionne Warwick's sound was described as follows:
"Swinging World. Scholarly articles probe the relationship between the Beatles and the nouvelle vague films of Jean-Luc Godard, discuss 'the brio and elegance' of Dionne Warwick's singing style as a 'pleasurable but complex' event to be 'experienced without condescension.' In chic circles, anyone damning rock 'n' roll is labeled not only square but uncultured. For inspirational purposes, such hip artists as Robert Rauschenberg, Larry Rivers and Andy Warhol occasionally paint while listening to rock 'n' roll music. Explains Warhol: 'It makes me mindless, and I paint better.' After gallery openings in Manhattan, the black-tie gatherings often adjourn to a discotheque."

Mid-1960s to early 1970s

"I Say a Little Prayer" became an RIAA Certified USA Million Seller for Dionne in 1967

The mid-1960s to early 1970s became an even more successful time period for Warwick, who saw a string of Gold selling albums and Top 20 and Top 10 hit singles. "Message to Michael", a Bacharach-David composition that the duo was certain was a "man's song", became a top 10 hit for Warwick in May 1966. The January 1967 LP Here Where There Is Love was her first RIAA certified Gold Album and featured "Alfie", and two 1966 hits: "Trains and Boats and Planes" and "I Just Don't Know What to Do with Myself". "Alfie" had become a radio hit when disc jockeys across the nation began to play the album cut early in 1967. "Alfie" was released as the "B" side of a Bacharach/David ballad, "The Beginning of Loneliness" in which charted in the Hot 100. Disc jockeys flipped the single and made it a double-sided hit. Bacharach had been contracted to produce "Alfie" for the Michael Caine film of the same name and wanted Dionne Warwick to sing the tune but the British producers wanted a British subject to cut the tune. Cilla Black was selected to record the song, and her version peaked at #95 upon its release in the USA. A cover version by Cher used in the USA prints of the film peaked at #33. In the UK and Australia, Black's version was a Top 10 hit.[citation needed] In a 1983 concert appearance televised on PBS, Warwick states she was the 43rd person to record "Alfie", at Bacharach's insistence, who felt Dionne could make it a big hit. Warwick, at first, balked at recording the tune and asked Bacharach "How many more versions of Alfie do you need?" to which Bacharach replied "Just one more, yours." Bacharach took Warwick into the studio with his new arrangement and cut the tune the way he wanted it to be, which she nailed in one take. Warwick's version peaked at #15 on the Billboard Hot 100 and #1 on both the R&B Chart and the AC Charts.[citation needed] Warwick performed the song at the Academy Awards in 1967. Today, "Alfie" is considered a signature song for Warwick.

Later that same year, Warwick earned her first RIAA Gold Single for U.S. sales of over one million units for the single "I Say a Little Prayer" (from her album The Windows of the World). When disc jockeys across the nation began to play the track from the album in the fall of 1967 and demanded its release as a single, Florence Greenberg, President of Scepter Records, complied and "I Say a Little Prayer" became Warwick's biggest US hit to that point, reaching #4 on the U.S. and Canadian Charts and # 8 on the R & B Charts. Aretha Franklin would cover the tune a year later hitting #10 on the hot 100,#3 on the R&B charts as well a turning the song into a million seller as well. The tune was also the first RIAA certified USA million seller for Bacharach-David.[citation needed]

Her follow-up to "I Say a Little Prayer", "(Theme from) Valley of the Dolls", was unusual in several respects. It was not written by Burt Bacharach and Hal David, it was the "B" side of her "I Say a Little Prayer" single, and it was a song that she almost didn't record. While the film version of Valley of the Dolls was being made, actress Barbara Parkins suggested that Warwick be considered to sing the film's theme song, written by songwriting team Andre and Dory Previn. The song was to be recorded by Judy Garland, who was fired from the film. Warwick performed the song, and when the film became a success in the early weeks of 1968, disc jockeys flipped the single and made the single one of the biggest double-sided hits of the rock era and another million seller. At the time, RIAA rules allowed only one side of a double-sided hit single to be certified as Gold, but Scepter awarded Warwick an "in-house award" to recognize "(Theme from) Valley of the Dolls" as a million selling tune.

Warwick had re-recorded a Pat Williams-arranged version of the theme at A&R Studios in New York because contractual restrictions would not allow the Warwick version from the film to be included in the 20th Century Fox soundtrack LP. The LP Dionne Warwick in Valley of the Dolls, released in early 1968 and containing the re-recorded version of the movie theme (#2–4 weeks), "Do You Know the Way to San Jose?" and several new Bacharach-David compositions, hit the #6 position on the Billboard Hot 100 Album Chart and would remain on the chart for over a year. The film soundtrack LP, without Warwick vocals, failed to impress the public, while Dionne Warwick in Valley of the Dolls earned an RIAA Gold certification.

The single "Do You Know the Way to San Jose?", an international million seller and a Top 10 hit in several countries, including the UK, Canada, Australia, South Africa, Japan and Mexico, was also a double sided hit with the "B" side "Let Me Be Lonely" charting at #79.

More hits followed into 1971 including "Promises, Promises" (#19, 1968); "Who Is Gonna Love Me" (#32, 1968) with "B" side, "(There's) Always Something There to Remind Me" becoming another double-sided hit; "I'll Never Fall in Love Again" (#6, 1969); "You've Lost That Lovin' Feelin'" (#15, 1969); "This Girl's in Love with You" (#7, 1969); "Make It Easy on Yourself" (#37, 1970); "Who Is Gonna Love Me" (#33, 1968); "The April Fools" (#37, 1969); "Let Me Go to Him" (#32, 1970); and "Paper Mache" (#43, 1970). Warwick's final Bacharach/David penned single was March 1971's "Who Gets the Guy" and her final "official" Scepter single release was "He's Moving On" backed with "Amanda" both from the soundtrack of the motion picture adaptation of Jacqueline Susann's The Love Machine.

Warwick had become the priority act of Scepter Records, according to the website "The Scepter Records Story" and producer/A&R chief, Luther Dixon in a 2002 A&E Biography of Burt Bacharach, with the release of "Anyone Who Had a Heart" in 1963. Other Scepter LPs certified RIAA Gold include Dionne Warwick's Golden Hits Part 1 released in 1967 and The Dionne Warwicke Story: A Decade of Gold released in 1971. By the end of 1971, Dionne Warwick had sold an estimated thirty-five million singles and albums internationally in less than nine years and more than 16 million singles in the USA alone. Exact figures of Warwick's sales are unknown and probably underestimated, due to Scepter Records apparently lax accounting policies and the company policy of not submitting recordings for RIAA audit. Dionne Warwick became the first Scepter artist to request RIAA audits of her recordings in 1967 with the release of "I Say a Little Prayer."

Warwick won her second Grammy Award for the 1970 album "I'll Never Fall in Love Again."

On Wednesday, September 17, 1969, CBS Television aired Dionne Warwick's first television special entitled "The Dionne Warwick Chevy Special." Dionne's guests were Burt Bacharach, George Kirby, Glen Campbell, and Creedence Clearwater Revival.

In 1971, Dionne Warwick left the family atmosphere of Scepter Records for Warner Bros. Records, for a $5 million contract, the most lucrative recording contract ever given to a female vocalist up to that time, according to Variety. Warwick's last LP for Scepter was the aforementioned soundtrack for the motion picture The Love Machine (in which she appeared in an uncredited cameo), released in July 1971. In 1975, Bacharach and David sued Scepter Records for an accurate accounting of royalties due the team from their recordings with Warwick and labelmate B.J. Thomas. They were awarded almost $600,000 and the rights to all Bacharach/David recordings on the Scepter label. The label, with the defection of Warwick to Warner Bros. Records, filed for bankruptcy in 1975 and was sold to Springboard International Records in 1976.

Following her signing with Warners, with Bacharach and David as writers and producers, Dionne returned to New York City's A&R Studios in late 1971 to begin recording her first album for the new label, the self-titled album Dionne (not to be confused with her later Arista debut album) in January 1972. The album peaked at #57 on the Billboard Hot 100 Album Chart. In 1972, Burt Bacharach and Hal David scored and wrote the tunes for the motion picture Lost Horizon. But the film was panned by the critics, and in the fallout from the film, the songwriting duo decided to terminate their working relationship. The break-up left Dionne devoid of their services as her producers and songwriters. Dionne was contractually obligated to fulfill her contract with Warners without Bacharach and David and she would team with a variety of producers during her tenure with the label.

Faced with the prospect of being sued by Warner Bros. Records due to the breakup of Bacharach/David and their failure to honor their contract with Dionne, she filed a $5.5 million lawsuit against her former partners for breach of contract. The suit was settled out of court in 1979 for $5 million including the rights to all Warwick recordings produced by Bacharach and David.

Warwick, for years an aficionado of psychic phenomena, was advised by astrologer Linda Goodman in 1971 to add a small "e" to her last name, making Warwick "WARWICKe" for good luck and to recognize her married name and her spouse, actor and drummer William "Bill" Elliott. Goodman convinced Warwick that the extra small "e" would add a vibration needed to balance her last name and bring her even more good fortune in her marriage and her professional life. Unfortunately, Goodman proved to be mistaken about this. The extra "e," according to Dionne, "was the worst thing I could have done in retrospect, and in 1975 I finally got rid of that damn 'e' and became 'Dionne Warwick' again." She is a great admirer of Brazilian music, and in addition to a summer house in Bahia and another in the Jardim Botanico in Rio de Janeiro Dionne performs on a somewhat regular basis alongside renowned artists such as Ivan Lins, Simone, Jorge Ben Jor, among others.

Warner era (1972–1978)

Dionne Warwick in 1973 by Allan Warren.

Without the guidance and songwriting that Bacharach/David had provided, Warwick's career stalled in the 1970s. There were no big hits during the decade aside from 1974's "Then Came You", recorded as a duet with the Spinners and produced by Thom Bell. Bell later noted, "Dionne made a (strange) face when we finished [the song]. She didn't like it much, but I knew we had something. So we ripped a dollar in two, signed each half and exchanged them. I told her, 'If it doesn't go number one, I'll send you my half.' When it took off, Dionne sent hers back. There was an apology on it." It was her first U.S. #1 hit on the Billboard Hot 100. Other than this success, Warwick's five years on Warner Bros. Records produced no other major hits. Two notable songs recorded during this period were "His House and Me" and "Once You Hit The Road" (#79 pop, #5 R&B, #22 Adult Contemporary) — both of which were produced in 1975 by Thom Bell.

Warwick recorded five unsuccessful albums with Warners: Dionne (1972), produced by Bacharach and David; Just Being Myself (1973), produced by Holland-Dozier-Holland; Then Came You (1975), produced by Jerry Ragovoy; Track of the Cat (1975), produced by Thom Bell; and Love at First Sight (1977), produced by Steve Barri and Michael Omartian. The singer's five-year contract with Warners expired in 1977, and with that, Warwick ended her stay at the label.

The '80s: Move to Arista

With the move to Arista Records and the release of her RIAA certified million seller "I'll Never Love This Way Again" in 1979, Dionne was again enjoying top success on the charts. The song was produced by Barry Manilow. The accompanying album Dionne was certified Platinum in the United States for sales exceeding one million units. The album peaked at #12 on the Billboard Album Chart and made the Top 10 of the Billboard R&B Albums Chart. Warwick had been personally signed and guided by the label's founder Clive Davis, who stated to Dionne "You may be ready to give the business up, but the business is not ready to give you up." Dionne's next single release was another major hit for her. "Deja Vu" was co-written by Isaac Hayes and hit #1 Adult Contemporary as well as #15 on Billboard's Hot 100. In 1980, Dionne won the NARAS Grammy Awards for Best Pop Vocal Performance, Female for "I'll Never Love This Way Again" and Best R&B Vocal Performance, Female for "Déjà Vu". Dionne became the first female artist in the history of the awards to win in both categories the same year. Her second Arista album, 1980's No Night So Long sold 500,000 U.S. copies and featured the title track which became a major success - hitting #1 Adult Contemporary and #23 on Billboard's Hot 100 - and the album peaked at #23 on the Billboard Albums Chart.

"Heartbreaker" an Arista album from 1982, earned Warwick another RIAA certified Gold Album and the title tune became an international smash hit.

In January 1980, while under contract to Arista Records, Dionne Warwick hosted a two-hour TV special called Solid Gold '79. This was adapted into the weekly one-hour show Solid Gold, which she hosted throughout 1980 and 1981 and again in 1985-86. Major highlights of each show were the duets she performed with her co-hosts, which often included some of Dionne's hits and her co-hosts' hits intermingled and arranged by Solid Gold musical director, Michael Miller. Another highlight in each show was Dionne's vocal rendition of the Solid Gold Theme, composed by Michael Miller (with lyrics by Dean Pitchford).

After a brief appearance in the Top Forty in early 1982 with Johnny Mathis on "Friends in Love" - from the album of the same name - Warwick's next hit later that same year was her full-length collaboration with Barry Gibb of The Bee Gees for the album Heartbreaker. The song 44444 became one of Dionne's biggest international hits, returning her to the Top 10 of Billboard's Hot 100 - for the first time since 1979 - as well as #1 Adult Contemporary and #2 in the UK. Internationally, the tune was also a Top 10 hit throughout continental Europe, Australia (#1), Japan, South Africa, Canada, and Asia. The title track was taken from the album of the same name which sold over 3 million copies internationally and earned Dionne an RIAA USA Gold record award for the album. The album peaked at #25 on the Billboard Album Chart, #13 on the R&B Albums Chart and #3 in the UK. Dionne stated to Wesley Hyatt in his The Billboard Book of Number One Adult Contemporary Hits that she was not fond of "Heartbreaker" but recorded the tune because she trusted The Bee Gees' judgment that it would be a hit. The project came about when Clive Davis was attending his aunt's wedding in Orlando, Florida in early 1982 and spoke with Barry Gibb. Barry mentioned that he had always been a fan of Dionne's and Clive arranged for Dionne and The Bee Gees to discuss a project. Dionne and the brothers Gibb hit it off and the album and the title single were released in October 1982.

In 1983, Dionne released How Many Times Can We Say Goodbye produced by Luther Vandross. The album's most successful single was the title track, "How Many Times Can We Say Goodbye", a Warwick/Vandross duet, which peaked at #27 on the Billboard Hot 100. It also became a Top 10 hit on the Adult Contemporary and R&B charts. The album peaked at #57 on the Billboard album chart. Of note was a reunion with the original Shirelles on Warwick's cover of "Will You (Still) Love Me Tomorrow?" The album Finder Of Lost Loves followed in 1985 and reunited her with both Barry Manilow and Burt Bacharach, who was writing with his then current lyricist partner and wife, Carole Bayer Sager.

In 1985, Warwick contributed her voice to the multi-Grammy Award winning charity song We Are the World, along with vocalists like Michael Jackson, Diana Ross, and Ray Charles. The song spent four consecutive weeks at #1 on Billboard's Hot 100 chart. It was the year's biggest hit - certified four times Platinum in the United States alone.

Dionne Warwick, Burt Bacharach, Carole Bayer-Sager, Gladys Knight, Stevie Wonder and Elton John, "That's What Friends Are For", 1985

In 1985, Warwick recorded the American Foundation for AIDS Research (AmFAR) benefit single "That's What Friends Are For" alongside Gladys Knight, Elton John, and Stevie Wonder. The single, credited to "Dionne and Friends" was released in October and eventually raised over three million dollars for that cause. The tune was a triple #1 - R&B, Adult Contemporary, and four weeks at the summit on the Billboard Hot 100 in early 1986 - selling close to two million 45s in the United States alone. In 1988, the Washington Post wrote: So working against AIDS, especially after years of raising money for work on many blood-related diseases such as sickle-cell anemia, seemed the right thing to do. "You have to be granite not to want to help people with AIDS, because the devastation that it causes is so painful to see. I was so hurt to see my friend die with such agony", Warwick remembers. "I am tired of hurting and it does hurt." The single won the performers the NARAS Grammy Award for Best Pop Performance by a Duo or Group with Vocal, as well as Song of the Year for its writers, Bacharach and Bayer Sager. It also was ranked by Billboard magazine as the most popular song of 1986. With this single Warwick also released her most successful album of the 1980s, titled Friends, which reached #12 on Billboard's album chart.

In 1987 Dionne scored another hit with "Love Power". Her eighth career #1 Adult Contemporary hit, it also reached #5 in R&B and #12 on Billboard's Hot 100. A duet with Jeffrey Osborne, it was also written by Burt Bacharach and Carole Bayer Sager, and it was featured in Warwick's album Reservations for Two. The album's title song, a duet with Kashif, was also a chart hit. Other artists featured on the album included Smokey Robinson and the late June Pointer.

1990s to present

During the 1990s, Warwick hosted infomercials for the Psychic Friends Network, which featured psychic Linda Georgian. The 900 number psychic service was active from 1991 to 1998. According to press statements throughout the 1990s, the program was the most successful infomercial for several years and Warwick earned in excess of three million dollars per year as spokesperson for the network. In 1998, Inphomation, the corporation owning the network, filed for bankruptcy and Warwick ended her association with the organization. Warwick's longtime friend and tour manager Henry Carr acknowledged in a 2002 Biography Channel interview that "when Dionne was going through an airport and a child recognized her as 'that psychic lady on TV' Dionne was crushed and said she had worked too hard as an entertainer to become known as 'the psychic lady'."

Dionne Warwick's "Friends Can Be Lovers" album was released in 1993

Warwick's most publicized album during this period was 1993's "Friends Can Be Lovers", which was produced in part by Ian Devaney and Lisa Stansfield. Featured on the album was "Sunny Weather Lover", which was the first song that Burt Bacharach and Hal David had written together for Warwick since 1972. It was Warwick's lead single in the United States, and was heavily promoted by Arista, but failed to chart. A follow-up "Where My Lips Have Been" peaked at #95 on the Hot R&B/Hip-Hop Singles & Tracks. 1994 marked the end of Warwick's contract with Arista Records.

In 1990 Dionne recorded a song "It's All Over" with former member of Modern Talking Dieter Bohlen (Blue System). The single peaked at #60 (#33 airplay) on the German pop charts and it appears on Blue System's album "Déjà Vu".

In 1993, Forrest Sawyer, host of the ABC News/Entertainment program "Day One", alleged financial improprieties by the Warwick Foundation, founded in 1989 to benefit AIDS patients, particularly Dionne Warwick's charity concert performances organized to benefit the organization. ABC alleged the Foundation was operating at a near 90 % administrative cost. ABC also alleged that Warwick flew first class and was accommodated at first class hotels for charity concerts and events in which she participated for the Foundation. Warwick, who had no executive, administrative or management role in the organization, challenged ABC to investigate the foundation further and alleged that the ABC report was racially motivated. An Internal Revenue Service investigation of the Warwick Foundation found no wrongdoing or criminal activity on the part of the Board of Directors or Warwick and its status as a non-profit charity was upheld. ABC maintained the report to be factually correct but the item has not been repeated since the original air date. The Foundation was later dissolved.

On October 16, 2002, Dionne Warwick was nominated Goodwill Ambassador of the Food and Agriculture Organization of the United Nations (FAO).

In 2004, Dionne Warwick's first Christmas album was released. The CD, entitled "My Favorite Time of the Year" featured jazzy interpretations of many holiday classics. In 2007, Rhino Records re-released the CD with new cover art.

In 2005, Dionne Warwick was honored by Oprah Winfrey at her Legends Ball.

Warwick appeared on the May 24, 2006, fifth-season finale of American Idol. Millions of U.S. viewers watched Warwick sing a medley of "Walk On By" and "That's What Friends Are For", with longtime collaborator Burt Bacharach accompanying her on the piano.

In 2006, Warwick signed with Concord Records after a fifteen-year tenure at Arista, which had ended in 1994. Her first and only release for the label was My Friends and Me, a duets album containing reworkings of her old hits, very similar in fashion to her 1998 CD "Dionne Sings Dionne" . Among her singing partners were Gloria Estefan, Olivia Newton-John, Wynonna Judd and Reba McEntire. The album peaked at #66 on the Top R&B/Hip-Hop Albums chart. The album was produced by her son, Damon Elliott. A followup album featuring Warwick's old hits as duets with male vocalists was planned but the project was cancelled. The relationship with Concord concluded with the release of My Friends and Me.

A compilation CD of her greatest hits and love songs "The Love Collection" entered the UK pop charts at number 27 on February 16, 2008.

Dionne Warwick's second gospel album, "Why We Sing", was released on February 26, 2008 in the UK and on April 1, 2008 in the USA. The album features guest spots by her sister Dee Dee Warwick and BeBe Winans.

On October 18, 2008, Warwick's sister Dee Dee Warwick died in a nursing home in Essex County, New Jersey. She had been in failing health for several months, which lead up to her death. Warwick was with her sister Dee Dee, when she died.

On November 24, 2008 Dionne was the star performer on "Divas II" a UK ITV1 special. The show also featured Rihanna, Leona Lewis, Sugababes, Pink, Gabriella Climi and Anastacia.

In 2008 Dionne began recording an album of songs from the Sammy Cahn and Jack Wolf songbooks. The finished recording, entitled "Only Trust Your Heart," will be released in the US by MPCA Records distributed by SonyRed, on March 15, 2011.

On October 20, 2009, Starlight Children's Foundation and New Gold Music Ltd. released a song that Dionne recorded about 10 years prior called "Starlight". The lyrics had been written by Dean Pitchford, prolific writer of Fame, screenwriter of—and sole or joint lyricist of every song in the soundtrack of—the original 1984 film Footloose, and lyricist of the Solid Gold theme, and the music had been composed by Bill Goldstein, whose versatile career included the original music for NBC's Fame TV series. Dionne, Dean and Bill announced that they were donating 100% of their royalties to Starlight Children's Foundation as a way to raise money to support Starlight's mission to help seriously ill children and their families cope with their pain, fear and isolation through entertainment, education and family activities.

“When Bill and Dean brought this song to me, I instantly felt connected to its message of shining a little light into the lives of people who need it most”, said Warwick. “I admire the work of Starlight Children’s Foundation and know that if the song brings hope to even just one sick child, we have succeeded.”

In March 2011, Warwick appeared on The Celebrity Apprentice 4. Dionne's charity was The Hunger Project. She was dismissed from her "apprenticeship" to Donald John Trump during the fourth task of the season.

In February 2012, Warwick performed "Walk On By" on The Jonathan Ross Show. She also received the Goldene Kamera Musical Lifetime Achievement Award in Germany,[6] and performed "That's What Friends Are For" at the ceremony.

Personal life

Warwick with First Lady Pat Nixon, 1971‎

Dionne Warwick married actor and drummer William Elliott (CBS's Bridget Loves Bernie-1972–73) in 1966; they divorced in May 1967. They reconciled and were remarried in Milan, Italy, in August 1967, according to Time. Warwick has stated in many interviews that "It was a case of can't do with, can't do without, so I married him again." On January 18, 1969, while living in East Orange, New Jersey, Warwick gave birth to her first son, David Elliott. In 1973, her second son Damon Elliott was born. On May 30, 1975, the couple separated and Warwick was granted a divorce in December 1975 in Los Angeles. The court denied Elliott's request for $2000 a month in support pending a community property trial and for $5000, when Elliott insisted he was making $500 a month in comparison to Warwick making $100,000 a month. Dionne stated in "Don't Make Me Over: Dionne Warwick", a 2002 Biography Channel interview, "I was the breadwinner. The male ego is a fragile thing. It's hard when the woman is the breadwinner. All my life, the only man, who ever took care of me financially was my father. I have always taken care of myself."

Warwick has been connected romantically with Philadelphia Eagles great Timmy Brown, French singer-songwriter Sacha Distel, actor Philip Michael Thomas (Miami Vice), Seagram heir and CEO Edgar Bronfman, Jr., and Las Vegas restaurateur and actor Gianni Russo (The Godfather).

Warwick made the Top 250 Delinquent Taxpayers List published in October 2007. California Revenue & Taxation Code Section 19195 directs the Franchise Tax Board to publish an annual list of the top 250 taxpayers with liened state income tax delinquencies greater than $100,000 in an effort to collect money from those taxpayers, some of whom have been delinquent since 1987. Dionne Warwick was listed with a tax delinquency of $2,665,305.83 in personal income tax and a tax lien was filed July 24, 1997.[7] As of 2010, Warwick was still listed as a delinquent, although by then, she owed $2,185,901.08 in back taxes.[8] Her publicist stated, that she was actively paying off the debt.[9]

On May 8, 2010, she received an honorary Doctor of Arts from Lincoln College in Lincoln, Illinois.[10]

Warwick lived in Brazil, a country she first visited in the early 1960s until 2005, according to an interview with JazzWax, when she moved back to the United States, when her mother and sister became ill. She became so entranced by Brazil, that she studied Portuguese and commenced to divide her time between Rio de Janeiro and Sao Paulo. In April 2010, in an interview on talk-show Programa do Jô, she said Brazil was the place, where she intended to spend the rest of her life after she had retired.[11]

In 1993, her older son David, a former Los Angeles police officer, co-wrote with Terry Steele the Warwick – Whitney Houston duet "Love Will Find a Way", featured on her album, Friends Can Be Lovers. Since 2002, he has toured with and performed duets with his mother periodically, and had his acting debut in the film "Ali" as the singer Sam Cooke. David became a singer-songwriter, with Luther Vandross' "Here and Now" among others to his credit.

Her second son, Damon Elliott, is also a noted music producer, who has worked with Mýa, Pink, and Keyshia Cole. He arranged and produced his mother's 2006 Concord release My Friends and Me.

Relations

  • Warwick's sister Dee Dee Warwick also had a successful singing career, scoring several notable R&B hits, notably "I'm Gonna Make You Love Me" and "Oh No Not My Baby". Dee Dee died in 2008, at age 66, in a nursing home in Essex County, New Jersey, after a long series of illnesses and well documented narcotic addictions.
  • Warwick's cousin was singer Whitney Houston, and her aunt is Gospel-trained vocalist Cissy Houston, Whitney's mother.
  • In her 2010 autobiography, My Life, as I See It, Warwick notes that opera diva, Leontyne Price, is also a maternal cousin.

Discography

Awards and Honors

Grammy Awards

Year Nominated work Award Result
1965 "Walk On By" Best Rhythm & Blues Recording Nominated
1968 "Alfie" Best Vocal Performance, Female Nominated
"I Say a Little Prayer" Best Contemporary Female Solo Vocal Performance Nominated
1969 "Do You Know the Way to San Jose" Best Contemporary Pop Vocal Performance, Female Won
1970 "This Girl's in Love with You" Best Contemporary Vocal Performance, Female Nominated
1971 "I'll Never Fall in Love Again" Best Contemporary Vocal Performance, Female Won
1975 "Then Came You" (with The Spinners) Best Pop Vocal Performance by a Duo, Group or Chorus Nominated
1980 "I'll Never Love This Way Again" Best Pop Vocal Performance, Female Won
"Déjà Vu" Best R&B Vocal Performance, Female Won
1987 "That's What Friends Are For"
(with Elton John, Gladys Knight & Stevie Wonder)
Record of the Year Nominated
Best Pop Performance by a Duo or Group with Vocal Won
Friends Best Pop Vocal Performance, Female Nominated

Grammy Hall of Fame

Year Title Genre Label Year Inducted
1967 "Alfie" pop (single) Scepter 2008
1962 "Don't Make Me Over" pop (single) Scepter 2000
1964 "Walk On By" pop (single) Scepter 1998

American Music Awards

Year Category Result
1987 Special Recognition Award: "That's What Friends Are For" Honoree

Billboard Music Awards

Year Category Result
1987 #1 Single of the Year: "That's What Friends Are For" Honoree

RIAA

Year Category Result
1964 Songs of the Century: "Walk on By" Honoree
1985 Songs of the Century: "That's What Friends Are For"

People's Choice Awards

Year Category Result
1975 Favorite Female Singer Won

NAACP Image Awards

Year Category Result
1986 Entertainer of the Year Honoree

ASCAP Awards

Year Category Result
1998 Lifetime Achievement Award Honoree
2002 Heroes Award

Rhythm & Blues Foundation

Year Category Result
2003 Lifetime Achievement Award Honoree

Women's World Awards

Year Category Result
2004 Lifetime Achievement Award Honoree

Trumpet Awards

Year Category Result
2007 Trumpet Living Legend Award Honoree

NARM Best Seller Awards

Year Category Result
1964 #1 Pop Vocalist Female
(Won six-consecutive years from 1966 to 1971)
Won
1966
1967
1968
1969
1970
1971

Cash Box Magazine

Year Category Result
1964 Cash Box Magazine
(Best Sellers)
#1 Female Vocalist Won
1966 #1 R&B Female Vocalist
#2 Pop Female Vocalist
1967 #2 Pop, #2 R&B
1968
1969 #1 Female Vocalist - Albums and Singles
1970
1971
1969 Radio's Most Programmed Female Vocalist
1970
1971
  • National Academy of Popular Music/Songwriters Hall of Fame - Hitmaker Award-2001
  • Woman of the Year-1969 Harvard Hasty Pudding Society
  • Cannes Film Festival Palme d'Or Nominee-Slaves-1969
  • Playboy Magazine Music Poll-Top Female Vocalist-1971;Playboy's All-Star Band for 1971-Female Vocals
  • National Association of Television and Radio Announcers-#1 R&B Vocalist-1971
  • Memphis Music Awards-Outstanding Female Vocalist-1971
  • WINNER-1980 Tokyo Intl POP Music Festival for her performance of "FEELING OLD FEELINGS" from her Arista debut album "Dionne" produced by Barry Manilow. The song was awarded Song of the Year (the equivalent of the Japanese Grammy)
  • Mayors Award and Key to the City-San Jose, California-1968
  • ACE Award Nominee for "Sisters in the Name of Love" - Dionne Warwick (HBO-1987)
  • United States Ambassador of Health - Appointed by Ronald Reagan-1987
  • Kleenex American Hero Award-1987
  • American Society of Young Musicians - Luminary Award-1997
  • National Music Foundation - Cultural Impact Award-1998
  • United Nations Global Ambassador for the Food and Agriculture Organization (FAO)-appointed 2002
  • NABFEME Shero Award (The National Association of Black Female Executives in Music & Entertainment)-2006
  • The Temecula Valley International Film & Music Festival-Lifetime Career Achievement Award-2006
  • Miami Dade Life Time Achievement Award-2007 and Dionne Warwick Day-May 25
  • Starlight Foundation - Humanitarian of the Year Award
  • Bella Rackoff Women in Film - Humanitarian Award
  • Lincoln Elementary School in East Orange, NJ, honored her by renaming it to the Dionne Warwick Institute of Economics and Entrepreneurship

Filmography

Concerts
  • 2005: Prime Concerts: In Concert with Edmonton Symphony
  • 2007: Dionne Warwick - Live
  • 2008: Live in Cabaret July 18, 1975
As an actress
Documentary film appearances
  • 1977: The Day the Music Died
  • 2002: The Making and Meaning of We Are Family
  • 2001: The Teens Who Stole Popular Music A & E Films
  • 2001: Don't Make Me Over: The Dionne Warwick Story A & E Films
Compilations
  • 2002: A Tribute to Burt Bacharach & Hal David
  • 2005: The 5th Dimension Travelling Sunshine Show
  • 2005: Straight from the Heart Live, Vol. 1
  • 2006: Flashbacks: Soul Sensations
  • 2006: Flashbacks: Pop Parade
  • 2008: Lost Concerts Series: Uptown Divas

Notes

References

  • Harvey, Stephen: What’s It All About Dionne? Interview – Dionne Warwick, The Independent on Sunday, February 23, 2003
  • Ayres, Sabra: Dionne Warwick's Charges Dropped in Plea Bargain, Associated Press, June 5, 2002.
  • Nathan, David (1999). The Soulful Divas: Personal Portraits of over a dozen divine divas from Nina Simone, Aretha Franklin, & Diana Ross, to Patti LaBelle, Whitney Houston, Mariah Carey, & Janet Jackson. Watson-Guptill Publications. ISBN 0-8230-8425-6. 
  • Current Biography. H. W. Wilson, Company. Current Biography Yearbook 1969. Subject: Dionne Warwick. 1969. H.W. Wilson Company, Chicago, Ill.
  • Current Biography. H. W. Wilson, Company. Current Biography Yearbook 1971. Subject: Burt Bacharach. 1971. H.W. Wilson Company, Chicago, Ill.
  • Hitmakers: The Teens Who Stole Popular Music: Dionne Warwick-Don't Make Me Over. Performers-Dionne Warwick main subject, Burt Bacharach, Dee Dee Warwick, Dick Clark, et al. A&E Entertainment Video. 2002.
  • Hitmakers: Burt Bacharach. Performers-Burt Bacharach main subject, Dionne Warwick, Angie Dickinson, Steve Lawrence, et al. A&E Entertainment Video. 2002.
  • Lifetime Television's Intimate Portrait: Dionne Warwick. Performers: Dionne Warwick, Lee Warrick, David Elliott, Damon Elliott, Cissy Houston, et al. Lifetime Entertainment Video. 2004.
  • 'Dionne Warwick Profile". People Magazine. 15 October 1979. Time-Warner, Inc.
  • "Dionne Warwick." Rolling Stone, 15 Nov. 1979. Rolling Stone Press.
  • "Dionne the Universal Warwick." Ebony Magazine, May 1968. Johnson Publications.
  • "The Sound of the Sixties." Time Magazine. May 21, 1965. Time, Inc.
  • 'Spreading the Faith." Time Magazine. July 14, 1967. Time, Inc.
  • "Dionne Warwick Married." Time Magazine. September 8, 1967. Time, Inc.

External links


 
 
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Tribute (1989 Album by Melissa Manchester)
Track of the Cat (1975 Album by Dionne Warwick)
Dionne Warwick in London (1992 Music Film)

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