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Jean-Jacques Rousseau

 
Who2 Biography: Jean-Jacques Rousseau, Philosopher
Jean-Jacques Rousseau
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  • Born: 28 June 1712
  • Birthplace: Geneva, Switzerland
  • Died: 2 July 1778
  • Best Known As: Author of The Social Contract

Mostly self-educated in Switzerland, Jean-Jacques Rousseau ended up in Paris, France in the 1740s and became acquainted with Voltaire and Denis Diderot. Rousseau published Discourse on the Origin and Foundations of Inequality in 1754, arguing that the natural, moral state of man had been corrupted by society. In 1762 he published The Social Contract (with it's famous opening line, "Man is born free; and everywhere he is in chains."), and Emile, a novel that illustrated his ideas in education. After settling in England in 1766, Rousseau wrote his Confessions, now considered to be a forerunner of the modern autobiography. He returned to France in 1770 and eventually died in Ermenonville, plagued by fears of persecution. Rousseau's political philosophy had a profound influence on the evolution of the liberal democratic state in Europe and America during the 18th century.

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Britannica Concise Encyclopedia: Jean-Jacques Rousseau
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(born June 28, 1712, Geneva, Switz. — died July 2, 1778, Ermenonville, France) Swiss-French philosopher. At age 16 he fled Geneva to Savoy, where he became the steward and later the lover of the baronne de Warens. At age 30, having furthered his education and social position under her influence, he moved to Paris, where he joined Denis Diderot at the centre of the philosophes; he wrote on music and economics for Diderot's Encyclopédie. His first major work, the Discourse on the Arts and Sciences (1750), argued that man is good by nature but has been corrupted by society and civilization; Rousseau's belief in the natural goodness of man set him apart from Roman Catholic writers who, like him, were hostile to the idea of progress. He also wrote music; his light opera The Cunning-Man (1752) was widely admired. In 1752 he became involved in an influential dispute with Jean-Philippe Rameau over the relative merits of French and Italian music; Rousseau championed the latter. In the Discourse on the Origin and Foundations of Inequality Among Men (1754), he argued against Thomas Hobbes that human life before the formation of societies was healthy, happy, and free and that vice arose as the result of social organization and especially the introduction of private property. Civil society, he held, comes into being only to ensure peace and to protect property, which not everyone has; it thus represents a fraudulent social contract that reinforces inequality. In the Social Contract (1762), which begins with the memorable line, "Man was born free, but he is everywhere in chains," Rousseau argues that a civil society based on a genuine social contract rather than a fraudulent one would provide people with a better kind of freedom in exchange for their natural independence, namely, political liberty, which he understands as obedience to a self-imposed law created by the "general will." In 1762 the publication of Émile, a treatise on education, produced outrage, and Rousseau was forced to flee to Switzerland. He began showing signs of mental instability c. 1767, and he died insane. His Confessions (1781 – 88), which he modeled on the work of the same title by St. Augustine, is among the most famous autobiographies.

For more information on Jean-Jacques Rousseau, visit Britannica.com.

Music Encyclopedia: Jean-Jacques Rousseau
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(b Geneva, 28 June 1712; d Ermenonville, 2 July 1778). Swiss philosopher, author and composer. He lacked formal training as a composer and his first attempts at French opera, in the 1740s, were unsuccessful; but his intermède Le devin du village (1752, Fontainebleau), modelled on Italian intermezzos, was an instant success and affected the growth of French opéra comique. It has a folklike simplicity of tone and includes some italianate music but no spoken dialogue. Also influential was Pygmalion (1770, Lyons), a spoken monodrama with music (composed mostly by Horace Coignet); this led to the genre known as melodrama. He also wrote motets, songs and instrumental pieces.

Rousseau's views on music had a strong impact, though not all are borne out by his compositions; his belief that music should express feelings rather than ideas influenced Romantic thought. He claimed that this was possible only through language, and in his Lettre sur la musique française (1753; his main contribution to the Querelle des Bouffons) he attacked French opera, praising Italian music. Among his other writings is a Dictionnaire de musique (1768).



Art Encyclopedia: Jacques Rousseau
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(bapt Paris, 4 June 1630; d London, 16 Dec 1693). French painter. He was a celebrated exponent of trompe l'oeil and a painter of architecture and landscape of the same generation as Jean-Fran?ois Millet and Etienne Allegrain. An old tradition asserts that Rousseau was a pupil of the Dutch Italianate painter Herman van Swanevelt, who worked in Paris during the mid-1640s and again between 1649 and 1655, introducing extensive landscape cycles as a form of interior decoration in France. In 1654-5 Rousseau was in Rome, where he could have seen the ideal landscapes of Nicolas Poussin and Claude Lorrain. However, it was probably Gaspard Dughet's lavish schemes of landscape decoration for the Roman aristocracy that served as Rousseau's model in his subsequent work for the French royal family.

See the Abbreviations for further details.



Biography: Jean Jacques Rousseau
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The Swiss-born philosopher, author, political theorist, and composer Jean Jacques Rousseau (1712-1778) ranks as one of the greatest figures of the French Enlightenment.

Both Jean Jacques Rousseau the man and his writings constitute a problem for anyone who wants to grasp his thought and to understand his life. He claimed that his work presented a coherent outlook; yet many critics have found only contradictions and passionate outbursts of rhetoric. One interpreter has called Rousseau "an irresponsible writer with a fatal gift for epigram." In the eyes of others Rousseau was not a "serious thinker" but only a mere feeler who occasionally had a great thought. Still others have found Rousseau a mere juggler of words and definitions. Even those who turn to him as an innovating genius have been at odds concerning what he advocated. Rousseau has been variously applauded or denounced as the founder of the romantic movement in literature, as the intellectual father of the French Revolution, as a passionate defender of individual freedom and private property, as a socialist, as a collectivist totalitarian, as a superb critic of the social order, and as a silly and pernicious utopian. Some few critics notably Gustave Lanson and E. H. Wright - have taken Rousseau at his word and believe that he attempted to answer only one question: how can civilized man recapture the benefits of "natural man" and yet neither return to the state of nature nor renounce the advantages of the social state?

For Rousseau's biographers the man himself has been as puzzling as his work - a severe moralist who lived a dangerously "relaxed" life, a misanthrope who loved humanity, a cosmopolitan who prided himself on being a "citizen of Geneva," a writer for the stage who condemned the theater, and a man who became famous by writing essays that denounced culture. In addition to these anomalies, his biographers have had to consider his confessed sexual "peculiarities" - his lifelong habit of masturbation, his exhibitionism, his youthful pleasure in being beaten, his 33-year liaison with a virtual illiterate, and his numerous affairs - and, characteristic of his later years, his persecution suspicions that reached neurotic intensity.

Three major periods characterize Rousseau's life. The first (1712-1750) culminated in the succe‧s de scandale of his Discours sur les sciences et les arts. The second (1750-1762) saw the publication of his closely related major works: La Nouvelle Héloïse (1761), L'Émile (1762), and Du contrat social (1762). The last period (1762-1778) found Rousseau an outcast, hounded from country to country, his books condemned and burned, and a personnage, respected and with influential friends. The Confessions, Dialogues, and Les Rêveries du promeneur solitaire date from this period.

Youth, 1712-1750

Rousseau was the second child of a strange marriage. His mother, Suzanne Bernard, had at the age of 33 married Isaac Rousseau, a man less wellborn than she. Isaac, exhausted perhaps by his frequent quarrels over money with his mother-in-law, left his wife in 1705 for Constantinople. He returned to Suzanne in September 1711. Jean Jacques was born on June 28, 1712, at Geneva, Switzerland. Nine days later his mother died.

At the age of 3, Jean Jacques was reading and weeping over French novels with his father. From Isaac's sister the boy acquired his passion for music. His father fled Geneva to avoid imprisonment when Jean Jacques was 10. By the time he was 13, his formal education had ended. Apprenticed to a notary public, he was soon dismissed as fit only for watchmaking. Apprenticed again, this time to an engraver, Rousseau spent 3 wretched years in hateful servitude, which he abandoned when he found himself unexpectedly locked out of the city by its closed gates. He faced the world with no visible assets and no obvious talents.

Rousseau found himself on Palm Sunday, 1728, in Annecy at the house of Louise Eleonore, Baronne de Warens. She sent him to a hospice for catechumens in Turin, where among "the biggest sluts and the most disgusting trollops who ever defiled the fold of the Lord," he embraced the Roman Catholic faith. His return to Madame de Warens in 1729 initiated a strange alliance between a 29-year-old woman of the world and a sensitive 17-year-old youth.

Rousseau lived under her roof off and on for 13 years and was dominated by her influence. He became her Petit; she was his Maman. Charming and clever, a born speculator, Madame de Warens was a woman who lived by her wits. She supported him; she found him jobs, most of which he regarded as uncongenial. A friend, after examining the lad, informed her that he might aspire to become a village curé but nothing more. Still Rousseau read, studied, and reflected. He pursued music and gave lessons. For a time he was a not too successful tutor.

First Publications and Operas

In 1733, disturbed by the advances made to Rousseau by the mother of one of his music pupils, Madame de Warens offered herself to him. Rousseau became her lover: "I felt as if I had been guilty of incest." The sojourn with Madame de Warens was over by 1742. Though she had taken other lovers and he had enjoyed other escapades, Rousseau was still devoted to her. He thought that the scheme of musical notation he had developed would make his fortune in Paris and thus enable him to save her from financial ruin. But his journey to Paris took Rousseau out of her life. He saw her only once again, in 1754. Reduced to begging and the charity of her neighbors, Madame de Warens died destitute in 1762.

Rousseau's scheme for musical notation, published in 1743 as Dissertation sur la musique moderne, brought him neither fame nor fortune - only a letter of commendation from the Académie des Sciences. But his interest in music spurred him to write two operas - Les Muses galantes (1742) and Le Devin du village (1752) - and permitted him to write articles on music for Denis Diderot's Encyclopédie; the Lettre sur la musique française, which embroiled him in a quarrel with the Paris Opéra (1753); and the Dictionnaire de musique, published in 1767.

From September 1743 until August 1744 Rousseau served as secretary to the French ambassador to Venice. He experienced at firsthand the stupidity of officialdom and began to see how institutions lend their authority to injustice and oppression in the name of peace and order. Rousseau spent the remaining years before his success with his first Discours in Paris, where he lived from hand to mouth the life of a struggling intellectual.

In March 1745 Rousseau began a liaison with Thére‧se Le Vasseur. She was 24 years old, a maid at Rousseau's lodgings. She remained with him for the rest of his life - as mistress, housekeeper, mother of his children, and finally, in 1768, as his wife. He portrayed her as devoted and unselfish, although many of his friends saw her as a malevolent gossip and troublemaker who exercised a baleful influence on his suspicions and dislikes. Not an educated woman - Rousseau himself cataloged her malapropisms - she nonetheless possessed the uncommon quality of being able to offer stability to a man of volatile intensity. They had five children - though some biographers have questioned whether any of them were Rousseau's. Apparently he regarded them as his own even though he abandoned them to the foundling hospital. Rousseau had no means to educate them, and he reasoned that they would be better raised as workmen and peasants by the state.

By 1749 Diderot had become a sympathetic friend, and Rousseau regarded him as a kindred spirit. The publication of Diderot's Lettre sur les aveugles had resulted in his imprisonment at Vincennes. While walking to Vincennes to visit Diderot, Rousseau read an announcement of a prize being offered by the Dijon Academy for the best essay on the question: has progress of the arts and sciences contributed more to the corruption or to the purification of morals?

Years of Fruition, 1750-1762

Rousseau won the prize of the Dijon Academy with his Discours sur les sciences et les arts and became "l'homme du jour." His famous rhetorical "attack" on civilization called forth 68 articles defending the arts and sciences. Though he himself regarded this essay as "the weakest in argument and the poorest in harmony and proportion" of all his works, he nonetheless believed that it sounded one of his essential themes; the arts and sciences, instead of liberating men and increasing their happiness, have for the most part shackled men further. "Necessity erected thrones; the arts and sciences consolidated them," he wrote.

The Discours sur l'origine de l'inégalité des hommes, written in response to the essay competition proposed by the Dijon Academy in 1753 (but which did not win the prize), elaborated this theme still further. The social order of civilized society, wrote Rousseau, introduced inequality and unhappiness. This social order rests upon private property. The man who first enclosed a tract of land and called it his own was the true founder of civilized society. "Don't listen to that imposture; you are lost if you forget that the fruits of the earth belong to everyone and the earth to no one," he wrote. Man's greatest ills, said Rousseau, are not natural but made by man himself; the remedy lies also within man's power. Heretofore, man has used his wit and art not to alter his wretchedness but only to intensify it.

Three Major Works

Rousseau's novel La Nouvelle Héloïse (1761) attempted to portray in fiction the sufferings and tragedy that foolish education and arbitrary social conventions work among sensitive creatures. Rousseau's two other major treatises - L'Émile ou de l'éducation (1762) and Du contrat social (1762) - undertook the more difficult task of constructing an education and a social order that would enable men to be natural and free; that is, that would enable men to recognize no bondage except the bondage of natural necessity. To be free in this sense, said Rousseau, was to be happy.

Rousseau brought these three works to completion in somewhat trying circumstances. After having returned to the Protestant fold in 1755 and having regained his citizenship of Geneva that same year, Rousseau accepted the rather insistent offer of Madame Louise d'Épinay to install Thére‧se and himself in the Hermitage, a small cottage on thÉpinay estate at Montmorency. While Rousseau was working on his novel there, its heroine materialized in the person of Sophie, Comtesse d'Houdetot; and he fell passionately in love with her. He was 44 years old; Sophie was 27, married to a dullard, the mistress of the talented and dashing Marquis Saint-Lambert, and the sister-in-law of Rousseau's hostess. Rousseau was swept off his feet. Their relationship apparently was never consummated; Sophie pitied Rousseau and loved Saint-Lambert. But Madame d'Épinay and her paramour, Melchior Grimm, meddled in the affair; Diderot was drawn into the business. Rousseau felt that his reputation had been blackened, and a bitter estrangement resulted. Madame d'Épinay insulted Rousseau until he left the Hermitage in December 1757. However, he remained in Montmorency until 1762, when the condemnation of L'Émile forced him to flee from France.

La Nouvelle Héloïse appeared in Paris in January 1761. Originally entitled Lettres de deux amants, habitants d'une petite ville au pied des Alpes, the work was structurally a novel in letters, after the fashion of the English author Samuel Richardson. The originality of the novel won it hostile reviews, but its romantic eroticism made it immensely popular with the public. It remained a best seller until the French Revolution.

The notoriety of La Nouvelle Héloïse was nothing compared to the storm produced by L'Émile and Du contrat social. Even today the ideas promulgated in these works are revolutionary. Their expression, especially in L'Émile, in a style both readable and alluring made them dangerous. L'Émile was condemned by the Paris Parlement and denounced by the archbishop of Paris. Both of the books were burned by the authorities in Geneva.

L'Émile and Du contrat social

L'EL'Émile ou de l'éducation remains one of the world's greatest speculative treatises on education. However, Rousseau wrote to a correspondent who tried to follow L'Émile literally, "so much the worse for you!" The work was intended as illustrative of an educational program rather than prescriptive of every practical detail of a proper education. Its overarching spirit is best sensed in opposition to John Locke's essay on education. Locke taught that man should be educated to the station for which he is intended. There should be one education for a prince, another for a physician, and still another for a farmer. Rousseau advocated one education for all. Man should be educated to be a man, not to be a doctor, lawyer, or priest. Nor is a child merely a little man; he is, rather, a developing creature, with passions and powers that vary according to his stage of development. What must be avoided at all costs is the master-slave mode of instruction, with the pupil as either master or slave, for the medium of instruction is far more influential than any doctrine taught through that medium. Hence, an education resting merely on a play of wills - as when the child learns only to please the instructor or when the teacher "teaches" by threatening the pupil with a future misfortune - produces creatures fit to be only masters or slaves, not free men. Only free men can realize a "natural social order," wherein men can live happily.

A few of the striking doctrines set forth in L'Émile are: the importance of training the body before the mind, learning first through "things" and later through words, teaching first only that for which a child feels a need so as to impress upon him that thought is a tool whereby he can effectively manage things, motivating a child by catering to his ruling passion of greed, refraining from moral instruction until the awakening of the sexual urge, and raising the child outside the doctrines of any church until late adolescence and then instructing him in the religion of conscience. Although Rousseau's principles have never been fully put into practice, his influence on educational reformers has been tremendous.

L'Émile's companion master work, Du contrat social, attempted to spell out the social relation that a properly educated man - a free man - bears to other free men. This treatise is a difficult and subtle work of a penetrating intellect fired by a great passion for humanity. The liberating fervor of the work, however, is easily caught in the key notions of popular sovereignty and general will. Government is not to be confused with sovereignty of the people or with the social order that is created by the social contract. The government is an intermediary set up between the people as law followers and the people as law creators, the sovereignty. Furthermore, the government is an instrument created by the citizens through their collective action expressed in the general will. The purpose of this instrument is to serve the people by seeing to it that laws expressive of the general will of the citizens are in fact executed. In short, the government is the servant of the people, not their master. And further, the sovereignty of the people - the general will of the people - is to be found not merely in the will of the majority or in the will of all but rather in the will as enlightened by right judgment.

As with L'Émile, Du contrat socialis a work best understood as elaborating the principles of the social order rather than schematizing the mechanism for those general principles. Rousseau's political writings more concerned with immediate application include his Considérations sur le gouvernement de la Pologne (1772) and his incomplete Projet de constitution pour la Corse, published posthumously in 1862.

Other writings from Rousseau's middle period include the Encyclopédie article Économie politique (1755); Lettre sur la Providence (1756), a reply to Voltaire's poem on the Lisbon earthquake; Lettre a‧ d'Alembert sur les spectacles (1758); Essai sur l'origine des langues (1761); and four autobiographical Lettres a‧ Malesherbes (1762).

Exile and Apologetics, 1762-1778

Forced to flee from France, Rousseau sought refuge at Yverdon in the territory of Bern. Expelled by the Bernese authorities, he found asylum in Môtiers, a village in the Prussian principality of Neuchâtel. Here in 1763 he renounced his Genevan citizenship. The publication of his Lettres écrites de la montagne (1764), in which he defended L'Émile and criticized "established" reformed churches, aroused the wrath of the Neuchâtel clergy. His house was stoned, and Rousseau fled to the isle of St. Pierre in the Lake of Biel, but he was again expelled by the Bernese. Finally, through the good offices of the British philosopher David Hume, he settled at Wotton, Derbyshire, England, in 1766. Hume managed to obtain from George III a yearly pension for Rousseau. But Rousseau, falsely believing Hume to be in league with his Parisian and Genevan enemies, not only refused the pension but also openly broke with the philosopher. Henceforth, Rousseau's sense of persecution became ever more intense, even at times hysterical.

Rousseau returned to France in June 1767 under the protection of the Prince de Conti. Wandering from place to place, he at last settled in 1770 in Paris. There he made a living, as he often had in the past, by copying music. By December 1770 the Confessions, upon which he had been working since 1766, was completed, and he gave readings from this work at various private homes. Madame d'Épinay, fearing an unflattering picture of herself and her friends, intervened; the readings were forbidden by the police. Disturbed by the reaction to his readings and determined to justify himself before the world, Rousseau wrote Dialogues ou Rousseau, Juge de Jean-Jacques (1772-1776). Fearful lest the manuscript fall into the hands of his enemies, he attempted to place it on the high altar of Notre Dame. Thwarted in this attempt, he left a copy with the philosopher Étienne Condillac and, not wholly trusting him, with an English acquaintance, Brooke Boothby. Finally, in 1778 Rousseau entrusted copies of both the Confessions and the Dialogues to his friend Paul Moultou. His last work, Les Rêveries du promeneur solitaire, begun in 1776 and unfinished at his death, records how Rousseau, an outcast from society, recaptured "serenity, tranquility, peace, even happiness."

In May 1778 Rousseau accepted Marquis de Giradin's hospitality at Ermenonville near Paris. There, with Thére‧se at his bedside, he died on July 2, 1778, probably from uremia. From birth he had suffered from a bladder deformation. From 1748 onward his condition had grown worse. His adoption of the Armenian mode of dress was due to the embarrassment caused by this affliction, and it is not unlikely that much of his suspicious irritability can be traced to the same malady. Rousseau was buried on the île des Peupliers at Ermenonville. In October 1794 his remains were transferred to the Panthéon in Paris. Thére‧se, surviving him by 22 years, died in 1801 at the age of 80.

Further Reading

Rousseau himself is the best introduction to his own thought. Everyman's Library offers translations of Emile and a volume containing The Social Contract and the two Discourses. The Confessions is available in a Modern Library edition. The most accessible English version of Rousseau's novel is Julie, or the New Eloise, translated and abridged by J. H. McDowell (1968). A sampling of Rousseau's letters appears in Citizen of Geneva: Selections from the Letters of J.-J. Rousseau, edited by C. W. Hendel (1937). Useful biographies include Matthew Josephson, J. J. Rousseau (1931); R. B. Mowat, Jean-Jacques Rousseau (1938); and Lester G. Crocker, Jean-Jacques Rousseau: The Quest, 1712-1758 (1968).

The literature on Rousseau is vast. An excellent introduction to his thought as a whole is E. H. Wright, The Meaning of Rousseau (1929). A critical study of Rousseau's life and writings is Frederick C. Green, Jean-Jacques Rousseau (1955), valuable for his life but less illuminating on the works. Ronald Grimsley, Jean-Jacques Rousseau: Study in Self-awareness (1961), focuses on Rousseau's attempts to answer the riddle of his personal existence. See also Grimsley's Rousseau and the Religious Quest (1968). Ernst Cassirer, The Question of Jean-Jacques Rousseau (1932), presents Rousseau as offering a non-Christian interpretation of the universe; and in his Kant, Rousseau, Goethe (1945), Cassirer suggests that Rousseau was a profound influence on Kantian thought. Roger Masters, Political Philosophy of Rousseau (1967), examines an important aspect of Rousseau's work. Frederika Macdonald, Jean-Jacques Rousseau: A New Criticism (2 vols., 1906), presents Rousseau as a victim of Madame d'Épinay's vilification. For a helpful review of fairly recent Rousseau literature see Peter Gay's chapter on Rousseau in his The Party of Humanity (1964).

Political Dictionary: Jean-Jacques Rousseau
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(1712-78) Moral, political and educational philosopher, novelist, composer, musicologist, and botanist. Not French, but born in Geneva, a French-speaking city-state of the Swiss confederation. Although his family was relatively poor, Rousseau was by birth a member of the citizen class, the highest in Geneva, and one of the only two classes out of five with political rights. They made up only a small percentage of the population. Rousseau left Geneva at 18 with nothing, to make his fortune. He rejected Calvinism, especially the central place it gave to original sin, and became a Roman Catholic. Although readmitted to Protestantism in 1754, he increasingly rejected all formal religion. He educated himself, becoming familiar with, among others, the ideas of Plato, the modern natural law school, and the Enlightenment. In 1749, inspired by the title set by the Academy of Dijon for an essay competition, Rousseau wrote his Discourse on the Sciences and Arts, and was awarded first prize. Published in 1750, this established his reputation as a writer. He wrote the Discourse on Inequality in 1755, again for the Academy of Dijon, but did not win. In both discourses, Rousseau contrasted the simplicity and innocence of solitary man in a state of nature, living in terms of his own being, with the dishonesty of man in society who sees himself, and hence lives, only in terms of the opinions of others. Sciences and arts, on the one hand, and inequality on the other, are manifestations of this corruption. In between the state of nature and corrupt society, he puts (but only in one paragraph) the primitive family which is so small that no dishonesty can exist between its members, and which therefore provides a context for morality.

In 1762, he published both Émile, his tract on education, and The Social Contract, his most important work of political philosophy. Society is based upon a contract, but in contrast to other social contract thinkers, Rousseau refuses to allow originally independent individuals to give to a government their capacity for will—it is inalienable. Rousseau therefore separates sovereignty—the legislative function—from government—the executive function—and makes the second the servant of the first.

The only legitimate form of sovereignty is a direct democracy in which all citizens have the right to participate in making the law. This solves to Rousseau's satisfaction the paradox of leaving each associate as free as before after joining a society. It depends upon his commitment to the ancient idea of liberty as participation instead of the modern one as a sphere of life free from social interference. The way to achieve ancient liberty is the general will. This is the will of each individual in favour of the good of the whole community, and is superior to his own particular interest. This is based on the idea of a separation between real and apparent interests in which the realization of the latter would destroy the former, and the individual would lose the chance of achieving liberty in the ancient sense. In this process, he may lose liberty in the modern sense, and this contrast lies behind Rousseau's paradoxical assertion that if anyone refuses to accept the general will, then he must be forced to be free. To ensure that the citizen body would come as close as possible to the ideal of voting laws unanimously, Rousseau relies upon the establishment of moral harmony between citizens. This must be a result of deliberate policy, but can only be achieved in a small and isolated society. There is some tension between Rousseau's view of the need for a tightly knit and artificial orthodoxy in society, and his view of education in Émile which relies largely on the effects of the individual pupil's natural contact with the world of things.

In practice, Rousseau recognizes that even the smallest possible society capable of independence could not give political rights to everyone. His models for legitimate society were some of the city-states of ancient Greece, republican Rome, and Geneva, which in different ways embodied the equality of citizens but inequality between them and the rest of the population. Rousseau rejected the possibility of applying his ideal to a large modern society, although 1772 he wrote by invitation a constitution for Poland which was under threat of what became the First Partition by Prussia, Austria, and Russia. His plan involved taking account of Polish tradition, and attempting to turn it into a genuine national consciousness by educating the Polish equivalent of the citizen class in a city-state. At the same time, in order to approach as closely as possible the conditions for realizing the general will in a small state, Rousseau proposed to grant a large degree of self-government to each of thirty-three provinces which would be created, and connected by federal arrangements. Rousseau provided a Romantic alternative to Enlightenment optimism, emphasizing the part played by feeling instead of reason in human motivation.

— Carl Slevin

Fairy Tale Companion: Jean-Jacques Rousseau
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Rousseau, Jean‐Jacques (1712–78), pre‐eminent Swiss Enlightenment philosopher and writer. His witty salon fairy tale ‘La Reine Fantasque’ (‘Queen Fantastic’, 1754) reflects many of his educational, social, and political theories. The tale is told by a druid to the arab Jalamir and recounts the capriciousness with which a queen enlists a fairy's help to become pregnant and endow her offspring, a boy and a girl. Making effective use of narrative suspense and parenthetical dialogue, Rousseau's story critiques monarchy, but also pokes fun at women.

— Lewis C. Seifert

French Literature Companion: Jean-Jacques Rousseau
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Rousseau, Jean-Jacques (1712-78). Swiss writer, one of the most influential and controversial figures ever to write in French. From the beginning his person and his books have attracted disciples and fierce critics. His denunciation of contemporary society and his evocations of lost innocence and alternative worlds set off a wave of ‘Rousseauism’. Readers—from Madame Roland to Tolstoy—sought to follow what they supposed to be his example, while on the other hand he was reviled as a destroyer of traditional values. His influence marked the theory and practice of education and politics, his novel La Nouvelle Héloïse was a model for life and literature, and his Confessions inaugurated autobiography as a literary genre.

He was by birth a citizen of Geneva, a title he proudly declared on his title-pages until 1763, when his native city condemned two of his most important works. His father was a watchmaker. His mother died shortly after his birth, and his father left home when he was 10; he received little formal education, being apprenticed at the age of 13, and leaving Geneva in 1728 for a wandering life, which is memorably described in the Confessions. Having walked across the Alps to Turin (where he was temporarily converted to Catholicism), he was given protection in Chambéry by Madame de Warens, an agent of the king of Savoy; he lived in or near her house for several years, and she was for him both surrogate mother and lover. During this period he educated himself by intensive private reading. When an idyllic stay with Madame de Warens at the country retreat of Les Charmettes had come to an unhappy end as she took another lover, he moved to Paris in 1742, hoping in vain to make a living by music—a permanent love of his life. He was employed for a few months as secretary in the French embassy in Venice, enjoyed the protection of the rich Dupin family, and became friendly with the philosophes, including Diderot, for whose Encyclopédie he wrote articles on music and political economy. In 1745 he began a liaison with Thérèse Levasseur which was to last for the rest of his life and which he regularized by an unofficial marriage in 1768. By his own account he deposited their five children at a foundlings' home.

He had written nothing significant before 1749. In that year, on the road to visit Diderot in prison at Vincennes, he claims to have experienced a moment of vision which changed his life. The first fruit was his brief Discours sur les sciences et les arts, which won the prize of the Académie de Dijon and created a sensation on its publication in 1751. It is a denunciation of intellectual and technical progress as both cause and symptom of the moral decadence of modern society. In the ensuing polemic, Rousseau developed his theory into a speculative account of human history as a decline from a hypothetical solitary state of nature through ever-worsening states of society. Crucial turning-points in this tragic fall are the institution of metallurgy and agriculture, bringing in their wake private property, the division of labour, and the subsequent evolution of a political order in which the laws serve the powerful. The resulting domination and inequality cannot be justified in nature and exacerbate the amour-propre (vanity) which is a perversion of natural amour de soi (the instinct of self-preservation). This is the theory eloquently expounded in the Discours sur l'origine et les fondements de l'inégalité parmi les hommes (1755), also submitted—unsuccessfully—for the Dijon prize.

His literary debut had brought him celebrity, and this was intensified in 1752 with the court production of his melodious pastoral opera, Le Devin du village. Conscious of the gap between his social success and his principles, Rousseau now attempted to break with polite society. Henceforth, although often patronized by the rich and powerful, he was to adopt the independent stance of the cynic Diogenes. Unwilling to make a living as an author, he set up as a music copyist. In 1756 he accepted the invitation of Madame d'Épinay to live in the Hermitage, an isolated house on her country estate near Paris. This was to prove a disastrous move. His prickly resistance to her patronage, his unhappy love for her cousin Sophie d'Houdetot, and the insensitivity of Madame d'Épinay and her lover Grimm led Rousseau to break publicly with them, and with their friend Diderot, to whom he had been very close. He left the Hermitage and accepted hospitality nearby at Montmorency from one of his most influential patrons, the maréchal de Luxembourg.

The years between 1756 and 1762 were Rousseau's most productive period. The three principal works were Du contrat social (1762), Émile (1762), and Julie ou la Nouvelle Héloïse (1761). The first two were part of a philosophical programme, offering a positive remedy to the predicament outlined in the Discours. The third, an epistolary novel which became an immediate best-seller, came rather from its author's personal dreams and fantasies, though he attempted to make it too a part of his philosophical message. Three other significant works date from the same period, a group of four letters to Malesherbes which are his first attempt at autobiography, the Lettres morales (1757) addressed to Sophie d'Houdetot as an attempt to salvage something from his amorous shipwreck, and the Lettre à d'Alembert (1758). The last of these was triggered by d'Alembert's Encyclopédie article on Geneva, which called for the establishment of a theatre in Rousseau's native city. He replied with a long and very personal attack on the Paris theatre (including an unwittingly revealing critique of Molière's Le Misanthrope), which is at the same time a defence of an idealized Swiss traditional culture.

When Émile and its author were condemned for religious unorthodoxy in 1762 by the Parlement de Paris, he felt obliged to flee to Switzerland, first to the Neuchâtel district, and then in 1765, after his house was stoned by his superstitious neighbours, to the Île de Saint-Pierre, on the Lac de Bienne. During these three years in Switzerland he crossed swords with critics of Émile and Du contrat social. The Lettre à Christophe de Beaumont (1763), a masterly piece of polemic, is directed against the archbishop of Paris, and the Lettres écrites de la montagne (1764) is a reply to Genevan critics, which allied Rousseau with the ordinary citizens of Geneva in their struggles against the political élite.

The last-mentioned works contain an autobiographical element, which was to be amply developed in the Confessions. This work was begun in about 1764, and continued over the next six years, as Rousseau was driven from place to place. At the invitation of David Hume he went to England in 1765, but soon became involved in a violent public dispute with the Scot. Suffering increasingly—and not without cause—from feelings of persecution, he returned to France, taking refuge first in the Paris region, and then in the Dauphiné. In 1770, although still officially liable to arrest, he returned to Paris to confront his ‘enemies’ with public readings of the Confessions. Feeling that these had been unsuccessful, he continued his enterprise of self-justification in the extraordinary and obsessive Dialogues, also known as Rousseau juge de Jean-Jacques; in these ‘Rousseau’ and ‘a Frenchman’ try to arrive at a complete view of his life and works, which he insisted were indissoluble rather than contradictory. Then, in the last two years of his life, he composed his swan-song, the beautiful and self-absorbed Rêveries du promeneur solitaire. Just before his death he was offered his final refuge by the marquis de Girardin at Ermenonville; here he was buried. Ermenonville quickly became a place of pilgrimage, and among the pilgrims was Robespierre. Rousseau was to be one of the great heroes of the French revolutionaries, and in 1794 his remains were transferred to the Panthéon.

Besides the works already mentioned, he published important books on a variety of subjects. These include the Lettre sur la musique française (1753), taking the Italian side in the Guerre des Bouffons; the Essai sur l'origine des langues (composed about 1753), a work that has been much discussed in recent years, notably by Derrida; the Dictionnaire de musique (1767); and various writings on botany. In two posthumously published political texts, the Projet de constitution pour la Corse (1765) and the Considérations sur le gouvernement de Pologne (1771), he attempted practical applications of the theories of Du contrat social. His correspondence runs to 50 volumes in the monumental edition by R. A. Leigh.

In the history of European ideas Rousseau occupies an ambiguous position. He was for many years a close friend of Diderot and an ally of the philosophes, and he participated in the Enlightenment critique of existing institutions. But he broke violently with his former friends, for reasons that were both personal and philosophical. Against their belief in cultural progress, he proclaimed the superiority of simpler states of society. His treatment of institutional Christianity in the ‘Profession de foi du vicaire savoyard’ (Émile, Book 4) has much in common with Voltaire's deism (‘Mock on, mock on, Voltaire, Rousseau!’, wrote Blake), but he was hostile to the corrosive scepticism of his contemporaries and maintained an unorthodox loyalty to the Protestantism of his upbringing, exalting in particular the role of conscience in morality. In a long letter to Voltaire of 1756 he defended the consoling belief in providence against the latter's bitter poem on the Lisbon earthquake, and subsequently the two men were to become irreconcilable enemies.

It is possible, indeed, to detect many contradictions between the positions adopted in his various books. He had a gift for striking formulations (e.g. the opening of Émile: ‘Tout est bien, sortant des mains de l'auteur des choses: tout dégénère entre les mains de l'homme’); this led him to adopt extreme positions which he subsequently qualified. Nevertheless, his writings express a coherent, if complex, view of life, a tragic view in which the fall from original nature into society plunges human beings into an alienated condition. Contrary to common belief, he saw no possibility of a ‘return to nature’, but the writings of his middle period show him attempting to overcome this alienation, imagining alternative forms of social organization. In spite of the uses made of Du contrat social, he was not a political revolutionary; his ideal was rather the small and harmonious social unit, based on the family—his view of woman's role being deeply traditional. In his own existence, however, because of his extreme susceptibility and the hostility of certain contemporaries, he found it difficult to maintain satisfactory social relationships. It was perhaps as a second-best that he sang the praises of solitude; even so, he made a deep impact on readers by the pictures he painted of individual happiness in natural settings, among the lakes and mountains of Switzerland.

Imagination played a key role in Rousseau's life, for better or worse. The dark side of imagination led him in his later years to invent a universal conspiracy against him, but it was also in imagination that he found a refuge from the pains of actual life. And although he often declared himself hostile to books and writing as a part of corrupt modern culture, it was in writing that he created for himself and his readers alternatives to the world as it is. His musical prose, though highly wrought and far from spontaneous, comes off the page with the warmth of personal conviction. This was mocked by his critics, who saw him as a hypocrite and a play-actor. To many, however, his voice conveyed a compelling vision of things as they are and things as they might be.

[Peter France]

Bibliography

  • G. May, Rousseau par lui-même (1961)
  • J. Starobinski, Jean-Jacques Rousseau: la transparence et l'obstacle, 2nd edn. (1971):
  • M. Launay, Jean-Jacques Rousseau, écrivain politique (1971)
  • M. Cranston, Jean-Jacques: The Early Life and Works of Jean-Jacques Rousseau (1983) and The Noble Savage: Jean-Jacques Rousseau, 1754-1762 (1991) (there will be a third and final volume of this biography)
German Literature Companion: Jean-Jacques Rousseau
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Rousseau, Jean-Jacques (Geneva, 1712-78, Ermenonville), French-Swiss man of letters and novelist, who fostered the love of nature and the cult of emotion in the middle of the 18th c. Rousseau set primitive or rustic simplicity above the complexities and hypocrisy of civilization. His thought is expressed in a series of essays and treatises, including Discours pour l'Académie de Dijon (1750), Discours sur l'origine et les fondements de l'inégalité parmi les hommes (1755), Lettre à d'Alembert sur les spectacles (1758), and Du contrat social ou principes de droit politique (1762), to which must be added the novel Émile ou de l'éducation (1762). These works helped to prepare the way for the French Revolution and contributed to the rise of the Sturm und Drang and of the Romantic movement (see Romantik) in Germany. J. G. Herder was possibly the writer most influenced by Rousseau. The novel Julie ou la nouvelle Héloïse had a direct impact on Goethe, manifested in Die Leiden des jungen Werthers (1774), and also strongly influenced Sophie von La Roche's novel Die Geschichte des Fräuleins von Sternheim (1771).

Philosophy Dictionary: Jean-Jacques Rousseau
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Rousseau, Jean-Jacques (1712-78) Born in Geneva of a learned mother, who died within a week, and an artisan father, Rousseau was brought up to cherish the civic ideal of the ancient Roman republic. His father being exiled for an ill-judged duel, Rousseau was brought up with a cousin until the time came for him to be apprenticed to an engraver. Finding this intolerable he left Geneva, and in Turin was received into the Catholic church. In Savoy he belonged to the household of the slightly disreputable Baroness de Warens, but it was after becoming tutor to the family of the Abbé de Mably that Rousseau became acquainted with philosophers of the French Enlightenment, including Mably's brother Condillac. In Paris he made friends with Diderot; a year in Venice saw him dismissed from the service of the Ambassador, the comte de Montaigu, for generally insufferable behaviour. Back in Paris he became secretary to an opulent tax-farmer named Dupin, and began passing an agreeable literary life in the magnificent château of Chenonceaux, where he wrote various contributions to the Encyclopédie.

In 1749 Rousseau's prize essay for the Dijon academy, the Discours sur les sciences et les arts (pub. 1751, trs. as the Discourses on the Sciences and the Arts, 1751, and known as the First Discourse) publicized his sudden realization that arts and sciences contributed neither to the virtue nor the happiness of human beings, but instead brought ruin and corruption. The implicit Romanticism of this vision was again manifested in his prolonged controversy with the composer Rameau over the true nature of music. Whereas for Rameau music was academic, celebral, Cartesian, and conservative in its order and its sophistication, for Rousseau it was melodic, flexible, inspired by emotion, and democratic. In 1753 Rousseau again entered the Dijon competition, this time unsuccessfully, with the Discours sur l'origine et les fondements de l'inégalité parmi les hommes (pub. 1755, trs. as A Discourse upon the Origin and Foundation of the Inequality Among Mankind, 1762, and usually known as the Second Discourse). This essay argued that the ills of the human condition derive from society, and that in the state of nature life is free and independent, healthy, happy, and innocent. People are endowed by nature with the sentiment of pity (stifled as the power of reason develops, separating people from nature and from each other). The less idyllic vision of the state of nature familiar from philosophers such as Hobbes is quite inadequate: they ‘speak of savage man and they depict civilized man’. It is only with the (somewhat unaccountable) move from this pastoral idyll towards society that human beings leave the world of the ‘noble savage’ and step towards unhappiness and vice. Once a social condition is induced, and the fall from nature has taken place, then for the reasons Hobbes gives a system of law must emerge, although at this stage in his thought Rousseau has no illusions about its justice or objectivity: it is a fraud imposed by the rich on the poor. Similarly, whereas in nature sex is simple, love is an artificial device by which females manipulate men, in order to gain the shelter and protection that their dependent and domesticated state leads them to require.

However, some kind of redeeming political organization is possible, and Rousseau's pessimism is moderated by his commendation of the city of Geneva as a ‘democracy well-tempered’ (he revisited it after finishing the essay, and was predictably disillusioned). In Du contrat social (1762, trs. as The Social Contract, 1764), Rousseau returns to the defence of democratic, republican ideals modelled upon ancient Sparta, and centred upon the idea of freedom as active participation in politics and legislation. Just as a single person is free in so far as he or she prescribes for himself or herself the rules of his or her life, so a civil society is a single organic unity with a single will: the ‘volonté générale’ or general will. The Social Contract is sensitive to the different conditions of different societies, and the different legal, political, and social arrangements that these might require. It inaugurated a new era of anthropological and comparative studies of human societies, reacting against the static, classical, assumption of human uniformity more characteristic of the Enlightenment. Back in the country in 1756 Rousseau began his novel La Nouvelle Héloïse, and fell in love with his neighbour, Sophie d'Houdetot. By now reconverted to Calvinism, Rousseau also defended the ban on the theatre that existed in Geneva, in his Letter to M. D'Alembert on the Theatre. Since he himself wrote operas and plays, this seemed surprising. Rousseau subscribes to versions of the argument to design, and even to the unmoved mover in The Profession of Faith of a Savoyard Priest, a rebuttal of the deism or atheism of Voltaire and the materialism of the philosophes of the Enlightenment (see mover, unmoved). However, in accordance with his philosophy of nature, true religious faith is more an affair of the heart than the head. Nature and innocence are usually corrupted by education, and in Émile, ou de l’éducation (1762, trs. as Émile, or Education, 1764) Rousseau propounds a better system, concentrating on the senses and bodily health at the expense of the intellect, discouraging books, and enjoying ‘the sleep of reason’. Émile was promptly banned. Rousseau fled to Neuchâtel in Switzerland (Geneva having also banned Émile and The Social Contract), where the local pastor inflamed the population against him. His later years were spent in doubtful mental health, travelling in various places including England, where a brief sojourn ended with a paranoid quarrel with Hume. But these years produced the Les Confessions (1782-9, trs. as Confessions, 1783-90), an autobiography that broke new ground in facing the petty and shameful elements of a human life.

Rousseau's immense influence arises from his being the first true philosopher of Romanticism. In him many themes that came to dominate intellectual life of the next one hundred years are first found: the lost unity of humankind and nature; the elevation of feeling and innocence and the downgrading of the intellect; a dynamic conception of human history and its different stages; a faith in teleology and in the possibility of recapturing a vanished freedom.

 
Columbia Encyclopedia: Jean Jacques Rousseau
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Rousseau, Jean Jacques (zhäN zhäk rūsō'), 1712-78, Swiss-French philosopher, author, political theorist, and composer.

Life and Works

Rousseau was born at Geneva, the son of a Calvinist watchmaker. His mother died shortly after his birth, his father abandoned him about a decade later, and his upbringing was haphazard. At 16 he set out on a wandering, irregular life that brought him into contact (c.1728) with Louise de Warens, who became his patron and later his lover. She arranged for his trip to Turin, where he became an unenthusiastic Roman Catholic convert. After serving as a footman in a powerful family, he left Turin and spent most of the next dozen years at Chambéry, Savoy, with his patron. In 1742 he went to Paris to make his fortune with a new system of musical notation, but the venture failed. Once in Paris, however, he became an intimate of the circle of Denis Diderot (to whose Encyclopédie Rousseau contributed music articles), Melchior Grimm, and Mme d'Épinay. At this time also began his liaison with Thérèse Le Vasseur, a semiliterate servant who became his common-law wife.

In 1749, Rousseau won first prize in a contest, held by the Academy of Dijon, on the question: "Has the progress of the sciences and arts contributed to the corruption or to the improvement of human conduct?" Rousseau took the negative stand, contending that humanity was good by nature and had been fully corrupted by civilization. His essay made him both famous and controversial. Although it is still widely believed that all of Rousseau's philosophy was based on his call for a return to nature, this view is an oversimplification, caused by the excessive importance attached to this first essay. A second philosophical essay, Discours sur l'origine de l'inégalité des hommes (1754), is one of Rousseau's most mature and daring productions. After its publication, Rousseau returned to Geneva, reverted to Protestantism in order to regain his citizenship, and returned to Paris with the title "citizen of Geneva."

Mme d'Épinay lent him a cottage, the Hermitage, on her estate at Montmorency. But Rousseau began to quarrel with Mme d'Épinay, Diderot, and Grimm, all of whom he accused of complicity in a sordid plot against him, and left the Hermitage to become the guest of the tolerant duc de Luxembourg, whose château was also at Montmorency. There he finished his novel, Julie, ou La Nouvelle Héloïse (1761), written in part under the influence of his love for Mme d'Houdetot, the sister-in-law of Mme d'Épinay; his Lettre à d'Alembert sur les spectacles (1758), a diatribe against the suggestion that Geneva would be better off for having a theater; his Du contrat social (1762); and his Émile (1762), which offended both the French and Genevan ecclesiastic authorities and was burned at Paris and at Geneva.

Rousseau, with the connivance of highly placed friends, escaped, however, to the Swiss canton of Neuchâtel, then a Prussian possession. His house was stoned, and Rousseau fled once more, this time to the canton of Bern, settling on the small island of Saint-Pierre, in the Lake of Biel. In 1765 he was expelled from Bern and accepted the invitation of David Hume to live at his house in England; there he began to write the first part of his Confessions, but after a year he quarreled violently with Hume, whom he believed to be in league with Diderot and Grimm, and returned to France (1767). His suspicion of people deepened and became a persecution mania.

After wandering through the provinces, he finally settled (1770) at Paris, where he lived in a garret and copied music. The French authorities left him undisturbed, while curious foreigners flocked to see the famous man and be insulted by him. At the same time he went from salon to salon, reading his Confessions aloud. In his last years he began Rêveries du promeneur solitaire, descriptions of nature and his feeling about it, which was unfinished at the time of his death. Shortly before his death Rousseau moved to the house of a protector at Ermenonville, near Paris, where he died. In 1794 his remains were transferred to the Panthéon in Paris.

Rousseau's Thought

Few people have equaled Rousseau's influence in politics, literature, and education. His political thought is contained in Du contrat social, but it must be supplemented by other works, notably the Discours sur l'origine de l'inégalité and his drafts of constitutions for Corsica and for Poland. Rousseau is fundamentally a moralist rather than a metaphysician. As a moralist, he is also, unavoidably, a political theorist. His thought begins with the assumption that we are by nature good, and with the observation that in society we are not good. The fall of humanity was, for Rousseau, a social occurrence. "But human nature does not go backward, and we never return to the times of innocence and equality, when we have once departed from them."

Although he locates the cause of our deformity in society, Rousseau is not a primitivist. In Émile and Du contrat social, he proposed, on an individual and a social level, what might be done. What was new and important about his educational philosophy, as outlined in Émile, was its rejection of the traditional ideal: education was not seen to be the imparting of all things to be known to the uncouth child; rather it was seen as the "drawing out" of what is already there, the fostering of what is native. Rousseau's educational proposal is highly artificial, the process is carefully timed and controlled, but with the end of allowing the free development of human potential.

Similarly, with regard to the social order, Rousseau's aim is freedom, which again does not involve a retreat to primitivism but perfect submission of the individual to what he termed the general will. The general will is what rational people would choose for the common good. Freedom, then, is obedience to a self-imposed law of reason, self-imposed because imposed by the natural laws of humanity's being. The purpose of civil law and government, of whatever form, is to bring about a coincidence of the general will and the wishes of the people. Society gives government its sovereignty when it forms the social contract to achieve liberty and well-being as a group. While this sovereignty may be delegated in various ways (as in a monarchy, a republic, or a democracy) it cannot be transferred and resides ultimately with society as a whole, with the people, who can withdraw it when necessary.

Rousseau's political philosophy assumes that there really is a common good, and that the general will is not merely an ideal, but can, under the right conditions, be actual. And it is under such conditions, with the rule of the general will, that Rousseau sees our full development taking place, when "the advantages of a state of nature would be combined with the advantages of social life." Because he had such faith in the existence of the common good and the rightness of the general will, Rousseau was extreme in the sanctions he was willing to allow for its achievement: "If anyone, after publicly recognizing these dogmas, behaves as if he does not believe them, let him be punished by death: He has committed the worst of all crimes, that of lying before the law." Finally, Rousseau advocates a civil religion. Rousseau's thought sometimes rings of Calvinist Geneva, even though he reacted against its vision of humanity and had his books burned by its ecclesiastic authorities.

In its time his epistolary novel Héloïse was immensely popular, but it is scarcely read today, while the Confessions remains widely read. Proposing to describe not only his life, but also his innermost thought and feelings, hiding nothing be it ever so shameful, Rousseau followed the model of St. Augustine's Confession, but he created a new, intensely personal style of autobiography. The Héloïse, Émile, the Confessions, and the Rêveries all transfer to the domain of literature Rousseau's longing for a closeness with nature.

His sensitive awareness apprehended the subtle influences of landscape, trees, water, birds, and other aspects of nature on the shifting state of the human soul. Rousseau was the father of Romantic sensibility; the trend existed before him, but he was the first to give it full expression. Rousseau's style, in all his writings, is always personal, sometimes bizarre, sometimes rhetorical, sometimes bitterly sarcastic, sometimes deliberately plebeian, and often animated by a tender and musical quality unequaled in French prose. Although self-taught, he possessed a thorough knowledge of musical theory, but his compositions exerted no direct influence on music.

Influence

Rousseau's influence on posterity has been equaled by only a few, and it is by no means spent. His influence on German and English romanticism-and thus, indirectly, on romanticism in general-is difficult to overestimate. In addition, men as diverse as Immanuel Kant, Johann Goethe, Maximilien de Robespierre, Johann Pestalozzi, and Leo Tolstoy have been his disciples. His doctrine of popular sovereignty had a profound impact on French revolutionary thought. Although he did not advocate collective ownership, his ideas also had their effect on socialist thought. It is probably more correct to say that he anticipated rather than influenced many insights of modern social psychology.

Bibliography

See biographies by F. C. Green (1955, repr. 1970), J. Guéhenno (2 vol., tr. 1966), L. G. Crocker (2 vol., 1968-73), and L. Damrosch (2005); I. Babbitt, Rousseau and Romanticism (2d ed. 1947, repr. 1965); E. Cassirer, The Question of Jean Jacques Rousseau (tr. 1963); A. Cobban, Rousseau and the Modern State (2d ed. 1964); J. MacDonald, Rousseau and the French Revolution, 1762-1791 (1965); W. Blanchard, Rousseau and the Spirit of Revolt (1967); R. D. Masters, Political Philosophy of Rousseau (1968); J. Maritain, Three Reformers: Luther, Descartes, Rousseau (1970); R. Grimsley, The Philosophy of Rousseau (1973).

History 1450-1789: Jean-Jacques Rousseau
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Rousseau, Jean-Jacques (1712–1778), French philosopher and writer. Rousseau is widely viewed as the greatest social, political, and pedagogical philosopher of the French Enlightenment. He gives education the task of transforming naturally self-loving egoists animated only by their own "particular wills" into polis-loving citizens with a civic "general will" ("the will one has as a citizen"). For Rousseau, the "Great Legislator" (more accurately the great civic educator) must "change the nature of man" by turning self-lovers into "Spartan mothers" (who ask not whether their own sons have survived battles but whether the "general good" of the city still lives). Rousseau also insists that education, however "denaturing," must finally produce autonomous adults who can ultimately say to their teachers (with Émile), "I have decided to be what you made me" (Foxley translation, p. 435).

Jean-Jacques Rousseau was born in the Calvinist stronghold of Geneva on 28 June 1712, the second son of the watchmaker Isaac Rousseau and his wife Susan; both were "citizens" of Geneva, and Rousseau styled himself citoyen de Genève until his final renunciation of citizenship in 1764. Rousseau's mother died ten days after his birth. With his father the child read (and then perpetually cherished) Plutarch's Lives of the greatest Greeks and Romans. Later he was brought up by a puritanical aunt who (he admitted in the Confessions) did much to warp his sexuality. In 1722 Isaac Rousseau fled Geneva after a quarrel, and the ill-educated Jean-Jacques had to be apprenticed, first to a notary, then to an engraver.

In March 1728 Rousseau missed the Genevan city curfew, found himself locked outside the gates, and wandered on foot to Annecy in Savoy, where he was taken in by Mme de Warens, who became his protector and then (1733–1740) his lover. In the provincial salon of Mme de Warens ("Les Charmettes"), Rousseau acquired the education he had lacked in Geneva (Plutarch apart). One gets some sense of his autodidactic passion from his poem, "Le Verger des Charmettes," in which he declares his debt to Gottfried Wilhelm von Leibniz, Nicholas de Malebranche, Isaac Newton, and John Locke.

Mme de Warens, who specialized in finding Catholic converts, sent the young Rousseau to Turin, where he renounced his inherited Calvinism and converted to the Roman Church; he even briefly attended a seminary for priests, until a Catholic ecclesiastic attempted to seduce him. Returning to Les Charmettes, he lived with de Warens ("Maman"), completed his education, and undertook his earliest writings, including the remarkable Chronologie universelle (c. 1737), with its eloquent praise of Fénelon's charitable moral universalism.

In 1740 Rousseau began to serve as a tutor, moving north to Lyon and living in the house of M. de Mably, whose children he instructed. However, in Lyon he met M. de Mably's two elder brothers, Étienne Bonnot (later the Abbé de Condillac, with Voltaire the greatest "Lockean" in post-Regency France) and the Abbé de Mably. This was the beginning of Rousseau's connection to the Paris philosophes, with whom he would later have a love-hate relationship. At this same time Rousseau became a considerable composer, music theorist, and copyist; in later years he would represent himself as a simple Swiss republican who earned a living as a musical craftsman.

In 1742 Rousseau moved definitively northward to Paris, carrying with him a new system of musical notation, a comedy, an opera, and a collection of poems. In Paris Rousseau eked out a precarious living by tutoring, writing, and copying music; for a brief period (1743–1744) he served, not very happily, as secretary to the French ambassador in Venice—an interlude that he described in his later Lettres écrites de la montagne (1764). He also met and befriended Denis Diderot, soon-to-be editor of the great Encyclopédie, who would ultimately commission Rousseau's first great writing on civic "general will," the Économie politique of 1755.

It was while visiting Diderot in prison (for alleged impiety) in 1749 that Rousseau decided to write an essay for a prize competition sponsored by the Académie de Dijon, dealing with the question whether morals had been harmed or advanced by the rebirth (renaissance) of the arts and sciences. Rousseau won the prize with Discours sur les sciences et les arts (Discourse on the arts and sciences), the so-called First Discourse, in which he defended Spartan-Roman civic généralité against the Athenian literary "tyranny" of poets and orators. The Discourse made his European reputation, even attracting the criticism of the king of Poland, and from this period forward Rousseau was a leading citizen, however reluctantly, of the République des lettres (as Voltaire maliciously reminded him).

In 1752 his opera, Le devin du village (The village soothsayer), was performed at the court of Louis XV at Versailles; at roughly the same time his black comedy Narcissus, the Lover of Himself was given in Paris at the Theatre français. As a good citoyen de Genève, Rousseau refused a royal pension, continuing his republican self-support as a musician by publishing La lettre sur la musique française (Letter on French music) in 1753, which, with its strong defense of Italian simplicity against French elaborateness, led to a collision with Jean-Baptiste Rameau, the greatest French composer of the day.

Rousseau's Discours sur l'origine et les fondements de l'inégalité parmi les hommes (Discourse on the origins of inequality among men) was completed in May 1754. The most radical of his works, this so-called Second Discourse urges that existing government is a kind of confidence trick on the part of the rich, who persuade the poor that it is universally and equally advantageous to be subjected to law and to political order. In June 1754 Rousseau left Paris for a visit to his native Geneva, where he reconverted to Calvinism and had his civic rights restored and where, in 1755, he published his Inégalité and the Économie politique (the Third Discourse). In 1756 he moved to the countryside, taking up residence at l'Hermitage, the country seat of Mme d'Epinay (inspiring Diderot's sarcastic epigram, "a fine citizen a hermit is"), a move that marked the start of the weakening of Rousseau's ties to the philosophes—a process accelerated by his 1758 Lettre à d'Alembert, which opposed the latter's scheme to found a theater in Geneva. (Platolike, Rousseau urged that such a theater would be inimical to civic virtue and good morals and that Molière's Misanthrope would have a deleterious effect.)

In 1758, too, Rousseau began L'état de guerre (The state of war), his most brilliant and scathing critique of Thomas Hobbes and Hobbism. Taking over observations first made by René Descartes and Gottfried Wilhelm von Leibniz (Essais de théodicée, 1710), Rousseau insists that Hobbes has simply mistaken badly socialized, ill-educated Englishmen for "natural" men, leading to Hobbesian unquestionable "sovereignty" as the only antidote to rapacious appetite: Looking out his London window, Hobbes "thinks that he has seen the natural man," but he has really only viewed "a bourgeois of London or Paris." Hobbes, for Rousseau, has simply inverted cause and effect, mistaking a bad effect for "natural" depravity.

In the late 1750s Rousseau labored on (but never published) the Lettres morales (for Sophie d'Houdetot) and then produced his vast epistolary novel, Julie, ou la Nouvelle Héloïse (published 1761), with its celebrated account of a small ideal society, Clarens, superintended by the godlike, all-seeing M. de Wolmar. The novel was a runaway best-seller, the greatest literary success since Fénelon's Telemachus, Son of Ulysses in 1699.

In May 1762 Rousseau brought out two of his greatest but most ill-fated works: Du contrat social (The social contract) and Émile, ou Traitéde l'éducation (both focusing on transformative, "denaturing" education). Both were condemned and publicly burned in Paris at the behest of Archbishop Christophe de Beaumont (and with the acquiesence of the Parlement of Paris); Rousseau, under order of arrest, fled to Geneva (only to find the same works condemned and burned there). Against charges of impiety leveled by the Genevan public prosecutor—alleging the danger of Rousseau's "natural" theology in Émile's "Profession of Faith of the Savoyard Vicar"—Rousseau composed and published his trenchant Lettres de montagne (Letters written from the mountain), in which he defended ancient "civic" religion and insisted that Christianity produces good men whose other-worldliness makes them "bad citizens." This of course only increased the furor against him, and he took refuge in the Prussian enclave of Neuchâtel (Switzerland). Renouncing his Genevan citizenship definitively, Rousseau occupied himself by writing a constitution for recently liberated Corsica; increasingly threatened, his paranoia aggravated by genuine danger, Rousseau accepted the offer of British refuge from David Hume, although he soon came to see the benevolent Scot as part of the "league of malignant enemies" bent on his destruction. After an unhappy period in England, Rousseau returned incognito to France, living under the assumed name of Renou. While living under this name, Rousseau finally married his longtime companion, Thérèse Levasseur, by whom he had fathered—if the Confessions are to be believed—five children, all supposedly abandoned in a foundling hospital.

The Confessions themselves increasingly occupied Rousseau's time, and he often read substantial fragments of this work in progress in sympathetic aristocratic salons. In 1772 he produced the remarkable Gouvernement de Pologne as part of an effort to avert partition by Prussia, Austria, and Russia; the book combines intelligent constitutional reforms with Rousseau's most glowing account of Spartan and Roman-republican civic virtue. In the same year he wrote (without publishing) the brilliantly innovative Rousseau juge de Jean-Jacques, in which he bifurcated himself and had one half comment on the other half—schizophrenia turned into a literary genre.

In 1777 Rousseau wrote his last great confessional work, Rêveries d'un promeneur solitaire (The reveries of a solitary walker), which begins with the celebrated words, "Here I am, then, alone on the Earth, no longer having any brother, or neighbor, or friend, or society except myself." A year later, while in refuge on an aristocratic estate at Ermenonville (north of Paris) and while engaging in his beloved botanical studies, Rousseau died quite suddenly on 2 July 1778. He was originally buried in a quasi-Roman sarcophagus on the Isle of Poplars at Ermenonville, but at the height of the French Revolution his ashes were translated, in a dramatic torchlight procession, to the Pantheon in Paris and placed next to the remains of his nemesis Voltaire (1794).

Bibliography

Primary Sources

Rousseau, Jean-Jacques. The Collected Writings of Rousseau. Edited by Roger D. Masters and Christopher Kelly. 9 vols. to date. Hanover, N.H., and London, 1990–.

——. Confessions. Translated by J. M. Cohen. Harmondsworth, U.K., 1954.

——. Correspondance complète de Jean-Jacques Rousseau. Edited by R. A. Leigh. 51 vols. Geneva and Banbury, U.K., 1965–1995.

——. The Discourses and Other Early Political Writings. Translated and edited by Victor Gourevitch. Cambridge, U.K., 1998.

——. Émile; or, On Education. Translated by A. Bloom. New York, 1979. Reprint, London, 1991.

——. Oeuvres complètes. Edited by Bernard Gagnébin, Marcel Raymond, et al. 5 vols. Paris, 1959–1995. The "standard" edition.

Secondary Sources

Charvet, John. The Social Problem in the Philosophy of Rousseau. Cambridge, U.K., 1974.

Hendel, Charles William. Jean-Jacques Rousseau, Moralist. 2 vols. London, 1934.

Riley, Patrick. "General Will." In Blackwell Encyclopedia of Political Philosophy. Edited by A. Ryan, et al. Oxford, 1988.

——. The General Will before Rousseau: The Transformation of the Divine into the Civic. Princeton, 1986.

Shklar, Judith N. Men and Citizens: A Study of Rousseau's Social Theory. Cambridge, U.K., 1969. Reprint, 1985.

Starobinski, Jean. Jean-Jacques Rousseau: La transparence et l'obstacle. Paris, 1971. Translated into English as Transparency and Obstruction by Arthur Goldhammer. Chicago, 1988.

Wokler, Robert. Rousseau. Oxford, 1995.

—PATRICK RILEY

Education Encyclopedia: Jean-Jacques Rousseau
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(1712–1778)

A political and moral philosopher during the Enlightenment, Jean-Jacques Rousseau developed provocative ideas about human nature, education, and the desired relationship between individuals and the ideal society.

Born in the city of Geneva, Switzerland, Jean-Jacques Rousseau lost his mother hours after his birth and was abandoned by his father at the age of seven. After many years of failed apprenticeships and employments, Rousseau rose to intellectual prominence in 1750 upon winning first prize in an essay contest in France. This marked the beginning of a long period of scholarly production in which he authored a number of philosophical treatises that addressed the problem of individual and collective freedom - and how education might help to resolve the dilemma by producing enlightened citizens who would uphold an ideal state. Forced to flee France and Switzerland as a result of the social criticisms inherent in his work, Rousseau found temporary refuge in England and then surreptitiously returned to France where he remained until his death.

Social Inequalities

Rousseau's discontent with contemporary society became evident in his Discourse on the Arts and Sciences (1750). Addressing the question of whether progress in the arts and sciences had abetted or detracted from morals, Rousseau portrayed civilization as evil, and he chastised scholars for pursuing knowledge for fame instead of social progress. Similarly, in his Discourse on Inequality and his article on political economy written for Denis Diderot's Encyclopédie (both published in 1755), Rousseau lamented man's departure from the state of nature and his consequent preoccupation with artificial social customs and institutions - all derived from vain and illusory desires to dominate others. Although he accepted individual or innate differences among human beings, Rousseau attacked the existence of social and civil inequalities in which people crushed the spirits of others in attempting to control them.

In the wake of these social criticisms, Rousseau sketched his vision for an ideal society. Particularly in The Social Contract and Émile, both published in 1762, Rousseau delineated a society without artificial social constraints or civil inequality. Ruled by a "general will" that encapsulated the essential commonality of all men, citizens would utilize reason to reconcile their individual interests with the laws of the state. Educated to be self-interested and self-reliant, a citizen would not measure himself against other people nor seek to control them. He would eschew selfish inclinations in favor of social equality. How, then, could such an ideal state emerge? For Rousseau, it required the complete education of a child.

Émile

Echoing his disdain for contemporary culture and politics in The Social Contract, Rousseau begins Émile by declaring: "God makes all things good; man meddles with them and they become evil." Society held man hostage in artificial institutions and traditions, thereby corrupting the natural goodness of human nature. This proclamation contradicted the notion of original sin, widely accepted in eighteenth-century Europe. It implied that a complete social revolution - not mere pedagogical reform - was necessary to replace the artificial social mores of the bourgeoisie with a new class of natural, self-reliant citizens. In accordance with John Locke's empirical epistemology, moreover, Rousseau believed that children were born ignorant, dependent, impressionable, without rational thought, and gained all knowledge through direct contact with the physical world.

As a result, Rousseau removed his fictional pupil, Émile, from his family and placed him in rural isolation. The first three stages of a child's development (infancy, boyhood, and pre-adolescence) required a kind of "negative" education. Protected from the artificial and pernicious influences of contemporary society, Émile would not develop unrealistic ambitions and feelings of jealousy or superiority with regard to other men (amour propre). In such a way, the tutor would encourage the child's physical development, shield him from social and religious institutions, prevent the formation of bad habits and prejudices, and preserve his natural inclination of self-interest (amour de soi).

Educated free from the manipulations and desires of others up to this point, Rousseau wanted Émile to remain ignorant of social duty and only to understand what was possible or impossible in the physical world. In such a way, his student would learn to obey the immutable laws of nature. For instance, if Émile were to break the window to his room, he would face the consequences of sleeping with a cold draft. If Émile were to ignore his astronomy lesson, he would endure the panic of losing his way in the woods at night. Through this kind of trial and error, the child would gradually develop reason, adapt to different situations, and become an autonomous man.

The only appropriate book for Rousseau's future citizen was Robinson Crusoe, as it depicted the independent activities of a man isolated in a natural setting. And to abet Émile's self-reliance, Rousseau exposed his student to a variety of artisan trades. Thus, the child would not crave things he could not get, nor would he engage in a vain desire to control other people. An independent and rational young man, Émile learned to accept what was available to him. It is important to note, however, that although the tutor was always behind the scenes, he constantly manipulated conditions to give Émile the illusion of freedom.

Having developed the power to reason by the age of fifteen, the child then needed to develop his morality by understanding society and God. Through the safe and detached medium of historical study, Rousseau wanted his pupil to construct his understanding of human character. Detailed historical accounts of men's spoken words and actions would allow Émile to recognize the universality of natural human passion. As a self-confident and rational adolescent, he would neither envy nor disdain those in the past, but would feel compassion towards them.

This was also the time to cultivate Émile's religious faith. Rousseau did not want his pupil to become an anthropomorphic atheist. Nor did he want his pupil to fall under the authority of a specific religious denomination, with its formal rituals and doctrines. Such trappings smacked of the very artificial social institutions from which Émile was to be freed. Instead, Émile was to recognize the limitations of his senses and to have faith that God - the supreme intelligent will that created the universe and put it into motion - must in fact exist. In this respect, Rousseau deviated from the Enlightenment faith in man's reason as the sole vehicle for understanding God. Rousseau also alienated himself from formal religious institutions in demeaning their authority and asserting the original goodness of human nature. The corrupt codes and institutions of society had tarnished the purity of human nature, fueled a quest to rule over others, and made man a tyrant over nature and himself. The only salvation, however, rested not with God but society itself. A better society, with civil equality and social harmony, would restore human nature to its original and natural state and thereby serve the intent of God. In this way, Rousseau's brand of religious education attempted to teach the child that social reform was both necessary and consistent with God's will.

In Rousseau's final stage of education, his pupil needed to travel throughout the capitals of Europe to learn directly how different societies functioned. Émile also needed to find an appropriate mate, Sophie, who would support him emotionally and raise his children. Assuming that women possessed affectionate natures and inferior intellectual capacities, Rousseau relegated Sophie to the role of wife and mother. In direct contrast to Émile's isolated upbringing for developing his reason and preparing him as a citizen, Sophie's education immersed her in social and religious circles from the outset, thereby ensuring that she would not become a citizen. Despite this inequality, Rousseau believed that Émile and Sophie would comprise a harmonious and moral unit in the ideal state and produce future generations who would uphold it.

Gender Considerations

Some scholars have explored the implications of Rousseau's gender-distinct education and have suggested that Émile's societal isolation rendered him inadequate as a husband and citizen. Raised in social isolation and without family, Émile developed the capacity to think rationally, but at the expense of affectionate and empathetic feelings necessary to sustain a relationship with his future wife or with the ideal state. As delineated in The Social Contract, Rousseau's ideal state required not merely rational thinkers, but citizens who empathized with one another and the state. Thus, according to this view, Rousseau's gender-distinct assumptions produced an inadequate education for Sophie (whose reason had not developed) and Émile (emotionally cold and prey to his wife's manipulations). The family, fragmented and incomplete, could not sustain the ideal state.

A number of scholars have doubted whether Émile's isolation in the countryside could necessarily be free of social forces and whether the tutor could exemplify abstract principles without alluding to examples from conventional society. On the other hand, generations since Rousseau have altered their child-rearing practices and adopted his developmental view of childhood as a period of innocence. Some have accused Rousseau, in his manipulation of Émile and stress on the general will, of advocating a proto-totalitarian state. On the other hand, many scholars have identified Rousseau's faith in the agency of individuals to make rational and enlightened decisions both for themselves and their society as a precursor to democracy. Indeed, this lack of consensus about Rousseau's legacy speaks less to his inadequacies than to his profound contributions to the fundamental, enduring, and controversial questions about human nature, self, society, and education.

Bibliography

Bloom, Allan. 1978. "The Education of Democratic Man: Émile. " Daedalus 107:135 - 153.

Boyd, William. 1963. The Educational Theory of Jean Jacques Rousseau. New York: Russell and Russell.

Cassirer, Ernst. 1954. The Question of Jean-Jacques Rousseau, trans. and ed. Peter Gay. New York: Columbia University Press.

Martin, Jane Roland. 1985. Reclaiming a Conversation: The Ideal of the Educated Woman. New Haven, CT: Yale University Press.

Owen, David B. 1982. "History and the Curriculum in Rousseau's Émile. " Educational Theory 32:117 - 129.

Rousseau, Jean-Jacques. 1964. The First and Second Discourses (1750, 1755), ed. Roger D. Masters and trans. Roger D. Masters and Judith R. Masters. New York: St. Martins.

Rousseau, Jean-Jacques. 1993. Émile (1762), trans. Barbara Foxley. London: Dent.

Rousseau, Jean-Jacques. 1988. The Social Contract (1762), trans. George Douglas Howard Cole. Buffalo, NY: Prometheus.

— SEVAN G. TERZIAN

World of the Mind: Jean-Jacques Rousseau
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(1712–78). Born in Geneva, his mother dying at his birth and his father deserting him when he was 10 years old, he was brought up by relations and had no formal education, except for reading Plutarch's Lives and Calvinist sermons. He had an extraordinarily ramshackle early life, taking up with an illiterate maidservant by whom he had five children — whom he committed to the foundling hospital even though he became famous for defending the natural goodness of man while blaming institutionalized life for the ills of the world. His Confessions (1781–8) are noted for their frankness. He died insane, and indeed his sanity throughout his life has been questioned in spite of his remarkable achievements and literary fame. See also Rousseau and education.

(Published 1987)

— Richard L. Gregory

    Bibliography
  • Grimsley, R. (1973). The Philosophy of Rousseau.


Quotes By: Jean Jacques Rousseau
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Quotes:

"Adversity is a great teacher, but this teacher makes us pay dearly for its instruction; and often the profit we derive, is not worth the price we paid."

"To endure is the first thing that a child ought to learn, and that which he will have the most need to know."

"The person who has lived the most is not the one with the most years but the one with the richest experiences."

"Temperance and labor are the two real physicians of man."

"We are born weak, we need strength; helpless, we need aid; foolish, we need reason. All that we lack at birth, all that we need when we come to man's estate, is the gift of education."

"The English people believes itself to be free; it is gravely mistaken; it is free only during election of members of parliament; as soon as the members are elected, the people is enslaved; it is nothing. In the brief moment of its freedom, the English people makes such a use of that freedom that it deserves to lose it."

See more famous quotes by Jean Jacques Rousseau

Wikipedia: Jean-Jacques Rousseau
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Jean-Jacques Rousseau

Rousseau in 1753, by Maurice Quentin de La Tour
Born 28 June 1712(1712-06-28)
Geneva, Switzerland
Died 2 July 1778 (aged 66)
Ermenonville, France
Era 18th century philosophy
(Modern Philosophy)
Region Western Philosophers
School Social contract theory, Enlightenment
Main interests Political philosophy, music, education, literature, autobiography
Notable ideas General will, amour-propre, moral simplicity of humanity, child-centered learning, civil religion, popular sovereignty, positive liberty

Jean Jacques Rousseau (Geneva, 28 June 1712  – Ermenonville, 2 July 1778) was a major French philosopher, writer, and composer of the eighteenth-century Enlightenment, whose political philosophy influenced the French Revolution and the development of modern political and educational thought.

His novel, Emile: or, On Education, which he considered his most important work, is a seminal treatise on the education of the whole person for citizenship. His sentimental novel, Julie, ou la nouvelle Héloïse, was of great importance to the development of pre-Romanticism[1] and romanticism in fiction.[2] Rousseau's autobiographical writings: his Confessions, which initiated the modern autobiography, and his Reveries of a Solitary Walker were among the pre-eminent examples of the late eighteenth-century movement known as the "Age of Sensibility", featuring an increasing focus on subjectivity and introspection that has characterized the modern age.

Rousseau also wrote a play and two operas, and made important contributions to music as a theorist. During the period of the French Revolution, Rousseau was the most popular of the philosophes among members of the Jacobin Club. He was interred as a national hero in the Panthéon in Paris, in 1794, sixteen years after his death.

Contents

Biography

Rousseau was born in 1712 in Geneva, which since 1536 was a Huguenot republic and the seat of Calvinism (now part of Switzerland). Rousseau was proud that his family, of the moyen (or middle-class) order, had voting rights in that city and throughout his life he described himself as a citizen of Geneva. In theory Geneva was governed democratically by its male voting citizens (who were a minority of the population). In fact, a secretive executive committee, called the Little Council (made up of 25 members of its wealthiest families), ruled the city. In 1707 a patriot called Pierre Fatio protested at this situation and the Little Council had him shot. Jean-Jacques Rousseau's father Isaac was not in the city at this time, but Jean-Jacques's grandfather supported Fatio and was penalized for it.[3] Rousseau's father, Isaac Rousseau, was a watchmaker who, notwithstanding his artisan status, was well educated and a lover of music. "A Genevan watchmaker," Rousseau wrote, "is a man who can be introduced anywhere; a Parisian watchmaker is only fit to talk about watches."[4] Rousseau's mother, Suzanne Bernard Rousseau, the daughter of a Calvinist preacher, died of birth complications nine days after his birth. He and his older brother François were brought up by their father and a paternal aunt, also named Suzanne.

Rousseau had no recollection of learning to read, but he remembered how when he was five or six his father encouraged his love of reading:

Every night, after supper, we read some part of a small collection of romances [i.e., adventure stories], which had been my mother's. My father's design was only to improve me in reading, and he thought these entertaining works were calculated to give me a fondness for it; but we soon found ourselves so interested in the adventures they contained, that we alternately read whole nights together and could not bear to give over until at the conclusion of a volume. Sometimes, in the morning, on hearing the swallows at our window, my father, quite ashamed of this weakness, would cry, "Come, come, let us go to bed; I am more a child than thou art." —Confessions, Book 1

Not long afterward, Rousseau abandoned his taste for escapist stories in favor of the antiquity of Plutarch's Lives of the Noble Greeks and Romans, which he would read to his father while he made watches.

When Rousseau was ten, his father, an avid hunter, got into a legal quarrel with a wealthy landowner on whose lands he had been caught trespassing. To avoid certain defeat in the courts, he moved away to Nyon in the territory of Bern, taking Rousseau's aunt Suzanne with him. He remarried, and from that point Jean-Jacques saw little of him.[5] Jean-Jacques was left with his maternal uncle, who packed him, along with his own son, Abraham Bernard, away to board for two years with a Calvinist minister in a hamlet outside of Geneva. Here the boys picked up the elements of mathematics and drawing. Rousseau, who was always deeply moved by religious services, for a time even dreamed of becoming a Protestant minister.

Les Charmettes: the house where Jean-Jacques Rousseau lived with Mme de Warens in 1735-6. It is now a museum dedicated to Rousseau.
Palazzo belonging to Tommaso Querini at 968 Cannaregio Venice that served as the French Embassy during Rousseau's period as Secretary to the Ambassador

Virtually all our information about Rousseau's first youth has come from his posthumously published Confessions, in which the chronology is somewhat confused, though recent scholars have combed the archives for confirming evidence to fill in the blanks. At age 13 Rousseau was apprenticed first to a notary and then to an engraver who beat him. At fifteen he ran away from Geneva (on 14 March 1728) after returning to the city and finding the city gates locked due to the curfew. In adjoining Savoy he took shelter with a Roman Catholic priest, who introduced him to Françoise-Louise de Warens, age 29. She was a noblewoman of Protestant background who was separated from her husband. As professional lay proselytizer, she was paid by the King of Piedmont to help bring Protestants to Catholicism. They sent the boy to Turin, the capital of Savoy (which included Piedmont, in what is now Italy), to complete his conversion. This resulted in his having to give up his Genevan citizenship, although he would later revert to Calvinism in order to regain it.

In converting to Catholicism, both De Warens and Rousseau were likely reacting to the severity of Calvinism's insistence on the total depravity of man. Leo Damrosch writes, "an eighteenth-century Genevan liturgy still required believers to declare ‘that we are miserable sinners, born in corruption, inclined to evil, incapable by ourselves of doing good'."[6] De Warens, a deist by inclination, was attracted to Catholicism's doctrine of forgiveness of sins.

Finding himself on his own, since his father and uncle had more or less disowned him, the teenage Rousseau supported himself for a time as a servant, secretary, and tutor, wandering in Italy (Piedmont and Savoy) and France. During this time, he lived on and off with De Warens, whom he idolized and called his "maman". Flattered by his devotion, De Warens tried to get him started in a profession, and arranged formal music lessons for him. At one point, he briefly attended a seminary with the idea of becoming a priest. When Rousseau reached twenty De Warens took him as her lover, whilst intimate also with the steward of her house. The sexual aspect of their relationship (in fact a ménage à trois) confused Rousseau and made him uncomfortable, but he always considered De Warens the greatest love of his life. A rather profligate spender, she had a large library and loved to entertain and listen to music. She and her circle, comprising educated members of the Catholic clergy, introduced Rousseau to the world of letters and ideas. Rousseau had been an indifferent student, but during his twenties, which were marked by long bouts of hypochondria, he applied himself in earnest to the study of philosophy, mathematics, and music. At twenty-five, he came into a small inheritance from his mother and used a portion of it to repay De Warens for her financial support of him. At twenty-seven he took a job as a tutor in Lyon.

In 1742 Rousseau moved to Paris in order to present the Académie des Sciences with a new system of numbered musical notation he believed would make his fortune. His system, intended to be compatible with typography, is based on a single line, displaying numbers representing intervals between notes and dots and commas indicating rhythmic values. Believing the system was impractical, the Academy rejected it, though they praised his mastery of the subject, and urged him to try again.

From 1743 to 1744 Rousseau had an honorable but ill-paying post as a secretary to the Comte de Montaigue, the French ambassador to Venice. This awoke in him a life-long love for Italian music, particularly opera:

I had brought with me from Paris the prejudice of that city against Italian music; but I had also received from nature a sensibility and niceness of distinction which prejudice cannot withstand. I soon contracted that passion for Italian music with which it inspires all those who are capable of feeling its excellence. In listening to barcaroles, I found I had not yet known what singing was... —Confessions

Rousseau's employer routinely received his stipend as much as a year late and paid his staff irregularly.[7] After eleven months Rousseau quit, taking from the experience a profound distrust of government bureaucracy.

Returning to Paris, the penniless Rousseau befriended and became the lover of Thérèse Levasseur, a pretty seamstress who was the sole support of her termagant mother and numerous ne'er-do-well siblings. At first they did not live together, though later Rousseau took Thérèse and her mother in to live with him as his servants, and himself assumed the burden of supporting her large family. According to his Confessions, before she moved in with him, Thérèse bore him a son and as many as four other children (there is no independent for this number[8]). Rousseau wrote that he persuaded Thérèse to give each of the newborns up to a foundling hospital, for the sake of her "honor". "Her mother, who feared the inconvenience of a brat, came to my aid, and she [Thérèse] allowed herself to be overcome" (Confessions). The foundling hospitals had been started as a reform to save the numerous infants who were being abandoned in the streets of Paris. Infant mortality at that date was extremely high — some fifty percent, in large part because families sent their infants to be wet nursed. The mortality rate in the foundling hospitals, which also sent the babies out to be wet nursed, proved worse, however, and most of the infants sent there likely perished. Ten years later Rousseau made inquiries about the fate of his son, but no record could be found. When Rousseau subsequently became celebrated as a theorist of education and child-rearing, his abandonment of his children was used by his critics, including Voltaire and Edmund Burke, as the basis for ad hominem attacks. In an irony of fate, Rousseau's later injunction to women to breastfeed their own babies (as had previously been recommended by the French natural scientist Buffon), probably saved the lives of thousands of infants.

While in Paris, Rousseau became a close friend of French philosopher Diderot and, beginning with some articles on music in 1749,[9] contributed numerous articles to Diderot and D'Alembert's great Encyclopédie, the most famous of which was an article on political economy written in 1755.

Rousseau's ideas were the result of an almost obsessive dialogue with writers of the past, filtered in many cases through conversations with Diderot. His genius lay in his strikingly original way of putting things rather than in the originality, per se, of his thinking. In 1749 Rousseau was paying daily visits to Diderot, who had been thrown into the fortress of Vincennes under a lettre de cachet for opinions in his "Lettre sur les aveugles," that hinted at materialism, a belief in atoms, and natural selection. Rousseau had read about an essay competition sponsored by the Académie de Dijon to be published in the Mercure de France on the theme of whether the development of the arts and sciences had been morally beneficial. He wrote that while walking to Vincennes (about three miles from Paris), he had a revelation that the arts and sciences were responsible for the moral degeneration of mankind, who were basically good by nature. According to Diderot, writing much later, Rousseau had originally intended to answer this in the conventional way, but his discussions with Diderot convinced him to propose the paradoxical negative answer that catapulted him into the public eye. Whatever the case, it was the great French naturalist Buffon had previously suggested that man's moral decline arose from his acquisition of property and culture. Both Rousseau and Diderot would have been aware of Buffon's speculations. Rousseau's 1750 "Discourse on the Arts and Sciences", in which he made that argument, was awarded the first prize and gained him significant fame.

Rousseau continued his interest in music, and his opera Le Devin du Village (The Village Soothsayer) was performed for King Louis XV in 1752. The king was so pleased by the work that he offered Rousseau a life-long pension. To the exasperation of his friends, Rousseau turned down the great honor, bringing him notoriety as "the man who had refused a king's pension." He also turned down several other advantageous offers, sometimes with a brusqueness bordering on truculence that gave offense and caused him problems. The same year, the visit of a troupe of Italian musicians to Paris, and their performance of Giovanni Battista Pergolesi's La Serva Padrona, prompted the Querelle des Bouffons, which pitted protagonists of French music against supporters of the Italian style. Rousseau as noted above, was an enthusiastic supporter of the Italians against Jean-Philippe Rameau and others, making an important contribution with his Letter on French Music.

On returning to Geneva in 1754, Rousseau reconverted to Calvinism and regained his official Genevan citizenship. In 1755, Rousseau completed his second major work, the Discourse on the Origin and Basis of Inequality Among Men (the Discourse on Inequality), which elaborated on the arguments of the Discourse on the Arts and Sciences.

He also pursued an unconsummated romantic attachment with the twenty-five-year old Sophie d'Houdetot, which partly inspired his epistolary novel, Julie, ou la nouvelle Héloïse (also based on memories of his idyllic youthful relationship with Mme de Warens). Sophie was the cousin and house guest of Rousseau's patroness and landlady Madame d'Epinay, whom he treated rather highhandedly. He resented being at Mme d'Epinay's beck and call and detested the insincere conversation and shallow atheism of the Encyclopedistes whom he met at her table. Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Epinay; her lover, the philologist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being, "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked ... He sucked ideas from me, used them himself, and then affected to despise me".[10]

Rousseau's break with the Encyclopedistes coincided with the composition of his three major works, in all of which he emphasized his fervent belief in a spiritual origin of man's soul and the universe, in contradistinction to the materialism of Diderot, La Mettrie, and d'Holbach. During this period Rousseau enjoyed the support and patronage of the Duc de Luxembourg, and the Prince de Conti, two of the richest and most powerful nobles in France. These men truly liked Rousseau and enjoyed his ability to converse on any subject, but they also used him as a way of getting back at Louis XV and the political faction surrounding his mistress, Mme de Pompadour. Even with them, however, Rousseau went too far, courting rejection when he criticized the practice of tax farming, in which some of them engaged.[11]

Rousseau's 800-page novel of sentiment, Julie, ou la nouvelle Héloïse, was published in 1761 to immense success. The book's rhapsodic descriptions of the natural beauty of the Swiss countryside struck a chord in the public and may have helped spark the subsequent nineteenth century craze for Alpine scenery. In 1762, Rousseau published Du Contrat Social, Principes du droit politique (in English, literally Of the Social Contract, Principles of Political Right) in April and then Emile: or, On Education in May. The final section of Émile, "The Profession of Faith of a Savoyard Vicar," was intended to be a defense of religious belief. Rousseau's choice of a Catholic vicar of humble peasant background (plausibly based on a kindly prelate he had met as a teenager) as a spokesman for the defense of religion was in itself a daring innovation for the time. The vicar's creed was that of Socinianism (or Unitarianism as it is called today). Because it rejected original sin and divine Revelation, both Protestant and Catholic authorities took offense. Moreover, Rousseau advocated the opinion that, insofar as they lead people to virtue, all religions are equally worthy, and that people should therefore conform to the religion in which they have been brought up. This religious indifferentism caused Rousseau and his books to be banned from France and Geneva. He was condemned from the pulpit by the Archbishop of Paris, his books were burned, and warrants were issued for his arrest.[12]

A sympathetic observer, British philosopher David Hume, "professed no surprise when he learned that Rousseau's books were banned in Geneva and elsewhere. Rousseau, he wrote, 'has not had the precaution to throw any veil over his sentiments; and, as he scorns to dissemble his contempt for established opinions, he could not wonder that all the zealots were in arms against him. The liberty of the press is not so secured in any country … as not to render such an open attack on popular prejudice somewhat dangerous.'"[13] Rousseau, who thought he had been defending religion, was crushed. Forced to flee arrest he made his way, with the help of the Duc of Luxembourg and Prince de Conti, to Neuchâtel, a Canton of the Swiss Confederation that was a protectorate of the Prussian crown. His powerful protectors discreetly assisted him in his flight and they helped to get his banned books (published in Holland) distributed in France disguised as other works using false covers and title pages. In the town of Môtiers, he sought and found protection under Lord Keith, who was the local representative of the free-thinking Frederick the Great of Prussia. While in Môtiers, Rousseau wrote the Constitutional Project for Corsica (Projet de Constitution pour la Corse, 1765).

After his house in Môtiers was stoned on the night of 6 September 1765, Rousseau took refuge in Great Britain with Hume, who found lodgings for him at a friend's country estate in Wootton in Staffordshire. Neither Thérèse nor Rousseau was able to learn English or make friends. Isolated, Rousseau, never emotionally very stable, suffered a serious decline in his mental health and began to experience paranoid fantasies about plots against him involving Hume and others. “He is plainly mad, after having long been maddish”, Hume wrote to a friend.[14] Rousseau's letter to Hume, in which he articulates the perceived misconduct, sparked an exchange which was published in and received with great interest in contemporary Paris.

The tomb of Rousseau in the crypt of the Panthéon, Paris

Although officially barred from entering France before 1770, Rousseau returned in 1767 under a false name. In 1768 he went through a marriage of sorts to Thérèse (marriages between Catholics and Protestants were illegal), whom he had always hitherto referred to as his "housekeeper". Though she was illiterate, she had become a remarkably good cook, a hobby her husband shared. In 1770 they were allowed to return to Paris. As a condition of his return he was not allowed to publish any books, but after completing his Confessions, Rousseau began private readings in 1771. At the request of Madame d'Epinay, who was anxious to protect her privacy, however, the police ordered him to stop, and the Confessions was only partially published in 1782, four years after his death. All his subsequent works were to appear posthumously.

In 1772, Rousseau was invited to present recommendations for a new constitution for the Polish-Lithuanian Commonwealth, resulting in the Considerations on the Government of Poland, which was to be his last major political work. In 1776 he completed Dialogues: Rousseau Judge of Jean-Jacques and began work on the Reveries of the Solitary Walker. In order to support himself, he returned to copying music, spending his leisure time in the study of botany.

Although a celebrity, Rousseau's mental health did not permit him to enjoy his fame. His final years were largely spent in deliberate withdrawal; however, he did respond favorably to an approach from the composer Gluck, whom he met in 1774. One of Rousseau's last pieces of writing was a critical yet enthusiastic analysis of Gluck's opera Alceste. While taking a morning walk on the estate of the marquis René Louis de Girardin at Ermenonville (28 miles northeast of Paris), Rousseau suffered a hemorrhage and died on 2 July 1778. He was sixty-six.

Rousseau was initially buried at Ermenonville on the Ile des Peupliers, which became a place of pilgrimage for his many admirers. His remains were moved to the Panthéon in Paris in 1794, sixteen years after his death, where they are located directly across from those of his contemporary Voltaire. His tomb, in the shape of a rustic temple, on which, in bas relief an arm reaches out, bearing the torch of liberty, evokes Rousseau's deep love of nature and of classical antiquity. In 1834, the Genevan government somewhat reluctantly erected a statue in his honor on the tiny Île Rousseau in Lake Geneva. Today he is proudly claimed as their most celebrated native son. In 2002, the Espace Rousseau was established at 40 Grand-Rue, Geneva, Rousseau's birthplace.

Philosophy

A 1766 portrait of Rousseau by Allan Ramsay

Theory of Natural Man

The first man who, having fenced in a piece of land, said "This is mine," and found people naive enough to believe him, that man was the true founder of civil society. From how many crimes, wars, and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows: Beware of listening to this impostor; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody.
 
— Jean-Jacques Rousseau, Discourse on Inequality, 1754
Frontpiece of an edition of Rousseau's Discourse on Inequality (1754), published in 1755 in Holland.

In common with other philosophers of the day, Rousseau looked to a hypothetical State of Nature as a normative guide. Rousseau deplores Hobbes for asserting that since man in the "state of nature . . . has no idea of goodness he must be naturally wicked; that he is vicious because he does not know virtue". On the contrary, Rousseau holds that "uncorrupted morals" prevail in the "state of nature" and he especially praised the admirable moderation of the Caribbeans in expressing the sexual urge[15] despite the fact that they live in a hot climate, which "always seems to inflame the passions".[16] This has led Anglophone critics to erroneously attribute to Rousseau the invention of idea of the noble savage, an oxymoronic expression that was never used in France[17] and which grossly misrepresents Rousseau's thought.[18] (The expression, "the noble savage" was first used in 1672 by British poet John Dryden in his play The Conquest of Granada. The French word "sauvage" means "wild", as in "a wild flower", and does not have the connotations of fierceness or brutality that the word "savage" does in English, though in the eighteenth century the English word was closer in connotation to the French one.) Rousseau did deny that morality is a construct or creation of society. He considered it as "natural" in the sense of "innate", an outgrowth of man's instinctive disinclination to witness suffering, from which arise the emotions of compassion or empathy, sentiments whose existence even Hobbes acknowledged, and which are shared with animals.[19]

Contrary to what his many detractors have claimed, Rousseau never suggests that humans in the state of nature act morally; in fact, terms such as "justice" or "wickedness" are inapplicable to pre-political society as Rousseau understands it. Morality proper, i.e., self restraint, can only develop through careful education in a civil state. Humans "in a state of Nature" may act with all of the ferocity of an animal. They are good only in a negative sense, insofar as they are self-sufficient and thus not subject to the vices of political society. In fact, Rousseau's natural man is virtually identical to a solitary chimpanzee or other ape, such as the orangutan as described by Buffon; and the "natural" goodness of humanity is thus the goodness of an animal, which is neither good nor bad. Rousseau, a deteriorationist, proposed that, except perhaps for brief moments of balance, at or near its inception, when a relative equality among men prevailed, human civilization has always been artificial, creating inequality, envy, and unnatural desires.

In Rousseau's philosophy, society's negative influence on men centers on its transformation of amour de soi, a positive self-love, into amour-propre, or pride. Amour de soi represents the instinctive human desire for self-preservation, combined with the human power of reason. In contrast, amour-propre is artificial and encourages man to compare himself to others, thus creating unwarranted fear and allowing men to take pleasure in the pain or weakness of others. Rousseau was not the first to make this distinction; it had been invoked by, among others, Vauvenargues.

In Discourse on the Arts and Sciences Rousseau argues that the arts and sciences have not been beneficial to humankind, because they arose not from authentic human needs but rather as a result of pride and vanity. Moreover, the opportunities they create for idleness and luxury have contributed to the corruption of man. He proposed that the progress of knowledge had made governments more powerful and had crushed individual liberty; and he concluded that material progress had actually undermined the possibility of true friendship by replacing it with jealousy, fear, and suspicion.

In contrast to the optimistic view of other Enlightenment figures, for Rousseau, progress [1] has been inimical to the well-being of humanity, that is, unless it can be counteracted by the cultivation of civic morality and duty. Only in Civil Society, can man be ennobled—through the use of reason:

The passage from the state of nature to the civil state produces a very remarkable change in man, by substituting justice for instinct in his conduct, and giving his actions the morality they had formerly lacked. Then only, when the voice of duty takes the place of physical impulses and right of appetite, does man, who so far had considered only himself, find that he is forced to act on different principles, and to consult his reason before listening to his inclinations. Although, in this state, he deprives himself of some advantages which he got from nature, he gains in return others so great, his faculties are so stimulated and developed, his ideas so extended, his feelings so ennobled, and his whole soul so uplifted, that, did not the abuses of this new condition often degrade him below that which he left, he would be bound to bless continually the happy moment which took him from it for ever, and, instead of a stupid and unimaginative animal, made him an intelligent being and a man.[20]

Society corrupts men only insofar as the Social Contract has not de facto succeeded, as we see in contemporary society as described in the Discourse on Inequality (1754). In this essay, which elaborates the ideas introduced in the Discourse on the Arts and Sciences, Rousseau traces man's social evolution from a primitive state of nature to modern society. The earliest solitary humans possessed a basic drive for self preservation and a natural disposition to compassion or pity. They differed from animals, however, in their capacity for free will and their potential perfectibility. As they began to live in groups and form clans they also began to experience family love, which Rousseau saw as the source of the greatest happiness known to humanity. As long as differences in wealth and status among families were minimal, the first coming together in groups was accompanied by a fleeting golden age of human flourishing. The development of agriculture, metallurgy, private property, and the division of labour and resulting dependency on one another, however, led to economic inequality and conflict. As population pressures forced them to associate more and more closely, they underwent a psychological transformation: they began to see themselves through the eyes of others and came to value the good opinion of others as essential to their self esteem. Rousseau posits that the original, deeply flawed Social Contract (i.e., that of Hobbes), which led to the modern state, was made at the suggestion of the rich and powerful, who tricked the general population into surrendering their liberties to them and instituted inequality as a fundamental feature of human society. Rousseau's own conception of the Social Contract can be understood as an alternative to this fraudulent form of association. At the end of the Discourse on Inequality, Rousseau explains how the desire to have value in the eyes of others comes to undermine personal integrity and authenticity in a society marked by interdependence, and hierarchy. In the last chapter of the Social Contract, Rousseau would ask "What is to be done?" He answers that now all men can do is to cultivate virtue in themselves and submit to their lawful rulers. To his readers, however, the inescapable conclusion was that a new and more equitable Social Contract was needed.

Political theory

Perhaps Jean Jacques Rousseau's most important work is The Social Contract, which outlines the basis for a legitimate political order within a framework of classical republicanism. Published in 1762, it became one of the most influential works of political philosophy in the Western tradition. It developed some of the ideas mentioned in an earlier work, the article Economie Politique (Discourse on Political Economy), featured in Diderot's Encyclopédie. The treatise begins with the dramatic opening lines, "Man was born free, and he is everywhere in chains. One man thinks himself the master of others, but remains more of a slave than they."

Rousseau claimed that the state of nature was a primitive condition without law or morality, which human beings left for the benefits and necessity of cooperation. As society developed, division of labor and private property required the human race to adopt institutions of law. In the degenerate phase of society, man is prone to be in frequent competition with his fellow men while at the same time becoming increasingly dependent on them. This double pressure threatens both his survival and his freedom. According to Rousseau, by joining together into civil society through the social contract and abandoning their claims of natural right, individuals can both preserve themselves and remain free. This is because submission to the authority of the general will of the people as a whole guarantees individuals against being subordinated to the wills of others and also ensures that they obey themselves because they are, collectively, the authors of the law.

Although Rousseau argues that sovereignty (or the power to make the laws) should be in the hands of the people, he also makes a sharp distinction between the sovereign and the government. The government is composed of magistrates, charged with implementing and enforcing the general will. The "sovereign" is the rule of law, ideally decided on by direct democracy in an assembly. Under a monarchy, however, the real sovereign is still the law. Rousseau was opposed to the idea that the people should exercise sovereignty via a representative assembly (Book III, Chapter XV). The kind of republican government of which Rousseau approved was that of the city state, of which Geneva, was a model, or would have been, if renewed on Rousseau's principles. France could not meet Rousseau's criterion of an ideal state because it was too big. Much subsequent controversy about Rousseau's work has hinged on disagreements concerning his claims that citizens constrained to obey the general will are thereby rendered free:

The notion of the general will is wholly central to Rousseau's theory of political legitimacy ... It is, however, an unfortunately obscure and controversial notion. Some commentators see it as no more than the dictatorship of the proletariat or the tyranny of the urban poor (such as may perhaps be seen in the French Revolution). Such was not Rousseau's meaning. This is clear from the Discourse on Political Economy, where Rousseau emphasizes that the general will exists to protect individuals against the mass, not to require them to be sacrificed to it. He is, of course, sharply aware that men have selfish and sectional interests which will lead them to try to oppress others. It is for this reason that loyalty to the good of all alike must be a supreme (although not exclusive) commitment by everyone, not only if a truly general will is to be heeded but also if it is to be formulated successfully in the first place".[21]

Education and Child Rearing

‘The noblest work in education is to make a reasoning man, and we expect to train a young child by making him reason! This beginning at the end; this is making an instrument of a result. If children understood how to reason they would not need to be educated.” –Rousseau, Emile.

Rousseau’s philosophy of education is not concerned with particular techniques of imparting information and concepts, but rather with developing the pupil’s character and moral sense, so that he may learn to practice self-mastery and remain virtuous even in the unnatural and imperfect society in which will have to live. The hypothetical boy, Émile, is to be raised in the countryside, which, Rousseau believes, is a more natural and healthy environment than the city, under the guardianship of a tutor who will guide him through various learning experiences arranged by the tutor. Today we would call this the disciplinary method of "logical consequences", since like modern psychologists[who?], Rousseau felt that children learn right and wrong through experiencing the consequences of their acts rather than through physical punishment. The tutor will make sure than no harm results to Émile through his learning experiences.

Rousseau was one of the first to advocate developmentally appropriate education; and his description of the stages of child development mirrors his conception of the evolution of culture. He divides childhood into stages: the first is to the age of about 12, when children are guided by their emotions and impulses. During the second stage, from 12 to about 16, reason starts to develop; and finally the third stage, from the age of 16 onwards, when the child develops into an adult. Rousseau recommends that the young adult should learn a manual skill such as carpentry, which requires creativity and thought, will keep him out of trouble, and will supply a fallback means of making a living in the event of a change of fortune. (The most illustrious aristocratic youth to have been educated this way may have been Louis XVI, whose parents had him learn the skill of locksmithing, though he was beheaded before he had a chance to use it.) The sixteen-year old is also ready to have a companion of the opposite sex.

Although his ideas foreshadowed modern ones in many ways, in one way they do not: Rousseau was a believer in the moral superiority of the patriarchal family on the antique Roman model. Sophie, the young woman Émile is destined to marry, as a representative of ideal womanhood, is educated to be governed by her husband while Émile, as representative of the ideal man, is educated to be self-governing. This is not an accidental feature of Rousseau's educational and political philosophy; it is essential to his account of the distinction between private, personal relations and the public world of political relations. The private sphere as Rousseau imagines it depends on the subordination of women, in order for both it and the public political sphere (upon which it depends) to function as Rousseau imagines it could and should. Rousseau anticipated the modern idea of the bourgeois nuclear family, with the mother at home taking responsibility for the household and for childcare and early education.

Feminists, beginning in the late eighteenth century with Mary Wollstonecraft in 1792[22] have criticized Rousseau for his confinement of women to the domestic sphere—unless women were domesticated and constrained by modesty and shame, he feared[23] "men would be tyrannized by women... For, given the ease with which women arouse men's senses... men would finally be their victims...."[24] His contemporaries saw it differently because Rousseau thought that mothers should breastfeed their children.[25] Marmontel wrote that his wife thought, "One must forgive something," she said, "in one who has taught us to be mothers."[26]

Rousseau's detractors have blamed him for everything they do not like in what they call modern "child-centered" education. John Darling's 1994 book Child-Centered Education and its Critics argues that the history of modern educational theory is a series of footnotes to Rousseau, a development he regards as bad. Good or bad, the theories of educators such as Rousseau's near contemporaries Pestalozzi, Mme de Genliss, and later, Maria Montessori, and Dewey, which have directly influenced modern educational practices do have significant points in common with those of Rousseau.

Religion

Having converted to Roman Catholicism early in life and returned to the austere Calvinism of his native Geneva as part of his period of moral reform, Rousseau maintained a profession of that religious philosophy and of Jean Calvin as a modern lawgiver throughout the remainder of his life. [2] His views on religion presented in his works of philosophy, however, may strike some as discordant with the doctrines of both Catholicism and Calvinism.

At the time, however, Rousseau's strong endorsement of religious toleration, as expounded by the Savoyard vicar in Émile, was interpreted as advocating indifferentism, a heresy, and led to the condemnation of the book in both Calvinist Geneva and Catholic Paris. His assertion in the Social Contract that true followers of Jesus would not make good citizens may have been another reason for Rousseau's condemnation in Geneva.

Although, unlike many of the more radical Enlightenment philosophers, Rousseau affirmed the necessity of religion, he repudiated the doctrine of original sin, which plays so large a part in Calvinism (in Émile, Rousseau writes "there is no original perversity in the human heart").[27]

In the eighteenth century, many deists viewed God merely an abstract and impersonal creator of the universe, which they likened to a giant machine. Rousseau's deism differed from the usual kind in its intense emotionality. He saw the presence of God in His creation, including mankind, which, apart from the harmful influence of society, is good, because God is good. Rousseau's acceptance of the argument of intelligent design and his explicit attribution of a spiritual value to the beauty of nature anticipates the attitudes of nineteenth-century Romanticism towards nature and religion.

Rousseau was upset that his deistic views were so forcefully condemned, while those of the more frankly atheistic philosophes were ignored. He defended himself against critics of his religious views in his "Letter to Christophe de Beaumont, the Archbishop of Paris.".[28]

Legacy

A plaque commemorating the bicentenary of Rousseau's birth. Issued by the city of Geneva on 28 June 1912. The legend at the bottom says "Jean-Jacques, aime ton pays" ("love your country"), and shows Rousseau's father gesturing towards the window. The scene is drawn from a footnote to the Letter to d'Alembert where Rousseau recalls witnessing the popular celebrations following the exercises of the St Gervais regiment.

Rousseau's idea of the volonté générale ("general will") was not original with him but rather belonged to a well-established technical vocabulary of juridical and theological writings in use at the time. The phrase was used by Diderot and also by Montesquieu (and by his teacher, the Oratorian friar Malebranche). It served to designate the common interest embodied in legal tradition, as distinct from and transcending people's private and particular interests at any particular time. The concept was also an important aspect of the more radical seventeenth century republican tradition of Spinoza, from whom Rousseau differed in important respects, but not in his insistence on the importance of equality. This emphasis on equality is Rousseau's most important and consequential legacy, causing him to be both reviled and applauded:

While Rousseau's notion of the progressive moral degeneration of mankind from the moment civil society established itself diverges markedly from Spinoza's claim that human nature is always and everywhere the same . . . for both philosophers the pristine equality of the state of nature is our ultimate goal and criterion . . . in shaping the "common good", volonté générale, or Spinoza's mens una, which alone can ensure stability and political salvation. Without the supreme criterion of equality, the general will would indeed be meaningless. .. . When in the depths of the French Revolution the Jacobin clubs all over France regularly deployed Rousseau when demanding radical reforms. and especially anything -- such as land redistribution -- designed to enhance equality, they were at the same time, albeit unconsciously, invoking a radical tradition which reached back to the late seventeenth century.[29]

The cult that grew up around Rousseau after his death, and particularly the radicalized versions of Rousseau's ideas that were adopted by Robespierre and Saint Just during the Reign of Terror, caused him to become identified with the most extreme aspects of the French Revolution.[30] The revolutionaries were also inspired by Rousseau to introduce Deism as the new official civil religion of France, scandalizing traditionalists:

Ceremonial and symbolic occurrences of the more radical phases of the Revolution invoked Rousseau and his core ideas. Thus the ceremony held at the site of the demolished Bastille, organized by the foremost artistic director of the Revolution, Jacques-Louis David, in August 1793 to mark the inauguration of the new republican constitution, an event coming shortly after the final abolition of all forms of feudal privilege, featured a cantata based on Rousseau's democratic pantheistic deism as expounded in the celebrated "Profession de foi d'un vicaire savoyard" in Book four of Émile.[31]

Opponents of the Revolution and defenders of religion, most influentially the Irish essayist Edmund Burke, therefore placed the blame for the excesses of the French Revolution directly on the revolutionaries' misplaced (as he considered it) adulation of Rousseau. Burke's "Letter to a Member of the National Assembly", published in February 1791, was a diatribe against Rousseau, whom he considered the paramount influence on French Revolution (his ad hominem attack did not really engage with Rousseau's political writings). Burke maintained that the excesses of the Revolution were not accidents but were designed from the beginning and were rooted in Rousseau's personal vanity, arrogance, and other moral failings. He recalled Rousseau's visit to Britain in 1766, saying: "I had good opportunities of knowing his proceedings almost from day to day and he left no doubt in my mind that he entertained no principle either to influence his heart or to guide his understanding, but vanity". Conceding his gift of eloquence, Burke deplored Rousseau's lack of the good taste and finer feelings that would have been imparted by the education of a gentleman:

Taste and elegance . . . are of no mean importance in the regulation of life. A moral taste. . .infinitely abates the evils of vice. Rousseau, a writer of great force and vivacity, is totally destitute of taste in any sense of the word. Your masters [i.e., the leaders of the Revolution], who are his scholars, conceive that all refinement has an aristocratic character. The last age had exhausted all its powers in giving a grace and nobleness to our mutual appetites, and in raising them into a higher class and order than seemed justly to belong to them. Through Rousseau, your masters are resolved to destroy these aristocratic prejudices.[32]

In America, where there was no such cult, the direct influence of Rousseau was arguably less. The American founders did share Rousseau's enthusiastic admiration for the austere virtues described by Livy and in Plutarch's portrayals the great men of ancient Sparta and the classical republicanism of early Rome, but so did most other enlightenment figures. Rousseau’s praise of Switzerland and Corsica’s economies of isolated and self-sufficient independent homesteads, and his endorsement of a well-regulated citizen militia, such as Switzerland’s, recall the ideals of Jeffersonian democracy. To Rousseau we owe the invention of the concept of a "civil religion", one of whose key tenets is religious toleration. Yet despite their mutual insistence on the self evidence that "all men are created equal", their insistence that the citizens of a republic be educated at public expense, and the evident parallel between the concepts of the "general welfare" and Rousseau's "general will", some scholars maintain there is little to suggest that Rousseau had that much impact on Thomas Jefferson and other founding fathers.[33] They argue that the American constitution owes as much or more to the English Liberal philosopher John Locke's emphasis on the rights of property and to Montesquieu's theories of the separation of powers.[34] Rousseau's writings had an indirect influence on American literature through the writings of Wordsworth and Kant, whose works were important to the New England Transcendentalists Ralph Waldo Emerson, and his disciple Henry David Thoreau, as well as on such Unitarians as theologian William Ellery Channing. American novelist James Fennimore Cooper's Last of the Mohicans and other novels reflect republican and egalitarian ideals present alike in Rousseau, Tom Paine, and also in English Romantic primitivism[35] Another American admirer was lexicographer Noah Webster.[36]

Criticisms of Rousseau

The first to criticize Rousseau were his fellow Philosophes, above all Voltaire. According to Jacques Barzun:

Voltaire, who had felt annoyed by the first essay [On the Arts and Sciences], was outraged the second, [Discourse on the Origin of Inequality Among Men], declaring that Rousseau wanted us to “walk on all fours” like animals and behave like savages, believing them creatures of perfection. From these interpretations, plausible but inexact, spring the clichés Noble Savage and Back to Nature.[37]

Barzun states that, contrary to myth, Rousseau was no primitivist, for him:

The model man is the independent farmer, free of superiors and self-governing. This was cause enough for the philosophes hatred of their former friend. Rousseau’s unforgivable crime was his rejection of the graces and luxuries of civilized existence. Voltaire had sung “The superfluous, that most necessary thing." For the high bourgeois standard of living Rousseau would substitute the middling peasant’s. It was the country versus the city – an exasperating idea for them, as was the amazing fact that every new work of Rousseau’s was a huge success, whether the subject was politics, theater, education, religion, or a novel about love.”[38]

Following the French Revolution, other commentators fingered a potential danger of Rousseau’s project of realizing an “antique” conception of virtue amongst the citizenry in a modern world (e.g. through education, physical exercise, a citizen militia, public holidays, and the like). Taken too far, as under the Jacobins, such social engineering could result in tyranny. As early as 1819, in his famous speech “On Ancient and Modern Liberty,” the political philosopher Benjamin Constant, a proponent of constitutional monarchy and representative democracy, criticized Rousseau, or rather his more radical followers (specifically the Abbé de Mably), for allegedly believing that "everything should give way to collective will, and that all restrictions on individual rights would be amply compensated by participation in social power.”

Common also were attacks by defenders of social hierarchy on Rousseau's "romantic" belief in equality. In 1860, shortly after the Sepoy Rebellion in India, two British white supremacists, John Crawfurd and James Hunt mounted a defense of British imperialism based on “scientific racism".[39] Crawfurd, in alliance with Hunt, took over the presidency of the British Anthropological Society, which had been founded with the mission to defend indigenous peoples against slavery and colonial exploitation. Invoking "science" and "realism", the two men derided their "philanthropic" predecessors for believing in human equality and for not recognizing the that mankind was divided into superior and inferior races. Crawfurd, who opposed Darwinian evolution, "denied any unity to mankind, insisting on immutable, hereditary, and timeless differences in racial character, principal amongst which was the 'very great' difference in 'intellectual capacity.'" For Crawfurd, the races had been created separately and were different species. Since Crawfurd was Scots, he thought the Scots "race" superior and all others inferior; whilst Hunt, on the other hand, believed in the supremacy of the Anglo-Saxon "race". Crawfurd and Hunt routinely accused those who disagreed with them of believing in "Rousseau’s Noble Savage". (The pair ultimately quarreled because Hunt believed in slavery and Crawfurd did not). "As Ter Ellinson demonstrates, Crawfurd was responsible for re-introducing the Pre-Rousseauian concept of 'the Noble Savage' to modern anthropology, attributing it wrongly and quite deliberately to Rousseau.”[40]

In 1919 Irving Babbitt, founder of a movement called the "New Humanism", wrote a critique of what he called "sentimental humanitarianism", for which he blamed Rousseau.[41] Babbitt's depiction of Rousseau was countered in a celebrated and much reprinted essay by A. O. Lovejoy in 1923.[42] In France, fascist theorist and anti-Semite Charles Maurras, founder of Action Française, “had no compunctions in laying the blame for both Romantisme et Révolution firmly on Rousseau in 1922." [43]

During the Cold War, some liberals, among them Karl Popper, criticized Rousseau for his association with nationalism and its attendant abuses. This came to be known among scholars as the "totalitarian thesis" (the word "totalitarian" having been coined during the reign of Mussolini). An example is J. L. Talmon's, The Origins of Totalitarian Democracy (1952).[44] Political scientist J. S. Moloy states that “the twentieth century added Nazism and Stalinism to Jacobinism on the list of horrors for which Rousseau could be blamed. ... Rousseau was considered to have advocated just the sort of invasive tampering with human nature which the totalitarian regimes of mid-century had tried to instantiate." But Moloy adds that "The totalitarian thesis in Rousseau studies has, by now, been discredited as an attribution of real historical influence.” [45] Arthur Melzer, however, while conceding that Rousseau would not have approved of modern nationalism, observes that his theories do contain the "seeds of nationalism", insofar as they set forth the "politics of identification", which are rooted in sympathetic emotion. Melzer also believes that in admitting that people's talents are unequal, Rousseau therefore tacitly condones the tyranny of the few over the many.[46] For Stephen T. Engel, on the other hand, Rousseau's nationalism anticipated modern theories of "imagined communities" that transcend social and religious divisions within states.[47]

On similar grounds, one of Rousseau's strongest critics during the second half of the twentieth century was political philosopher Hannah Arendt. Using Rousseau's thought as an example, Arendt identified the notion of sovereignty with that of the general will. According to her, it was this desire to establish a single, unified will based on the stifling of opinion in favor of public passion that contributed to the excesses of the French Revolution.

See also

Notes

  1. ^ "Preromanticism Criticism". Enotes.com. http://www.enotes.com/literary-criticism/preromanticism. Retrieved 2009-02-23. 
  2. ^ See also Robert Darnton, The Great Cat Massacre, chapter 6: "Readers Respond to Rousseau: The Fabrication of Romantic Sensitivity" for some interesting examples of contemporary reactions to this novel.
  3. ^ Leo Damrosch, Jean-Jacques Rousseau: Restless Genius (New York: Houghton Mifflin, 2005) p. 31.
  4. ^ "And indeed, a British visitor commented, ‘Even the lower class of people [of Geneva] are exceedingly well informed, and there is per fond of reading the works of Locke and Montesquieu,” see Leo Damrosch, Jean-Jacques Rousseau: Restless Genius, p. 14.
  5. ^ Damrosch, p. 24.
  6. ^ Rousseau: Restless Genius, p. 121.
  7. ^ Leo Damrosch describes the count as “a virtual parody of a parasitic aristocrat, incredibly stupid, irascible, and swollen with self importance." He spoke no Italian, a language in which Rousseau was fluent. Although Rousseau did most of the work of the embassy, he was treated like a valet. (See Damrosch, p. 168).
  8. ^ Some of Rousseau's contemporaries believed the babies were not his. George Sand has written an essai, "Les Charmettes" (1865. Printed in the same volume as "Laura" from the same year) in which she explains why Rousseau may have accused himself falsely. She quotes her grandmother, in whose family Rousseau had been a tutor, and who stated that Rousseau could not get children.
  9. ^ Rousseau in his musical articles in the Encyclopedie engaged in lively controversy with other musicians, e.g. with Rameau, as in his article on Temperament, for which see Encyclopédie: Tempérament (English translation), also Temperament Ordinaire.
  10. ^ Damrosch (2005), p. 304.
  11. ^ Damrosch (2005), p. 357.
  12. ^ Rousseau's biographer Leo Damrosch, believes that the authorities chose to condemn him on religious rather than political grounds for tactical reasons. See Damrosch Jean-Jacques Rousseau, Restless Genius (New York: Houghton Mifflin, 2005).
  13. ^ Peter Gay, The Enlightenment, The Science of Freedom, p. 72.
  14. ^ Quoted in Damrosch, p. 432
  15. ^ Rousseau, Discourse on Inequality, 72-73
  16. ^ Discourse, 78.
  17. ^ Anglophone writers still use the term "Noble Savage" in describing race relations in New France, see for example: The Libertine Colony by Doris Garraway, There are No Slaves in France by Sue Peabody, The Avengers of the New World by Laurent Dubois, and The French Atlantic Triangle by Christopher Miller; for information about the relationship between the French and English colonial contexts, see Sentimental Figures of Empire by Lynn Festa.
  18. ^ See A. O. Lovejoy's essay on "The Suppposed Primitivism of Rousseau's Discourse on Inequality" in Essays in the History of Ideas (Baltimore: Johns Hopkins Press, 1948, 1960). For a history of how the phrase became associated with Rousseau, see Ter Ellinson's, The Myth of the Noble Savage (Berkley, CA: University of California Press, 2001)
  19. ^ In locating the basis of ethics in emotions rather than reason Rousseau agreed with Adam Smith's 1759 Theory of Moral Sentiments.
  20. ^ The Social Contract, Book I Chapter 8
  21. ^ Entry, "Rousseau" in the Routelege Encyclopedia of Philosophy, Edward Craig, editor, Volume Eight, p. 371
  22. ^ Wollstonecraft, Mary, 1792 (2004). "V". A Vindication of the Rights of Woman (ed. Miriam Brody).. Penguin Group. ISBN 978-0-14-144125-2. 
  23. ^ Tuana, Nancy (1993). The Less Noble Sex: Scientific, Religious and Philosophical Conceptions of Women's Nature. Indiana University Press. pp. 161. ISBN 0-253-36098-6. 
  24. ^ Rousseau, Emile, book V, p. 359
  25. ^ Damrosch, p. 341-42.
  26. ^ Marmontel, Jean François (1826). Memoirs of Marmontel, written by himself: containing his literary and political life, and anecdotes of the principal characters of the eighteenth century. Whittaker via Google Books. pp. 125–126. http://books.google.com/books?id=SiQoAAAAYAAJ&pg=PA125. 
  27. ^ il n’y a point de perversité originelle dans le cœur humain http://fr.wikisource.org/wiki/Émile,_ou_De_l’éducation_-_Livre_second
  28. ^ The full text of the letter is available online only in the French original: Lettre à Mgr De Beaumont Archevêque de Paris (1762)
  29. ^ Jonathan I. Israel, Radical Enlightenment: Philosophy and the Making of Modernity (Oxford University Press, 2002), p. 274.
  30. ^ Robspierre and Saint-Just's conception of L’intérêt général or the will of the people was derived from Rousseau's "general will", and they considered themselves "highly principled republicans, charged with stripping away what was superfluous and corrupt, inspired above all by Rousseau", Jonathan Israel, p. 717.
  31. ^ Jonathan Israel, p. 717.
  32. ^ Edmund Burke. "A letter to a member of the National Assembly, 1791". Ourcivilisation.com. http://ourcivilisation.com/smartboard/shop/burkee/tonatass/index.htm. Retrieved 2009-02-23. 
  33. ^ "Rousseau, whose romantic and egalitarian tenets had practically no influence on the course of Jefferson's, or indeed any American, thought." Nathan Schachner, Thomas Jefferson: A Biography. (1957), p. 47. Jefferson never mentioned Rousseau in any of his writings, but made frequent references to Locke. On the other hand he did have a well-thumbed copy of Rousseau's work in his library and was known to have been influenced by "French philosophers."
  34. ^ A case for Rousseau as an enemy of the Enlightenment is made in Graeme Garrard, Rousseau's Counter-Enlightenment: A Republican Critique of the Philosophes (Albany: SUNY Press, 2003).
  35. ^ Cooper was a follower of Tom Paine, who in turn was an admirer of Rousseau. For the classical origins of American ideals of liberty, see also "Sibi Imperiosus: Cooper's Horatian Ideal of Self-Governance in The Deerslayer"(Villa Julie College) Placed on line July 2005 http://external.oneonta.edu/cooper/articles/suny/2003suny-tamer.html.
  36. ^ Mark J. Temmer, "Rousseau and Thoreau," Yale French Studies, No. 28, Jean-Jacques Rousseau (1961), pp. 112-121.
  37. ^ From Dawn to Decadence: 500 Years of Western Cultural Life: 1500 to the Present (Harper Collins, 2001), p. 384
  38. ^ Jacques Barzun, From Dawn to Decadence (2001) p. 384
  39. ^ see Ter Ellingson, The Myth of the Noble Savage, 2001.
  40. ^ "John Crawfurd — 'two separate races'". Epress.anu.edu.au. http://epress.anu.edu.au/foreign_bodies/mobile_devices/ch03s02.html. Retrieved 2009-02-23. 
  41. ^ Rousseau and Romanticism (Boston: Houghton Mifflin, 1919.
  42. ^ See "The Supposed Primitivism of Jean-Jacques Rousseau," in Essays in the History of Ideas (Baltimore: Johns Hopkins Press: [1923] 1948).
  43. ^ See R. Simon Harvey, who goes on: "and mere concern for the facts has not inhibited others from doing likewise. Irving Babbitt’s Rousseau & Romanticism still remains the only general work on this subject though printed as long ago as 1919, but it is grossly inaccurate, discursive and biased ….”See Reappraisals of Rousseau: studies in honor of R. A. Leigh, R, Simon Harvey, Editor (Manchester University press. 1980).
  44. ^ Talmon's thesis is rebutted by Ralph A. Leigh in “Liberté et autorité dans le Contrat Social” in Jean-Jacques Rousseau et son ouevre (Paris 1963). Another tenacious proponent of the totalitarian thesis was Lester C. Crocker, author of Rousseau’s Social Contract, An interpretive Essay (Case Western Reserve Press, Cleveland, 1968). Two reviews of the debate are: J. W. Chapman, Rousseau: Totalitarian or Liberal? (AMS Press New York, 1968) and Richard Fralin, Rousseau and Representation (Columbia University Press, NY, 1978).
  45. ^ J. S. Maloy, “The Very Order of Things: Rousseau's Tutorial Republicanism,” Polity, Vol. 37 (2005).
  46. ^ Arthur Melzer, "Rousseau, Nationalism, and the Politics of Sympathetic Identification" in Educating the Prince: Essays in Honor of Harvey C. Mansfield, Mark Kristol and William Blitz, editors (Rowman & Littlefield, 2000). Others counter, however, that Rousseau was concerned with the concept of equality under the law, not equality of talents.
  47. ^ "Rousseau and Imagined Communities", The Review of Politics, Vol. 67, No. 3 (Summer, 2005), pp. 515-537.

References

  • Abizadeh, Arash (2001). "Banishing the Particular: Rousseau on Rhetoric, Patrie, and the Passions" Political Theory 29.4: 556-82.
  • Babbitt, Irving ([1919] 1991). Rousseau and Romanticism. Edison, New Jersey: Transaction Publishers (Library of Conservative Thought)
  • Bertram, Christopher (2003). Rousseau and The Social Contract. London: Routledge.
  • Cassirer, Ernst (1945). Rousseau, Kant, Goethe. Princeton University Press.
  • Cassirer, Ernst ([1935]1989). The Question of Jean-Jacques Rousseau. Peter Gay, editor and translator. Series editor, Jacques Barzun. Yale University Press.
  • Conrad, Felicity (2008). "Rousseau Gets Spanked, or, Chomsky's Revenge." The Journal of POLI 433. 1.1: 1-24.
  • Cooper, Laurence (1999). Rousseau, Nature and the Problem of the Good Life. Pennsylvania: Pennsylvania State University Press.
  • Cottret, Monique and Bernard Cottret. Jean-Jacques Rousseau en son temps, Paris, Perrin, 2005.
  • Cranston, Maurice (1982). Jean-Jacques: The Early Life and Work. New York: Norton.
  • Cranston, Maurice (1991). The Noble Savage. Chicago: University of Chicago Press.
  • Cranston, Maurice (1997). The Solitary Self. Chicago: University of Chicago Press.
  • Damrosch, Leo (2005). Jean-Jacques Rousseau: Restless Genius. New York: Houghton Mifflin.
  • Dent, Nicholas, J.H. (1988). Rousseau : An Introduction to his Psychological, Social, and Political Theory. Oxford: Blackwell.
  • Dent, Nicholas, J. H. (1992). A Rousseau Dictionary. Oxford: Blackwell.
  • Dent, Nicholas. (2005). Rousseau. London: Routledge.
  • Derathé, Robert.(1948). Le Rationalism de J.-J. Rousseau. Press Universitaires de France.
  • Derathé, Robert ([1950] 1988). Jean-Jacques Rousseau et la Science Politique de Son Temps. Paris: Vrin,
  • Derrida, Jacques (1976). Of Grammatology, trans. Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins Press.
  • Einaudi, Mario (1968). Early Rousseau. Ithaca: Cornell University Press.
  • Ellingson, Ter. (2001). The Myth of the Noble Savage. Berkeley, CA: University of California Press.
  • Farrell, John (2006). Paranoia and Modernity: Cervantes to Rousseau. New York: Cornell University Press.
  • Garrard, Graeme (2003). Rousseau's Counter-Enlightenment: A Republican Critique of the Philosophes. Albany: State University of New York Press.
  • Gauthier, David (2006). Rousseau: The Sentiment of Existence. Cambridge: Cambridge University Press.
  • Hendel, Charles W. (1934). Jean-Jacques Rousseau: Moralist. 2 Vols. (1934) Indianapolis, IN: Bobbs Merrill.
  • de Jouvenel, Bertrand (1962). "Rousseau the Pessimistic Evolutionist." Yale French studies 27 83-96
  • Kateb, George (1961). “Aspects of Rousseau’s Political Thought,” Political Science Quarterly, December 1961.
  • Kitsikis, Dimitri (2006).Jean-Jacques Rousseau et les origines françaises du fascisme. Nantes: Ars Magna Editions.
  • LaFreniere, Gilbert F. (1990). "Rousseau and the European Roots of Environmentalism." Environmental History Review 14 (No. 4): 41-72
  • Lange, Lynda (2002). Feminist Interpretations of Jean-Jacques Rousseau. University Park: Penn State University Press.
  • Lovejoy, Arthur O. ([1923] 1948). "The Supposed Primitivism of Rousseau's 'Discourse on Inequality'". Modern Philology: XXI: 165-186. Reprinted in Essays in the History of Ideas (Baltimore: John Hopkins Press). "A classic treatment of the Second Discourse" --Nicholas Dent.
  • Marks, Jonathan (2005). Perfection and Disharmony in the Thought of Jean-Jacques Rousseau. Cambridge: Cambridge University Press.
  • Roger Masters (ed.), 1964. The First and Second Discourses by Jean-Jacques Rousseau, translated by Roger D Masters and Judith R Masters. New York: St. Martin's Press (ISBN 0-312-69440-7).
  • Roger Masters, 1968. The Political Philosophy of Rousseau. Princeton, N.J., Princeton University Press (ISBN 9780691019895), also available in French (ISBN 2-84788-000-3).
  • Roger Masters (ed.), 1978. On the Social Contract, with the Geneva Manuscript and Political Economy by Jean-Jacques Rousseau, translated by Judith R Masters. New York: St Martin’s Press (ISBN 0-312-69446-6).
  • Melzer, Arthur (1990). The Natural Goodness of Man: On the System of Rousseau's Thought. Chicago: University of Chicago Press.
  • Pateman, Carole (1979). The Problem of Political Obligation: A Critical Analysis of Liberal Theory. Chichester: John Wiley & Sons.
  • Riley, Patrick (1970). “A Possible Explanation of the General Will”. American Political Science Review 64:88
  • Riley, Patrick (1978). "General Will Before Rousseau". Political Theory, vol. 6, No. 4: 485-516.
  • Riley, Patrick (ed.) (2001). The Cambridge Companion to Rousseau. Cambridge: Cambridge University Press.
  • Robinson, Dave & Groves, Judy (2003). Introducing Political Philosophy. Icon Books. ISBN 1-84046-450-X.
  • Scott, John, T., editor (2006). Jean Jacques Rousseau, Volume 3: Critical Assessments of Leading Political Philosophers. New York: Routledge.
  • Simpson, Matthew (2006). Rousseau's Theory of Freedom. London: Continuum Books.
  • Simpson, Matthew (2007). Rousseau: Guide for the Perplexed. London: Continuum Books.
  • Starobinski, Jean (1988). Jean-Jacques Rousseau: Transparency and Obstruction. Chicago: University of Chicago Press.
  • Strauss, Leo (1953). Natural Right and History. Chicago: University of Chicago Press, chap. 6A.
  • Strauss, Leo (1947). "On the Intention of Rousseau," Social Research 14: 455-87.
  • Strong, Tracy B. (2002). Jean Jacques Rousseau and the Politics of the Ordinary. Lanham, MD: Rowman and Littlefield.
  • Talmon, Jacob R. (1952). The Origins of Totalitarian Democracy. New York: W. W. Norton.
  • Virioli, Maurizio ([1988] 2003). Jean-Jacques Rousseau and the 'Well-Ordered Society'. Hanson, Derek, translator. Cambridge University Press, 2003 ISBN 0521531381, 9780521531382
  • Williams, David Lay (2007). Rousseau’s Platonic Enlightenment. Pennsylvania State University Press.
  • Wokler, Robert (1995). Rousseau. Oxford: Oxford University Press.
  • Wraight, Christopher D. (2008), Rousseau's The Social Contract: A Reader's Guide. London: Continuum Books.

Major works

Editions in English

  • Basic Political Writings, trans. Donald A. Cress. Indianapolis: Hackett Publishing, 1987.
  • Collected Writings, ed. Roger Masters and Christopher Kelly, Dartmouth: University Press of New England, 1990-2005, 11 vols. (Does not as yet include Émile.)
  • The Confessions, trans. Angela Scholar. Oxford: Oxford University Press, 2000.
  • Emile, or On Education, trans. with an introd. by Allan Bloom, New York: Basic Books, 1979.
  • "On the Origin of Language," trans. John H. Moran. In On the Origin of Language: Two Essays. Chicago: University of Chicago Press, 1986.
  • Reveries of a Solitary Walker, trans. Peter France. London: Penguin Books, 1980.
  • 'The Discourses' and Other Early Political Writings, trans. Victor Gourevitch. Cambridge: Cambridge University Press, 1997.
  • 'The Social Contract' and Other Later Political Writings, trans. Victor Gourevitch. Cambridge: Cambridge University Press, 1997.
  • 'The Social Contract, trans. Maurice Cranston. Penguin: Penguin Classics Various Editions, 1968-2007.
  • The Political writings of Jean-Jacques Rousseau, edited from the original MCS and authentic editions with introduction and notes by C.E.Vaughan, Blackwell, Oxford, 1962. (In French but the introduction and notes are in English).

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From Today's Highlights
July 14, 2005

My bad head cannot adjust itself to the way things are.... If I want to describe a beautiful landscape, I must be enclosed within walls; and ... if I were put in the Bastille, there I would paint a picture of liberty.
- Jean-Jacques Rousseau

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