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F. Scott Fitzgerald

 
Who2 Biography: F. Scott Fitzgerald, Writer
F. Scott Fitzgerald
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  • Born: 24 September 1896
  • Birthplace: St. Paul, Minnesota
  • Died: 21 December 1940 (heart attack)
  • Best Known As: The author of The Great Gatsby

Name at birth: Francis Scott Key Fitzgerald

F. Scott Fitzgerald was one of the best known American authors of the 1920s and '30s and is closely associated with the optimism and excesses of that era's "Jazz Age." Fitzgerald's stories often featured people like himself: middle-American types infatuated with the wealth and status of upper-crust society. In the mid-1920s he lived in Paris where he was friends with Ernest Hemingway and other literary expatriates. Fitzgerald was a popular celebrity of the day and he and his wife, Zelda, became famous for their extravagant lifestyle, drinking bouts and (eventually) erratic behavior. His major published novels include This Side of Paradise (1920), The Great Gatsby (1925), and Tender Is the Night (1934).

Fitzgerald was named for his distant cousin, Francis Scott Key, the composer of the American National Anthem... Other American writers of Fitzgerald's era included John Steinbeck, Langston Hughes and William Faulkner.

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Britannica Concise Encyclopedia: Francis Scott Key Fitzgerald
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F. Scott Fitzgerald
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F. Scott Fitzgerald
(born Sept. 24, 1896, St. Paul, Minn., U.S. — died Dec. 21, 1940, Hollywood, Calif.) U.S. novelist and short-story writer. Fitzgerald attended Princeton University but dropped out with bad grades. In 1920 he married Zelda Sayre (1900 – 48), daughter of a respected Alabama judge. His works, including the early novels This Side of Paradise (1920) and The Beautiful and Damned (1922) and the story collections Tales of the Jazz Age (1922) and All the Sad Young Men (1926), capture the Jazz Age's vulgarity and dazzling promise. His brilliant The Great Gatsby (1925; film, 1926, 1949, 1974; TV movie 2001), a story of American wealth and corruption, was eventually acclaimed one of the century's greatest novels. In 1924 Scott and Zelda became part of the expatriate community on the French Riviera, the setting of Tender Is the Night (1934; film, 1962). His fame and prosperity proved disorienting to them both, and he became seriously alcoholic. Zelda never fully recovered from a mental breakdown in 1932 and spent most of her remaining years in a sanitarium. In 1937 Scott moved to Hollywood to write film scripts; the experience inspired the unfinished The Last Tycoon (1941; film, 1976). He died of a heart attack at age 44.

For more information on Francis Scott Key Fitzgerald, visit Britannica.com.

Biography: Francis Scott Key Fitzgerald
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The American author Francis Scott Key Fitzgerald (1896-1940), a legendary figure of the 1920s, was a scrupulous artist, a graceful stylist, and an exceptional craftsman. His tragic life was an ironic analog to his romantic art.

On Sept. 24, 1896, F. Scott Fitzgerald was born in St. Paul, Minn. His family was Irish Catholic, his mother's side wealthy. The family lived for some years in Buffalo and Syracuse; but in 1908, when Scott's father lost his job, they returned to St. Paul. For the most part, Scott was privately educated; he attended Newman School in Hackensack, N.J., from 1911 to 1913.

Fitzgerald enrolled at Princeton University in 1913 and struck up enduring friendships with Edmund Wilson and John Peale Bishop. Because of ill health and low grades, he left college in 1915. He returned to Princeton in 1916 but left a year later without a degree and joined the Army with a second lieutenant's commission. Stationed in Alabama in 1918, he met Zelda Sayre, then 18 years old; he would marry her a few years later. After his Army discharge he took an advertising job briefly. Back home in St. Paul, he finished his first novel, This Side of Paradise, which was accepted by Scribner's in 1919, and that same year he had remarkable success placing nine short stories in leading commercial journals.

First Publications

Upon publication of This Side of Paradise (1920), Fitzgerald married Sayre in New York City. Of this period he later recalled riding up Fifth Avenue in a cab - young, rich, famous, and in love (he might easily have added handsome) - suddenly bursting into tears because he knew he would never be so happy again. He was right. Despite great earnings and fame, he and Zelda lived luxuriously, dissolutely, and tragically.

A daughter was born in 1921 after the couple had spent some time in Europe. When Fitzgerald's second novel, The Beautiful and the Damned (1922), and a collection of short stories, Tales of the Jazz Age (1922), sold very well, they rented a house on Long Island and ran into debt because of their extravagance. Fitzgerald attempted to recoup by writing a play, The Vegetable (1923), but it flopped quickly. The Fitzgeralds went to Europe for over 2 years. The high points of this sojourn were publication of The Great Gatsby (1925) and the beginning of Scott's friendship with Ernest Hemingway. In 1927 Scott went to Hollywood on his first movie assignment. Afterward the Fitzgeralds again went abroad several times.

Zelda's first major nervous breakdown, in 1930, and treatment in a Swiss clinic became the basis for Fitzgerald's next novel, Tender Is the Night (1934). Zelda spent the rest of her life in and out of sanitariums, and Fitzgerald's own life ran a parallel disastrous course.

Analysis of the Novels

This Side of Paradise (1920), an autobiographical novel, tells of the youth and early manhood of a Princeton undergraduate. In the climactic action his loyalties shift from football to literature, with a concomitant growth in his character. This patchy work struck a nerve in the reading public, chiefly for its new type of heroine - the "flapper," a young woman in revolt against the double standard, who smokes, drinks, dances, and is considered to be somewhat promiscuous.

The Beautiful and the Damned (1922) deals with a dissolute couple, Anthony Patch, grandson of a millionaire, and his debutante wife. They live indolently, extravagantly, and quarrelsomely on the expectations of Tony's inheritance, but the grandfather discovers Tony's alcoholism and profligacy and disinherits him; however, after the grandfather dies, the will is broken. Ironically, the inheritance reinforces Tony's spiritual disintegration. As with most of Fitzgerald's novels, the autobiographical elements are fairly obvious.

The Great Gatsby (1925) is an American classic, generally regarded as Fitzgerald's finest work. It extends and synthesizes the themes that pervade all of his fiction: the callous indifference of wealth, the hollowness of the American success myth, and the sleaziness of the contemporary scene. It is the story of Jay Gatz, a successful, vaguely disreputable man, who has a background of poverty and has pretentiously altered his name to "Gatsby." A naively vulgar parvenu, he nonetheless emerges as morally superior to the slightly covert snobs who free-load at his parties and the reckless rich whom he so hopelessly emulates. Gatsby dies quixotically attempting to reclaim his former love, Daisy.

With T. S. Eliot's poem The Waste Land and Ernest Hemingway's The Sun Also Rises, The Great Gatsby is a major contribution to the creative record of the barren spirituality of the 20th century. Ironically, in Gatsby an ash heap dominates the landscape between Long Island and Manhattan; Gatsby's memorabilia include rigorous self-improvement schedules and Benjamin Franklin homilies, but he rises to success as a bootlegger; Gatsby, whose notion of elegance is his pink suit, silk shirts, cream-colored car, and large house with swimming pool, has a similarly shallow knowledge of people and never sees Daisy's superficiality; finally, the green light on his dock, a multisymbol of lush vegetation (for the Pilgrims) or riches (for contemporary Americans), is ultimately a deceit - a forlorn, romantic image ending the novel.

Fitzgerald's characters are memorable despite his spare, ideographic method of delineation: Gatsby, whose pet term of address is "Old Sport," is seen only as "a pink suit"; Daisy's husband is identified by the wad of muscle beneath his suit jacket; Daisy has "a voice like money." Nowhere is Fitzgerald's contrast with contemporary author Thomas Wolfe better illustrated: Wolfe believed in "putting in," and Fitzgerald in "taking out," in extreme selectivity and economy in his art.

In its original form Tender Is the Night (1934; later restructured by Malcolm Cowley) is structurally imperfect. Set in Europe, chiefly on the Riviera, the first half is told by a 19-year-old starlet who has a crush on the hero, Dick Diver, a young American psychiatrist. The second half is seen through the eyes of Dick and of Nicole, the wealthy American schizophrenic whom he marries, cures, and is destroyed by. Dick ultimately returns to America and becomes a small-town practitioner and an alcoholic. The theme is parasitism - the health of one person gained at the expense of another - and the facts bear an unmistakable resemblance to Scott and Zelda's marriage.

The Last Tycoon (1941), published posthumously after Edmund Wilson put it together from Fitzgerald's unfinished manuscript, is the story of a movie producer. Though Wilson calls it Fitzgerald's most mature work, it has received minimal critical attention.

Short Stories

Some of Fitzgerald's best work is in the short-story form. The titles of his collections are extraordinarily representative of the spirit of the times. Flappers and Philosophers (1921) contains "The Off-Shore Pirate" and "The Ice Palace." Tales of the Jazz Age (1922) includes "May Day" and "The Diamond as Big as the Ritz," two exquisite stories. The best-known pieces in All the Sad Young Men (1926) are "Winter Dreams," a quintessential instance of Fitzgerald's romantic vision, and "The Rich Boy." Fitzgerald's final collection, Taps at Reveille (1935), includes "Babylon Revisited," perhaps his most widely anthologized story.

Last Years

Fitzgerald earned over $400,000 between 1919 and 1934, but he and Zelda lived so expensively that they barely managed to cover their bills. When Tender Is the Night failed to excite interest, financial problems became acute; by 1937 Fitzgerald owed $40,000 despite continued earnings from magazine stories. Zelda had been permanently returned to the sanitarium in 1934; and the years 1935-1937 saw Fitzgerald's own descent - increasing alcoholism and physical illness - which he described with poignant candor in articles appearing in Esquire in the mid-1930s.

In 1937 Fitzgerald signed a movie contract at a weekly salary of $1,000. His liaison with gossip columnist Sheilah Graham during the last 3 years of his life is described in her Beloved Infidel (1958). But the heartbreak and dissolution took their toll, and after two heart attacks Fitzgerald died on Dec. 21, 1940. Zelda Fitzgerald died in a fire in 1947 at Highland Sanitarium, Asheville, N.C., leaving a novel, Save Me the Waltz (1932, American edition).

Further Reading

Fitzgerald's The Crack-up, edited by Edmund Wilson (1945), is a revealing but fragmentary autobiographical collection of essays and letters. The standard work on Fitzgerald is Andrew Turnbull, Scott Fitzgerald (1962), a full and reliable biography, though not sufficiently critical. An exciting, sometimes inaccurate biography is Arthur Mizener, The Far Side of Paradise (1951). See also Alfred Kazin, ed., F. Scott Fitzgerald: The Man and His Work (1951); Sheilah Graham, Beloved Infidel: The Education of a Woman (1958); James E. Miller, Jr., F. Scott Fitzgerald: His Art and His Technique (1964); Robert F. Sklar, F. Scott Fitzgerald: The Last Laocoön (1967), a study of Fitzgerald as an intellectual; and Nancy Milford, Zelda: A Biography (1970), a brilliant study of Fitzgerald's wife and their marriage. For literary background see Alfred Kazin, On Native Grounds: An Interpretation of Modern American Prose Literature (1942).

US History Companion: Fitzgerald, F. Scott
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(1896-1940), novelist, chronicler of the jazz age. Born in St. Paul, Minnesota, Fitzgerald had the good fortune--and the misfortune--to be a writer who summed up an era. The son of an alcoholic failure from Maryland and an adoring, intensely ambitious mother, he grew up acutely conscious of wealth and privilege--and of his family's exclusion from the social elite. After entering Princeton in 1913, he became a close friend of Edmund Wilson and John Peale Bishop and spent most of his time writing lyrics for Triangle Club theatrical productions and analyzing how to triumph over the school's intricate social rituals.

He left Princeton without graduating and used it as the setting for his first novel, This Side of Paradise (1920). It was perfect literary timing. The twenties were beginning to roar, bathtub gin and flaming youth were on everyone's lips, and the handsome, witty Fitzgerald seemed to be the ideal spokesman for the decade. With his stunning southern wife, Zelda, he headed for Paris and a mythic career of drinking from hip flasks, dancing until dawn, and jumping into outdoor fountains to end the party. Behind this façade was a writer struggling to make enough money to match his extravagant lifestyle and still produce serious work. His second novel, The Beautiful and the Damned (1922), which recounted an artist's losing fight with dissipation, was badly flawed. His next, The Great Gatsby (1925), the story of a gangster's pursuit of an unattainable rich girl, was close to a masterpiece.

The Fitzgeralds' frenetic ascent to literary fame was soon tinged with tragedy. Scott became an alcoholic and Zelda, jealous of his fame (or in some versions, thwarted by it), collapsed into madness. They crept home in 1931 to an America in the grip of the Great Depression--a land no longer interested in flaming youth except to pillory them for their excesses. The novel with which he had grappled for years, Tender Is the Night, about a psychiatrist destroyed by his wealthy wife, was published in 1934 to lukewarm reviews and poor sales. Fitzgerald retreated to Hollywood, a defeated and more or less forgotten man. He made a precarious living as a scriptwriter and struggled to control his alcoholism. Miraculously he found the energy to begin another novel, The Last Tycoon (1941), about a complex gifted movie producer. He had finished about a third of it when he died of a heart attack. Obituaries generally dismissed him.

Not until the early fifties did interest in Fitzgerald revive, and when it did, it became a veritable scholarly industry. A closer look at his life and career reveals a writer with an acute sense of history, an intellectual pessimist who had grave doubts about Americans' ability to survive their infatuation with the bitch goddess success. At the same time he conveyed in his best novels and short stories the sense of youthful awe and hope America's promises created in many people. Few historians have matched the closing lines of The Great Gatsby, when the narrator reflects on how the land must have struck Dutch sailors' eyes three hundred years earlier: "For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity to wonder."

Bibliography:

Matthew J. Bruccoli, Some Sort of Epic Grandeur (1981); Arthur Mizener, The Far Side of Paradise (1951; rev. ed., 1965).

Author:

Thomas Fleming

See also Expatriates and Exiles; Literature.


Spotlight: F. Scott Fitzgerald
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From our Archives: Today's Highlights, April 10, 2005

F. Scott Fitzgerald's The Great Gatsby was published 80 years ago today. A novel of the "Jazz Age," The Great Gatsby was not popular when it was first released. Now it is considered one of the great English-language novels of the 20th century. It was made into four different films, with Robert Redford and Mia Farrow starring in what many consider the definitive screen version, with a screenplay written by Francis Ford Coppola.
 
Columbia Encyclopedia: F. Scott Fitzgerald
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Fitzgerald, F. Scott (Francis Scott Key Fitzgerald), 1896-1940, American novelist and short-story writer, b. St. Paul, Minn. He is ranked among the great American writers of the 20th cent. Fitzgerald is widely considered the literary spokesman of the "jazz age"-the decade of the 1920s. Part of the interest of his work derives from the fact that the mad, gin-drinking, morally and spiritually bankrupt men and women he wrote about led lives that closely resembled his own.

Born of middle-class parents, Fitzgerald attended private schools, entering Princeton in 1913. He was placed on academic probation in his junior year, and in 1917 he left Princeton to join the army. While stationed in Montgomery, Ala., he met and fell in love with Zelda Sayre, the daughter of a local judge. During this time, he also began working on his first novel, This Side of Paradise, which describes life at Princeton among the glittering, bored, and disillusioned, postwar generation. Published in 1920, the novel was an instant success and brought Fitzgerald enough money to marry Zelda that same year.

The young couple moved to New York City, where they became notorious for their madcap lifestyle. Fitzgerald made money by writing stories for various magazines. In 1922 he published his second novel, The Beautiful and Damned, about an artist and his wife who are ruined by their dissipated way of life. After the birth of their daughter, Frances Scott, in 1921 the Fitzgeralds spent much time in Paris and the French Riviera, becoming part of a celebrated circle of American expatriates.

Fitzgerald's masterpiece, The Great Gatsby, appeared in 1925. It is the story of a bootlegger, Jay Gatsby, whose obsessive dream of wealth and lost love is destroyed by a corrupt reality. Cynical yet poignant, the novel is a devastating portrait of the so-called American Dream, which measures success and love in terms of money. The author's long-awaited novel Tender is the Night (1934), a complex study of the spiritual depletion of a psychiatrist who marries a wealthy former patient, although later regarded highly, was initially coolly received.

Fitzgerald's later years were plagued by financial worries and his wife's progressive insanity. The author spent his last years as a scriptwriter in Hollywood, Calif. He died of a heart attack in 1940 at the age of 44. The Last Tycoon, a promising unfinished novel about the motion picture industry, was published in 1941. Fitzgerald also published four excellent short story collections: Flappers and Philosophers (1920), Tales of the Jazz Age (1922), All the Sad Young Men (1926), and Taps at Reveille (1935).

Bibliography

See The Crack-up (ed. by E. Wilson, 1945), a miscellaneous collection of notes, essays, and letters; Fitzgerald's letters (ed. by A. Turnbull, 1963) and J. R. Bryer and C. W. Barks, ed., Dear Scott, Dearest Zelda (2002); biographies by M. J. Bruccoli (1981), J. Mellow (1984), A. Mizener (rev. ed. 1984), and J. Meyers (1994); studies by B. Way (1980) and J. B. Chambers (1989).

Zelda Sayre Fitzgerald, 1900-1947, b. Montgomery, Ala., was also a writer. She was intermittently confined to sanatoriums after 1930 for schizophrenia, but still managed to publish short stories and a novel, Save Me the Waltz (1932, repr. 1974). Although rather incoherently plotted and written, the novel reveals a genuine, if unformed, writing talent. She was also a ballet dancer and painter.

Bibliography

See The Collected Writings (1991), ed. by M. J. Bruccoli; biography by N. Milford (1970); study by S. Mayfield (1971).

Works: Works by F. Scott Fitzgerald
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(1896-1940)

1920This Side of Paradise. Fitzgerald's first novel, about Midwesterner Amory Blaine's initiation to life at Princeton and his ill-fated love for Rosaline Connage, makes the writer from St. Paul, Minnesota, an overnight celebrity as a knowing chronicler of the postwar youth culture, which defined the Jazz Age. As Fitzgerald summarizes at the end of the novel: "Here was a new generation... dedicated more than the last to the fear of poverty and the worship of success, grown up to find all Gods dead, all wars fought, all faiths in man shaken." Fitzgerald also publishes Flappers and Philosophers, his first story collection. It contains two of his finest works: "The Ice Palace," about a Southern girl unable to adapt to life in the North, and "Bernice Bobs Her Hair," about a girl who is dared into trying the radical new hairstyle.
1922Tales of the Jazz Age. Fitzgerald's second story collection, though it includes major work such as "The Diamond as Big as the Ritz" and the experimental novella May Day, is marred by filler and weak efforts that even Fitzgerald seems to recognize in his depreciatory annotated table of contents. Fitzgerald also publishes The Beautiful and the Damned, his second novel. It dramatizes the self-destructive marriage of the rich and glamorous Anthony and Gloria Patch, damned by their excesses, and it clearly echoes the author's own marriage and high-flying lifestyle. Although more carefully constructed than This Side of Paradise, the novel disappoints reviewers.
1923The Vegetable; or, From Presidency to Postman. Fitzgerald's satirical comedy, which he declares "the best American comedy to date and undoubtedly the best thing I have ever written," concerns a postman who becomes president. It closes before reaching Broadway. Critics have suggested that the disappointment over this play was a factor in Fitzgerald's committing to more serious work, which would lead to his masterpiece, The Great Gatsby.
1925The Great Gatsby. Self-made Jay Gatsby tries to recapture a romantic past with the now-married Daisy Buchanan. Fitzgerald's masterpiece, the novel is both a lyrical meditation on the American dream and a satiric portrait of the excess and fraudulence of the age. Despite its being considered one of the greatest American novels (T. S. Eliot regarded it as "the first step that American fiction has taken since Henry James"), the book would sell fewer than twenty-nine thousand copies during Fitzgerald's lifetime.
1926All the Sad Young Men. Fitzgerald's third collection includes three of his most admired stories, "Winter Dreams," "Absolution," and "The Rich Boy."
1934Tender Is the Night. Fitzgerald's fourth and final novel to be published during his lifetime is his most ambitious, an attempt to summarize the collapse of American values through the deterioration of expatriate psychiatrist Dick Diver, who marries his troubled patient, Nicole. Although praised by some as Fitzgerald's masterpiece, the novel mainly provokes disappointment and accusations that Fitzgerald is simply repeating himself. In 1938, convinced that the true beginning of the novel was buried in its middle, Fitzgerald would reorganize the book chronologically in a revised version, published in 1951.
1935Taps at Reveille. The last of the author's short story collections published during his lifetime gathers work written since 1926. Reviewers find the stories more quaint than relevant, evidence that Fitzgerald has, in the words of one critic, "become the prisoner of his own past, a literary Peter Pan who refused to grow up with the feverish, glamorous youth he immortalized."
1941The Last Tycoon. Although only half completed before Fitzgerald's death, his satirical novel about Hollywood is praised as equal in quality to The Great Gatsby, enhancing the author's posthumous reputation.
1945The Crack-Up. Edited by Edmund Wilson, this miscellany of essays, letters, and excerpts from literary notebooks contributes to Fitzgerald's enhanced posthumous reputation as an artist and a fascinating personality.
1958Afternoon of an Author. This volume collects Fitzgerald's nonfiction magazine work published during his last fifteen years, including "Princeton," "How to Live on $36,000 a Year," and "Author's House."
1962The Pat Hobby Stories. Published in Esquire in 1940 and 1941, the stories collected in this volume concern a Hollywood hack writer down on his luck; it features some of Fitzgerald's bitterest portraits of the movie business.

Quotes By: F. Scott Fitzgerald
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Quotes:

"There are no second acts in American lives."

"No such thing as a man willing to be honest --that would be like a blind man willing to see."

"The intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions."

"Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we are. They are different."

"Her voice is full of money."

"I know myself, but that is all."

See more famous quotes by F. Scott Fitzgerald

Wikipedia: F. Scott Fitzgerald
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Francis Scott Key Fitzgerald

F. Scott Fitzgerald
photographed by Carl van Vechten in 1937
Born September 24, 1896(1896-09-24)
St. Paul, Minnesota, U.S.
Died December 21, 1940 (aged 44)
Hollywood, California, U.S.
Occupation novelist, short story writer, poet
Nationality American
Writing period 1920–1940
Genres Modernism
Literary movement Lost Generation

Francis Scott Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are evocative of the Jazz Age, a term he coined himself. He is widely regarded as one of the twentieth century's greatest writers. Fitzgerald is considered a member of the "Lost Generation" of the Twenties. He finished four novels, This Side of Paradise, The Beautiful and Damned, Tender is the Night and his most famous, the celebrated classic, The Great Gatsby. A fifth, unfinished, novel, The Love of the Last Tycoon was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age.

Contents

Life and career

Early years

Born in St. Paul, Minnesota, to an upper-middle-class Irish Catholic household, Fitzgerald was named after his famous second cousin, twice removed, Francis Scott Key,[1] but was referred to as "Scott". He spent 1898–1901 in Syracuse and 1903–1908 in Buffalo, New York, where he attended Nardin Academy.[2] When his father was fired at Procter & Gamble, the family returned to Minnesota, where Fitzgerald attended St. Paul Academy in St. Paul from 1908–1911. His first literary effort, a detective story, was published in a school newspaper when he was 12. When he was 16, he was expelled from St. Paul Academy for neglecting his studies. He attended Newman School, a prep school in Hackensack, New Jersey, in 1911–1912, and entered Princeton University in 1913 as a member of the Class of 1917. There he became friends with future critics and writers Edmund Wilson (Class of 1916) and John Peale Bishop (Class of 1917), and wrote for the Princeton Triangle Club. His absorption in the Triangle—a kind of musical-comedy society—led to his submission of a novel to Charles Scribner's Sons where the editor praised the writing but ultimately rejected the book. He was a member of the University Cottage Club, which still displays Fitzgerald's desk and writing materials in its library. A poor student, Fitzgerald left Princeton to enlist in the US Navy during World War I; however, the war ended shortly after Fitzgerald's enlistment.[3]

Zelda Sayre

While at Camp Sheridan, Fitzgerald met Zelda Sayre (1900–1948), the "silver girl", in Fitzgerald's words, of Montgomery, Alabama youth society. The two were engaged in 1919, and Fitzgerald moved into an apartment at 1395 Lexington Avenue in New York City to try to lay a foundation for his life with Zelda. Working at an advertising firm and writing short stories, he was unable to convince Zelda that he would be able to support her, leading her to break off the engagement.

Fitzgerald returned to his parents' house at 599 Summit Avenue, on Cathedral Hill, in St. Paul to revise The Romantic Egoist. Recast as This Side of Paradise, about the post-WWI flapper generation, it was accepted by Scribner's in the fall of 1919, and Zelda and Scott resumed their engagement. The novel was published on March 26, 1920, and became one of the most popular books of the year. Scott and Zelda were married in New York's St. Patrick's Cathedral. Their daughter and only child, Frances Scott "Scottie" Fitzgerald, was born on October 26, 1921.

"The Jazz Age"

F. Scott Fitzgerald in 1921

The 1920s proved the most influential decade of Fitzgerald's development. The Great Gatsby, considered his masterpiece, was published in 1925. Fitzgerald made several excursions to Europe, notably Paris and the French Riviera, and became friends with many members of the American expatriate community in Paris, notably Ernest Hemingway.

Fitzgerald’s friendship with Hemingway was quite vigorous, as many of Fitzgerald’s relationships would prove to be. Hemingway did not get on well with Zelda. In addition to describing her as "insane" he claimed that she “encouraged her husband to drink so as to distract Scott from his ‘real’ work on his novel,"[4] [5] the other work being the short stories he sold to magazines. This “whoring”, as Fitzgerald, and subsequently Hemingway, called these sales, was a sore point in the authors’ friendship. Fitzgerald claimed that he would first write his stories in an authentic manner but then put in “twists that made them into saleable magazine stories.”[5]

Fitzgerald's marriage was mixed—both destructive and constructive. Fitzgerald drew largely upon his wife's intense and flamboyant personality in his writings, at times quoting direct passages from her letters and personal diaries in his work. Zelda made mention of this in a 1922 mock review in the New York Tribune, saying that "[i]t seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald—I believe that is how he spells his name—seems to believe that plagiarism begins at home" (Zelda Fitzgerald: The Collected Writings, 388). But the impact of Zelda's personality on his work and life is often overstated, as much of his earliest writings reflect the personality of a first love, Ginevra King. In fact, the character of Daisy as much represents his inability to cultivate his relationship with King as it does the ever-present fact of Zelda. (Although Gatsby's economic failure to immediately wed Daisy in 1917, with an eventual return in financial triumph, does closely mirror Fitzgerald's own experiences with his future wife.)

Fitzgerald wrote frequently for The Saturday Evening Post. This issue from May 1, 1920, containing the short story "Bernice Bobs Her Hair", was the first with Fitzgerald's name on the cover.

Although Fitzgerald's passion lay in writing novels, only his first novel sold well enough to support the opulent lifestyle that he and Zelda adopted as New York celebrities. As did most professional authors at the time, Fitzgerald supplemented his income by writing short stories for such magazines as The Saturday Evening Post, Collier's Weekly, and Esquire, and sold movie rights of his stories and novels to Hollywood studios. Many of these stories act as testing grounds for his novels. For example, "Absolution" was intended as an earlier chapter in The Great Gatsby. Because of this lifestyle, as well as the bills from Zelda's medical care when they came, Fitzgerald was constantly in financial trouble and often required loans from his literary agent, Harold Ober, and his editor at Scribner's, Maxwell Perkins. When Ober decided not to continue advancing Fitzgerald, the author severed ties with his longtime friend and agent. (Fitzgerald offered a good-hearted and apologetic tribute to this support in the late short story "Financing Finnegan.")

Fitzgerald began working on his fourth novel during the late 1920s but was sidetracked by financial difficulties that necessitated his writing commercial short stories, and by the schizophrenia that struck Zelda in 1930. Her emotional health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La Paix" estate in the suburb of Towson, Maryland to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist who falls in love with and marries Nicole Warren, one of his patients. The book went through many versions, the first of which was to be a story of matricide. Some critics have seen the book as a thinly-veiled autobiographical novel recounting Fitzgerald's problems with his wife, the corrosive effects of wealth and a decadent lifestyle, his own egoism and self-confidence, and his continuing alcoholism. Indeed, Fitzgerald was extremely protective of his material (their life together). When Zelda wrote and sent to Scribner's her own fictional version of their lives in Europe, Save Me the Waltz, Fitzgerald was angry and was able to make some changes prior to the novel's publication, and convince her doctors to keep her from writing any more about what he called his "material," which included their relationship. His book was finally published in 1934 as Tender Is the Night. Critics who had waited nine years for the followup to The Great Gatsby had mixed opinions about the novel. Most were thrown off by its three-part structure and many felt that Fitzgerald had not lived up to their expectations.[citation needed] The novel did not sell well upon publication, but like the earlier Gatsby, the book's reputation has since risen significantly.

Hollywood years

Although he reportedly found movie work degrading, Fitzgerald was once again in dire financial straits, and spent the second half of the 1930s in Hollywood, working on commercial short stories, scripts for Metro-Goldwyn-Mayer (including some unfilmed work on Gone with the Wind), and his fifth and final novel, The Love of the Last Tycoon. Published posthumously as The Last Tycoon, it was based on the life of film executive Irving Thalberg. Scott and Zelda became estranged; she continued living in mental institutions on the East Coast, while he lived with his lover Sheilah Graham, a gossip columnist, in Hollywood. From 1939 until his death, Fitzgerald mocked himself as a Hollywood hack through the character of Pat Hobby in a sequence of 17 short stories, later collected as "The Pat Hobby Stories."

Illness & death

Fitzgerald had been an alcoholic since his college days, and became notorious during the 1920s for his extraordinarily heavy drinking, leaving him in poor health by the late 1930s. According to Zelda's biographer, Nancy Milford, Scott claimed that he had contracted tuberculosis, but Milford dismisses it as a pretext to cover his drinking problems. However, Fitzgerald scholar Matthew J. Bruccoli contends that Fitzgerald did in fact have recurring tuberculosis, and Nancy Milford reports that Fitzgerald biographer Arthur Mizener said that Scott suffered a mild attack of tuberculosis in 1919, and in 1929 he had "what proved to be a tubercular hemorrhage". It has been said that the hemorrhage was caused by bleeding from esophageal varices.

Fitzgerald suffered two heart attacks in late 1940. After the first, in Schwab's Drug Store, he was ordered by his doctor to avoid strenuous exertion. He moved in with Sheilah Graham, who lived in Hollywood on North Hayworth Ave., one block west of Fitzgerald's apartment on North Laurel Ave. Fitzgerald had two flights of stairs to get to his apartment; Graham's was a ground floor apartment. On the night of December 20, 1940, Fitzgerald and Sheilah Graham attended the premiere of "This Thing Called Love" starring Melvyn Douglas and Rosalind Russell. As the two were leaving the Pantages Theater, Fitzgerald experienced a dizzy spell and had trouble leaving the theater; upset, he said to Ms. Graham, "They think I am drunk, don't they?".

The following day, as Scott ate a candy bar and made notes in his newly arrived Princeton Alumni Weekly, Ms. Graham saw Scott jump from his armchair, grab the mantelpiece, gasp and fall to the floor. She ran to the manager of the building, Harry Culver, founder of Culver City; upon entering the apartment and assisting Scott, he stated, "I'm afraid he's dead." Fitzgerald died of a massive heart attack. His body was removed to the Pierce Brothers Mortuary.

Zelda and Scott's grave in Rockville, Maryland, inscribed with the final sentence of The Great Gatsby

Among the attendants at a visitation held at a funeral home was Dorothy Parker, who reportedly cried and murmured "the poor son-of-a-bitch," a line from Jay Gatsby's funeral in Fitzgerald's The Great Gatsby.[6][7] [8] The remains were shipped to Baltimore, Maryland, where his funeral was attended by twenty or thirty people in Bethesda; among the attendants were his only child, Frances "Scottie" Fitzgerald Lanahan Smith, and his editor, Maxwell Perkins. Fitzgerald was originally buried in Rockville Union Cemetery. Zelda died in 1948, in a fire at the Highland Mental Hospital in Asheville, North Carolina. Ms. Frances Lanahan worked to overturn the Archdiocese of Baltimore ruling that Fitzgerald died a non practicing Catholic, so that he could be at rest at the Roman Catholic cemetery where his father's family was laid. Both Scott's and Zelda's remains were moved to the family plot in Saint Mary's Cemetery, in Rockville, Maryland in 1975.

Fitzgerald died before he could complete The Love of the Last Tycoon. His manuscript, which included extensive notes for the unwritten part of the novel's story, was edited by his friend, the literary critic Edmund Wilson, and published in 1941 as The Last Tycoon. In 1994 the book was reissued under the original title The Love of the Last Tycoon, which is now agreed to have been Fitzgerald's preferred title.

Legacy

Fitzgerald's work and legend has inspired writers ever since he was first published. The publication of The Great Gatsby prompted T. S. Eliot to write, in a letter to Fitzgerald, "[I]t seems to me to be the first step that American fiction has taken since Henry James...".[9] Don Birnam, the protagonist of , Steph and Charles Jackson's The Lost Weekend, says to himself, referring to Gatsby, "There's no such thing...as a flawless novel. But if there is, this is it."[10] In letters written in the 1940s, J. D. Salinger expressed admiration of Fitzgerald's work, and his biographer Ian Hamilton wrote that Salinger even saw himself for some time as "Fitzgerald's successor."[11] Richard Yates, a writer often compared to Fitzgerald, called The Great Gatsby "the most nourishing novel [he] read...a miracle of talent...a triumph of technique."[12] It was written in a New York Times editorial after his death that Fitzgerald "was better than he knew, for in fact and in the literary sense he invented a generation. [... H]e might have interpreted them and even guided them, as in their middle years they saw a different and nobler freedom threatened with destruction."

Into the 21st century, millions of copies of "The Great Gatsby" and his other works have been sold, and "Gatsby," a constant best-seller, is required reading in many high school and college classes.[citation needed]

Fitzgerald is a 2009 inductee of the New Jersey Hall of Fame.[13]

His great-granddaughter Blake Hazard is a musician. [14]

Portrayal in Arts

Musical Theatre Portrayal

A musical about the lives Fitzgerald and wife Zelda Fitzgerald was composed by Frank Wildhorn entitled Waiting for the Moon, formerly known as Zelda, followed by Scott & Zelda: The Other Side Of Paradise,. The musical shows their lives from when they first met, through Fitzgerald's career, their lives together (the good and bad), to both of their deaths. The musical made its world premiere at The Lenape Regional Performing Arts Center in a production that ran from July 20, 2005 through July 31, 2005. It starred Broadway veteran actors Jarrod Emick as Fitzgerald and Lauren Kennedy as Zelda.

The ASIAN Takarazuka Revue has also created a musical adaptation of Fitzgerald's life. Entitled The Last Party: S. Fitzgerald's Last Day, it was produced in 2004 and 2006. Yuhi Oozora and Yūga Yamato starred as Fitzgerald, while Zelda was played by Kanami Ayano and Rui Shijou.

Film portrayal

Fitzgerald was portrayed by the actor Malcolm Gets in the 1994 film Mrs. Parker and the Vicious Circle.[15]

Works

Novels

Other works

Short Story Collections

Short Stories

Other

  • The Vegetable, or From President to Postman (play, 1923)
  • The Crack-Up (essays, 1945)

The Cambridge Edition of the Works of F. Scott Fitzgerald

Cambridge University Press is publishing the complete works of F. Scott Fitzgerald in authoritative annotated editions. To date, eleven volumes have been published.[16]

Cover of the first volume in the series
Title Date published ISBN
The Great Gatsby October 1991 978-0521402309
The Love of the Last Tycoon: A Western June 1994 978-0521402316
This Side of Paradise April 1996 978-0521402347
Trimalchio: An Early Version of The Great Gatsby April 2000 978-0521402378
Flappers and Philosophers April 2000 978-0521402361
Tales of the Jazz Age July 2002 978-0521402385
My Lost City: Personal Essays, 1920–1940 September 2005 978-0521402392
All The Sad Young Men January 2007 978-0521402408
The Beautiful and Damned May 2008 978-0521883665
The Lost Decade: Short Stories from Esquire, 1936–1941 July 2008 978-0521885300
The Basil, Josephine, and Gwen Stories September 2009 978-0521769730
Spires and Gargoyles: Early Writings, 1909–1919 February 2010 978-0521765923

Published as

  • Novels & Stories 1920–1922: This Side of Paradise, Flappers and Philosophers, The Beautiful and Damned, Tales of the Jazz Age (Jackson R. Bryer, ed.) (Library of America, 2000) ISBN 978-1-88301184-0.
  • The Rich Boy (short story)

Biography

  • The standard biographies of Scott and Zelda Fitzgerald are Arthur Mizener's The Far Side of Paradise (1951, 1965) and Matthew Bruccoli's Some Sort of Epic Grandeur (1981). Fitzgerald's letters have also been published in various editions such as Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald, ed. Jackson R. Bryer and Cathy W. Banks (2002); Correspondence of F. Scott Fitzgerald, ed. Matthew Bruccoli and Margaret Duggan (1980), and F. Scott Fitzgerald: A Life in Letters, ed. Matthew Bruccoli (1994).
  • Zelda Fitzgerald published an autobiographically-charged novel, Save Me the Waltz, in 1934.
  • The film Beloved Infidel (1959) depicts Fitzgerald (played by Gregory Peck) during his final years as a Hollywood scenarist. Another film, Last Call (2002) (Jeremy Irons plays Fitzgerald) describes the relationship with Frances Kroll during his last two years of life. The film was based on the memoir of Frances Kroll Ring, titled Against the Current: As I Remember F. Scott Fitzgerald (1985), that records her experience as secretary to Fitzgerald for the last 20 months of his life.

See also


References

  1. ^ Matthew Joseph Bruccoli and Scottie Fitzgerald Smith, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald, (Columbia, SC: University of South Carolina Press, 2002), p. 13.
  2. ^ "F. Scott Fitzgerald in Buffalo, NY: 1898 -1901" - Buffalo Architecture and History (c/o bfn.org)
  3. ^ Petri Liukkonen (2008). "F(rances) Scott (Key) Fitzgerald". http://www.kirjasto.sci.fi/fsfitzg.htm. Retrieved 25 October 2009. 
  4. ^ In his book, "A moveable feast", in which Hemingway describes his years in Paris and his encounter with the couple.
  5. ^ a b Canterbury, E. Ray; Birch, Thomas. F. Scott Fitzgerald: Under the Influence.(St. Paul: Paragon House, 2006), p. 189
  6. ^ Mizener, Arthur. "The Big Binge", Excerpt: "The Far Side of Paradise: A Biography of F. Scott Fitzgerald." Boston: Houghton Mifflin. 1951. (pp. 362.; c/o Time), Monday, January 29, 1951,
  7. ^ "Biography in Sound". Time, Monday, July 11, 1955.
  8. ^ In a strange coincidence, the author Nathanael West, a friend and admirer of Fitzgerald, was killed along with his wife Eileen McKenney in El Centro, California, while driving back to Los Angeles to attend Fitzgerald's funeral service.
  9. ^ Fitzgerald, F. Scott. "The Crack-Up". A New Directions Book, edited by Edmund Wilson. New York, 1993, p. 310.
  10. ^ Jackson, Charles. The Lost Weekend. London: Black Spring Press. 1994. p.136.
  11. ^ Hamilton, Ian (1988). In Search of J. D. Salinger. New York: Random House. ISBN 0-394-53468-9.  p. 53, 64.
  12. ^ Yates, Richard. The New York Times Book Review. April 19, 1981.
  13. ^ New Jersey to Bon Jovi: You Give Us a Good Name Yahoo News, February 2, 2009
  14. ^ Her band is called The Submarines
  15. ^ Internet Movie Database entry for Mrs. Parker and the Vicious Circle
  16. ^ http://www.cambridge.org/series/sSeries.asp?code=CESF&srt=P
  • Bruccoli, Matthew Joseph (ed.) (2000), F. Scott Fitzgerald's The Great Gatsby: A Literary Reference, New York: Carroll & Graf Publishers, ISBN 0786709960 
  • Bruccoli, Matthew Joseph (2002), Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald (2nd rev. ed.), Columbia, SC: University of South Carolina Press, ISBN 1570034559 .
  • Bryer, Jackson R.; Barks, Cathy W. (eds.) (2002), Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald, New York: St. Martin's Press, ISBN 0312268750 .
  • Cline, Sally (2003), Zelda Fitzgerald: Her Voice in Paradise, New York: Arcade Publishing, ISBN 1559706880 .
  • Curnutt, Kirk (ed.) (2004), A Historical Guide to F. Scott Fitzgerald, Oxford: Oxford University Press, ISBN 0195153022 
  • Milford, Nancy (1970), Zelda: A Biography, New York: Harper & Row .
  • Mizener, Arthur (1951), The Far Side of Paradise: A Biography of F. Scott Fitzgerald, Boston: Houghton Mifflin .
  • Prigozy, Ruth (ed.) (2002), The Cambridge Companion to F. Scott Fitzgerald, Cambridge: Cambridge University Press, ISBN 0521624479 

External links


 
 

 

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