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John Ernst Steinbeck (1902-1968), American author and winner of the Nobel Prize in 1962, was a leading exponent of the proletarian novel and a prominent spokesman for the victims of the Great Depression.
John Steinbeck was born on Feb. 27, 1902, in Salinas, Calif., the son of a small-town politician and school-teacher. He worked as a laboratory assistant and farm laborer to support himself through 6 years of study at Stanford University, where he took only those courses that interested him, without seeking a degree. In 1925 he traveled to New York (by way of the Panama Canal) on a freighter, collecting impressions for his first novel. Cup of Gold (1929) was an unsuccessful attempt at psychological romance involving the pirate Henry Morgan.
Undiscouraged, Steinbeck returned to California to begin work as a writer of serious fiction. A collection of short stories, The Pastures of Heaven (1932), vividly detailed rural life among the "unfinished children of nature" in his native California valley. His second novel, To a God Unknown (1933), his strongest statement about man's relationship to the land, reveals a strain of neo-primitive mysticism later to permeate even his most objectively deterministic writings. With Tortilla Flat (1935) Steinbeck received critical and popular acclaim, and there are many critics who consider this humorous and idyllic tale of the Monterey paisanos Steinbeck's most artistically satisfying work.
Steinbeck next dealt with the problems of labor unionism in In Dubious Battle (1936), an effective story of a strike by local grape pickers. Of Mice and Men (1937), first conceived as a play, is a tightly constructed novella about an unusual friendship between two migratory workers. Although the book is powerfully written and often moving, its theme lacks the psychological penetration and moral vision necessary to sustain its tragic intention.
Steinbeck's series of articles for the San Francisco Chronicle on the plight of migratory farm laborers provided material for The Grapes of Wrath (1939), his major novel and the finest proletarian fiction of the decade. The struggle of a family of Oklahoma tenant farmers, forced to turn over their land to the banks and journey across the vast plains to the promised land of California - only to be met with derision when they arrive - is a successful example of social protest in fiction, as well as a convincing tribute to man's will to survive. The Grapes of Wrath combines techniques of naturalistic documentation and symbolic stylization, its episodic structure being admirably held together by the unifying device of U.S. Highway 66 and by lyrical inter-chapters which possess a Whitmanesque expansiveness. The novel's weaknesses lie in occasional lapses into sentimentality and melodramatic oversimplification, Steinbeck's tendency to depict human relationships in biological rather than psychological terms, and the general absence of philosophical vision and intellectual content. It received the Pulitzer Prize in 1940.
During World War II Steinbeck served as a foreign correspondent; from this experience came such nonfiction as Bombs Away: The Story of a Bomber Team (1942); his dispatches of 1943, collected as Once There Was a War (1958); and A Russian Journal (1948) with photographs by Robert Capa. More interesting nonfiction of this period is The Sea of Cortez, coauthored with marine biologist Edward F. Ricketts. This account of the two explorers' research into sea life provides an important key to many of the themes and attitudes prevalent in Steinbeck's novels.
Steinbeck's fiction during the 1940s includes The Moon Is Down (1942), a tale of the Norwegian resistance to Nazi occupation; Cannery Row (1944), a return to the milieu of Tortilla Flat; The Wayward Bus (1947); and The Pearl, a popular allegorical novella written in a mannered pseudobiblical style about a poor Mexican fisherman who discovers a valuable pearl which brings ill fortune to his family.
In the 1950s Steinbeck's artistic decline was evident with a series of novels characterized by their sentimentality, pretentiousness, and lack of substance. The author received modest critical praise in 1961 for his more ambitious novel The Winter of Our Discontent, a study of the moral disintegration of a man of high ideals. In 1962 Travels with Charley, a pleasantly humorous account of his travels through America with his pet poodle, was well received. Following the popular success of the latter work, Steinbeck was awarded the Nobel Prize.
Steinbeck's finest novels are a curious blend of scientific determinism, romantic mysticism, and a rudimentary, often allegorical, type of symbolism. His work remains popular in both the United States and Europe, chiefly for its social consciousness and compassion and the narrative qualities exhibited in the early novels. Although he refused to settle into political conservatism in his later years, his all-embracing affirmation of American values and acceptance of all national policies, including the Vietnam War, lost him the respect of many liberal intellectuals who had once admired his social commitments. He died on Dec. 28, 1968, in New York City.
Further Reading
There is no biography of Steinbeck. Critical studies of his work are Harry T. Moore, The Novels of John Steinbeck: A First Critical Study (1939; 2d ed. 1968), and Peter Lisca, The Wide World of John Steinbeck (1958). Peter Covici, ed., The Portable Steinbeck (1943; 3d ed. 1963), contains an extensive introduction to the writer and his works by Louis Gannett. For brief but important criticism see Edmund Wilson, The Boys in the Back Room (1941), and those chapters devoted to Steinbeck in such studies of American literature as Maxwell Geismar, Writers in Crisis (1942); Wilbur M. Frohock, The Novel of Violence in America, 1920-1950 (1950; 2d ed. 1957); and Frederick J. Hoffman, The Modern Novel in America (1951). The most comprehensive collection of Steinbeck criticism is E. W. Tedlock, Jr., and C. V. Wicker, eds., Steinbeck and His Critics: A Record of Twenty-five Years (1957).
Houghton Mifflin Companion to US History:
Steinbeck, John |
(1902-1968), author. Steinbeck's place in American literature is assured by his late 1930s novels about the plight of the working class: In Dubious Battle (1936), Of Mice and Men (1937), and the Pulitzer Prize-winning The Grapes of Wrath (1939).
Growing up in agrarian Salinas, California, Steinbeck felt both empathy for the weak and scorn for the middle-class complacency of his hometown. At fourteen, he decided to write romances, but after a long apprenticeship, he found his voice in more realistic stories about ordinary people trying to achieve dignity in a repressive society. His short stories of the early 1930s, collected in The Long Valley (1938), tell of the misplaced, the lonely, and the misunderstood, their frustration conveyed in prose that, like Hemingway's, is terse and suggestive.
That compact style also served humorously to expose the stifling norms of the middle class. The rollicking Tortilla Flat (1935), his first commercial success, relates the misadventures of a group of drunken, finagling paisanos whose uninhibited zest for life and loyalty to one another are contrasted favorably with bourgeois sensibilities, a theme and tone he later adopted when he wrote about Monterey's Cannery Row (1945). Steinbeck's symbolic realism and sociopolitical convictions achieve their fullest expression, however, in his masterpiece, The Grapes of Wrath. This saga of the Joad family--"tractored out" of Oklahoma, exiled to California, and oppressed as migrant laborers--focused national attention on the plight of the homeless. The popularity of the book and of John Ford's classic film version brought Steinbeck the fame that, in fact, he scarcely relished.
To escape publicity, Steinbeck turned to seemingly unrelated projects. In 1941 he and marine biologist Edward Ricketts published Sea of Cortez, an account of their expedition cataloging marine life and a philosophical record of their ecological perspective. Steinbeck's decision to become a serious student of science was characteristic of his career. He was among the first major twentieth-century writers to view his characters with scientific detachment, focusing on what is, not on what could or should be. Steinbeck and Ricketts called this "non-teleological" or "is" thinking. Steinbeck's Sea of Cortez and Cannery Row give full expression to this ecological and holistic awareness.
Steinbeck's shift from politics to biology was but an occasion of his constant experimentation with genres. In the 1940s and 1950s he composed screenplays, a musical, journalistic pieces, travel narratives, fables, an epic, and play/novelettes--his term to describe short fiction that could be performed directly from the text. Perhaps because of this diversity, his later work is uneven. Although some of his journalistic pieces reflect the clarity and sympathy of his earlier work, others are unmistakably slight. That same unevenness is reflected in his experiments with fabulist fiction. Whereas the symbolic play/novelette Burning Bright (1950) was a critical failure, the tight fable The Pearl (1947) occupies a high place in his canon. Undoubtedly his most impressive fictional experiment after Grapes, however, is East of Eden. In this epic novel, he intertwined realistic family history with a symbolic rendering of the Cain and Abel story. Technically flawed and again uneven, the novel is nevertheless riveting. Its importance lies in Steinbeck's efforts to come to terms with individual ethical responsibility rather than social dynamics.
At the end of his career, Steinbeck recorded with increasing dismay the problems of a materialistic culture. After publishing an incisive critique of America's moral decline, The Winter of Our Discontent (1961), he was awarded the Nobel Prize for literature. Taken together, his works are remarkable in their diversity and their power to articulate the dreams and frustrations of average Americans within quintessentially American landscapes.
Bibliography:
Jackson J. Benson, The True Adventures of John Steinbeck, Writer (1984); Elaine Steinbeck and Robert Wallsten, eds., Steinbeck: A Life in Letters (1975).
Author:
Susan Shillinglaw
See also Literature.
Columbia Encyclopedia:
John Steinbeck |
Bibliography
See his letters, ed. by E. Steinbeck and R. Wallsten (1975); biographies by J. Benson (1984) and J. Parini (1995); study by J. H. Timmerman (1986).
Houghton Mifflin Chronology of US Literature:
Works by John Steinbeck |
| 1929 | Cup of Gold. The California writer debuts with this romantic novel based on the career of the pirate Sir Henry Morgan. |
| 1932 | The Pastures of Heaven. Steinbeck's second publication is a story collection linked by the setting of a California farming community. It introduces Steinbeck's characteristic subject of the common man's relationship with the land. |
| 1933 | To a God Unknown. Steinbeck's second novel (but his third to be published) is a highly symbolic story of a California farmer's self-sacrifice as part of a fertility ritual. The novel is noteworthy for working out Steinbeck's philosophy of man's relationship with nature, a theme reflected in his future works. |
| 1935 | Tortilla Flat. Steinbeck's fourth novel becomes his first popular success. Treating the ethnically mixed "paisanos" of Monterey, California, it would be dramatized by Jack Kirkland in 1937. |
| 1936 | In Dubious Battle. The first of the writer's novels to take up the subject of California's migratory farm laborers, the story concerns the tragic impact of a fruit pickers' strike on a group of radical union organizers. |
| 1937 | Of Mice and Men. Having written his 1937 novel "as a play," Steinbeck quickly adapts it for the stage. It wins the New York Drama Critics Circle Award. |
| 1937 | Of Mice and Men. In Steinbeck's short novel the dreams of two itinerant laborers, George and Lennie, about a place of their own collapses when the simple-minded Lennie accidentally breaks the neck of another man's wife. Steinbeck weaves social themes around concepts of evolutionary biology and the survival of the fittest. |
| 1938 | The Long Valley. A short story collection mainly dealing with farming life in California's Salinas Valley. It includes highly regarded stories such as "The Snake," "Flight," "The Red Pony," the medieval parable "Saint Katy the Virgin," as well as "Chrysanthemums," widely regarded as Steinbeck's best story and one of the greatest American short stories of the twentieth century. |
| 1939 | The Grapes of Wrath. The only social protest novel of the 1930s to reach a mass audience, Steinbeck's dust-bowl saga of the Joad family's forced exodus from Oklahoma to California would be banned, burned, and acclaimed as the decade's defining masterpiece. Winner of the 1940 Pulitzer Prize, the book is regarded as an American classic, Steinbeck's most enduring work, and the summation of the author's artistic and moral vision. |
| 1941 | Sea of Cortez. Written with marine biologist Edward F. Ricketts (1896-1948), this is a journal of the writer's travels and research in the Gulf of California. It is an important source document on the author's philosophy. |
| 1942 | The Moon Is Down. Steinbeck's attempt to show German soldiers in human rather than monstrous terms draws strong condemnation. Steinbeck's dramatic adaptation opens on Broadway on April 7. |
| 1945 | Cannery Row. In a return to the Monterey lowlife setting of Tortilla Flat (1935), Steinbeck offers a whimsical tale of what happens when a surprise party for a marine biologist goes awry. Many are charmed by Steinbeck's efforts here; others are disappointed, finding the novel overly sentimental. |
| 1947 | The Wayward Bus. Steinbeck uses a microcosmic group of passengers stranded overnight in a California gas station to explore and criticize contemporary American values. |
| 1948 | The Pearl. In a retelling of a Mexican folktale, Steinbeck relates how a great pearl found by a Mexican fisherman brings only misfortune. |
| 1948 | Russian Journal. An impressionistic account of the author's brief tour of Russia, with photographs by Robert Capa (1913-1954). |
| 1950 | Burning Bright. The only work Steinbeck wrote initially for the stage is his last dramatic work, closing after only thirteen performances. Conceived as a modern morality play about a man's acceptance of a child fathered by another, it employs expressionistic techniques, with universalized characters and symbolic settings, elements of what Steinbeck calls "this new form--the play-novelette." |
| 1952 | Viva Zapata! Steinbeck writes the film script for Elia Kazan's popular film on the Mexican revolutionary, starring Marlon Brando. The script's characterizations and themes recall Steinbeck's best work from the 1930s. |
| 1952 | East of Eden. Steinbeck's most ambitious work explores both social history and his home region, the Salinas Valley of California, by following three generations of the Trask family. Loosely structured by the biblical story of Cain and Abel, the novel revolves around free will and the capacity to forgive. A popular 1954 movie version would star James Dean. |
| 1954 | Sweet Thursday. Steinbeck brings back characters from Cannery Row in a comedy set on the Monterey waterfront during the postwar period, concerning Doc's marriage to the prostitute Suzy. It would be turned into the musical Pipe Dream by Rodgers and Hammerstein in 1955. |
| 1957 | The Short Reign of Pippin IV. Steinbeck's unusual departure is a limp satire on French politics, which imagines the restoration of the monarchy in the twentieth century. |
| 1958 | Once There Was a War. The volume collects Steinbeck's 1943 war dispatches from England, Africa, and Italy. |
| 1961 | The Winter of Our Discontent. Steinbeck's final novel is a bleak portrait of a materialistic American wasteland dramatized through the financial and moral collapse of a member of an old New England family. |
| 1962 | Travels with Charley: In Search of America. Steinbeck's odyssey to "rediscover" America, accompanied by his pet poodle in a converted truck named Rocinante, offers an often bitter reaction to contemporary American life and includes a frank self-assessment of Steinbeck's career and capabilities. |
| 1966 | America and Americans. Steinbeck's final book published during his lifetime is a reflective essay accompanying a book of photographs in which he meditates on the American character and his own American odyssey. |
Quotes By:
John Steinbeck |
Quotes:
"No one wants advice, only corroboration."
"If you're in trouble, or hurt or need -- go to the poor people. They're the only ones that'll help -- the only ones."
"This monster of a land, this mightiest of nations, this spawn of the future, turns out to be the macrocosm of microcosm me."
"No man really knows about other human beings. The best he can do is to suppose that they are like himself."
"Lord, how the day passes! It is like a life, so quickly when we don't watch it, and so slowly if we do."
"Texas is not a state -- it's a state of mind."
See more famous quotes by
John Steinbeck
AMG AllMovie Guide:
John Steinbeck |
Filmography:
John Steinbeck |
Wikipedia on Answers.com:
John Steinbeck |
| John Steinbeck | |
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![]() Photo of John Steinbeck taken in Sweden during his trip to accept the Nobel Prize for Literature in 1962. |
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| Born | John Ernst Steinbeck, Jr. February 27, 1902 Salinas, California |
| Died | December 20, 1968 (aged 66) New York City, United States |
| Occupation | Novelist, short story writer, war correspondent |
| Notable work(s) | Of Mice and Men (1937) The Grapes of Wrath (1939) East of Eden (1952)[1] |
| Notable award(s) | Pulitzer Prize for Fiction (1940) Nobel Prize in Literature (1962) |
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John Ernst Steinbeck, Jr. (February 27, 1902 – December 20, 1968) was an American writer. He is widely known for the Pulitzer Prize-winning novel The Grapes of Wrath (1939) and East of Eden (1952) and the novella Of Mice and Men (1937). He was an author of twenty-seven books, including sixteen novels, six non-fiction books and five collections of short stories; Steinbeck received the Nobel Prize for Literature in 1962.
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John Ernst Steinbeck, Jr. was born on February 27, 1902, in Salinas, California. He was of German and Irish descent. Johann Adolf Großsteinbeck, Steinbeck's paternal grandfather, had shortened the family name to Steinbeck when he immigrated to the United States. The family farm in Heiligenhaus, Mettmann, North Rhine-Westphalia, Germany, is still today named "Großsteinbeck."
His father, John Ernst Steinbeck, served as Monterey County treasurer. John's mother, Olive Hamilton, a former school teacher, shared Steinbeck's passion of reading and writing.[2] The Steinbecks were members of the Episcopal Church.[3] Steinbeck lived in a small rural town that was essentially a frontier settlement, set amid some of the world's most fertile land.[4] He spent his summers working on nearby ranches and later with migrant workers on Spreckels ranch. He became aware of the harsher aspects of migrant life and the darker side of human nature, which supplied him with material expressed in such works as Of Mice and Men.[4] He also explored his surroundings, walking across local forests, fields, and farms.[4]
Steinbeck graduated from Salinas High School in 1919 and went from there to Stanford University in Palo Alto where he stayed for five years until 1925, leaving without a degree. He traveled to New York City where he took odd jobs while trying to write. When he failed to have his work published, he returned to California and worked in 1928 as a tour guide and caretaker at the fish hatchery in Tahoe City, where he met Carol Henning, his first wife.[5][6][7] Steinbeck and Henning were married in January 1930. For most of the Great Depression and during his marriage to Carol, Steinbeck lived in a cottage owned by his father in Pacific Grove, California, on the Monterey Peninsula a few blocks from the border of the city of Monterey, California. The elder Steinbecks gave him free housing, paper for his manuscripts, and beginning in 1928, loans that allowed him to give up a warehouse job in San Francisco, and focus on writing.[7]
After the publication of Tortilla Flat—a novel set in Monterey—in 1935, he built a summer ranch-home in Los Gatos. In 1940, Steinbeck went on a voyage around the Gulf of California with his friend Ed Ricketts, to collect biological specimens, described in The Log from the Sea of Cortez. Although Carol accompanied Steinbeck on the trip, their marriage was beginning to suffer, and would end in 1941, even as Steinbeck worked on the manuscript for the book.[7] In 1942, Steinbeck's divorce from Carol became final and later that month he married Gwyndolyn "Gwyn" Conger.[8] With his second wife Steinbeck had his only children—Thomas ("Thom") Myles Steinbeck (born 1944) and John Steinbeck IV (1946–1991).
In 1943, Steinbeck served as a World War II war correspondent. Steinbeck accompanied the commando raids of Douglas Fairbanks, Jr.'s Beach Jumpers program, which launched small-unit diversion operations against German-held islands in the Mediterranean. In 1944, wounded by a close munitions explosion in North Africa, the war-weary author resigned from his work and returned home.
In 1947, Steinbeck made the first of many trips to the Soviet Union, this one with renowned photographer Robert Capa. They visited Moscow, Kiev, Tbilisi, Batumi and Stalingrad, becoming some of the first Westerners to visit many parts of the USSR since the communist revolution. Steinbeck's book about their experiences, A Russian Journal, was illustrated with Capa's photos. In 1948, the year the book was published, Steinbeck was elected to the American Academy of Arts and Letters.
In May 1948 Steinbeck traveled to California on an emergency trip to be with his friend Ed Ricketts, who had been seriously injured when his car was struck by a train. Ricketts died hours before Steinbeck arrived. On returning home from this devastating trip, Steinbeck was confronted by Gwyn, who told him she wanted a divorce for various reasons related to estrangement. She could not be dissuaded, and the divorce became final in August. Steinbeck spent the year after Ricketts' death in deep depression, by his own account.
In June 1949, Steinbeck met stage-manager Elaine Scott at a restaurant in Carmel, California. Steinbeck and Scott eventually began a relationship and in December, 1950, Steinbeck and Scott married, within a week of the finalizing of Scott's own divorce from actor Zachary Scott. This third marriage for Steinbeck lasted until his death in 1968.[9]
In 1966, Steinbeck traveled to Tel Aviv to visit the site of Mount Hope, a farm community established in Israel by his grandfather, whose brother, Friedrich Grosssteinbeck, was murdered by Arab marauders in 1858.[10]
John Steinbeck died in New York City on December 20, 1968 of heart disease and congestive heart failure. He was 66, and had been a life-long smoker. An autopsy showed nearly complete occlusion of the main coronary arteries.[9]
In accordance with his wishes, his body was cremated, and an urn containing his ashes was eventually interred (March 4, 1969)[11] at the Hamilton family gravesite at Garden of Memories Memorial Park in Salinas, with those of his parents and maternal grandparents. His third wife, Elaine, was buried in the plot in 2004.[12] He had earlier written to his doctor that he felt deeply "in his flesh" that he would not survive his physical death, and that the biological end of his life was the final end to it.[12]
Steinbeck's first novel, Cup of Gold, published in 1929, is based on the life and death of privateer Henry Morgan. It centers on Morgan's assault and sacking of the city of Panama, sometimes referred to as the 'Cup of Gold', and on the woman, fairer than the sun, who was said to be found there.[9]
After Cup of Gold, between 1931 and 1933 Steinbeck produced three shorter works. The Pastures of Heaven, published in 1932, comprised twelve interconnected stories about a valley near Monterey, that was discovered by a Spanish corporal while chasing runaway American Indian slaves. In 1933 Steinbeck published The Red Pony, a 100-page, four-chapter story weaving in memories of Steinbeck's childhood.[9] To a God Unknown follows the life of a homesteader and his family in California, depicting a character with a primal and pagan worship of the land he works.
Steinbeck achieved his first critical success with Tortilla Flat (1935), a novel that won the California Commonwealth Club's Gold Medal.[9] It portrays the adventures of a group of classless and usually homeless young men in Monterey after World War I, just before U.S. prohibition. They are portrayed in ironic comparison to mythic knights on a quest and reject nearly all the standard mores of American society in enjoyment of a dissolute life centered around wine, lust, camaraderie and petty theft. In presenting the 1962 Nobel Prize to Steinbeck, the Swedish Academy cited "spicy and comic tales about a gang of paisanos, asocial individuals who, in their wild revels, are almost caricatures of King Arthur's Knights of the Round Table. It has been said that in the United States this book came as a welcome antidote to the gloom of the then prevailing depression."[1] Tortilla Flat was adapted as a 1942 film of the same name, starring Spencer Tracy, Hedy Lamarr and John Garfield, a friend of Steinbeck's.
Steinbeck began to write a series of "California novels" and Dust Bowl fiction, set among common people during the Great Depression. These included In Dubious Battle, Of Mice and Men and The Grapes of Wrath.
Of Mice and Men was a drama about the dreams of a pair of migrant agricultural laborers in California. It was critically acclaimed[9] and Steinbeck's 1962 Nobel Prize citation called it a "little masterpiece".[1] Its stage production was a hit, starring Broderick Crawford as the mentally child-like but physically powerful itinerant farmhand Lennie, and Wallace Ford as Lennie's companion George. However, Steinbeck refused to travel from his home in California to attend any performance of the play during its New York run, telling director George S. Kaufman that the play as it existed in his own mind was "perfect" and that anything presented on stage would only be a disappointment. Steinbeck would write two more stage plays (The Moon Is Down and Burning Bright).
Of Mice and Men was also adapted as a 1939 Hollywood film, with Lon Chaney, Jr. as Lennie (he had filled the role in the Los Angeles stage production) and Burgess Meredith as George.[13]
Steinbeck followed this wave of success with The Grapes of Wrath (1939), based on newspaper articles about migrant agricultural workers that he had written in San Francisco. It is commonly considered his greatest work. According to The New York Times, it was the best-selling book of 1939 and 430,000 copies had been printed by February 1940. In that month it won the National Book Award, favorite fiction book of 1939, voted by members of the American Booksellers Association.[14] Later that year it won the Pulitzer Prize for Fiction[15] and it was adapted as a film directed by John Ford, starring Henry Fonda as Tom Joad; Fonda was nominated for the best actor Academy Award.
Grapes was controversial. Steinbeck's New Deal political views, negative portrayal of aspects of capitalism, and sympathy for the plight of workers, led to a backlash against the author, especially close to home.[16] Claiming the book was both obscene and misrepresented conditions in the county, the Kern County Board of Supervisors banned the book from the county's publicly funded schools and libraries in August 1939. This ban lasted until January 1941.[17]
Of the controversy, Steinbeck wrote, "The vilification of me out here from the large landowners and bankers is pretty bad. The latest is a rumor started by them that the Okies hate me and have threatened to kill me for lying about them. I'm frightened at the rolling might of this damned thing. It is completely out of hand; I mean a kind of hysteria about the book is growing that is not healthy."
The film versions of The Grapes of Wrath and Of Mice and Men (by two different movie studios) were in production simultaneously, allowing Steinbeck to spend a full day on the set of The Grapes of Wrath and the next day on the set of Of Mice and Men.
In the 1930s and 1940s, Ed Ricketts strongly influenced Steinbeck's writing. Steinbeck frequently took small trips with Ricketts along the California coast to give Steinbeck time off from his writing[12] and to collect biological specimens, which Ricketts sold for a living. Their joint book about a collecting expedition to the Gulf of California in 1940, which was part travelogue and part natural history, published just as the U.S. entered World War II, never found an audience and did not sell well.[12] However, in 1951, Steinbeck republished the narrative portion of the book as The Log from the Sea of Cortez, under his name only (though Ricketts had written some of it). This work remains in print today.[18]
Ricketts was Steinbeck's model for the character of "Doc" in Cannery Row (1945) and Sweet Thursday (1954), "Friend Ed" in Burning Bright, and characters in In Dubious Battle (1936) and The Grapes of Wrath (1939). Ecological themes recur in Steinbeck's novels of the period.[19]
Steinbeck's close relations with Ricketts ended in 1941 when Steinbeck moved away from Pacific Grove and divorced from his wife Carol.[12] Ricketts' biographer Eric Enno Tamm notes that, except for East of Eden (1952), Steinbeck's writing declined after Ricketts' untimely death in 1948.[20]
His novel The Moon Is Down (1942), about the Socrates-inspired spirit of resistance in an occupied village in Northern Europe, was made into a film almost immediately. It was presumed that the unnamed country of the novel was Norway and the occupiers the Nazis, and in 1945 Steinbeck received the Haakon VII Cross of freedom for his literary contributions to the Norwegian resistance movement.
In 1943, Steinbeck served as a World War II war correspondent for the New York Herald Tribune and worked with the Office of Strategic Services (predecessor of the CIA).[21] It was at that time he became friends with Will Lang, Jr. of Time/Life magazine. During the war, Steinbeck accompanied the commando raids of Douglas Fairbanks, Jr.'s Beach Jumpers program, which launched small-unit diversion operations against German-held islands in the Mediterranean. Some of his writings from this period were incorporated in the documentary Once There Was a War (1958).
Steinbeck returned from the war with a number of wounds from shrapnel and some psychological trauma. He treated himself, as ever, by writing. He wrote Alfred Hitchcock's Lifeboat (1944), and the film A Medal for Benny (1945) with screenwriter Jack Wagner about paisanos from Tortilla Flat going to war. He later requested that his name be removed from the credits of Lifeboat because he believed the final version of the film had racist undertones. In 1944, suffering from homesickness for his Pacific Grove/Monterey life of the 1930s, he also wrote Cannery Row (1945) which became so famous that Ocean View Avenue in Monterey, the location of the book, was eventually renamed Cannery Row in 1958.
After the end of the war, he wrote The Pearl (1947), already knowing it would be filmed. The story first appeared in the December 1945 issue of Woman's Home Companion magazine as "The Pearl of the World." It was illustrated by John Alan Maxwell. The novel is an imaginative telling of a story which Steinbeck had heard in La Paz in 1940, as related in The Log From the Sea of Cortez, which he described in Chapter 11 as being "so much like a parable that it almost can't be". Steinbeck traveled to Mexico for the filming with Wagner who helped with the script; on this trip he would be inspired by the story of Emiliano Zapata, and subsequently wrote a film script (Viva Zapata!) directed by Elia Kazan and starring Marlon Brando and Anthony Quinn.
Steinbeck married for the last time in 1950. Soon after, he began work on East of Eden (1952), which he considered his best work.
In 1952, John Steinbeck appeared as the on-screen narrator of 20th Century Fox's film, O. Henry's Full House. Although Steinbeck later admitted he was uncomfortable before the camera, he provided interesting introductions to several filmed adaptations of short stories by the legendary writer O. Henry. About the same time, Steinbeck recorded readings of several of his short stories for Columbia Records; despite some stiffness, the recordings provide a record of Steinbeck's deep, resonant voice.
Following the success of Viva Zapata!, Steinbeck collaborated with Kazan on East of Eden, James Dean's film debut.
Travels with Charley (subtitle: In Search of America) is a travelogue of his 1960 road trip with his poodle Charley. Steinbeck bemoans his lost youth and roots, while dispensing both criticism and praise for America. According to Steinbeck's son Thom, Steinbeck went on the trip because he knew he was dying and wanted to see the country one last time.[22]
Steinbeck's last novel, The Winter of Our Discontent (1961), examines moral decline in America. The protagonist Ethan grows discontented with his own moral decline and that of those around him.[23] The book is very different in tone from Steinbeck's amoral and ecological stance in earlier works like Tortilla Flat and Cannery Row. It was not a critical success. Many reviewers recognized the importance of the novel but were disappointed that it was not another Grapes of Wrath.[23] In the Nobel Prize presentation speech next year, however, the Swedish Academy cited it most favorably: "Here he attained the same standard which he set in The Grapes of Wrath. Again he holds his position as an independent expounder of the truth with an unbiased instinct for what is genuinely American, be it good or bad."[1]
Apparently taken aback by the critical reception of this novel, and the critical outcry when he was awarded the Nobel Prize for Literature in 1962,[clarification needed] Steinbeck published no more fiction in the next six years before his death.
In 1962, Steinbeck won the Nobel Prize for literature for his "realistic and imaginative writing, combining as it does sympathetic humor and keen social perception." On the day of the announcement (Oct. 25) when he was asked by a reporter at a press conference given by his publisher, if he thought he deserved the Nobel, he said: "Frankly, no."[7] In his acceptance speech later in the year in Stockholm, he said:
the writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit—for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not believe in the perfectibility of man has no dedication nor any membership in literature.—Steinbeck Nobel Prize Acceptance Speech[24]
He also said in his speech, "Man himself has become our greatest hazard and our only hope. So that today, St. John the apostle may well be paraphrased: In the end is the Word, and the Word is Man—and the Word is with Men."
Although modest about his own talent as a writer, Steinbeck talked openly of his own admiration of certain writers. In 1953, he wrote that he considered cartoonist Al Capp, creator of the satirical Li'l Abner, "possibly the best writer in the world today."[25] At his own first Nobel Prize press conference he was asked his favorite authors and works and replied: "Hemingway's short stories and nearly everything Faulkner wrote."[7]
In September 1964, Steinbeck was awarded the Presidential Medal of Freedom by President Lyndon B. Johnson.
In 1967, at the behest of Newsday magazine, Steinbeck went to Vietnam to report on the war there. Thinking of the Vietnam War as a heroic venture, he was considered a hawk for his position on that war. His sons both served in Vietnam prior to his death, and Steinbeck visited one son in the battlefield (at one point being allowed to man a machine-gun watch position at night at a firebase, while his son and other members of his platoon slept).[26]
After Steinbeck's death, his incomplete novel based on the King Arthur legends of Malory and others, The Acts of King Arthur and His Noble Knights, was finally published in 1976.
The day after Steinbeck's death in New York City, reviewer Charles Poore wrote in the New York Times: "John Steinbeck's first great book was his last great book. But Good Lord, what a book that was and is: The Grapes of Wrath." Poore noted a "preachiness" in Steinbeck's work, "as if half his literary inheritance came from the best of Mark Twain— and the other half from the worst of Cotton Mather." But he asserted that "Steinbeck didn't need the Nobel Prize— the Nobel judges needed him."
Many of Steinbeck's works are on required reading lists in American high schools. In the United Kingdom, Of Mice and Men is one of the key texts used by the examining body AQA for its English Literature GCSE. A study by the Center for the Learning and Teaching of Literature in the United States found that Of Mice and Men was one of the ten most frequently read books in public high schools.[27]
At the same time, The Grapes of Wrath has been banned by school boards: in August 1939, Kern County Board of Supervisors banned the book from the county's publicly funded schools and libraries.[28] It was burned in Salinas on two different occasions.[29][30] In 2003, a school board in Mississippi banned it on the grounds of profanity.[31] According to the American Library Association Steinbeck was one of the ten most frequently banned authors from 1990 to 2004, with Of Mice and Men ranking sixth out of 100 such books in the United States.[32][33]
Steinbeck grew up in California's Salinas Valley, a culturally diverse place with a rich migratory and immigrant history. This upbringing imparted a regionalistic flavor to his writing, giving many of his works a distinct sense of place.[4][9] Salinas, Monterey and parts of the San Joaquin Valley were the setting for many of his stories. The area is now sometimes referred to as "Steinbeck Country".[12] Most of his early work dealt with subjects familiar to him from his formative years. An exception was his first novel, Cup of Gold, which concerns the pirate Henry Morgan, whose adventures had captured Steinbeck's imagination as a child.
In his subsequent novels, Steinbeck found a more authentic voice by drawing upon direct memories of his life in California. His childhood friend, Max Wagner, a brother of Jack Wagner and who later became a film actor, served as inspiration for The Red Pony. Later he used real American historical conditions and events in the first half of the 20th century, which he had experienced first-hand as a reporter. Steinbeck often populated his stories with struggling characters; his works examined the lives of the working class and migrant workers during the Dust Bowl and the Great Depression.
His later work reflected his wide range of interests, including marine biology, politics, religion, history and mythology. One of his last published works was Travels with Charley, a travelogue of a road trip he took in 1960 to rediscover America.
Steinbeck's boyhood home, a turreted Victorian building in downtown Salinas, has been preserved and restored by the Valley Guild, a nonprofit organization. Fixed menu lunches are served Monday through Saturday, and the house is open for tours during the summer on Sunday afternoons.[34]
The National Steinbeck Center, two blocks away at 1 Main Street is the only museum in the U.S. dedicated to a single author. Dana Gioia (chair of the National Endowment for the Arts) told an audience at the center, "This is really the best modern literary shrine in the country, and I've seen them all." Its "Steinbeckiana" includes "Rocinante," the camper-truck in which Steinbeck made the cross-country trip described in "Travels with Charley."
His father's cottage on Eleventh Street in Pacific Grove, where Steinbeck wrote some of his earliest books, also survives.[12]
In Monterey, Ed Ricketts' laboratory survives (though it is not yet open to the public) and at the corner which Steinbeck describes in Cannery Row, also the store which once belonged to Lee Chong, and the adjacent vacant lot frequented by the hobos of Cannery Row. The site of the Hovden Sardine Cannery next to Doc's laboratory is now occupied by the Monterey Bay Aquarium. However, the street that Steinbeck described as "Cannery Row" in the novel, once named Ocean View Avenue, was renamed Cannery Row in honor of the novel, in 1958. The town of Monterey has commemorated Steinbeck's work with an avenue of flags depicting characters from Cannery Row, historical plaques, and sculptured busts depicting Steinbeck and Ricketts.[12]
On February 27, 1979 (the 77th anniversary of the writer's birth), the United States Postal Service issued a stamp featuring Steinbeck, starting the Postal Service’s Literary Arts series honoring American writers.[35]
On December 5, 2007 California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Steinbeck into the California Hall of Fame, located at the California Museum for History, Women and the Arts.[36] His son, author Thomas Steinbeck, accepted the award on his behalf.
Steinbeck's contacts with leftist authors, journalists, and labor union figures may have influenced his writing and he joined the League of American Writers, a Communist organization, in 1935.[citation needed] Steinbeck was mentored by radical writers Lincoln Steffens and his wife Ella Winter. Through Francis Whitaker, a member of the United States Communist Party’s John Reed Club for writers, Steinbeck met with strike organizers from the Cannery and Agricultural Workers' Industrial Union.[37]
Steinbeck was a close associate of playwright Arthur Miller. In June 1959, Steinbeck took a personal and professional risk by standing up for him when Miller refused to name names in the House Un-American Activities Committee trials.[29] Steinbeck called the period one of the "strangest and most frightening times a government and people have ever faced."[29]
In 1967, when he was sent to Vietnam to report on the war, his sympathetic portrayal of the United States Army led the New York Post to denounce him for betraying his liberal past. Steinbeck's biographer, Jay Parini, says Steinbeck's friendship with President Lyndon B. Johnson influenced his views on Vietnam.[9] Steinbeck may also have been concerned about the safety of his son serving in Vietnam.[citation needed]
Steinbeck complained publicly about government harassment. Thomas Steinbeck, the author's eldest son, said that J. Edgar Hoover, director of the FBI at the time, could find no basis for prosecuting Steinbeck and therefore used his power to encourage the U.S. Internal Revenue Service to audit Steinbeck's taxes every single year of his life, just to annoy him. According to Thomas, a true artist is one who "without a thought for self, stands up against the stones of condemnation, and speaks for those who are given no real voice in the halls of justice, or the halls of government. By doing so these people will naturally become the enemies of the political status quo."[38]
In a 1942 letter to United States Attorney General Francis Biddle, he wrote: "Do you suppose you could ask Edgar's boys to stop stepping on my heels? They think I am an enemy alien. It is getting tiresome."[39] The FBI denied that Steinbeck was under investigation.
In 1936 Steinbeck published the first of what came to be known as his Dustbowl trilogy, which included Of Mice and Men and The Grapes of Wrath. This first novel tells the story of a fruit pickers' strike in California which is both aided and damaged by the help of "the Party," generally taken to be the Communist Party, although this is never spelled out in the book.
Of Mice and Men is a tragedy that was written in the form of a play in 1937. The story is about two traveling ranch workers, George and Lennie, trying to work up enough money to buy their own farm/ranch. As it is set in 1930's America, it provides an insight into The Great Depression, encompassing themes of racism, loneliness, prejudice against the mentally ill, and the struggle for personal independence. Along with Grapes of Wrath, East of Eden, and The Pearl, Of Mice and Men is one of Steinbeck's best known works. It was made into a movie three times, in 1939 starring Burgess Meredith, Lon Chaney Jr., and Betty Field, in 1982 starring Randy Quaid, Robert Blake and Ted Neeley, and in 1992 starring Gary Sinise and John Malkovich.
The Grapes of Wrath is set in the Great Depression and describes a family of sharecroppers, the Joads, who were driven from their land due to the dust storms of the Dust Bowl. The title is a reference to the Battle Hymn of the Republic. Some critics found it too sympathetic to the workers' plight and too critical of capitalism but it found quite a large audience in the working class.[citation needed] It won both the National Book Award and Pulitzer Prize for fiction (novels) and was adapted as a film starring Henry Fonda and directed by John Ford.
Steinbeck deals with the nature of good and evil in this Salinas Valley saga. The story follows two families: the Hamiltons – based on Steinbeck's own maternal ancestry – and the Trasks, reprising stories about the Biblical Adam and his progeny. The book was published in 1952. It was made into a movie in 1955 directed by Elia Kazan starring James Dean.
In 1960, Steinbeck bought a pickup truck and had it modified with a custom-built camper top – which was rare at the time – and drove across the United States with his faithful 'blue' standard poodle, Charley. Steinbeck nicknamed his truck Rocinante after Don Quixote's "noble steed". In this sometimes comical, sometimes melancholic book, Steinbeck describes what he sees from Maine to Montana to California, and from there to Texas and Louisiana and back to his home on Long Island. The restored camper truck is on exhibit in the National Steinbeck Center in Salinas.
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