"The sad truth is that opportunity doesn't knock twice. You can put things off until tomorrow but tomorrow may never come. Where will you be a few years down the line. Will it be everything you dreamed of. We seal our fate with the choices we take, but don't give a second thought to the chances we take."
Born Gloria Fajardo on September 1, 1957, in Havana, Cuba; immigrated to the United States, 1959; daughter of Jose Manuel (a bodyguard to Cuban leader Fulgencio Batista) and Gloria (a schoolteacher) Fajardo; married Emilio Estefan, Jr. (a musician), 1978; children: Nayib, Emily Marie. Education: University of Miami (FL), B.A. in psychology.
Worked as customs translator at Miami International Airport, mid-1970s; joined group Miami Latin Boys (also billed as the Miami Latin Kings), 1975; group's name changed to Miami Sound Machine; toured Latin America and Europe numerous times, 1976-84; released several hit albums in Spanish; released first English language album, Primitive Love, 1986; represented United States at the Pan American Games, 1987; solo performer, 1990s-; founder and owner, with husband, Emilio, of Cuban cuisine restaurant in Miami, FL; released Unwrapped, 2003; issued two greatest hits collections, The Essential Gloria Estefan and Oye Mi Canto!: Los Grandes Exitos, 2006; released 90 Millas, 2007.
Awards: BMI, Songwriter of the Year, 1988; Premio lo Nuestro Musica Latina, Lifetime Achievement Award, 1992; American Latino Media Arts (ALMA), Lifetime Achievement Award, 1999; ALMA, outstanding actress in a feature film, 2000; Blockbuster Award, 2000; Latin Grammy Award, best music video, 2000; Grammy Award, best traditional tropical Latin album, 2000; Congressional Hispanic Caucus Institute Medallion of Excellence for Community Service, 2002; Berklee College of Music, Boston, honorary doctorate, 2007.
Addresses:Record company—Epic Records, 51 West 52nd St., New York, NY 10019.
Singer, songwriter
The path of Gloria Estefan's career might be best traced through the successive names of the musical ensemble of which she has been a member since the mid-1970s. As a teenager she joined the Miami Latin Boys as a vocalist; her bandmates then renamed themselves the Miami Sound Machine. Estefan eventually became their primary singer, and in a little over a decade her energetic fronting of the band and its burgeoning pop success led to its rechristening as Gloria Estefan and the Miami Sound Machine. By the mid-1990s, nearly 20 years into her career, the singer and songwriter had finally achieved solo billing.
Estefan was originally a Spanish-language performer but switched to English as the Miami Sound Machine began receiving more recognition. Over the years Estefan's recordings have sold millions and made her an international star. Her musical style is credited with helping make Latin-flavored pop music—based on the rhythms of her native Cuba—a tremendous crossover success. In 1993 she returned to her first language and released an album of songs in Spanish. Although Estefan's early years in the entertainment industry were marked by a terrible, recurring stage fright, she developed into a sultry international pop star known for her showstopping performances. Estefan still lives in her hometown of Miami, Florida, where she is revered by its large Cuban-American community. Adding to the drama of her rags-to-riches life story, in 1990 Estefan survived a near-fatal bus accident that could have put her in a wheelchair permanently.
Estefan was born in Cuba in 1957 to Gloria, a schoolteacher, and Jose Manuel Fajardo, who worked as a bodyguard for the country's leader, dictator Fulgencio Batista. When Communist forces, led by Fidel Castro, took over a year later, the Fajardo family fled to Miami; Estefan's father later went back on a military mission funded by the U.S. government and was captured by his own cousins and imprisoned. After 18 months President John F. Kennedy negotiated his release. Jose Fajardo then joined the U.S. military, and the family, which by then included Gloria's younger sister, Becky, relocated several times as he transferred from base to base. Eventually he was sent to Vietnam.
As a child, Estefan attended Catholic schools and began taking on an increasing amount of responsibility in her family. Her mother first attended college, then worked outside the home, and Gloria did many of the household chores. Her father, after returning from the war in 1968, was stricken with multiple sclerosis as a result of his exposure to Agent Orange in Vietnam, and the adolescent Estefan looked after her disabled father for part of the day. She found solace from the burdens in singing. "It was my release from everything, my escape," Estefan told Rolling Stone reporter Daisann McLane. "I'd lock myself up in my room with my guitar," a birthday gift her mother had ordered from Spain. "I wouldn't cry. … I would sing for hours by myself." The popular music of the era, especially British acts like the Beatles and Gerry and the Pacemakers, were a strong influence on her.
The singer met her future husband, Emilio Estefan, at a wedding in 1975. He was playing the disco hit "The Hustle" on an accordion. Smitten with the young Cuban emigre, Gloria, along with her cousin Merci, offered to sing in Estefan's local combo for free. Within a year she was singing with the band—then called the Miami Latin Boys but sometimes billed as the Miami Latin Kings—at local weddings, and had enrolled in the University of Miami as a psychology major. At the time, she was still a shy, overweight teenager. Bandmate Emilio Estefan, on the other hand, was considered "the catch of the town." His work as a percussionist and manager of the Latin Boys, soon to be renamed the Miami Sound Machine, was only a hobby for the workaholic. He worked for Bacardi, eventually rising to the post of director of Hispanic marketing for the rum importing company.
The couple began a flirtation during the hours they spent together rehearsing and performing. They married in September of 1978, after Gloria had graduated from college. Meanwhile, she was becoming a more integral member of the Sound Machine, by this time a phenomenally popular Miami act that also included Enrique Garcia and Juan Marcos Avila. Estefan honed her vocal style, learned more about the Cuban music of her roots, and became a percussionist as well. It was also around the time of the couple's marriage that the Miami Sound Machine recorded their first album, Renacer, on a Miami-based label. "A rough collection of original Spanish-language ballads and disco pop, it was produced on a budget of $2,000, but Estefan's warm, distinctive purr comes through," wrote McLane.
By 1980 Emilio Estefan had recognized that the band's sound, with its blend of Cuban rhythms and American pop sensibilities, had surefire potential. He resigned from Bacardi in order to take the Sound Machine's local success to another level, a move that also coincided with the arrival of the couple's first child, a boy they named Nayib. As the band's full-time manager, Emilio won a recording contract with the Hispanic division of CBS Records, called Discos CBS. Estefan performed as vocalist on four of the albums the Sound Machine recorded for the company during the early 1980s, and also wrote some of the band's songs.
With such major label backing, the Miami Sound Machine quickly became a success south of the border. Writing of this early period, McLane explained that their "sound was derivative, but for Latin American fans, Miami Sound Machine was unique—the first band that played state-of-the-art American pop rock and spoke the right language. In Venezuela and Peru, Panama and Honduras, their records shot to Number One." The band then convinced CBS to put out an English-language album.
The first crossover release for the Miami Sound Machine, and Estefan's debut record in English, was 1984's Eyes of Innocence. Its first single, a disco tune called "Dr. Beat," made appearances on European charts. Next, the band signed on a local trio called the Jerks---Rafael Vigil, Joe Galdo, and Lawrence Dermer---whom Emilio had met when they were re- cording a jingle for a commercial. The Jerks had been working on a salsa-influenced aerobics record, and some of the tracks they penned appeared on the Sound Machine's next album, 1985's Primitive Love. The hugely successful release catapulted both Estefan and the group into international pop superstardom with the singles "Bad Boys," "Words Get in the Way," and "Conga." At that point, Emilio left the band to take over as its full-time manager and producer.
The Jerks also worked on the Sound Machine's 1987 album Let It Loose, but quit after disagreements with Emilio, who was also listed as producer, over creative and financial differences. Other personnel changes in the Sound Machine, including the departure of founding drummer Enrique Garcia, also plagued the group during these years. Estefan was needled by her husband to change her look and become more outgoing on stage. "Emilio saw a side of me that I didn't let people see, and he wanted that to come out to people," Estefan told McLane. "He was trying to make me confident, but I could've smacked him. At the beginning, everybody would always accuse me of being stuck up, 'cause I was shy. But a performer can't afford to be shy."
Estefan's increasing confidence and ebullience helped propel record and concert sales through the roof, a success that she and the band could hardly have imagined. Let It Loose sold four million copies, spurred by its hit single "1-2-3." In 1988 Estefan won the prestigious BMI Songwriter of the Year award. She penned several of the songs for Cuts Both Ways, a 1989 effort. It also sold well into the millions, and international tours to support the releases were often marked by sold-out crowds. By now the act was billed as Gloria Estefan and the Miami Sound Machine.
In 1990 the nonstop touring that had marked much of Estefan's career came to an abrupt halt when she was involved in a serious accident. The band's tour bus had stopped before a stalled, jackknifed semitrailer on a snowy highway in Pennsylvania one March night. The vehicle was hit from the rear by another truck, and Estefan was catapulted to the floor from the berth in which she had been sleeping. Her husband and nine-year-old son were only slightly injured, but the impact broke Estefan's back. Fans feared from early news reports that the singer might be paralyzed for life.
The public outpouring of support for the critically injured Estefan was overwhelming. Some radio stations in Miami began playing her songs nearly nonstop, and a 1-900 number was set up for well-wishers to leave messages. Cards, flowers, and presents flooded her hospital room, first in Scranton, Pennsylvania, then in New York City, where she was later transferred. Even then-President George Bush called twice to wish the singer well.
In New York, surgeons implanted two eight-inch-long titanium steel rods in her spine in an effort to fuse it back together. Although the operation was a success, it traumatized her body to such a degree that she lay nearly immobilized for weeks. Estefan returned home to Miami three months after the accident, where she was greeted by television cameras and an emotionally charged crowd at the airport. She began intense physical therapy, and had to adhere to a strict diet and a grueling exercise program to help regain her strength and mobility. For months she would awaken nearly every hour in her sleep from the lingering pain in her back and legs.
The memories of caring for her increasingly disabled father, who had passed away in 1980, also pushed Estefan through the rehabilitation process. "All my life I've been afraid of becoming an invalid," she recalled to People reporter Steve Dougherty. "He was a very athletic, strong and handsome man. For years and years I watched him weaken and die. I saw what it did to the people around him---to his family. I've had a premonition all my life that I would become a burden to the people I love." Prior to the accident, Estefan had had an elevator installed in a house she and Emilio were building in Miami, for the ostensible purpose of moving musical equipment. "But in the back of my mind, I knew what it was really for. So when I was lying in the bus, I thought ‘Here it is. This is the thing I've been waiting for.’"
Less than six months after the crash, Estefan performed in public for the first time on the annual Jerry Lewis Labor Day Muscular Dystrophy Telethon to a standing ovation. By that time she was also working in the studio and writing songs for an upcoming album, Into the Light. Its first single was "Coming Out of the Dark," a gospel-inspired melody that Emilio had begun to write while they were en route to the New York hospital for the surgery. Other tracks on Into the Light included "Nayib's Song," an ode to her son, and "Close My Eyes."
"I wanted this album to be a very freeing experience for me," Estefan told Detroit Free Press music writer Gary Graff. "I wanted my vocal performance[s] to be much more emotional, and I think they are. The emotions are right there on the surface. I was very happy when I started singing again … and I wanted to share that feeling." Estefan embarked on another major tour for Into the Light only a year after her accident. Although doctors had predicted that it would take her three to five years to achieve the level of mobility and fitness that her performing schedule demanded, she soon returned to the same energetic movements onstage. "I just have to make sure I don't do crazy things, like backflips off the stage," she explained to Dougherty.
Estefan's musical style is credited with helping make Latin-flavored pop music, based on the rhythms of her native Cuba, a tremendous crossover success.
Critics pointed to Estefan's increasing success over the years as a turning point for American pop music, help- ing it to reflect the nation's growing Hispanic minority and influence. Record sales hovered near the ten million mark for the Sound Machine, and later in Estefan's solo career, seemed to awaken major labels to the possibilities of other Spanish-language acts. In 1993 Estefan recorded and released an album of Spanish-language songs titled Mi Tierra. The record, which means "My Land," achieved sales of over 1.3 million, holding at number one on the Latin charts and number 27 on the pop charts. The work also featured performances by percussionist Sheila E. and the late Cuban musician Tito Puente.
In early 1994 Estefan was invited by the Grammy Awards to perform a song in Spanish for the telecast, a first for the music industry ceremony. Further proof of Estefan's impact on the music business came with the success of another Cuban American performer. She and her husband had discovered a young Miami resident named Jon Secada, and Emilio became his manager. Secada went on tour with Estefan for almost a year before the release of his solo debut album, which made him an international success. "Gloria was very important to the Latin scene," Secada told San Jose Mercury News contributor Harry Sumrall. "She opened all the doors and set a good example to the Latin community."
Late in 1993 Estefan released a holiday-themed recording of classic Christmas songs reworked with a Latin flavor. In 1994 she released an album of covers titled Hold Me, Thrill Me, Kiss Me. Its title track became the first hit single, and the record included Estefan's versions of "Breaking Up Is Hard to Do" as well as the 1970s-era disco hits "Cherchez la Femme" and "Turn the Beat Around." The latter also appeared on the soundtrack to the 1994 Sylvester Stallone/Sharon Stone film The Specialist. A People review of Estefan's Hold Me granted that while "she does a fine job updating oldies … most of her takes on other singers' hits sound too perfunctory to be essential."
In the mid-1990s Estefan took a hiatus from performing when she had another child. Doctors had warned her that becoming pregnant again might place too much pressure on her fused spine and endanger her life, but the pregnancy went well and daughter Emily Marie was delivered by Caesarean section in late 1994. The family, including teenaged son Nayib and two Dalmatians named Ricky and Lucy, settled in the Miami area. Estefan also became involved with a Cuban restaurant she and her husband opened in the city's trendy South Beach area.
Estefan's success has made her more than just a local celebrity in her hometown. She is known as "Nuestra Glorita," or "Our Gloria," and is revered by Miami's populous Cuban community as a sort of symbol of their own success. While grateful for her success, Estefan herself has remained philosophical about her life, and credits the brush with tragedy for changing everything about her. "It's very hard to stress me out now," the singer told Dougherty. "It's hard to get me in an uproar about anything because most things have little significance compared with what I almost lost."
Estefan took these positive feelings to her next effort, the Spanish-language Abriendo Puertas ("Opening Doors"). Although the recording featured holiday-oriented songs juxtaposed against Latin American rhythms, Estefan was quick to define it as not just another Christmas album. "There's Christmas music, and then there's this record," she explained to Billboard 's John Lahnert. "Some of these songs hopefully will live on way beyond Christmas because of the positive messages and interesting rhythms."
Estefan's Destiny album of 1996 went platinum, and her worldwide Evolution tour that year grossed $14 million in North America alone. In 1998 she was selected to appear on the annual "Divas Live!" telecast on VH-1, and her film acting debut in Music of the Heart in 1999 earned an ALMA at the award ceremony the following year. She was also honored at the 1999 ALMA ceremony with a lifetime achievement award. In addition to her performance as Isabel Vasquez in Music of the Heart, the film soundtrack featured Estefan on the title track in a duet with 'N Sync, which won the performers a Blockbuster Award. In 2000 Estefan won a Latin Grammy Award for best music video for "No Me Dehes De Querer," and at the traditional Grammy Awards ceremony in 2001 she received the award for best traditional Latin tropical album for Alma Caribeña, released in 2000.
Estefan's music took an introspective turn with the release of Unwrapped in 2003. Unlike her previous work, the songs revealed a more personal point of view and eschewed dance rhythms. Estefan, along with her husband, also handled production and invited a number of high-profile guests to participate in the project. StevieWonder added vocals to "Into You," while former Pretenders' vocalist Chrissie Hynde joined Estefan on "One Name." Unwrapped rose to number 39 on the Billboard 200, while the single "Wrapped" rose to number 23 on the Adult Contemporary chart. "Actually, she's outdone any previous effort, in English or Spanish, with Unwrapped," noted Metro Weekly. "For the first time, Estefan has written the lyrics to every song and anchored her music more in mid-tempo organic rock stylings than in uptempo programmed pop."
In 2006 two Estefan compilations were released, The Essential Gloria Estefan, a two-CD set, and Oye Mi Canto!: Los Grandes Exitos, featuring her Spanish language work. The latter album also reached number 12 on the Latin Pop Albums chart.
Late in 2007 Estefan released her fourth Spanish language album, 90 Millas, a title noting the distance between Key West, Florida, and Cuba. Once again, she collaborated with a number of artists, including Carlos Santana, Andy Garcia, and La India. 90 Millas was well received. "Ever since Gloria Estefan split from Miami Sound Machine in 1989 to go solo," wrote Jason Birchmeier in All Music Guide, "her best efforts tended to be her Spanish-language ones, and her fourth such album, 90 Millas, is no exception." Estefan also toured to support the album, performing dates in the Netherlands and Las Ventas, Spain.
Besides performing, Estefan and her husband own a number of Cuban restaurants in Florida and Mexico, along with two hotels. The Estefans' net worth was estimated at $500 million in 2007. Gloria Estefan received the Congressional Hispanic Caucus Institute Medallion of Excellence for Community Service in 2002 for her philanthropic work.
Selected discography Eyes of Innocence, Discos CBS, 1984. Primitive Love, Epic, 1985. Let It Loose, Epic, 1987. Cuts Both Ways, Epic, 1989. Into the Light, Epic, 1991. Greatest Hits, Epic, 1992. Mi Tierra, Epic, 1993. Christmas through Your Eyes, Sony/Epic, 1993. Hold Me, Thrill Me, Kiss Me, Epic, 1994. Abriendo Puertas, Epic, 1995. Destiny, Epic, 1996. Gloria!, Sony, 1998. Alma Caribeña, Sony, 2000. Unwrapped, Sony, 2003. The Essential Gloria Estefan, Sony, 2006. Oye Mi Canto!: Los Grandes Exitos, Sony, 2006. 90 Millas, Sony, 2007.
Periodicals Billboard, September 2, 1995. Detroit Free Press, January 27, 1991; August 21, 1991. Detroit News, June 25, 1992; November 25, 1993; November 19, 1994. Entertainment Weekly, June 25, 1993; July 30, 1993. Miami Herald, November 2, 1994. People, April 9, 1990; June 25, 1990; February 18, 1991 October 31, 1994. Rolling Stone, June 14, 1990. San Jose Mercury News, February 23, 1995.
As one of the biggest new stars to emerge during the mid-'80s, singer Gloria Estefan predated the coming Latin pop explosion by a decade, scoring a series of propulsive dance hits rooted in the rhythms of her native Cuba before shifting her focus to softer, more ballad-oriented fare. Born Gloria Fajardo in Havana on September 1, 1957, she was raised primarily in Miami, FL, after her father, a bodyguard in the employ of Cuban president Fulgencio Batista, was forced to flee the island following the 1959 coup helmed by Fidel Castro. In the fall of 1975, Fajardo and her cousin Merci Murciano auditioned for the Miami Latin Boys, a local wedding band headed by keyboardist Emilio Estefan. With their addition, the group was rechristened Miami Sound Machine and four years later, Fajardo and Estefan were wed. As Miami Sound Machine began composing their own original material, their fusion of pop, disco, and salsa earned a devoted local following, and in 1979 the group issued their first Spanish-language LP on CBS International. Despite a growing Hispanic fan base, they did not cross over to non-Latin audiences until "Dr. Beat" topped European dance charts in 1984.
With 1985's Primitive Love, Miami Sound Machine recorded their first English-language effort, scoring three Top Ten pop hits in the U.S. alone with the infectious "Conga," "Bad Boy," and "Words Get in the Way." For 1988's triple-platinum Let It Loose, the group was billed as Gloria Estefan & Miami Sound Machine, reeling off four Top Ten hits -- "Rhythm Is Gonna Get You," "Can't Stay Away from You," the chart-topping "Anything for You," and "1-2-3." 1989's Cuts Both Ways was credited to Estefan alone and generated her second number one hit, "Don't Wanna Lose You"; however, while touring in support of the album, on March 20, 1990, her bus was struck by a tractor trailer. She suffered a broken vertebrae that required extensive surgery and kept her off the road for over a year. Emilio Estefan and the couple's son were injured in the crash as well, but all three recovered. Estefan resurfaced in 1991 with Into the Light, again topping the charts with "Coming Out of the Dark," a single inspired by her near-fatal accident; two more cuts from the album, "Can't Forget You" and "Live for Loving You," secured her foothold on the adult contemporary charts.
With 1993's Mi Tierra, Estefan returned to her roots, recording her first Spanish-language record in close to a decade and earning a Grammy Award for Best Tropical Latin Album; on the follow-up, 1994's covers collection Hold Me Thrill Me Kiss Me, she also recalled her dance-pop origins with a rendition of the Vicki Sue Robinson disco classic "Turn the Beat Around." Another all-Spanish effort, Abriendo Puertas, earned the Grammy as well, while Destiny featured "Reach," named the official theme of the 1996 Summer Olympics. As Latin pop made new commercial headway thanks to the efforts of acts like Ricky Martin and Enrique Iglesias, Estefan reigned as the most successful crossover artist in Latin music history, with international record sales close to the 50 million mark. In 1999, she also made her feature film debut alongside Meryl Streep in Music of the Heart, recording the film's title song as a duet with *NSYNC and scoring both a massive pop hit and an Oscar nomination in the process.
A new Spanish-language album, Alma Caribeña, followed in the spring of 2000. Several months later, Estefan was awarded a Grammy for Best Music Video for "No Me Dehes de Querer" at the first annual Latin Grammy Awards. Her husband, Emilio, won for Producer of the Year. In 2003, she released Unwrapped, an English-language effort that met with a lukewarm reception from consumers and critics. She didn't return with another new album for several years, as stop-gap compilations such as Amor y Suerte: Exitos Romanticos (2004), The Essential Gloria Estefan (2006), and Oye Mi Canto: Los Éxitos (2006) were released from time to time. When she did return, with 90 Millas in 2007, it was with a splash. The Cuban-themed, Spanish-language effort hearkened back to Mi Tierra and was a big hit on the Latin music scene; its lead single, "No Llores," quickly scaled Billboard's Hot Latin Tracks chart, and the album itself was a chart-topper as well. Estefan returned to English-language pop with 2011's Miss Little Havana, a dance-pop album produced by Pharrell Williams of the Neptunes. ~ Jason Ankeny, Rovi
Gloria María Milagrosa Fajardo García de Estefan, known professionally as Gloria Estefan (born September 1, 1957) is a Cuban-born American singer, songwriter, actress and entrepreneur. Known as the "Queen Of Latin Pop",[1][2][3] she is in the top 100 best selling music artists with over 100 million albums sold worldwide,[4][5] 31.5 million of those in the United States alone.[6] She has won three Grammy Awards, and 4 Latin Grammys, and is the most successful crossover performer in Latin music to date.
Gloria María Milagrosa Fajardo was born September 1, 1957 in Havana, Cuba, to Jose and Gloria Fajardo. Her maternal grandfather, Leonardo Garcia, immigrated to Cuba from Pola de Siero, Asturias, Spain, where he married Gloria's maternal grandmother, originally from Logroño, Spain.[7][8] Prior to the Cuban Revolution, her father was a Cuban soldier and a bodyguard to Cuban dictator Fulgencio Batista. The Fajardo family fled to Miami, Florida as a result of the Cuban Revolution and settled down there. Shortly after they moved to the United States, Gloria's father joined the US military and fought in the Vietnam War and moved to Houston, Texas, also having participated in the failed Bay of Pigs Invasion. Gloria attended St. Michael-Archangel School[9] and Our Lady of Lourdes Academy in Miami. Her father became ill after returning from Vietnam and Gloria helped her mother, Gloria Fajardo, care for him. Her mother worked as a school teacher for the Dade County Public School system. Gloria Estefan graduated from college in 1979 with a B.A. in psychology, with a minor in French, from the University of Miami.[10][11] When she was studying at the university, she worked as an English/Spanish/French translator at Miami International Airport Customs Department and, because of her language abilities, was once approached by the CIA as a possible employee.[12][13] Estefan was raised Catholic.[14]
Marriage
Gloria Estefan receiving flowers for her birthday at her show in the Ahoy Rotterdam, September 1, 2008
Gloria became romantically involved with the Miami Sound Machine's band leader, Emilio Estefan, in 1976. As she later revealed, "he was my first and only boyfriend." She and Emilio married on September 1, 1978.[15][16] They have a son, Nayib (born September 2, 1980) and a daughter, Emily Marie (born December 5, 1994). The family lives in the Star Island section of Miami Beach, Florida.[16][17][18]
Career in singing
Mid-1970s through the 1980s
Starting in 1977, the Miami Sound Machine, (the Miami Latin Boys with Gloria Estefan), began recording and releasing various albums, 45s, and 12"s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with 1980s self-titled album Miami Sound Machine. Growing in popularity in both the United States and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985. In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. #10), "Words Get In The Way" (U.S. #5), and "Bad Boy" (U.S. #8) became follow up hits in the U.S. and around the world. "Words Get in the Way" reached #1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.
Their next album, 1987's Let It Loose, went multi-platinum, with six million copies sold in the US. It featured the following hits: "Anything for You" (#1 Hot 100), "1-2-3" (#3 Hot 100), "Betcha Say That" (#36 Hot 100), "Rhythm Is Gonna Get You" (#5 Hot 100), and "Can't Stay Away From You" (#6 Hot 100). "Can't Stay Away From You", "Anything for You" and "1-2-3" were all #1 Adult Contemporary hits as well.
In 1988, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine. Beginning in 1989, the group's name was dropped altogether. Estefan was credited as a solo artist, though the ever-changing line-up of Miami Sound Machine continues as her backing band to this day.[citation needed]
In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. It became the band's first UK #1 album, selling over a million copies.[citation needed] It was the biggest selling album of the year in The Netherlands, staying at #1 for 22 weeks.[citation needed] The album also took top honors in Australia and Canada, launching Estefan to superstar status.[citation needed]
1990s
1990: Cuts Both Ways, tour bus accident and surgery
While touring in support of Cuts Both Ways on March 20, 1990, near Scranton, Pennsylvania, Estefan was critically injured, suffering a fractured spine when a speeding semi-truck crashed into the tour bus she was in during a snowstorm. She was taken to Community Medical Center's Intensive Care Unit and the next day was flown by helicopter to New York City, where surgeons at the Hospital for Joint Diseases [19] at NYU Langone Medical Center permanently implanted two titanium rods to stabilize her vertebral column. Her rehabilitation required almost a year of intensive physical therapy by Michael Klepper[citation needed], but she achieved a complete recovery. She returned to an international tour ten months after the accident.
1991–1992: Into The Light and The Greatest Hits
Estefan returned to the charts with a concept album, Into the Light, in 1991. She performed "Coming Out of the Dark" for the first time on the American Music Awards in January 1991, receiving a standing ovation as she took the stage. "Coming Out of the Dark" reached #1 in the U.S. as a single a few months later. Other popular singles were "Seal Our Fate" and "Live for Loving You". The album peaked at number five on the Billboard album chart, becoming her highest debut; it also peaked at number two on the British albums chart. Eventually the album went platinum in the UK and double platinum in the US. The Into the Light World Tour covered 100 cities in five countries and was seen by more than 10 million people worldwide.[citation needed]
In 1993, Estefan released the album Mi Tierra, her first Spanish-language album. It peaked at number twenty-seven on the Billboard album chart and number eleven on the British album chart. The singles "Mi Tierra" and the romantic-tropical ballad "Con Los Años Que Me Quedan" and "Mi Buen Amor", climbed to number-one on the "Hot Latin Tracks" chart in the United States. The album sold over eight million copies worldwide, went multiplatinum in Spain (10×) and in the United States (16× Platinum - Latin field), platinum in the Netherlands and the United Kingdom, and gold in Switzerland and Australia, and won a Grammy Award for "Best Tropical Latin Album".[20] That same year, Estefan released her first Christmas album, Christmas Through Your Eyes, the first album from Estefan to not be produced by her husband Emilio Estefan Jr. The collection included the singles "This Christmas" and "Silent Night".The album went Platinum in the United States.
1995's Spanish-language album Abriendo Puertas earned Estefan her second Grammy Award for "Best Tropical Latin Album". It spun off two #1 dance hits, "Abriendo Puertas" and "Tres Deseos", and two #1 Latin singles, "Abriendo Puertas" and "Más Allá".
In January 1995, the Miami Sound Machine performed at the Super Bowl XXIX halftime show, with Tony Bennett, Patti LaBelle, and trumpeter Arturo Sandoval, in a program entitled "Indiana Jones and the Temple of the Forbidden Eye", to promote the upcoming Disney theme park attraction.[21]
On July 18, 1996, Estefan embarked on her Evolution World Tour (her first tour in five years), which covered the United States, Canada, Europe, Latin America, Australia, South Africa and Asia.
1998: Back to dance: gloria!
Estefan rode the wave of the Disco revival in the U.S. during the late 1990s.[citation needed] On June 2, 1998, she released her eighth solo album, (twenty-first overall), gloria!. The album is highly influenced by Disco music,[citation needed] blended with Salsa music percussion and Latin flavour. To promote gloria!, she performed at the famed New York City discotequeStudio 54.[citation needed]
The next album Alma Caribeña (Caribbean Soul) was released in 2000. It was her third Spanish language album with a focus on caribbean rhythms. The album featured several Latin Hits as "No me dejes de querer", "Como me duele perderte", "Por un beso". The album features duets with José Feliciano and the late Celia Cruz. The album earned Estefan another Grammy Music Award in the cathegorie Best Traditional Tropical Latin Album in 2001. Greatest Hits Vol. II was released in 2001. It contained hits from 1993 to 2000, as well as three new songs and a remix of her first hit "Conga", retitled "Y-Tu-Conga". The song "Out of Nowhere" was nominated for a Grammy Award in the category for Best Dance Recording; another song from the album, "You Can't Walk Away from Love", was featured in the film Original Sin.
2003–2004: Unwrapped
In 2003, Estefan released Unwrapped, her first English-language CD in five years. To promote the CD, she toured Europe, Mexico, Puerto Rico and the United States. The video for the single "Hoy", had been filmed in Machu Picchu, Peru.[citation needed] "Hoy" and "Tu Fotografía" both reached #1 on Billboard's Latin chart, and "I Wish You" reached the AC[clarification needed] top 20.
On July 28, 2004, at the Trump Tower building, in a press conference hosted by Donald Trump, Estefan announced that her then-upcoming tour would be her final one.[citation needed] The Live & Re-Wrapped Tour, was produced by Clear Channel Entertainment. It began in Hidalgo, Texas on July 30, 2004, and played in 26 cities; it featured Estefan's greatest hits, along with new material from Unwrapped.[citation needed] The final concert of the tour took place in Estefan's hometown of Miami on the weekend of October 9 and 10, in front of a sold-out crowd, despite having been delayed for two weeks by a hurricane.[citation needed]
2005: Mash-up hit with Mylo and the tributes
On April 7, 2005, Estefan participated in "Selena ¡VIVE!", the tribute concert for Selena Quintanilla-Pérez, the "Queen of Tejano", who was murdered in March 1995 on the brink of her attempt to cross over as an English-language performer. Gloria performed "I Could Fall in Love", one of Selena's posthumously released crossover hits. Also that year, Estefan appeared on the soundtrack for the television series Desperate Housewives, singing a song titled "Young Hearts Run Free".
In late 2005, the club mash-up "Dr. Pressure" was released, which combined Mylo's Number 19 hit "Drop The Pressure" with the Miami Sound Machine's "Dr. Beat". It reached #3 on the UK singles chart and #1 on the Australian dance chart, providing Estefan with her first top 40 hit and commercial radio airplay since 1996.[citation needed]
In early 2006, Estefan performed in Los Angeles at a tribute to singer Dionne Warwick. Estefan sang "Walk On By", one of Warwick's signature songs.[citation needed]
In October 2006, Sony released a 2-CD compilation The Essential Gloria Estefan, featuring her hits from 1984 to 2003, Estefan made several radio and television appearances to promote The Essential Gloria Estefan including a December 9, 2006 appearance on ITV's The X Factor.[citation needed]
Estefan also released two additional similar compilation albums that year for other markets. The Very Best of Gloria Estefan was released in Europe and Mexico, and was similar to The Essential Gloria Estefan, but also included as a bonus track "Dr. Pressure". This compilation was certified GOLD in Ireland.[24]Oye Mi Canto!: Los Grandes Exitos, a collection of her Spanish-language hits was released in Spain. It included a bonus DVD, which included various music videos and television performances.[citation needed]
2008–2009 highlights
In 2008, Gloria appeared during the seventh season of American Idol, in the special charity episode "Idol Gives Back", performing her song "Get on Your Feet" along with Sheila E.. The performance was recorded and was released at the American iTunes store; the video of the performance reached the number twenty of the store's Top 100 videos, and the song became the most downloaded.[citation needed] Estefan became the headliner of the new venue of the MGM Grand at Foxwoods Resort Casino. Her three-day shows were sold out.[citation needed] She then headed to Canada to perform at the Casino Rama. In August, she started her "90 Millas World Tour". Gloria played concerts in London, Rotterdam, Belfast and Aruba. Gloria performed several concerts in Spain, specifically Madrid, Barcelona, Zaragoza and Tenerife. Two of these concerts, in Las Ventas, Spain,[25] and Rotterdam, The Netherlands, were free to the public.
Back in the states, Gloria performed a special concert at the Seminole Hard Rock Hotel and Casino to raise funds for the Education of South Florida.[26] Gloria was a headliner for Bette Midler's "Annual Hulaween Gala" along with other special guests such as Kathy Griffin and a costume contest judged by Michael Kors. The event benefited the New York Restoration Project.[27]
During the Thanksgiving season, Gloria Estefan appeared on Rosie O' Donnell's television special Rosie Live! singing a duet with O'Donnell titled "Gonna Eat For Thanksgiving", an alternate version of "Gonna Eat For Christmas" from on O'Donnell's album A Rosie Christmas.
In 2009, Estefan announced plans for her "farewell tour" of Latin America and South America.[28] Estefan also completed a three-night concert series with Carole King entitled "She's Got a Friend" at the Foxwoods Resort Casino.[citation needed]
The tour continued with a concert at Guadalajara in Mexico, as part of a program designed to improve tourism in Mexico,[29][clarification needed] and a series of appearances at music festivals throughout Europe, including headlining at the Summer Pops Music Festival in Liverpool on July 27, 2009.[30]
The same year, Gloria opened the "In Performance at the White House: Fiesta Latina 2009" with "No Llores". Also, at the end, Estefan together with Jennifer Lopez, Thalía, Marc Anthony, José Feliciano, performed a rendition of her Spanish-language classic, "Mi Tierra".[31]
2010
Gloria began 2010 with a charity single: she and her husband, producer Emilio Estefan, Jr., invited artists to record "Somos El Mundo", a Spanish-language version of Michael Jackson's song "We Are The World". The song, written by Estefan and approved by Quincy Jones, was recorded, and premiered during El Show de Cristina on March 1, 2010.[32] All of the money from sales of the song went to Haitian relief.[33][34]
On March 24, 2010, Gloria led a march down Miami's Calle Ocho in support of Cuba's Las Damas de Blanco (Ladies in White).[35][dead link] Las Damas de Blanco is an opposition movement in Cuba that consists of wives and other female relatives of jailed dissidents. Since 2003, the women have protested the imprisonments by attending Mass each Sunday wearing white dresses and then silently walking through the streets in white clothing.
Late in the year, Gloria took part in Broadway's "24 Hour Plays" in which actors, writers, and directors collaborate to produce and perform six one-act plays within 24 hours to benefit the Urban Arts Partnership. She performed alongside actors Elijah Wood, Diane Neal, and Alicia Witt in the play I Think You'll Love This One, written by the 20-year-old winner of the Montblanc writers' project, Elizabeth Cruz Cortes.[36]
2011 Miss Little Havana
On April 7, 2011, Estefan made an unannounced appearance at auditions for The X Factor in Miami, and gave encouragement to the 7,500 participants gathered outside the Bank United Center for auditions.[37]
In 2011, Estefan was inducted into the Hollywood Bowl Hall of Fame along with Grammy and Emmy award winner Harry Connick Jr. Both singers performed at a special concert on June 17, 2011, with Thomas Wilkins as musical conductor. Proceeds from this event went to benefit the Los Angeles Philharmonic Institute's education programs.[38]
Estefan's new dance-oriented studio album, Miss Little Havana, was released in the United States on September 27, 2011, with the physical CD available exclusively at Target.[39][40] Early on, Estefan had described the album as a project in the vein of her 1998 hit album gloria! Collaborating with her on the album were producers Pharrell Williams, Motiff, Emilio Estefan, and Drop Dead Beats.[41]
One song from the album, "Wepa", premiered on May 31, 2011 at AmericanAirlines Arena in a special music video of the song for the Miami Heat. The Heat video was released on YouTube on June 1.[42][43] The song went on sale for digital downloading at the iTunes music store on July 24.[44]
In the fall of 2011, Estefan began hosting Gloria Estefan's Latin Beat, a seven-part series for BBC Radio 2 in the United Kingdom that explores the history of Latin music.[45]
Estefan was cast to star as Connie Francis, a U.S. pop singer of the 1950s and early 1960s, in Who's Sorry Now?, based on Francis' life. Filming supposedly began in late 2008, according to Parade Magazine (March 23, 2008). Estefan, in an interview with www.allheadlinenews.com, stated the film would be released in 2009. As of December 2009, the film has been dropped as Connie Francis had irreconcilable differences with Estefan over the film's writer. Francis wanted to hire writer Robert L. Freedman, who had written the Emmy Award winning mini-series Life with Judy Garland: Me and My Shadows. Estefan refused to consider him, which according to Francis ended the project collaboration.[46]
Estefan appeared in the ABC television special Elmopalooza, which aired February 20, 1998, in which she sang the song "Mambo, I, I, I". In April 2004, Estefan appeared on the Fox Broadcasting Company's program, American Idol as a guest mentor for the contestants' Latin week.[47]
She recently confirmed that she would guest star on the Fox television series Glee, as the mother of cheerleader Santana Lopez.[48]
Books
Estefan has written two children's books: The Magically Mysterious Adventures of Noelle the Bulldog (2005) and Noelle's Treasure Tale (2006). The latter book spent a week at #3 on the New York Times Bestseller list for children's books.[49]
She also collaborated on a cookbook with her husband entitled Estefan Kitchen, which was published in 2008. It contains 60 traditional Cuban recipes.[50]
Gloria Estefan was appointed to the board of directors for Univision Communications Inc. in 2007, according to Hispanic Market Weekly. The Estefans' estimated net worth as of 2011 was approximately $700 million, according to an article in People en Español magazine.
In June 2009, Gloria Estefan and her husband bought a "very small" ownership stake in the Miami Dolphins.[52][53][54]
In addition to her seven Grammys, Estefan has received a number of other awards. In May 1993, she received the Ellis Island Congressional Medal of Honor, which is the highest award that can be given to a naturalized U.S. citizen.[55] She has won the Hispanic Heritage Award, an MTV Video Music Award, two cable television ACE Awards and the 1993 National Music Foundation's Humanitarian of the Year award. The singer is the recipient of the American Music Award for Lifetime Achievement. She also has a star on the Hollywood Walk of Fame. Her husband, Emilio, a world-renowned music impresario, received a star adjacent to his wife's on the Hollywood Walk of Fame in 2005.[56]
Estefan holds an honorary doctoral degree in music from the University of Miami, awarded in 1993.[57] She was a member of the Board of Trustees of the University of Miami.[58] In 2002, Barry University in Miami bestowed upon her an honorary law degree.[59] Along with her husband, Estefan received an honorary doctoral degree in music from the Berklee College of Music in Boston in 2007.[60] She also delivered the commencement address to the 2007 graduating class.[60]
In 2002, she received the Congressional Hispanic Caucus Institute Medallion of Excellence for Community Service. The singer was Musicares Person of the Year in 1994. Gloria also founded the Gloria Estefan Foundation whose goal is to help those with spinal cord injuries.
She has been honored twice by the Songwriters Hall of Fame. In 1992, she served as a public member of the United States Delegation to the 47th General Assembly to the United Nations.[61]
Estefan received the Latin Recording Academy Person of the Year award at the Latin Grammy Awards in November 2008 in recognition of her twenty-five year singing career. She is the first female singer to receive this award.[62] She also received a Latin Grammy for "Best Traditional Tropical Album" for 90 Millas, and a Latin Grammy for "Best Tropical Song" for her single, "Píntame De Colores". This marked the first occasion for Estefan to ever win a Grammy award for a song (either Latin or non-Latin).[63] On March 12, 2009, Estefan was honored as a BMI Icon at the 16th annual BMI Latin Awards. Her catalog boasts 22 BMI Latin and Pop Awards, along with 11 BMI Million-Air Awards.[64]
In April 2010, Estefan and her husband received a star in the "Walk Of Stars" in Las Vegas for their contribution to music industry.[65] On April 28, 2011, at the Latin Billboard Awards, Estefan was honored with the Billboard Spirit of Hope Award for her philanthropic work.[66]
^"Sister Ann Christine Charron,IHM", IHM Sisters – Then and Now, January 2010, Sister Ann Christine Charron, IHM., who had mentored Gloria Estefan at St. Michael-Archangel School.
Wikipedia on Answers.com. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article Gloria Estefan. Read more