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Johnny Cash

 
Johnny Cash
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Birth Date

Feb 26, 1932. The iconic country music star was born J.R. Cash at Kingsland, AR. His career spanned the 1950s through the year he died, and he recorded more than 1,500 songs, including such hits as “I Walk the Line,” “Ring of Fire,” “Folsom Prison Blues” and “A Boy Named Sue.” He was called the “Man in Black” because he wore a black long-tailed suit in sympathy for those who suffered. The recipient of numerous awards and honors, Cash died at Nashville, TN, on Sept 12, 2003. Cash and Elvis Presley are the only music stars to be inducted into both the Country Music and Rock and Roll halls of fame.

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(born Feb. 26, 1932, Kingsland, Ark., U.S.died Sept. 12, 2003, Nashville, Tenn.) U.S. singer and songwriter. He learned guitar and began writing songs during military service in the early 1950s. Settling in Memphis, he earned regular appearances on Louisiana Hayride and the Grand Ole Opry with hits such as Hey, Porter, Folsom Prison Blues, and I Walk the Line. By 1957 Cash was acknowledged the top country music artist. His popularity waned for a time because of health and drug addiction problems, but his album Johnny Cash at Folsom Prison (1968) led to his rediscovery by a wider audience. In 1968 he married June Carter of the Carter Family, with whom he had worked since 1961. In 1994 he released American Recordings, which was a critical and popular success and won him a new generation of fans. His later albums include American IV: The Man Comes Around (2002). Cash was inducted into the Country Music Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1992. His autobiographies Man in Black and Cash (cowritten with Patrick Carr) were published in 1975 and 1997, respectively.

For more information on Johnny Cash, visit Britannica.com.

"The Man in Black" - as Johnny Cash (born 1932) has long been known - has been one of the most influential figures in country music since the 1950s. In the 1990s he broke through to a younger, more alternative audience, performing songs by Soundgarden, Beck, and others.

He has also reached a substantial audience of rock fans, thanks to his outlaw persona, deep, authoritative voice, and dark songs like "Folsom Prison Blues." After enjoying a string of hits in the 1950s and even greater success in the late 1960s, when he was briefly the best-selling recording artist in the world, he saw his edgy, close-to-the-bone style go out of fashion. Even as his 1980s work was neglected, however, he appeared before adoring throngs worldwide. In 1994, well past his sixtieth birthday, he came roaring back with a sparsely recorded album that ranked among his best work and earned him a Grammy Award. "Can you name anyone in this day and age who is as cool as Johnny Cash?" asked Rolling Stone rhetorically. "No, you can't."

J. R. Cash was born into an impoverished Arkansas family in 1932 and grew up working in the cotton fields. His Baptist upbringing meant that the music he heard was almost entirely religious, and the hymns sung by country greats like the Carter Family and Ernest Tubb reached him on the radio and made an indelible impression. "From the time I was a little boy," he recollected to Steve Pond in a 1992 Rolling Stone interview, "I never had any doubt that I was gonna be singing on the radio." His brother Roy formed a band when he was young, increasing John's determination to do the same one day.

Cash had no idea, though, what path would lead him to his destiny. He held a few odd jobs after graduating from Dyess High School in 1950, but eventually opted for a four-year stay in the Air Force. Stationed in Germany, he endured what he would later describe as a lonely, miserable period. Fortunately, he learned to play the guitar and began turning the poetry he'd been writing into song lyrics. After seeing a powerful film about Folsom Prison, he sat down to write what would become one of his signature songs - "Folsom Prison Blues." His empathy for prisoners and other marginalized people would consistently inform his work. With his powerful position in a generally conservative musical world, he also championed Native American rights and other social ills.

Cash left the military in 1954 and married Vivian Liberto, whom he met before joining the air force; they had corresponded throughout his tour of duty. The two lived in Memphis, Tennessee, and he earned a meager living selling appliances. "I was the worst salesman in the world," Cash confided to Pond. Nonetheless, he summoned the passion to sell himself as a singer, playing with a gospel group and canvassing radio stations for chances to perform on the air.

Plays with Presley

Eventually Cash was granted an audience with trail-blazing producer Sam Phillips, at whose Sun Studios the likes of Elvis Presley, Jerry Lee Lewis, Carl Perkins, and others made recordings that would help change the course of popular music. Phillips was a hard sell, but Cash won the opportunity to record his first single; "Cry, Cry, Cry" became a number 14 hit in 1955, and Cash's group played some local gigs with Presley. Pond describes Cash's early records as "stark, unsettling and totally original. The instrumentation was spare, almost rudimentary" featuring bass and lead guitar supplied by his Tennessee Two and Cash's rhythm guitar, which had "a piece of paper stuck underneath the top frets to give it a scratchy sound."

In 1956 Cash left his sales job and recorded the hits "Folsom Prison Blues" - containing the legendary and much-quoted lyric "I shot a man in Reno just to watch him die" - and "I Walk the Line." The next year saw the release of the one album released by Sun before his departure from the label, Johnny Cash With His Hot & Blue Guitar. He and the Tennessee Two left the label after a string of hits and signed with CBS/Columbia Records in 1958. Singles he recorded on Sun at Phillips's insistence just before his contract lapsed continued to chart for years afterward, much to Cash's chagrin. Yet he charted on CBS as well with a bevy of singles and such albums as Blood, Sweat and Tears and Ring of Fire.

In the midst of his success, however, Cash grew apart from Vivian and their children. He grew dependent on drink and drugs and became increasingly dissolute. Such misery no doubt contributed force to such work as 1963's "Ring of Fire," which was co-written by June Carter, who also performed on the track. Cash and Carter - of the famed Carter family - became increasingly close, both professionally and personally. His marriage collapsed in 1966 and he nearly died of an overdose. Cash has long attributed his subsequent rehabilitation to two factors: Carter and God. He and Carter wed in 1968 and later had a son, John.

Cash Sells

In any event, Cash expanded his repertoire as the 1960s unfolded, incorporating folk music and protest themes. He recorded songs by folk-rock avatar Bob Dylan and up-and-comers like Kris Kristofferson, but by the end of the decade, driven perhaps by his generally out-of-control life, his hits came largely from novelty songs like Shel Silverstein's "A Boy Named Sue." Even so, by 1969 Cash was the best-selling recording artist alive, outselling even rock legends The Beatles. That year saw him win two Grammy Awards for Johnny Cash at Folsom Prison, a live album for a worshipful audience of prisoners that led, perhaps inevitably, to Johnny Cash at San Quentin. From 1969 to 1971 he hosted a smash variety program for television, The Johnny Cash Show.

The 1970s saw more career triumphs, notably a Grammy-winning duet with Carter on Tim Hardin's "If I Were a Carpenter," a command performance for President Richard Nixon, acting roles in film and on television, a best-selling autobiography, and several more hit albums, including Man in Black, the title of which would become his permanent show business moniker. While this label has been associated with his "outlaw" image, he and his bandmates originally wore black because they had nothing else that matched; besides, as Cash informed Entertainment Weekly, "black is better for church."

In 1980 Cash was inducted into the Country Music Association Hall of Fame. He had become a music hero worldwide, appearing in eastern Europe before the fall of the Soviet empire and praising those who agitated for democracy. Yet during the 1980s, Cash became less and less of a priority for his record label; country music had come to be dominated by younger, pop-inclined artists who favored slick production. He continued to struggle with drugs, eventually checking into the Betty Ford clinic. There, he has said, he experienced a religious epiphany.

Cash wrote a novel, Man in White, about the life of the apostle Paul, and continued indulging his eclectic musical tastes, recording songs by mavericks like Elvis Costello. Alongside Kristofferson, Willie Nelson, and Waylon Jennings, he participated in a collaborative album, The Highwayman; he also joined Jerry Lee Lewis, Carl Perkins, and country-rock giant Roy Orbison for a reunion recording called Class of '55 (Memphis Rock & Roll Homecoming), which enjoyed solid sales. A daughter by his first marriage, Rosanne, became a country star in her own right; Johnny Cash, himself, even as his albums sold poorly, was firmly established as a living legend of country music and a profound influence on rock and roll. In 1992 he was inducted into the Rock and Roll Hall of Fame, and 1993 saw him contribute a vocal performance to Zooropa, by rock superstars U2.

Yet Cash tired of record-business priorities. "I kept hearing about demographics [market studies of consumers] until it was coming out my ears," the singer told Christopher John Farley of Newsweek. The first label representative who seemed to understand him after this bitter experience was, ironically enough, best known for his work with hardcore rap, metal, and alternative acts. Rick Rubin had founded his own label, first called Def American and later changed to American Recordings, to support acts he believed in. Though not intimately acquainted with Cash's work, he admired the singer's artistic persona. "I don't see him as a country act," Rubin told Farley. "I would say he embodies rock 'n' roll. He's an outlaw figure, and that is the essence of what rock 'n' roll is."

Rubin's appeal to Cash lay in his idea for a record. After seeing one of the country legend's performances, the producer "said he'd love to hear just me and my guitar," Cash told Los Angeles Times writer Robert Hilburn. These were the words the veteran artist had waited decades to hear; he had suggested such a minimal approach many times to country producers, only to have it vetoed immediately on commercial grounds. Rubin simply set up a tape machine in his Hollywood living room and allowed Cash to do what he does best.

Rubin "was a lot like Sam [Phillips], actually," Cash ventured to Hilburn. "We talked a lot about the approach we were going to take, and he said, 'You know, we are not going to think about time or money. I want you to come out as much as you can." Without such constraints - which had clipped Cash's wings in his Nashville years - he was free to experiment with a wide range of material. Recording over 70 songs, mostly at Rubin's house but also at his own cabin in Tennessee and at the trendy Los Angeles nightspot The Viper Room, Cash had a valedictory experience. He later told Time' s Farley that the work was his "dream album."

The material was culled to 13 tracks, including traditional songs, some Cash originals, and compositions by such diverse modern songwriters as Kristofferson, Leonard Cohen, Tom Waits, Nick Lowe, Glenn Danzig, and Loudon Wainright III. The leadoff track, "Delia's Gone," grimly describes the murder of a faithless woman; Rubin seemed to invite comparisons between Cash and the controversial metal and rap acts on his label. Titled American Recordings, the album was released in 1994; Johnny Cash was 62 years old. The liner notes contained testimonials from both Rubin and Cash. "I think we made a brutally honest record," the producer declared. "Working with Rick," Cash averred, "all the experimenting, kinda spread me out and expanded my range of material. This is the best I can do as an artist, as a solo artist, this is it."

Critics seemed to agree. Karen Schoemer of Mirabella praised it as "a daring, deceptively simple album" that "operates on a mythic scale, which suits someone who's always been larger than life. What is breathtaking is Cash's ability to analyze his aging self, and the failures, weaknesses, strengths and wisdoms that time bestows." Village Voice critic Doug Simmons praised it as "fiercely intimate," while Rolling Stone's Anthony DeCurtis called it "unquestionably one of his best albums," one which "will earn him a time of well-deserved distinction in which his work will reach an eager new audience."

While American Recordings didn't take the charts by storm, it restored Johnny Cash's sense of mission. It also earned him a 1995 Grammy Award for best contemporary folk album. He played a sold-out engagement in Los Angeles just before his nomination, before an audience studded with such music stars as Tom Petty, Sheryl Crow, and Dwight Yoakam. And in September of 1996 he played a set at the CMJ Music Marathon in Manhattan, previewing songs from his album Unchained as well as performing cover versions from younger artists such as Beck and Soundgarden.

About the prospect of an "eager new audience" Cash himself - who seriously considered playing at the alternative-rock festival known as Lollapalooza before declining the offer - was philosophical. "I no longer have a grandiose attitude about my music being a powerful force for change," he told Entertainment Weekly. Even so, he allowed, "I think [today's youth] sees the hypocrisy in government, the rotten core of social ills and poverty and prejudice, and I'm not afraid to say that's where the trouble is. A lot of people my age are." One thing remained constant, as he told Rolling Stone: "I feel like if I can just go onstage with my guitar and sing my songs, I can't do no wrong no matter where I am."

Further Reading

Rees, Dafydd, and Luke Crampton, Rock Movers & Shakers, Billboard, 1991.

Entertainment Weekly, February 18, 1994, pp. 57-67.

Hits, May 2, 1994.

Los Angeles Times, April 25, 1994, pp. F1, F5.

Mirabella, July 1994.

People, May 16, 1994.

Rolling Stone, December 10, 1992, pp. 118-25, 201; May 5, 1994, p. 14; May 19, 1994, pp. 97-98; June 30, 1994, p. 35.

Time, May 9, 1994, pp. 72-74.

Village Voice, May 18, 1994.

Answer of the Day:

Johnny Cash

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Johnny Cash  
Johnny Cash
"The Man in Black," Johnny Cash, was born on this date in 1932. Though he never served a prison sentence, Cash felt compassion for prisoners and two of his best-selling albums were Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). A multiple-award winner, Cash was the Country Music Hall of Fame's youngest living inductee when he was made a member in 1980, at the age of 48. Joaquin Phoenix and Reese Witherspoon are both up for Academy Awards for their portrayals of Cash and the woman who became his wife, June Carter, in the film Walk the Line.

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From our Archives: Today's Highlights, February 26, 2006

Columbia Encyclopedia:

Johnny Cash

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Cash, Johnny, 1932-2003, American singer and songwriter, b. Kingsland, Ark. Born to a farm family, he went to Memphis in 1955 and recorded hits such as "I Walk the Line" (1956) and "Ring of Fire" (1963), written with his second wife, singer June Carter Cash of the famous country dynasty (see Carter family). A major figure in country and western music, Cash lent a unique note of grace and gravitas to the genre with his all-black wardrobe redolent of rebellion and mourning, his rumbling bass-baritone voice, and the often tragic subject matter of his songs. Nonetheless, one of his biggest hits was the humorous "A Boy Named Sue" (1969). Cash, who mingled elements of folk, country, and rock in his music, won 11 Grammies and was elected to both the Country Music and Rock and Roll hall of fames. Noted for his performances at prisons and his appearances in concert, on television, and in films, he continued to tour until 1997.

Bibliography

See his autobiography (1997); H. George-Warren and M. Evans, Johnny Cash in His Own Words (2003); M. Streissguth, ed., Ring of Fire: The Johnny Cash Reader (2002); biographies by S. Dolan (1996), F. Moriarty (1998), G. Campbell (2003), S. Miller (2003), and M. Streissguth (2006); V. Cash, I Walked the Line: My Life with Johnny (2007).

Quotes By:

Johnny Cash

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Quotes:

"How well I have learned that there is no fence to sit on between heaven and hell. There is a deep, wide gulf, a chasm, and in that chasm is no place for any man."

AMG AllMovie Guide:

Johnny Cash

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Biography

Emerging into the public's consciousness in 1958, country & western performer Johnny Cash hit his first popularity peak in the mid-'60s with his hard-driving prison, train, and "underdog" ballads. Changing tastes, coupled with his own volatile temperament, resulted in as many lows as highs in the late 20th century, but Cash is a survivor, and was still very much on hand for the country & western upsurge of the late '80s. His first film appearances were in shapeless semi-concert pictures like Hootenanny Hoot (1963), but he went on to excel as a naturalistic actor in such Westerns as A Gunfight (1971) and The Last Days of Frank and Jesse James (1986). Johnny Cash is shown to best cinematic advantage as "himself" in the 1970 documentary Johnny Cash: The Man, His World, His Music, which features Cash's wife, June Carter. Cash was honored with a Lifetime Achievement Award from Lincoln Center in 1997.

Still hugely popular as the millennuim turned, the 2003 MTV Video Music Awards found Cash's video for the song "Hurt" nominated for no less than six awards. The reflective video ultimately took home the prize for Best Cinematography, cementing Cash's status as an artist whose musical stylings truly knew no boundries. Shortly thereafter, in early September of 2003, Johnny Cash died of complications of diabetes in Nashville, TN. at the age of 71. His death came just four short months after that of his longtime wife June Carter Cash. ~ Hal Erickson, Rovi
Gale Musician Profiles:

Johnny Cash

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Singer, songwriter



Johnny Cash—"The Man in Black"—has long been known as one of the most influential figures in country music since the 1950s. He has also reached a substantial audience of rock fans, thanks to his outlaw persona, deep, authoritative voice, and dark songs like "Folsom Prison Blues." After enjoying a string of hits in the 1950s and even greater success in the late 1960s, when he was briefly the best-selling recording artist in the world, he saw his edgy, close-to-the-bone style go out of fashion. Even as his 1980s work was neglected, however, he appeared before adoring throngs worldwide. In 1994, well past his sixtieth birthday, he came roaring back with a sparsely recorded album, American Recordings, that ranked among his best work and earned him a Grammy Award. "Can you name anyone in this day and age who is as cool as Johnny Cash?" asked Rolling Stone rhetorically. "No, you can't."

John R. Cash was born into an impoverished Arkansas family in 1932 and grew up working in the cotton fields. His Baptist upbringing meant that the music he heard was almost entirely religious, and the hymns sung by country greats like the Carter Family and Ernest Tubb reached him on the radio and made an indelible impression. "From the time I was a little boy," he recollected to Steve Pond in a 1992 Rolling Stone interview, "I never had any doubt that I was gonna be singing on the radio." His brother Roy formed a band when he was young, increasing John's determination to do the same one day.

Cash had no idea, though, what path would lead him to his destiny. He held a few odd jobs after graduating from Dyess High School in 1950, but eventually opted for a four-year stay in the Air Force. Stationed in Germany, he endured what he would later describe as a lonely, miserable period. Fortunately, he learned to play the guitar and began turning the poetry he'd been writing into song lyrics. After seeing a powerful film about Folsom Prison, he sat down to write what would become one of his signature songs—"Folsom Prison Blues." His empathy for prisoners and other marginalized people would consistently inform his work. With his powerful position in a generally conservative musical world, he also championed Native American rights and other social ills.

Cash left the military in 1954 and married Vivian Liberto, whom he met before joining the Air Force; they had corresponded throughout his tour of duty. The two lived in Memphis, Tennessee, and he earned a meager living selling appliances. "I was the worst salesman in the world," Cash confided to Pond. Nonetheless, he summoned the passion to sell himself as a singer, playing with a gospel group and canvassing radio stations for chances to perform on the air.

Made First Recording
Eventually Cash was granted an audience with trail-blazing producer Sam Phillips, at whose Sun Studios the likes of Elvis Presley, Jerry Lee Lewis, Carl Perkins, and others made recordings that would help change the course of popular music. Phillips was a hard sell, but Cash won the opportunity to record his first single; "Cry, Cry, Cry" became a number 14 hit in 1955, and Cash's group played some local gigs with Presley. Pond describes Cash's early records as "stark, unsettling and totally original. The instrumentation was spare, almost rudimentary," featuring bass and lead guitar supplied by his Tennessee Two and Cash's rhythm guitar, which had "a piece of paper stuck underneath the top frets to give it a scratchy sound."

In 1956 Cash left his sales job and recorded the hits "Folsom Prison Blues"—containing the legendary and much-quoted lyric "I shot a man in Reno just to watch him die"—and "I Walk the Line." The next year saw the release of the one album released by Sun before his departure from the label, Johnny Cash With His Hot & Blue Guitar. He and the Tennessee Two left the label after a string of hits and signed with CBS/Columbia Records in 1958. Singles he recorded on Sun at Phillips's insistence just before his contract lapsed continued to chart for years afterward, much to Cash's chagrin. Yet he charted on CBS as well with a bevy of singles and such albums as Blood, Sweat and Tears and Ring of Fire.

Rehabilitation
In the midst of his success, however, Cash grew apart from Vivian and their children. He grew dependent on drink and drugs and became increasingly dissolute. Such misery no doubt contributed force to such work as 1963's "Ring of Fire," which was cowritten by June Carter, who also performed on the track. Cash and Carter—of the famed Carter family—became increasingly close, both professionally and personally. His marriage collapsed in 1966 and he nearly died of an overdose. Cash has long attributed his subsequent rehabilitation to two factors: Carter and God. He and Carter wed in 1968 and later had a son, John.

In any event, Cash expanded his repertoire as the 1960s unfolded, incorporating folk music and protest themes. He recorded songs by folk-rock avatar Bob Dylan and up-and-comers like Kris Kristofferson, but by the end of the decade, driven perhaps by his generally out-of-control life, his hits came largely from novelty songs like Shel Silverstein's "A Boy Named Sue." Even so, by 1969 Cash was the best-selling recording artist alive, outselling even rock legends The Beatles. That year saw him win two Grammy Awards for Johnny Cash at Folsom Prison, a live album for a worshipful audience of prisoners that led, perhaps inevitably, to Johnny Cash at San Quentin. From 1969 to 1971 he hosted a smash variety program for television, The Johnny Cash Show.

The 1970s saw more career triumphs, notably a Grammy-winning duet with Carter on Tim Hardin's "If I Were a Carpenter," a command performance for President Richard Nixon, acting roles in film and on television, a best-selling autobiography, and several more hit albums, including Man in Black, the title of which would become his permanent show business moniker. While this label has been associated with his "outlaw" image, he and his bandmates originally wore black because they had nothing else that matched; besides, as Cash informed Entertainment Weekly, "black is better for church."

In 1980 Cash was inducted into the Country Music Association Hall of Fame. He had become a music hero worldwide, appearing in eastern Europe before the fall of the Soviet empire and praising those who agitated for democracy. Yet during the 1980s, Cash became less and less of a priority for his record label; country music had come to be dominated by younger, pop-inclined artists who favored slick production. He continued to struggle with drugs, eventually checking into the Betty Ford clinic. There, he has said, he experienced a religious epiphany.

New Fame Through Collaborations
Cash wrote a novel, Man in White, about the life of the apostle Paul, and continued indulging his eclectic musical tastes, recording songs by mavericks like Elvis Costello. Alongside Kristofferson, Willie Nelson, and Waylon Jennings, he participated in a collaborative album, The Highwayman. He also joined Jerry Lee Lewis, Carl Perkins, and country-rock giant Roy Orbison for a reunion recording called Class of '55 (Memphis Rock & Roll Homecoming), which enjoyed solid sales. A daughter by his first marriage, Rosanne, became a country star in her own right; Johnny Cash, himself, even as his albums sold poorly, was firmly established as a living legend of country music and a profound influence on rock and roll. In 1992 he was inducted into the Rock and Roll Hall of Fame, and 1993 saw him contribute a vocal performance to Zooropa, by rock superstars U2.

Yet Cash tired of record-business priorities. "I kept hearing about demographics [market studies of consumers] until it was coming out my ears," the singer told Christopher John Farley of Newsweek. The first label representative who seemed to understand him after this bitter experience was, ironically enough, best known for his work with hardcore rap, metal, and alternative acts. Rick Rubin had founded his own label, first called Def American and later changed to American Recordings, to support acts he believed in. Though not intimately acquainted with his work, he admired the Cash's artistic persona. "I don't see him as a country act," Rubin told Farley. "I would say he embodies rock 'n' roll. He's an outlaw figure, and that is the essence of what rock 'n' roll is."

Rubin's appeal to Cash lay in his idea for a record. After seeing one of the country legend's performances, the producer "said he'd love to hear just me and my guitar," Cash told Los Angeles Times writer Robert Hilburn. These were the words the veteran artist had waited decades to hear; he had suggested such a minimal approach many times to country producers, only to have it vetoed immediately on commercial grounds. Rubin simply set up a tape machine in his Hollywood living room and allowed Cash to do what he does best.

Rubin "was a lot like Sam [Phillips], actually," Cash ventured to Hilburn. "We talked a lot about the approach we were going to take, and he said, 'You know, we are not going to think about time or money. I want you to come out as much as you can." Without such constraints—which had clipped Cash's wings in his Nashville years—he was free to experiment with a wide range of material. Recording over 70 songs, mostly at Rubin's house but also at his own cabin in Tennessee and at the trendy Los Angeles nightspot The Viper Room, Cash had a valedictory experience. He later told Time 's Farley that the work was his "dream album."

First American Recording
The material was culled to 13 tracks, including traditional songs, some Cash originals, and compositions by such diverse modern songwriters as Kristofferson, Leonard Cohen, Tom Waits, Nick Lowe, Glenn Danzig, and Loudon Wainright III. The leadoff track, "Delia's Gone," grimly describes the murder of a faithless woman; Rubin seemed to invite comparisons between Cash and the controversial metal and rap acts on his label. Titled American Recordings, the album was released in 1994; Johnny Cash was 62 years old. The liner notes contained testimonials from both Rubin and Cash. "I think we made a brutally honest record," the producer declared. "Working with Rick," Cash averred, "all the experimenting, kinda spread me out and expanded my range of material. This is the best I can do as an artist, as a solo artist, this is it."

Critics seemed to agree. Karen Schoemer of Mirabella praised it as "a daring, deceptively simple album" that "operates on a mythic scale, which suits someone who's always been larger than life. What is breathtaking is Cash's ability to analyze his aging self, and the failures, weaknesses, strengths and wisdoms that time bestows." Village Voice critic Doug Simmons praised it as "fiercely intimate," while Rolling Stone 's Anthony DeCurtis called it "unquestionably one of his best albums," one which "will earn him a time of well-deserved distinction in which his work will reach an eager new audience."

While American Recordings didn't take the charts by storm, it restored Johnny Cash's sense of mission. It also earned him a 1995 Grammy Award for Best Contemporary Folk Album. He played a sold-out engagement in Los Angeles just before his nomination, before an audience studded with such music stars as Tom Petty, Sheryl Crow, and Dwight Yoakam. And in September of 1996 he played a set at the CMJ Music Marathon in Manhattan, previewing songs from a new album, Unchained, as well as performing cover versions from younger artists such as Beck and Soundgarden.

In later years, health problems caused Cash to limit his touring schedule. He suffered from Shy-Drager's Syndrome, a degenerative nerve disease that can cause blackouts, tremors, muscle stiffness, and made him prone to pneumonia. He was hospitalized with pneumonia twice in 1998 and again in October 1999. Yet, as the 1990s waned and the millennium turned over, Cash—approaching the end of his seventh decade—returned to the recording studio and issued American III: Solitary Man in 2000; the title track from that album won a Grammy for Best Male Country Vocal Performance. Also in 2000 he compiled a three-disc retrospective boxed set, called Love, God, Murder. It was one of more than 100 retrospective packages that had been compiled since the 1950s. Indeed, 1999 alone saw the release of nearly two dozen Cash collections, and that year he was honored also with a lifetime achievement Grammy Award from the National Academy of Recording Arts and Sciences.

Connected With a Younger Generation
About the prospect of an "eager new audience" Cash himself—who seriously considered playing at the alternative-rock festival known as Lollapalooza before declining the offer—was philosophical. "I no longer have a grandiose attitude about my music being a powerful force for change," he told Entertainment Weekly. Even so, he allowed, "I think [today's youth] sees the hypocrisy in government, the rotten core of social ills and poverty and prejudice, and I'm not afraid to say that's where the trouble is. A lot of people my age are." One thing remained constant, as he told Rolling Stone: "I feel like if I can just go onstage with my guitar and sing my songs, I can't do no wrong no matter where I am."

Cash continued to reach this new audience with a fourth effort in the American Recordings series, American IV: The Man Comes Around. Once again, the legendary country singer delved into the works of younger artists like Depeche Mode's "Personal Jesus" and the Nine Inch Nails' "Hurt." The latter song also became a popular video, launching the song onto the Modern Rock Tracks chart. The video, directed by Mark Romanek, earned six nominations at the 2003 Music Television (MTV) Awards, and won in the best cinematography category. American IV: The Man Comes Around rose to number two on the Top Country Albums chart and was certified gold in 2003.

Cash's success, however, was mingled with continued health problems and personal tragedy. June Carter Cash, his wife of 35 years, died of complications following heart surgery on May 15, 2003. "After June died," friend Kris Kristofferson told People, "life was a struggle for him. His daughter told me he cried every night." Cash was eager to attend the MTV Awards in August, but had been re-admitted to the hospital due to complications from diabetes. On September 12, 2003, almost four months after the death of his wife, Cash died. A memorial service, held at Hendersonville, North Carolina on September 15, 2003, was attended by friends, family, and his musical peers. "He stood up for the underdogs, the downtrodden, the prisoners, the poor, and he was their champion," Kristofferson told People. "He appealed to people all over the world."

Selected discography
Johnny Cash with His Hot and Blue Guitar, Sun, 1957.
The Fabulous Johnny Cash, Columbia, 1958.
Blood, Sweat and Tears, Columbia, 1963.
Ring of Fire, Columbia, 1963.
I Walk the Line, Columbia, 1964.
Bitter Tears: Ballads of the American Indian, Columbia, 1964.
Orange Blossom Special, Columbia, 1965.
Mean As Hell, Columbia, 1966.
Johnny Cash at Folsom Prison, Columbia, 1968.
The Holy Land, Columbia, 1969.
Johnny Cash at San Quentin, Columbia, 1969.
Show Time with the Tennessee Two, Sun, 1970.
Story Songs of Trains and Rivers with the Tennessee Two, Sun, 1970.
Hello, I'm Johnny Cash, Columbia, 1970.
The World of Johnny Cash, Columbia, 1970.
Singing Storyteller with the Tennessee Two, Sun, 1970.
(With June Carter) Jackson, Columbia, 1970.
Rough Cut King of Country Music, Sun, 1970.
Man in Black, Columbia, 1971.
(With Jerry Lee Lewis) Johnny Cash Sings Hank Williams, Sun, 1971.
A Thing Called Love, Columbia, 1972.
Folsom Prison Blues, Columbia, 1972.
(With Carter)Give My Love to Rose, Harmony, 1972.
America, Columbia, 1972.
Any Old Wind That Blows, Columbia, 1973.
I Walk the Line, Nash, 1973.
(With Carter) Johnny Cash and His Woman, Columbia, 1973.
Ragged Old Flag, Columbia, 1974.
Junkie and Juicehead, Columbia, 1974.
John R. Cash, Columbia, 1975.
Destination Victoria Station, Columbia, 1976.
Strawberry Cake, Columbia, 1976.
One Piece at a Time, Columbia, 1976.
Last Gunfighter Ballad, Columbia, 1977.
The Rambler, Columbia, 1977.
Silver, Columbia, 1979.
A Believer Sings the Truth, Columbia, 1980.
The Baron, Columbia, 1981.
Believe in Him, Columbia, 1986.
Johnny Cash Is Coming to Town, Mercury, 1987.
Water from the Wells of Home, Mercury, 1988.
The Mystery of Life, Mercury, 1991.
American Recordings, American, 1994.
Unchained, American, 1996.
Love, God, Murder, Columbia/Legacy, 2000.
American III: Solitary Man, American, 2000.
American IV: The Man Comes Around, American/Lost Highway, 2002.
At Madison Square Gardens, Columbia, 2002.
Unearthed, American, 2003.

Sources

Books
Rees, Dafydd, and Luke Crampton, Rock Movers & Shakers,
Billboard, 1991.

Periodicals
Entertainment Weekly, February 18, 1994, pp. 57-67.
Hits, May 2, 1994.
Los Angeles Times, April 25, 1994, pp. F1, F5.
Mirabella, July 1994.
People, May 16, 1994; September 29, 2003, p. 78.
Rolling Stone, December 10, 1992, pp. 118-25, 201; May 5, 1994, p. 14; May 19, 1994, pp. 97-98; June 30, 1994, p. 35.
Time, May 9, 1994, pp. 72-74.
Village Voice, May 18, 1994.

Online
"Johnny Cash," All Music Guide, http://www.allmusic.com (January 15, 2004).
"Johnny Cash Is Not Dying for You," Simon, http://www.thesimon.com/magazine (January 15, 2004).
  • Genres: Country

Biography

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history -- as he would later illustrate with his series of historical albums -- that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles.

Cash was born and raised in Arkansas, moving to Dyess when he was three. By the time he was 12 years old, he had begun writing his own songs. He was inspired by the country songs he had heard on the radio. While he was in high school, he sang on the Arkansas radio station KLCN. Cash graduated from high school in 1950, moving to Detroit to work in an auto factory for a brief while. With the outbreak of the Korean War, he enlisted in the Air Force. While he was in the Air Force, Cash bought his first guitar and taught himself to play. He began writing songs in earnest, including "Folsom Prison Blues." Cash left the Air Force in 1954, married a Texas woman named Vivian Leberto, and moved to Memphis, where he took a radio announcing course at a broadcasting school on the GI Bill. During the evenings, he played country music in a trio that also consisted of guitarist Luther Perkins and bassist Marshall Grant. The trio occasionally played for free on a local radio station, KWEM, and tried to secure gigs and an audition at Sun Records.

Cash finally landed an audition with Sun Records and its founder, Sam Phillips, in 1955. Initially, Cash presented himself as a gospel singer, but Phillips turned him down. Phillips asked him to come back with something more commercial. Cash returned with "Hey Porter," which immediately caught Phillips' ear. Soon, Cash released "Cry Cry Cry"/"Hey Porter" as his debut single for Sun. On the single, Phillips billed Cash as "Johnny," which upset the singer because he felt it sounded too young; the record producer also dubbed Perkins and Grant as the Tennessee Two. "Cry Cry Cry" became a success upon its release in 1955, entering the country charts at number 14 and leading to a spot on The Louisiana Hayride, where he stayed for nearly a year. A second single, "Folsom Prison Blues," reached the country Top Five in early 1956 and its follow-up, "I Walk the Line," was number one for six weeks and crossed over into the pop Top 20.

Cash had an equally successful year in 1957, scoring several country hits including the Top 15 "Give My Love to Rose." Cash also made his Grand Ole Opry debut that year, appearing all in black where the other performers were decked out in flamboyant, rhinestone-studded outfits. Eventually, he earned the nickname of "The Man in Black." Cash became the first Sun artist to release a long-playing album in November of 1957, when Johnny Cash with His Hot and Blue Guitar hit the stores. Cash's success continued to roll throughout 1958, as he earned his biggest hit, "Ballad of a Teenage Queen" (number one for ten weeks), as well another number one single, "Guess Things Happen That Way." For most of 1958, Cash attempted to record a gospel album, but Sun refused to allow him to record one. Sun also was unwilling to increase Cash's record royalties. Both of these were deciding factors in the vocalist's decision to sign with Columbia Records in 1958. By the end of the year, he had released his first single for the label, "All Over Again," which became another Top Five success. Sun continued to release singles and albums of unissued Cash material into the '60s.

"Don't Take Your Guns to Town," Cash's second single for Columbia, was one of his biggest hits, reaching the top of the country charts and crossing over into the pop charts in the beginning of 1959. Throughout that year, Columbia and Sun singles vied for the top of the charts. Generally, the Columbia releases -- "Frankie's Man Johnny," "I Got Stripes," and "Five Feet High and Rising" -- fared better than the Sun singles, but "Luther Played the Boogie" did climb into the Top Ten. That same year, Cash had the chance to make his gospel record -- Hymns by Johnny Cash -- which kicked off a series of thematic albums that ran into the '70s.

The Tennessee Two became the Tennessee Three in 1960 with the addition of drummer W.S. Holland. Though he was continuing to have hits, the relentless pace of his career was beginning to take a toll on Cash. In 1959, he had begun taking amphetamines to help him get through his schedule of nearly 300 shows a year. By 1961, his drug intake had increased dramatically and his work was affected, which was reflected by a declining number of hit singles and albums. By 1963, he had moved to New York, leaving his family behind. He was running into trouble with the law, most notably for starting a forest fire out West.

June Carter -- who was the wife of one of Cash's drinking buddies, Carl Smith -- would provide Cash with his return to the top of the charts with "Ring of Fire," which she co-wrote with Merle Kilgore. "Ring of Fire" spent seven weeks on the top of the charts and was a Top 20 pop hit. Cash continued his success in 1964 as "Understand Your Man" became a number one hit. However, Cash's comeback was short-lived as he sank further into addiction, and his hit singles arrived sporadically. Cash was arrested in El Paso for attempting to smuggle amphetamines into the country through his guitar case in 1965. That same year, the Grand Ole Opry refused to have him perform and he wrecked the establishment's footlights. In 1966, his wife Vivian filed for divorce. After the divorce, Cash moved to Nashville. At first, he was as destructive as he ever had been, but he became close friends with June Carter, who had divorced Carl Smith. With Carter's help, he was able to shake his addictions; she also converted Cash to fundamentalist Christianity. His career began to bounce back as "Jackson" and "Rosanna's Going Wild" became Top Ten hits. Early in 1968, Cash proposed marriage to Carter during a concert; the pair were married that spring.

Also in 1968, Cash recorded and released his most popular album, Johnny Cash at Folsom Prison. Recorded during a prison concert, the album spawned the number one country hit "Folsom Prison Blues," which also crossed over into the pop charts. By the end of the year, the record had gone gold. The following year, he released a sequel, Johnny Cash at San Quentin, which had his only Top Ten pop single, "A Boy Named Sue," which peaked at number three; it also hit number one on the country charts. Cash guested on Bob Dylan's 1969 country-rock album Nashville Skyline. Dylan returned the favor by appearing on the first episode of The Johnny Cash Show, the singer's television program for ABC. The Johnny Cash Show ran for two years, between 1969 and 1971.

Cash was reaching a second peak of popularity in 1970. In addition to his television show, he performed for President Richard Nixon at the White House, acted with Kirk Douglas in The Gunfight, sang with John Williams and the Boston Pops Orchestra, and he was the subject of a documentary film. His record sales were equally healthy as "Sunday Morning Coming Down" and "Flesh and Blood" were number one hits. Throughout 1971, Cash continued to have hits, including the Top Three "Man in Black." Both Cash and Carter became more socially active in the early '70s, campaigning for the civil rights of Native Americans and prisoners, as well as frequently working with Billy Graham.

In the mid-'70s, Cash's presence on the country charts began to decline, but he continued to have a series of minor hits and the occasional chart-topper like 1976's "One Piece at a Time," or Top Ten hits like the Waylon Jennings duet "There Ain't No Good Chain Gang" and "(Ghost) Riders in the Sky." Man in Black, Cash's autobiography, was published in 1975. In 1980, he became the youngest inductee to the Country Music Hall of Fame. However, the '80s were a rough time for Cash as his record sales continued to decline and he ran into trouble with Columbia. Cash, Carl Perkins, and Jerry Lee Lewis teamed up to record The Survivors in 1982, which was a mild success. The Highwaymen -- a band featuring Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson -- released their first album in 1985, which was also moderately successful. The following year, Cash and Columbia Records ended their relationship and he signed with Mercury Nashville. The new label didn't prove to be a success, as the company and the singer fought over stylistic direction. Furthermore, country radio had begun to favor more contemporary artists, and Cash soon found himself shut out of the charts. Nevertheless, he continued to be a popular concert performer.

The Highwaymen recorded a second album in 1992, and it was more commercially successful than any of Cash's Mercury records. Around that time, his contract with Mercury ended. In 1993, he signed a contract with American Records. His first album for the label, American Recordings, was produced by the label's founder, Rick Rubin, and was a stark, acoustic collection of songs. American Recordings, while not a blockbuster success, revived his career critically and brought him in touch with a younger, rock-oriented audience. In 1995, the Highwaymen released their third album, The Road Goes on Forever. The following year, Cash released his second album for American Records, Unchained, which featured support from Tom Petty & the Heartbreakers. His VH1 Storytellers outing was released in 1998, and in the spring of 2000, Cash compiled Love, God, Murder, a three-disc retrospective focusing on the major songwriting themes dominant throughout his career. The new studio album American III: Solitary Man appeared later that year.

Health problems plagued Cash throughout the '90s and into the 2000s, but he continued to record with Rubin; their fourth collaboration, American IV: The Man Comes Around, was released in late 2002. The following year, the Mark Romanek-directed video for his cover of Nine Inch Nails' "Hurt" garnered considerable acclaim and media attention, culminating in an unexpected nomination for video of the year at the MTV Video Music Awards. Not long after the video sparked numerous stories, his beloved wife June Carter Cash died on May 15, 2003, of complications following heart surgery. Four months later, Johnny died of complications from diabetes in Nashville, TN. He was 71. Five months later, the compilation Legend of Johnny Cash became a Top Ten hit. In 2006 Lost Highway released the next-to-last installment of Cash's legendary "American" recordings, American V: A Hundred Highways, from the late singer's last sessions with collaborator Rick Rubin. The final installment from those sessions appeared as American VI: Ain't No Grave, in early 2010, and is reported to be the last of the American Recordings releases. Sony Legacy started a vigorous "bootleg" series of rare, unreleased or hard to find Cash tracks in 2011 with the two-disc Bootleg, Vol. 1: Personal File and continued into 2012 with three further two-disc sets of rare material. ~ Stephen Thomas Erlewine, Rovi
Wikipedia on Answers.com:

Johnny Cash

Top
Johnny Cash

Cash in 1969.
Background information
Birth name John R. Cash
Born (1932-02-26)February 26, 1932
Kingsland, Arkansas, United States
Origin Kingsland, Arkansas, United States
Died September 12, 2003(2003-09-12) (aged 71)
Nashville, Tennessee, United States
Genres Country, rock and roll, folk, americana, gospel, blues, rockabilly
Occupations Singer-songwriter, musician, actor
Instruments Vocals, guitar, harmonica, mandolin
Years active 1955–2003
Labels Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
Associated acts The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, The Oak Ridge Boys, Area Code 615, Roy Orbison, Jerry Lee Lewis, Carl Perkins, Bob Dylan, Tom Petty and the Heartbreakers
Website johnnycash.com
Notable instruments
Martin Acoustic Guitars[1]

John R. "Johnny" Cash (February 26, 1932 – September 12, 2003), was an American singer-songwriter, actor,[2] and author,[2] who has been called one of the most influential musicians of the 20th century.[3] Although he is primarily remembered as a country music icon, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame.

Cash was known for his deep, distinctive bass-baritone voice;[4][5][6] for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness,[7][8] coupled with an increasingly somber and humble demeanor;[4] for providing free concerts inside prison walls;[9][10] and for his dark performance clothing, which earned him the nickname "The Man in Black".[11] He traditionally started his concerts by saying, "Hello, I'm Johnny Cash."[12][13] and usually following it up with his standard "Folsom Prison Blues".

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption.[4][14] His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, including "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".[15] Late in his career, Cash covered songs by several rock artists, most notably "Hurt" by Nine Inch Nails - the resulting music video was voted one of the best of all time and is sometimes seen as Cash's epitaph.

Cash, a troubled but devout Christian,[16][17] has been characterized as a "lens through which to view American contradictions and challenges."[18][19][20] A Biblical scholar,[2][21][22] he penned a Christian novel titled Man in White,[23][24] and he made a spoken word recording of the entire New King James Version of the New Testament.[25][26] Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man.[27][28] Accordingly,[29] Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".[30][31]

Contents

Personal life

Early life

Johnny Cash was born in Kingsland, Arkansas,[32] the fourth of seven children to Ray Cash (May 13, 1897, Kingsland, Arkansas – December 23, 1985, Hendersonville, Tennessee)[33] and Carrie Cloveree Rivers (March 13, 1904, Rison, Arkansas – March 11, 1991, Hendersonville, Tennessee).[34][35] Cash was named John R. Cash because his parents couldn't think of a name, but he went by J. R. all throughout his childhood as a shortened version of his real name. When Cash enlisted in the Air Force, they wouldn't let him use initials as his name, so he began to use his legal name of John R. Cash. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.[36]

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne and Tommy.[37][38] His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. He started working in cotton fields at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising".[39] His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack.[40] In May 1944, Jack was pulled into a whirling head saw in the mill where he worked and was almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15.[39] Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.[41]

Cash enlisted in the United States Air Force on July 7, 1950.[42] After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a Morse Code Intercept Operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians."[43] He was the first radio operator to pick up the news of the death of Joseph Stalin.[44] After he was honorably discharged as a Staff Sergeant on July 3, 1954, he returned to Texas.[45]

Marriages and family

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters.[46] On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.[47]

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario,[48] marrying on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in I Walked the Line: My Life with Johnny, stating that Cash gave Carter the credit for monetary reasons.[49]

Heritage

Cash's heritage was a British Isles mix. He learned upon researching his heritage that he was of Scottish royal descent on his father's side, traced back to Malcolm I of Scotland.[50][51][52] After meeting with now-dead laird Major Michael Crichton-Stuart of Falkland, Fife, Scotland, Johnny traced the Cash family tree to eleventh-century Fife;[53][54][55] Cash Loch and other locations in Fife bear the name of his family.[53]

Cash also had English and Scots-Irish ancestry. Though he did not have American Indian ancestry, his empathy and compassion for Native American Indians were unabated. These feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, Bitter Tears: Ballads of the American Indian. Through his maternal grandmother, Rosanna Lee (Hurst) Rivers, Cash is distantly related to millionaire William Randolph Hearst and socialite Patty Hearst.[citation needed]

Friends

Cash was a long time friend of Woody Hayes (ex Ohio State Buckeyes football coach). The lyrics "I braided Twigs of Willows Made a String of Buckeye Beads" from the song Flesh and Blood was for Woody.[citation needed]

Career

Early career

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment.[56] Cash eventually won over the producer with new songs delivered in his early rock'a'billy style. In 1955 Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with reasonable success on the country hit parade.

Cash (standing at right) with Jerry Lee Lewis, Carl Perkins, and Elvis. Cash wrote in his book, Cash: the Autobiography, that he sang the songs on the recordings, but was the one who was the farthest from the microphone and was singing the songs in a higher pitch to blend in with Elvis.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title Million Dollar Quartet.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived Rainbow Quest.[57]

He also acted in a 1961 film entitled Five Minutes to Live, later re-released as Door-to-door Maniac. He also wrote and sang the opening theme.

Outlaw image

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at The Johnny Cash Show, Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burnt several hundred acres in Los Padres National Forest in California.[58][59] When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it."[39] The fire destroyed 508 acres (206 ha), burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($923,127 today). Cash eventually settled the case and paid $82,001.[60] He said he was the only person ever sued by the government for starting a forest fire.[39]

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested October 4 by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was 688 Dexedrine capsules and 475 Equanil tablets that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.

Johnny Cash and his second wife, June Carter

Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

In the mid 1960s, Cash released a number of concept albums, including Ballads Of the True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with June Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, Georgia where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, Georgia jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.[61]

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had "cleaned up".[62] He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmie Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, California for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he entered the Loma Linda Behavioural Medicine Centre in Loma Linda, California for his final rehabilitation (several months later, his son followed him into this facility for treatment).[63][64][65]

Folsom Prison Blues

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison.[66] These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album På Österåker ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"

Cash advocated prison reform at his July 1972 meeting with United States President Richard Nixon.

From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more mainstream performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan. During the same period, he contributed the title song and other songs to the film Little Fauss and Big Halsey, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, The Ballad of Little Fauss and Big Halsey, written by Carl Perkins, was nominated for a Golden Globe award.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."[67]

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

Cash attired in black performing in Bremen, Northern Germany, in September 1972

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime",[68] and on behalf of those who have been betrayed by age or drugs.[68] "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."[68]

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits.[39] He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color.[39] To this day, the US Navy's winter blue uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.[69]

In the mid 1970s, Cash's popularity and number of hit songs began to decline. He made commercials for Amoco, an unpopular enterprise in an era in which oil companies made high profits while consumers suffered through high gasoline prices and shortages. However, his autobiography (the first of two), titled Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo (Swan Song). He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series North and South. Johnny and June also appeared in Dr Quinn, Medicine Woman (TV series) as a recurring couple. Cash also had a starring role in a Columbo film.

He was friendly with every US President starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends.[39] He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.[39]

When invited to perform at the White House for the first time in 1970,[70] Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What Is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason.[39] However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.[71]

Highwaymen

From left to right Kris Kristofferson, Johnny Cash, Waylon Jennings, Willie Nelson, who formed the country music supergroup, The Highwaymen

In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age 48, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums which were released beginning with the originally titled "Highwaymen" in 1985, followed by "Highwaymen 2" in 1990, and concluding with "Highwaymen - The Road Goes on forever" in 1995.

During that period, Cash appeared in a number of television films. In 1981, he starred in The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the Muppet Show. In 1983, he appeared as a heroic sheriff in Murder in Coweta County, based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm.[72]

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.[citation needed]

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody.[citation needed] "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of '55. Also in 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He also recorded Johnny Cash Reads The Complete New Testament in 1990.

American Recordings

Johnny Cash sings a duet with a Navy lieutenant c.1987.

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer" on U2's album Zooropa. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar – one of many Cash played throughout his career.[73] The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released Unchained, which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997.

Last years

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of multiple system atrophy. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from American IV, is now generally recognized as "his epitaph,"[74] and received particular critical and popular acclaim.

Cash's grave (top) and the Cash/Carter memorial (bottom)

June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and heaven. She came down for a short visit, I guess, from heaven to visit with me tonight to give me courage and inspiration like she always has.

Death

Cash died of complications from diabetes at approximately 2:00 a.m. CT on September 12, 2003, while hospitalized at Baptist Hospital in Nashville - less than four months after his wife. It was suggested that Johnny's health worsened due to a broken heart over June's death.[75][76] He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.


On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.[77]

In June 2005, Cash's lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. During a major restoration of the property by the new owner, Cash's home was accidentally destroyed by workers using linseed oil products in a spontaneous combustion-ignited fire on April 10, 2007.[78]

One of Cash's final collaborations with producer Rick Rubin, entitled American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted in the No.1 position on the Billboard Top 200 album chart for the week ending July 22, 2006.

On February 23, 2010, three days before what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled American VI: Ain't No Grave.

Legacy

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock.[79][80]

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a Best of Cash on American retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica.[81] The Johnny Cash Memorial Fund was founded.[82]

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone Magazine ranked Cash[83] No.31 on their list of the 100 Greatest Artists of All Time.[84]

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway"; the Johnny Cash Museum is located in the town.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.[85]

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

WWE Superstar The Undertaker used Cash's song "Aint No Grave" (from American VI: Ain't No Grave) to announce his return following an absence in February, 2011, and as his entrance music for Wrestlemania XXVII. Independent circuit wrestlers Tyson Dux and Brodie Lee also use "God's Gonna Cut You Down" (from American V: A Hundred Highways) as entrance music. Other professional wrestlers who have used Cash's songs as entrance music include Austin Aries, who used his cover of the Depeche Mode's song "Personal Jesus" (from American IV: The Man Comes Around), and Necro Butcher, who used both "The Man Comes Around" and "Hurt". WWE also used "Hurt" in a special video package that was aired on Monday Night RAW in November 2005 as a tribute to Eddie Guerrero, a popular WWE Superstar who had died of heart failure while he was still contracted with the company. It is also noted that current WWE Superstar Ted DiBiase, Jr. is a huge fan of Cash, as is former WWE Diva and current TNA Knockout Mickie James.

The television show "The Deadliest Catch" is using the song "Ain't No Grave" as the theme song in many of their commercials.

One of Cash's greatest hits, "Hurt", was also used to advertise Prototype 2 in the trailer called "The Power Of Revenge".

Portrayals

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie was the first to portray Cash, in the short film, I Still Miss Someone.

In November of 2005, Walk the Line, an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny (for which he was nominated for the 2005 Best Actor Oscar) and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

On March 12, 2006 Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

On April 11, 2010, Million Dollar Quartet, a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography

See Johnny Cash discography, and Johnny Cash Sun Records discography.

Awards and honors

For detailed lists of music awards, see List of Johnny Cash awards.

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades during which he rose to recording industry icon status, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame.[86] He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts.[87] He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.[88]

Further reading

  • Graeme Thomson The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings Jawbone Press ISBN 978-1-906002-36-7

Sources

Notes

  1. ^ Über Pro Audio LLC (2009). Johnny Cash—Guitars and Equipment. Retrieved on May 15, 2009.
  2. ^ a b c Last.fm (2010). Johnny Cash & June Carter. Retrieved January 20, 2010.
  3. ^ Eugene Register-Guard (2003, September 13). The Man in Black: Legendary Johnny Cash dead at 71. Retrieved on October 20, 2009.
  4. ^ a b c Pareles J (1994). "Pop Review: Johnny Cash, austerely direct from deep within". The New York Times. Retrieved March 20, 2010.
  5. ^ Although Cash's voice type endured over the years, his timbre changed noticeably: "Through a recording career that stretche[d] back to 1955", Pareles writes, Cash's "bass-baritone voice [went] from gravelly to grave".
  6. ^ Urbanski D (2003). The man comes around: The spiritual journey of Johnny Cash. Lake Mary, FL: Relevant Media, p. xiv.
  7. ^ Dickie M (2002). "Hard talk from the God-fearin, pro-metal man in Black". In M Streissguth (Ed.), Ring of fire: The Johnny Cash reader. Cambridge, MA: Da Capo, pp. 201–205. Original work published 1987.
  8. ^ Streissguth M (2006). Johnny Cash: The biography. Philadelphia: Da Capo, p. 196.
  9. ^ Fox JA (October 17, 2005). "The Boston Herald: Hard time's never a 'circus'". Baylor University. Retrieved March 22, 2010.
  10. ^ Streissguth M (2005). Johnny Cash at Folsom Prison: The making of a masterpiece. Cambridge, MA: Da Capo.
  11. ^ For Cash, black stage attire was a "symbol of rebellion—against a stagnant status quo, against ... hypocritical houses of God, against people whose minds are closed to others' ideas"; Cash J; Carr P (2003). Cash: The Autobiography. San Francisco: HarperCollins, p. 64.
  12. ^ Schultz B (2000, July 1). "Classic Tracks: Johnny Cash's 'Folsom Prison Blues'". Mix. Retrieved March 22, 2010. Schultz refers to this phrase as Cash's "trademark greeting", and places his utterance of this line, on Cash's At Folsom Prison, album "among the most electrifying [seconds] in the history of concert recording."
  13. ^ For additional quotations by Johnny Cash, consult the Johnny Cash page at Wikiquote,
  14. ^ Mulligan J (2010, February 24). "Johnny Cash: American VI: Ain't No Grave". entertainment.ie. Retrieved March 22, 2010.
  15. ^ For discussion of, and lyrics to, Cash's songs, see Cusic D (Ed.) (2004). Johnny Cash: The songs. New York: Thunder's Mouth.
  16. ^ Clapp R (2008). Johnny Cash and the great American contradiction: Christianity and the battle for the soul of a nation. Louisville, KY: Westminster John Knox, p. xvi.
  17. ^ Urbanski (2003).
  18. ^ Clapp (2008), p. xviii.
  19. ^ Other appraisals of Cash's iconic value have been even bolder. Clapp (2008) writes: "Very few figures in recent history are seen as more representative of American identity as Cash ... His has often been suggested as the face that should be added to the select pantheon on Mt. Rushmore", p. xvi.
  20. ^ See also Miller S (2003). Johnny Cash: The life of an American icon. London: Omnibus, p. 227.
  21. ^ Stoudt C (June 9, 2009). "Review: 'Ring of Fire' at La Mirada Theatre". The Los Angeles Times. Retrieved January 20, 2010.
  22. ^ Public Radio Exchange (2010). "Johnny Cash: Amazing Grace" Retrieved January 20, 2010.
  23. ^ Cash J (2008). Man in white: A novel about the Apostle Paul. Nashville: Thomas Nelson.
  24. ^ BBC News (2003). Obituary: Johnny Cash. Retrieved January 20, 2010.
  25. ^ Rivkin D (Producer) (2007). Johnny Cash reading the complete New Testament (Deluxe Ed.). Audio recording. Nashville: Thomas Nelson.
  26. ^ Morris E (December 24, 2008). "Johnny Cash's reading of the New Testament now on DVD". Country Music Television. Retrieved January 20, 2010.
  27. ^ Urbanski (2003), pp. xx–xxi.
  28. ^ For example, Urbanski (2003, p. 39) notes that Cash's habit of performing in black attire began in a church. In the following paragraph, Urbanski (pp. 39–40) quotes Cash (cf. Cash & Carr, 2003, p. 64) as indicating that this habit was partially reflective of Cash's rebellion "against our hypocritical houses of God".
  29. ^ Urbanski D (2010). "Johnny Cash's complicated faith: Unwrapping the enigma of the Man in Black". Relevant Magazine. Retrieved March 22, 2010. According to Urbanski, Cash's self-perception was accurate: "He never intended to be categorized or pigeonholed", and indeed he amassed a "cluster of enigmas" which "was so impenetrably deep that even those closest to him never got to see every part of him".
  30. ^ Huss J; Werther D (Eds.) (2008). Johnny Cash and philosophy: The burning ring of truth. Chicago: Open Court.
  31. ^ Open Court Publishing Company (2007). Johnny Cash and Philosophy. Retrieved March 22, 2010.
  32. ^ Miller (2003), p. 341.
  33. ^ Ray Cash at findagrave.com
  34. ^ Carrie Cash at findagrave.com
  35. ^ Streissguth (2005), p. 11.
  36. ^ "Cash, Johnny". Oxford Music Online. May 18, 2010. 
  37. ^ Johnny Cash's Funeral. Johnny and June Carter Cash Memorial Website. Retrieved on January 16, 2009.
  38. ^ Reba Cash Hancock. Harpeth Family Funeral Services. Retrieved on January 16, 2009.
  39. ^ a b c d e f g h i Cash, Johnny. Cash: The Autobiography.
  40. ^ Jack D. Cash at findagrave.com
  41. ^ Gross, Terry. All I Did Was Ask: Conversations with Writers, Actors, Musicians, and Artists.
  42. ^ Billy Abbott. "Johnny Cash - February 26, 1932 - September 12, 2003". Southernmusic.net. http://www.southernmusic.net/johnnycash.html. Retrieved 2011-12-31. 
  43. ^ Malone, Bill, and Judith McCulloh. Stars of Country Music. Chicago: 1975.
  44. ^ Miller (2003), p.40
  45. ^ Berkowitz, Kenny (June 2001). "No Regrets Johnny Cash, the man in black, is back at the top of his game". Acoustic Guitar (102). http://www.acousticguitar.com/issues/ag102/featureA102.shtml. Retrieved June 28, 2009. 
  46. ^ Turner, Steve. (2004) The Man Called Cash: The Life, Love, and Faith of an American Legend. W Publishing Group, pp. 43–44.
  47. ^ Turner, Steve. (2004) The Man Called Cash: The Life, Love, and Faith of an American Legend. W Publishing Group, pp. 116–117.
  48. ^ Sweeting, Adam (2003-09-12). Obituary: Johnny Cash. The Guardian. Retrieved on January 26, 2009.
  49. ^ Liberto, I Walked the Line: My Life with Johnny, p. 294.
  50. ^ Millar, Anna. June 4, 2006.Celtic connection as Cash walks the line in Fife. Scotland on Sunday. Scotsman.com. Retrieved April 12, 2011.
  51. ^ Cash, Roseanne (2010). Composed a memoir. Viking Press/Penguin Group. ISBN 978-1-101-45769-6. 
  52. ^ Manzoor, Sarfraz (Sunday February 7, 2010).Scottish roots of Johnny Cash, the man in black tartan.Guardian.uk.co, The Observer. Retrieved April 12, 2011.
  53. ^ a b Miller, Stephen (2003). Johnny Cash: The Life of an American Icon. Omnibus. ISBN 0-7119-9626-1. 
  54. ^ Dalton, Stephanie. January 15, 2006. "Walking the line back in time." Scotland on Sunday Scotsman.com. Retrieved June 28, 2007.
  55. ^ Cash, John R. with Patrick Carr. (1997) Johnny Cash, the Autobiography. Harper Collins. p. 3.
  56. ^ The Man in Black's Musical Journey Continues. Retrieved February 9, 2010.
  57. ^ "Pete Seeger's Rainbow Quest" http://www.richardandmimi.com/rainbowquest.html
  58. ^ "Major brush fire." Los Angeles Times, June 28, 1965, p. 1.
  59. ^ "Control of Brush Fire Near; 700 Acres Burned." Los Angeles Times, June 29, 1965, p. 27.
  60. ^ Williford, Stanley and Howard Hertel. "Singer Johnny Cash Pays $82,000 to U.S. in Fire Case." Los Angeles Times, Jul 3, 1969, p. A3.
  61. ^ Rome News Tribune, Aug 14, 1970
  62. ^ Zwonitzer, Mark (2002). Will You Miss Me When I'm Gone, The Carter Family and Their Legacy in American Music. Simon & Schuster. ISBN 0-684-85763-4. 
  63. ^ Grant, Marshall (2005). I Was There When It Happened – My Life With Johnny Cash. Cumberland House. ISBN 1-58182-510-2. 
  64. ^ Cash, John Carter (2007). Anchored In Love. Thomas Nelson. ISBN 0-8499-0187-1. 
  65. ^ Cash In Treatment, Orlando Sentinel, November 26, 1989 
  66. ^ "Inmate Merle Haggard hears Johnny Cash play San Quentin State Prison",
  67. ^ The Best of the Johnny Cash TV Show 1969–1971, Disc 1 (of 2), Reverse Angle Production, 2007.
  68. ^ a b c Cash & Carr (1997), pp. 85–86.
  69. ^ The good, bad and ugly of proposed uniforms. Navy Times. October 4, 2004.
  70. ^ 17 April 1970: RN Welcomes The Man In Black to the White House Nixon Foundation blog. April 17, 2011.
  71. ^ Cash & Carr (2003), p. 212.
  72. ^ Johnny Cash: The Rebel Page 3.
  73. ^ Fretbase, The Guitars of Johnny Cash.
  74. ^ Rolling Stone Magazine, The Rolling Stone Encyclopedia of Rock & Roll, 2004 (bibliographic information is needed for this reference).
  75. ^ December 30, 2011 (2003-11-24). "Death from a Broken Heart, on". Medicinenet.com. http://www.medicinenet.com/script/main/art.asp?articlekey=52318. Retrieved 2011-12-31. 
  76. ^ "Johnny Cash Dead at Age 71". Countrymusic.about.com. 2003-09-12. http://countrymusic.about.com/library/bljohnnycashobit.htm. Retrieved 2011-12-31. 
  77. ^ Rosanne Cash, liner notes for Black Cadillac.
  78. ^ "Fire destroys Johnny Cash house". BBC News. April 11, 2007. http://news.bbc.co.uk/1/hi/entertainment/6543503.stm. Retrieved September 29, 2010. 
  79. ^ The original punk rocker BY JIM DeROGATIS Pop Music Critic, September 14, 2003. Retrieved February 9, 2010.
  80. ^ Johnny Cash Made the Most Punk-Rock Album Ever. In 1969. by Matt Cibula, September 15, 2003. Retrieved February 9, 2010.
  81. ^ Johnny Cash profile at SOS Children's Villages.
  82. ^ Johnny Cash profile at SOS Children's Villages - USA.
  83. ^ Kristofferson, Kris. "31 Johnny Cash". Rolling Stone. http://www.rollingstone.com/news/story/5940054/31_johnny_cash. Retrieved December 31, 2007. 
  84. ^ "The Immortals: The First Fifty". Rolling Stone. http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty. Retrieved December 31, 2007. 
  85. ^ "Mississippi town to honor the 'Man in Black'". MSNBC. http://www.msnbc.msn.com/id/20611738/. Retrieved December 31, 2007. 
  86. ^ "RHOF Inductees with Certificates". Rockabilly Hall of Fame. http://www.rockabillyhall.com/Certificates.html. Retrieved December 31, 2007. 
  87. ^ Lifetime Honors – National Medal of Arts
  88. ^ "Johnny Cash". Hit Parade Hall of Fame. Archived from the original on January 6, 2008. http://web.archive.org/web/20080106180837/http://www.hitparadehalloffame.org/xhtml_heads/Candidates/Inductee_johnny_cash.html. Retrieved December 31, 2007. 

References

Published works

  • Cash, Johnny. Man in Black: His Own Story in His Own Words. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.
  • Cash, Johnny, with Patrick Carr. Cash: The Autobiography. New York: Harper Collins, 1997. ISBN 0-06-101357-9.
  • Cash, Johnny, with June Carter Cash. Love liner notes. New York: Sony, 2000.
  • Cash, Johnny, The Man in White, 1986.

External links

Awards
First
None recognized before
First Amendment Center/AMA "Spirit of Americana" Free Speech Award
2002
Succeeded by
Kris Kristofferson
Preceded by
Buddy & Julie Miller
AMA Album of the Year (artist)
2003
Succeeded by
Loretta Lynn
Preceded by
Jim Lauderdale
AMA Artist of the Year
2003
Succeeded by
Loretta Lynn


 
 

 

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