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Jules Verne

 
Who2 Biography: Jules Verne, Writer
Jules Verne
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  • Born: 8 February 1828
  • Birthplace: Nantes, France
  • Died: 24 March 1905
  • Best Known As: Author of Around the World in Eighty Days

Jules Verne was a French novelist whose many popular novels include the classics A Journey to the Center of the Earth (1864) and Around the World in Eighty Days (1873). While studying law, Verne wrote plays and librettos, but soon turned to writing novels full-time. He wrote dozens of books in his career and became the world-famous and wealthy author of adventures that are still in print today, including In Search of the Castaways (1868), The Mysterious Island (1874) and Twenty Thousand Leagues Under the Sea (1870). Many of Verne's works became familiar to movie audiences, thanks to movie versions produced by Walt Disney's studios. Much like novelist H. G. Wells, Verne is considered a founding father of science fiction, thanks to his remarkably prophetic details of scientific inventions.

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(born Feb. 8, 1828, Nantes, France — died March 24, 1905, Amiens) French writer. He studied law then worked as a stockbroker while writing plays and stories. The first of his romantic adventures (voyages extraordinaires), Five Weeks in a Balloon (1863), was highly successful. His subsequent voyages — with increasingly fantastic yet carefully conceived scientific wonders that often anticipated 20th-century technological achievements — include A Journey to the Centre of the Earth (1864), Twenty Thousand Leagues Under the Sea (1870), and Around the World in Eighty Days (1873). Verne's work shaped the entire development of science fiction.

For more information on Jules Verne, visit Britannica.com.

Biography: Jules Verne
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The French novelist Jules Verne (1828-1905) was the first authentic exponent of modern science fiction. The best of his work is characterized by intelligent predictions of technical achievements actually within man's grasp at the time Verne wrote.

Jules Verne was born on Feb. 8, 1828, at Nantes, the eldest son of a prosperous provincial lawyer. An otherwise uneventful childhood was marked by one major escapade. In his twelfth year, Jules shipped as a cabin boy on an ocean-going three-master. The ship was intercepted by his father before it had put out to sea, and Jules is said to have promised his parents that "in future he would travel only in imagination" - a prediction fulfilled in a manner his parents could not have foreseen.

Career as a Playwright

In 1847 Verne went to Paris to study law, although privately he was already planning a literary career. Owing to the friendship he made with Alexandre Dumas the Elder, Verne's first play, Broken Straws, was produced - with some success - in 1850. From 1852 to 1855 he held a steady and ill-paid position as secretary of a Paris theater, the Théâtre Lyrique. He continued to write comedies and operettas and began contributing short stories to a popular magazine, Le Musée des familles.

During a visit to Amiens in May 1856, Verne met and fell in love with the widowed daughter of an army officer, Madame Morel (née Honorine de Viane), whom he married the following January. The circumstance that his wife's brother was a stockbroker may have influenced Verne in making the unexpected decision to embrace this profession. Membership in the Paris Exchange did not seriously interfere with his literary labors, however, because he adopted a rigorous timetable, rising at five o'clock in order to put in several hours researching and writing before beginning his day's work at the Bourse.

First Novels

Verne's first long work of fiction, Five Weeks in a Balloon, took the form of an account of a journey by air over Central Africa, at that time largely unexplored. The book, published in January 1863, was an immediate success. He then decided to retire from stockbroking and to devote himself full time to authorship. His next few books were immensely successful at the time and are still counted among the best he wrote. A Journey to the Center of the Earth (1864) describes the adventures of a party of explorers and scientists who descend the crater of an Icelandic volcano and discover an underground world. The Adventures of Captain Hatteras (1866) centers on an expedition to the North Pole (not actually reached by Robert Peary until 1909). In From the Earth to the Moon (1865) and its sequel, Round the Moon (1870), Verne describes how two adventurous Americans - joined, naturally, by an equally intrepid Frenchman - arrange to be fired in a hollow projectile from a gigantic cannon that lifts them out of the earth's gravity field and takes them close to the moon. Verne not only pictured the state of weightlessness his "astronauts" experienced during their flight, but also he had the prescience to locate their launching site in Florida.

Later Works

Verne wrote his two masterpieces when he was in his 40s. Twenty Thousand Leagues under the Sea (1870) relates the voyages of the submarine Nautilus, built and commanded by the mysterious Capt. Nemo, one of the literary figures in whom Verne incorporated many of his own character traits. Around the World in Eighty Days (1873) is the story of a successful wager made by a typically phlegmatic Englishman, Phineas Fogg, a character said to have been modeled on Verne's father, who had a mania for punctuality. Other popular novels include The Mysterious Island (1875) and Michael Strogoff (1876). Verne's total literary output comprised nearly 80 books, but many of them are of little value or interest today. One noteworthy feature of all his work is its moral idealism, which earned him in 1884 the personal congratulations of Pope Leo XIII. "If I am not always what I ought to be, " Verne once wrote, "my characters will be what I should like to be." His interest in scientific progress was tempered by his robust religious faith, and in some of his later novels (such as The Purchase of the North Pole, 1889), he showed himself aware of the social dangers of uncontrolled technological advance.

Verne the Man

Verne's personality was complex. Though capable of bouts of extreme liveliness and given to punning and playing practical jokes, he was fundamentally a shy man, happiest when alone in his study or when sailing the English Channel in a converted fishing smack. In 1886 he was the victim of a shooting affray, which left him lame. His assailant proved to be a nephew who was suffering from an attack of persecution mania. This incident served to reinforce Verne's natural tendency to melancholy. Although he stood successfully for election to the city council of Amiens two years later, he spent his old age in close retirement. In 1902 he became partially blind; he died on March 24, 1905.

Further Reading

Verne's niece, Marguerite Allotte de la Fuye, published a biography based partly on family papers, Jules Verne (1928; trans. 1954). Kenneth Allott, Jules Verne (1940), is a full biography with critical appraisal of Verne's books. I. O. Evans, Jules Verne and His Work (1965), in spite of its naively uncritical approach, contains interesting illustrative material and an extensive bibliography.

Additional Sources

Costello, Peter, Jules Verne: inventor of science fiction, London: Hodder and Stoughton, 1978.

Evans, I. O.. (Idrisyn Oliver), Jules Verne and his work, Mattituck N.Y.: Aeonian Press, 1976.

Jules-Verne, Jean, Jules Verne: a biography, New York: Taplinger Pub. Co., 1976.

Verne, Jules (1828-1905). French novelist. Long considered a minor author for young people, Verne is now accorded more critical attention; many French writers admit enthusiasm for him. While losing some of his status as a scientific seer, he has begun to shed the mantle of political prophet which almost replaced it. What remains are some 18 Voyages extraordinaires, the general title under which Verne's work appeared in volumes. Their freshness is sustained by narrative energy; their imaginative inventiveness, underpinned by scrupulous detail. They can be read naïvely, but there is also a vein of irony, even in the lists which appear to compel belief.

A studious pupil, though he apparently attempted to run away at the age of 11, Verne was expected to follow his father by studying law in Nantes. For sentimental reasons his studies continued in Paris; he obtained his licence in 1849, but was more interested in the theatre and had begun writing plays: thanks to Dumas père, his comedy Les Pailles rompues was performed in 1850. In 1851 he became secretary of the new Théâtre Lyrique, and began publishing in the journal Le Musée des familles stories later reworked as Un drame au Mexique (1876) and Un drame dans les airs (in Le Docteur Ox, 1874).

Whilst still writing for the theatre with his musician friend Hignard, he became acquainted with scientists and explorers. Martin Paz appeared in the Musée in 1852, and Verne abandoned his studies, though his success in theatre was slight: on his marriage in 1857 he bought into a financial agency in Paris. In 1859 and 1861 he visited Scotland and Norway with Hignard, and in 1862 his friendship with Nadar led him to write the story which, revised on the publisher Hetzel's advice, was serialized in 1862 and published in volume form in 1863 as Cinq semaines en ballon. Success was immediate, and Hetzel retained Verne as a regular contributor to the Magasin d'éducation et de récréation. Verne later returned successfully to theatre with dramatizations of his novels.

The first works examine scientific preoccupations of the day: balloons (though, since they could not be steered, heavier-than-air flight later takes over in Robur le conquérant, 1886); the Earth inside and out in Voyage au centre de la terre (1864), and De la terre à la lune (1865); polar exploration in Aventures du capitaine Hatteras (1866). Verne, however, was not a scientist, and his wonderful machines generally extrapolate from what existed: a Nautilus had been tested in 1800; the Great Eastern, on which he travelled in 1867, described in Une ville flottante (1871), is enlarged to L'Île à hélice (1895). Electricity, which powers submarines in Vingt mille lieues sous les mers (1870) or Mathias Sandorf (1885), remains vague, although in Le Château des Carpathes (1892), a story of benighted love and electricity, Verne imagines a téléphote which would enable people to see each other at a distance. Travel and the exotic are themes as important as science in Le Tour du monde en quatre-vingts jours (1873), Les Enfants du capitaine Grant (1867), Michel Strogoff (1876), and others.

Education was his brief, and his books are geography lessons which do not escape the bias of their time. Verne shows oppressed peoples, but he is not so much anti-colonial—accepting French colonialism in L'Invasion de la mer (1905)—as anti-English (P'tit Bonhomme, 1892). Even when they are heroes, his Englishmen are figures of fun; his preferred anglophones are Scots or Americans, as in L'Île mystérieuse (1874), though even Americans may be criticized for their arrogance, as in Sens dessus dessous (1889). Heroes may be challengers of society: Nemo, for example, or Robur, Thomas Roch in Face au drapeau (1895) or Kamyk Pacha in Maître Antifer (1894); but Robur is dangerous rather than admirable in Maître du monde (1904), and in Les Naufragés du ‘Jonathan’ (posthumous, 1909, published by his son Michel) events undermine Kaw-Djer's anarchism. Indeed, although Verne was a radical councillor in Amiens and a firm believer in scientific progress, his society is hierarchical: older men have authority rooted in knowledge, servants know their place, young men must learn and prove themselves; male friendship and rivalry are important, and, though women are not totally absent, his is a predominantly male universe, where man's search for knowledge is paramount.

[Stephen Noreiko]

Bibliography

  • S. Vierne, Jules Verne (1986)
Spotlight: Jules Verne
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From our Archives: Today's Highlights, February 8, 2005

Jules Verne, a pioneer of science fiction, was born on this date in 1828. Verne wrote of traveling through space and underwater in his books, From the Earth to the Moon (1865) and 20,000 Leagues Under the Sea (1870). In his best-seller, Around the World in Eighty Days (1873), the protagonists used many different modes of transportation to complete their journey.
 
Columbia Encyclopedia: Jules Verne
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Verne, Jules (vûrn; zhül vĕrn), 1828-1905, French novelist, originator of modern science fiction. After completing his studies at the Nantes lycée, he went to Paris to study law. He early became interested in the theater and wrote (1848-50) librettos for operettas. For some years his concerns alternated between business and the theater, but after 1863 he drew upon his interest in science and geography to write a series of romances of extraordinary journeys, in which he anticipated, with remarkable foresight, many scientific and technological achievements of the 20th cent.

Verne is especially known to English readers in translations of his Five Weeks in a Balloon (1863), A Journey to the Center of the Earth (1864), From the Earth to the Moon (1865), Twenty Thousand Leagues under the Sea (1870), Around the World in Eighty Days (1873), The Mysterious Island (1875), and Michael Strogoff (1876). Extremely popular, he wrote more than 50 books by the time he died. Plays and motion pictures have been made from many of his works, which are still widely read, particularly by the young. In 1989 the manuscript of Verne's long-lost 1863 novel Paris in the 20th Century was discovered; the pessimistic and prophetic futurist work was published in 1994.

Bibliography

See A. B. Evans, Jules Verne Rediscovered (1988).

Quotes By: Jules Verne
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Quotes:

"Anything one man can imagine, other men can make real."

Wikipedia: Jules Verne
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Jules Verne

Jules Verne
Born Jules Gabriel Verne
8 February 1828(1828-02-08)
Nantes, France
Died 24 March 1905 (aged 77)
Amiens, France
Occupation Novelist
Nationality French
Genres Science fiction, adventure novel
Notable work(s) A Journey to the Centre of the Earth, Twenty Thousand Leagues Under the Sea, Around the World in Eighty Days, From the Earth to the Moon,The Mysterious Island
Verne's signature

Jules Gabriel Verne (8 February 1828 – 24 March 1905) was a French author who helped pioneer the science-fiction genre. He is best known for his novels A Journey to the Centre of the Earth (1864), From the Earth to the Moon (1865), Twenty Thousand Leagues under the Sea (1869–1870), Around the World in Eighty Days (1873) and The Mysterious Island (1875). Verne wrote about space, air, and underwater travel before navigable aircraft and practical submarines were invented, and before any means of space travel had been devised. Consequently he is often referred to as the "Father of science fiction", along with H. G. Wells.[1] Verne is the second most translated author of all time, only behind Agatha Christie, with 4223 translations, according to Index Translationum.[2] Some of his works have been made into films.

Contents

Biography

Early years

He was born in the bustling harbor city of Nantes in Western France. The oldest of five children, he spent his early years at home with his parents. The family spent summers in a country house just outside the city, on the banks of the Loire River. Verne and his brother Paul, of whom Verne was very fond, would often rent a boat for a franc a day.[3] The sight of the many ships navigating the river sparked Verne's imagination, as he describes in the autobiographical short story "Souvenirs d'Enfance et de Jeunesse". When Verne was nine, he and Paul were sent to boarding school at the Saint Donatien College (Petit séminaire de Saint-Donatien). As a child, he developed a great interest in travel and exploration, a passion he showed as a writer of adventure stories and science fiction. At twelve, he snuck onto a ship that was bound for India, the Coralie, only to be caught and severely whipped by his father. He famously stated, "I shall from now on only travel in my imagination."

Photo by Felix Nadar

At the boarding school, Verne studied Latin, which he used in his short story "Le Mariage de Monsieur Anselme des Tilleuls" in the mid 1850s. One of his teachers may have been the French inventor Brutus de Villeroi, professor of drawing and mathematics at Saint Donatien in 1842, and who later became famous for creating the U.S. Navy's first submarine, the Alligator. De Villeroi may have inspired Verne's conceptual design for the Nautilus in Twenty Thousand Leagues Under The Sea, although no direct exchanges between the two men have been recorded. At Nantes in 1835, when De Villeroi and a companion submerged for two hours in a ten foot submarine, Verne was seven years old. For years afterward, De Villeroi carried on submarine experiments in Nantes.[4]

Literary debut

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After completing his studies at the lycée, Verne went to Paris to study law. About 1848, in conjunction with Michel Carré, he began writing librettos for operettas (he was co-librettist of Colin-Millard, a one act opera comique by Aristide Hignard). For some years his attentions were divided between the theatre and work, but some travelers' stories which he wrote for the Musée des Familles revealed to him his talent for writing fiction.

When Verne's father discovered that his son was writing rather than studying law, he promptly withdrew his financial support. Verne was forced to support himself as a stockbroker, which he hated despite being somewhat successful at it. During this period, he met Alexandre Dumas, père and Victor Hugo, who offered him writing advice. Dumas would become a close friend of Verne.[5]

Verne also met Honorine de Viane Morel, a widow with two daughters. They were married on 10 January 1857. With her encouragement, he continued to write and actively looked for a publisher. On August 3, 1861, their son, Michel Jean Verne, was born. A classic enfant terrible, Michel was sent to Mettray Penal Colony in 1876 and later married an actress (in spite of Verne's objections), had two children by his 16-year-old mistress, and buried himself in debts. The relationship between father and son did improve as Michel grew older.

Verne's situation improved when he met Pierre-Jules Hetzel, one of the most important French publishers of the 19th century, who also published Victor Hugo, George Sand, and Erckmann-Chatrian, among others. They formed an excellent writer-publisher team until Hetzel's death. Hetzel helped improve Verne's writings, which until then had been repeatedly rejected by other publishers. Hetzel read a draft of Verne's story about the balloon exploration of Africa, which had been rejected by other publishers for being "too scientific". With Hetzel's help, Verne rewrote the story, which was published in 1863 in book form as Cinq semaines en ballon (Five Weeks in a Balloon). Acting on Hetzel's advice, Verne added comical accents to his novels, changed sad endings into happy ones, and toned down various political messages.

In 1864, Verne wrote an admiring study of the works of Edgar Allan Poe (Edgar Poe et ses oeuvres, 1864) and it is not difficult to see Poe's works, published in France as Histoires extraordinaires (Extraordinary Stories), as a source of inspiration for Verne.[6] In fact, Verne was so intrigued by Poe's "The Narrative of Arthur Gordon Pym of Nantucket" that he penned a sequel to the work entitled "An Antarctic Mystery." Verne set his story eleven years after the disappearance of Pym and recounts through the persona of Jeorling, a man of science, the adventures encountered during an expedition tracing Pym's travels.[7]

A typical Hetzel front cover for a Jules Verne book. The edition is Les Aventures du Capitaine Hatteras au Pôle Nord, type "Aux deux éléphants".

From that point to years after Verne's death, Hetzel published two or more volumes a year. The most successful of these include: Voyage au centre de la terre (Journey to the Centre of the Earth, 1864); De la terre à la lune (From the Earth to the Moon, 1865); Vingt mille lieues sous les mers (Twenty Thousand Leagues under the Sea, 1869); and Le tour du monde en quatre-vingts jours (Around the World in Eighty Days), which first appeared in Le Temps in 1872. The series is collectively known as "Les voyages extraordinaires" ("extraordinary voyages"). Verne could now live on his writings. But most of his wealth came from the stage adaptations of Le tour du monde en quatre-vingts jours (1874) and Michel Strogoff (1876), a relatively conventional adventure tale set in Tsarist Russia, which he adapted for the stage with Adolphe d'Ennery. In 1867 Verne bought a small ship, the Saint-Michel, which he successively replaced with the Saint-Michel II and the Saint-Michel III as his financial situation improved. On board the Saint-Michel III, he sailed around Europe. In 1870, he was appointed "Chevalier" (Knight) of the Légion d'honneur. After his first novel, most of his stories were first serialised in the Magazine d'Éducation et de Récréation, a Hetzel biweekly publication, before being published in the form of books. Jules' brother Paul contributed to a non-fiction story "Fortieth Ascent of Mont Blanc" ("Quarantième ascension du Mont-Blanc") to the collection of short stories, Doctor Ox (1874). According to the Unesco Index Translationum, Jules Verne regularly places among the top five most translated authors in the world.

Last years

On 9 March 1886, as Verne approached his own home, his twenty-five-year-old nephew Gaston, who suffered from paranoia, shot twice at him with a gun. One bullet missed, but the second entered Verne's left leg, giving him a permanent limp. Gaston spent the rest of his life in an asylum.

Verne in 1892

After the deaths of Hetzel and his beloved mother in 1887, Verne began writing darker works. This may have been due partly to changes in his personality, but an important factor was that Hetzel's son, who took over his father's business, was not as rigorous in his edits and corrections as Hetzel Sr. had been.

In 1888, Verne entered politics and was elected town councilor of Amiens, where he championed several improvements and served for fifteen years. Though elected from the left he stood with the right on Dreyfus Affair and was anti-Dreyfusard.[8][9] In 1905, ill with diabetes, Verne died at his home, 44 Boulevard Longueville (now Boulevard Jules-Verne). His son Michel oversaw publication of his last novels Invasion of the Sea and The Lighthouse at the End of the World. The "Voyages extraordinaires" series continued for several years afterwards in the same rhythm of two volumes a year. It was later discovered that Michel Verne had made extensive changes in these stories, and the original versions were published at the end of the 20th century.

In 1863, Verne wrote Paris in the 20th Century, a novel about a young man who lives in a world of glass skyscrapers, high-speed trains, gas-powered automobiles, calculators, and a worldwide communications network, yet cannot find happiness and comes to a tragic end. Hetzel thought the novel's pessimism would damage Verne's then booming career, and suggested he wait 20 years to publish it. Verne put the manuscript in a safe, where it was discovered by his great-grandson in 1989. It was published in 1994.

Death

Jules Verne died on 24 March 1905 and was buried in the Madeleine Cemetery in Amiens. There are recently (2008) initiated efforts to have him reburied in the Panthéon, alongside France's other literary giants.

Reputation in English-speaking countries

The tomb of Jules Verne in Amiens (Somme); sculpture by Albert Roze (1861-1953).

While Verne is considered in France as an author of quality books for young people, with a good command of his subjects, including technology and politics, his reputation in English-speaking countries suffered for a long time as a result of poor translation.

Some English publishers felt 20,000 Leagues Under the Sea portrayed the British Empire in a bad light, and the first English translator, Reverend Lewis Page Mercier, working under a pseudonym, removed many offending passages. Mrs. Agnes Kinloch Kingston (writing in the name of her husband, W.H.G. Kingston) deleted parts of The Mysterious Island such as those describing the political actions of Captain Nemo in his incarnation as an Indian nobleman freedom fighter. Such negative depictions were not, however, invariable in Verne's works; for example, Facing the Flag features, in the character of Lieutenant Devon, a heroic, self-sacrificing Royal Navy officer worthy of any created by British authors. In 20,000 Leagues Under the Sea itself, Captain Nemo, there of unidentified nationality, is balanced by Ned Land, a Canadian. Some of Verne's most famous heroes were British (e.g. Phileas Fogg in Around the World in Eighty Days).

Mercier and subsequent British translators also had trouble with the metric system that Verne used, sometimes dropping significant figures, at other times changing the unit to an Imperial measure without changing the corresponding value. Thus Verne's calculations, which in general were remarkably exact, were converted into mathematical gibberish. Also, artistic passages and sometimes whole chapters were cut to fit the work into a constrained space for publication.

For these reasons, Verne's work initially acquired a reputation in English-speaking countries of not being fit for adult readers. This in turn prevented it from being taken seriously enough to merit new translations, and those of Mercier and others were reprinted decade after decade. Only from 1965 on have some of his novels received more accurate translations, but even today Verne's work has not been fully rehabilitated in the English-speaking world.

Verne's works may also reflect the bitterness France felt in the wake of its defeat in the Franco-Prussian War (1870–71) and the consequent loss of Alsace and Lorraine. The Begum's Millions (Les Cinq cents millions de la Begum) of 1879 gives a highly stereotypical depiction of Germans as monstrously cruel militarists. By contrast, the rare portrayals of Germans are positive in pre-1871 works such as Journey to the Centre of the Earth, in which almost all the protagonists, including the sympathetic first-person narrator, are German.

Hetzel's influence

Hetzel substantially influenced the writings of Verne, who was so happy to finally find a willing publisher that he agreed to almost all changes that Hetzel suggested. Hetzel rejected at least one novel (Paris in the 20th Century), and asked Verne to make significant changes in his other drafts. One of the most important changes Hetzel imposed on Verne was the adoption of a more optimistic tone. Verne was in fact not an enthusiast of technological and human progress, as can be seen in the works he created both before he met Hetzel and after the publisher's death. Hetzel's insistence on a more optimistic text proved correct. For example, The Mysterious Island originally ended with the survivors returning to mainland forever nostalgic about the island. Hetzel decided that the heroes should live happily, so in the revised draft, they use their fortunes to build a replica of the island. Many translations are like this. Also, in order not to offend France's then-ally, Russia, the famous Captain Nemo was changed from a Polish refugee avenging the partitions of Poland and the death of his family, killed in the reprisals following the January Uprising, to an Indian prince fighting the British Empire after the Sikh War.

Predictions

A mural in Tampa, Florida commemorating Verne's From the Earth to the Moon.

Jules Verne's novels have been noted for being startlingly accurate anticipations of modern times. Paris in the 20th Century is an often cited example of this as it arguably describes air conditioning, automobiles, the Internet, television, and other modern conveniences very similar to their real world counterparts.

Another example is From the Earth to the Moon, which is uncannily similar to the real Apollo Program, as three astronauts are launched from the Florida peninsula and recovered through a splash landing. In the book, the spacecraft is launched from "Tampa Town"; Tampa, Florida is approximately 130 miles from NASA's actual launching site at Cape Canaveral.[10]

In other works, Verne predicted the inventions of helicopters, submarines, projectors, jukeboxes, and other later devices.

He also predicted the existence of underwater hydrothermal vents that were not discovered until years after he wrote about them.

Scholars' jokes

Verne, who had a large archive and always kept up with scientific and technological progress, sometimes seemed to joke with the readers, using so-called "scholars' jokes" (that is, a joke that only a scientist may recognise). For instance, in Dick Sand, A Captain at Fifteen, a Manticora beetle helps Cousin Bénédict to escape from imprisonment when Bénédict, unguarded, follows the beetle out of the garden. Since the beetle escapes from Cousin Bénédict by flying away, when in fact the genus is flightless, it is possible that this is one such joke. Another example appears in Mysterious Island, where the main character's dog is attacked by a wild dugong, even though the dugong, like its North American cousin, the manatee, is a herbivorous mammal. Also in Mysterious Island, because of its fauna and flora, the sailor Bonadventure Pencroff asks Cyrus Smith whether the latter believes that islands (like the one they are on) are made specially to be ideal ones for castaways. From the Earth to the Moon (the material used for the cannon — in this case it was probably poetic license, since the description of the making of the gun became far more dramatic), or The Begum's Millions, where the methods used for making steel in "Steel City", described as the most modern steel factory in the world, were rather dated, but, again, much more spectacular to describe. (See Neff, 1978)

Bibliography

Jules Verne in front of creatures from his novels and stories.

Verne wrote numerous works, most famous of which are the 54 novels part of the Voyages Extraordinaires. He also wrote short stories, essays, plays, and poems.

Note: only the dates of the first English translation and the most common translation title are given.

# French publication English translation
Title Year Title Year
1. Cinq Semaines en ballon 1863 Five Weeks in a Balloon 1869
2. Voyages et aventures du capitaine Hatteras 1866 The Adventures of Captain Hatteras 1874-75
3. Voyage au centre de la Terre 1864 A Journey to the Centre of the Earth 1871
4. De la terre à la lune 1865 From the Earth to the Moon 1865
5. Les Enfants du capitaine Grant 1867-68 In Search of the Castaways 1873
6. Vingt mille lieues sous les mers 1869-70 Twenty Thousand Leagues Under the Sea 1872
7. Autour de la lune 1870 Around the Moon 1873
8. Une ville flottante 1871 A Floating City 1874
9. Aventures de trois Russes et de trois Anglais 1872 The Adventures of Three Englishmen and Three Russians in South Africa 1872
10. Le Pays des fourrures 1873 The Fur Country 1873
11. Le Tour du Monde en quatre-vingts jours 1873 Around the World in Eighty Days 1873
12. L'Île mysterieuse 1874-75 The Mysterious Island 1874
13. Le Chancellor 1875 The Survivors of the Chancellor 1875
14. Michel Strogoff 1876 Michael Strogoff 1876
15. Hector Servadac 1877 Off on a Comet 1877
16. Les Indes noires 1877 The Child of the Cavern 1877
17. Un capitaine de quinze ans 1878 Dick Sand, A Captain at Fifteen 1878
18. Les Cinq Cents Millions de la Bégum 1879 The Begum's Millions 1879
19. Les Tribulations d'un chinois en Chine 1879 Tribulations of a Chinaman in China 1879
20. La Maison à vapeur 1880 The Steam House 1880
21. La Jangada 1881 Eight Hundred Leagues on the Amazon 1881
22. L'École des Robinsons 1882 Godfrey Morgan 1883
23. Le Rayon vert 1882 The Green Ray 1883
24. Kéraban-le-têtu 1883 Kéraban the Inflexible 1883-84
25. L'Étoile du sud 1884 The Vanished Diamond 1885
26. L'Archipel en feu 1884 The Archipelago on Fire 1885
27. Mathias Sandorf 1885 Mathias Sandorf 1885
28. Un billet de loterie 1886 The Lottery Ticket 1886
29. Robur-le-Conquérant 1886 Robur the Conqueror 1887
30. Nord contre Sud 1887 North Against South 1887
31. Le Chemin de France 1887 The Flight to France 1888
32. Deux Ans de vacances 1888 Two Years' Holiday 1889
33. Famille-sans-nom 1889 Family Without a Name 1889
34. Sans dessus dessous 1889 The Purchase of the North Pole 1890
35. César Cascabel 1890 César Cascabel 1890
36. Mistress Branican 1891 Mistress Branican 1891
37. Le Château des Carpathes 1892 Carpathian Castle 1893
38. Claudius Bombarnac 1892 Claudius Bombarnac 1894
39. P’tit-Bonhomme 1893 Foundling Mick 1895
40. Mirifiques Aventures de Maître Antifer 1894 Captain Antifer 1895
41. L'Île à hélice 1895 Propeller Island 1896
42. Face au drapeau 1896 Facing the Flag 1897
43. Clovis Dardentor 1896 Clovis Dardentor 1897
44. Le Sphinx des glaces 1897 An Antarctic Mystery 1898
45. Le Superbe Orénoque 1898 The Mighty Orinoco 2002
46. Le Testament d'un excentrique 1899 The Will of an Eccentric 1900
47. Seconde Patrie 1900 The Castaways of the Flag 1923
48. Le Village aérien 1901 The Village in the Treetops 1964
49. Les Histoires de Jean-Marie Cabidoulin 1901 The Sea Serpent 1967
50. Les Frères Kip 1902 The Kip Brothers 2007
51. Bourses de voyage 1903 Traveling Scholarships n/a
52. Un drame en Livonie 1904 A Drama in Livonia 1967
53. Maître du monde 1904 Master of the World 1911
54. L'Invasion de la mer 1905 Invasion of the Sea 2001
55. Paris au XXe siècle (written in 1863) 1994 Paris in the Twentieth Century 1996

Apocryphal and posthumous novels

  • (1885) L'Épave du Cynthia; English translation: The Waif of the Cynthia (1885), with André Laurie (pseudonym of Paschal Grousset), but actually the work of Grousset alone[11]
  • (1905) Le Phare du bout du monde; English translation: The Lighthouse at the End of the World (1923), modified by Michel Verne
  • (1906) Le Volcan d'or; English translation: The Golden Volcano: The Claim on Forty Mile Creek and Flood and Flame (2 vols., 1962), modified by Michel Verne
  • (1907) L'Agence Thompson and Cº; English translation: The Thompson Travel Agency: Package Holiday and End of the Journey (2 vols., 1965), written by Michel Verne
  • (1908) La Chasse au météore; English translation: The Chase of the Golden Meteor (1909), modified by Michel Verne
  • (1908) Le Pilote du Danube; English translation: The Danube Pilot (1967), modified by Michel Verne
  • (1909) Les Naufragés du Jonathan; English translation: The Survivors of the 'Jonathan': The Masterless Man and The Unwilling Dictator (2 vols., 1962), modified by Michel Verne
  • (1910) Le Secret de Wilhelm Storitz; English translation: The Secret of William Storitz (1963), modified by Michel Verne
  • (1919) L'Étonnante Aventure de la mission Barsac; English translation: The Barsac Mission: Into the Niger Bend and The City of the Sahara (2 vols., 1960), written by Michel Verne
  • (1989) Voyage en Angleterre et en Ecosse; English translation: Backwards to Britain (1992), written in 1859
  • (1994) Paris au XXe siècle; English translation: Paris in the Twentieth Century (1996), written in 1863

Short story collections

  • (1874) Le Docteur Ox; English translation: Doctor Ox (1874)
  • (1910) Hier et Demain; English translation: Yesterday and Tomorrow (1965)

Short stories

  • (1851) "Un drame au Mexique"; English translation: "A Drama in Mexico" (1876)
  • (1851) "Un drame dans les airs"; English translation: "A Drama in the Air" (1852)
  • (1852) "Martin Paz"; English translation: "Martin Paz" (1875)
  • (1854) "Maître Zacharius"; English translation: "Master Zacharius" (1874)
  • (1855) "Un hivernage dans les glaces"; English translation: "A Winter Amid the Ice" (1874)
  • (1864) "Le Comte de Chanteleine"; English translation: "The Count of Chanteleine" (n/a)
  • (1865) "Les Forceurs de blocus"; English translation: "The Blockade Runners" (1874)
  • (1872) "Une fantaisie du docteur Ox"; English translation: "Dr. Ox's Experiment" (1874)
  • (1875) "Une ville idéale"; English translation: "An Ideal City" (1965)
  • (1879) "Les Révoltés de la Bounty"; English translation: "The Mutineers of the Bounty" (1879)
  • (1881) "Dix Heures en chasse"; English translation: "Ten Hours Hunting" (1965)
  • (1884) "Frritt-Flacc"; English translation: "Frritt-Flacc" (1892)
  • (1887) "Gil Braltar"; English translation: "Gil Braltar" (1958)
  • (1891) "La Journée d'un journaliste américain en 2889"; English translation: "In the Year 2889" (1889)
  • (1891) "Aventures de la famille Raton"; English translation: "Adventures of the Rat Family" (1993)
  • (1893) "Monsieur Ré-Dièze et Mademoiselle Mi-Bémol"; English translation: "Mr. Ray Sharp and Miss Me Flat" (1965)

Apocryphal short stories

  • (1888) "Un Express de l'avenir"; English translation: "An Express of the Future" (1895), written by Michel Verne
  • (1910) "La Destinée de Jean Morénas"; English translation: "The Fate of Jean Morenas" (1965), written by Michel Verne
  • (1910) "L'Éternel Adam"; English translation: "The Eternal Adam" (1957), written by Michel Verne

Non-fiction works

  • (1857) Salon de 1857; no English translation
  • (1864) Edgar Poe et ses oeuvres, (Edgar Allan Poe and his works)
  • (1866) Géographie illustrée de la France et de ses colonies; English translation: Illlustrated Geography of France and its Colonies (n/a), with Théophile Lavallée
  • Histoire des grands voyages et des grands voyageurs; English translation: Celebrated Travels and Travellers
    • (1878) Découverte de la terre; English translation: The Exploration of the World (1879)
    • (1879) Les Grand navigateurs du XVIIIème siècle; English translation: The Great Navigators of the Eighteenth Century (1879)
    • (1880) Les Voyageurs du XIXème siècle; English translation: The Great Explorers of the Nineteenth Century (1881)

Imitations by other writers

The Wizard of the Sea by Roy Rockwood is a clear copy of Verne's 20,000 Leagues Under the Sea, apart from the first chapter(s). One or two other of Rockwood's titles also seem to (lesser) resemble some of Verne's, eg compare Five Thousand Miles Underground to Journey to the Centre of the Earth.

In 1999 German writer Dieter Lammerding has written a drama named Phantastische Reise zu Kapitän Nemo, merging two novels into one piece.

See also

About Verne:

Other science-fiction pioneers:

Inspired by Verne:

Films based on works of Jules Verne

Jules Verne's works have inspired filmmakers almost from the birth of cinema. Georges Méliès, one of the earliest pioneers of French cinema, who had a taste for the fantastic, adapted some of Verne's works prior to 1910. Most of Verne's most famous novels, and some of his lesser known ones, received French, American, German, and Soviet adaptations in the 1920s, 1930s, and 1940s, but probably the best known film adaptations of Verne's works came from American studios in the mid-1950s to early 1960s. These included Disney's 20,000 Leagues Under the Sea (1954), a production of Around the World in 80 Days that won the Academy Award for Best Picture in 1956, a production of From the Earth to the Moon in 1958, Journey to the Center of the Earth in 1959, Mysterious Island in 1961, and In Search of the Castaways in 1962. These were large-scale productions featuring top American, British, and international stars.

While American studios' interest in Verne waned after this period, productions in other countries and smaller scale American productions have continued pretty much without interruption since the invention of film, up to this day. A recent example is the 2008 remake of Journey to the Center of the Earth (which was in 3D, and a highly successful box office hit). Other notable twenty-first century adaptations include the 2004 remake of Around the World in 80 Days (starring Steve Coogan and Jackie Chan) and the 2005 version of Mysterious Island (starring Patrick Stewart) which was only loosely based on the novel. There were also references to many of Verne's works in the unsuccessful 2003 film League of Extraordinary Gentlemen. In 2008, three British film-makers announced their upcoming film adaptation of "Clovis Dardentor", one of Verne's lesser known works.

The majority of the many film and television productions of Verne's works have concentrated on his most famous novels, but there have also been film adaptations of many of his lesser known works, such as The Lighthouse at the End of the World, The Carpathian Castle, and The Vanished Diamond, filmed as The Southern Star. Michael Strogoff has been a particularly popular property for adaptation by non-Americans, having been filmed at least a dozen times for cinema and television, starting in 1910.

Many famous actors have appeared in Verne films, including James Mason, Kirk Douglas, Maurice Chevalier, Peter Lorre, David Niven, Shirley MacLaine, Joseph Cotton, Lionel Barrymore, Orson Welles, Yul Brynner, Jackie Chan, Brendan Fraser, and even the Three Stooges. The 1956 American version of Around the World in 80 Days is sometimes credited with inventing the concept of cameo appearances by big stars, and had (often very brief) appearances by a dizzying array of famous performers, including Frank Sinatra, John Gielgud, Noel Coward, Charles Boyer, Fernandel, Trevor Howard, Cesar Romero, George Raft, Buster Keaton, Marlene Dietrich, Ronald Colman, and many others.

There have also been animated adaptations. The story Two Years Vacation was turned into a made-for-TV animation Japanese studio Nippon Animation under the title of The Story of Fifteen Boys (Japanese: 十五少年漂流記). An even more successful adaptation was the Spanish animated adaptation of Around the World in 80 Days, Around the World with Willy Fog.

References

  1. ^ Adam Roberts (2000), Science Fiction, London: Routledge, p. 48, ISBN 0-415-19204-8. Others who are popularly called the "Father of science fiction" include Hugo Gernsback and Edgar Allan Poe.
  2. ^ Unesco. "Most Translated Authors of All Time". Index Translationum. http://databases.unesco.org/xtrans/stat/xTransStat.a?VL1=A&top=50&lg=0. Retrieved 2008-11-08. 
  3. ^ Jules Verne (1995), Monna Lisa; suivi de Souvenirs d'enfance et de jeunesse, Paris: L'Herne, p. 101. ISBN 2-85197-328-2.
  4. ^ Lincoln and the Tools of War by Robert V. Bruce — University of Illinois Press ISBN 978-0252060908 p 176
  5. ^ Peggy Teeters (1993), Jules Verne: The Man Who Invented Tomorrow, New York: Walker, p. 24. ISBN 0802781896.
  6. ^ William Butcher, Journey to the Centre of the Earth, Oxford U Press, 1992.
  7. ^ "An Antarctic Mystery", The Gregg Press, 1975
  8. ^ Walter A. McDougall (2001), "Journey to the Center of Jules Verne... and Us", Watch on the West 2, n. 4.
  9. ^ William Butcher (2007), "A Chronology of Jules Verne", in Jules Verne, Lighthouse at the End of the World, Lincoln (NE): University of Nebraska Press, p. XXXVII, ISBN 0803246765.
  10. ^ Norman Wolcott (2005), A Jules Verne Centennial: 1905-2005, Washington (DC): Smithsonian Institution Libraries.
  11. ^ Volker Dehs, Jean-Michel Margot and Zvi Har’El, "The Complete Jules Verne Bibliography, X: Apocrypha". Retrieved on 2008-11-10.

Further reading

  • William Butcher, Arthur C. Clarke (Introduction) (2006). Jules Verne: The Definitive Biography. ISBN 1-56025-854-3
  • Peter Costello, Jules Verne: Inventor of Science Fiction. ISBN 0-684-15824-8
  • Herbert R. Lottman (1997). Jules Verne: An Exploratory Biography. ISBN 0-312-14636-1
  • Françoise I. Schiltz (2007). The Future Re-visited: 1950s American Film Adaptations of Jules Verne Novels. PhD in Film Studies. University of Southampton. School of Humanities.
  • Jean Jules-Verne (1976). Jules Verne, A Biography. ISBN 0-8008-4439-4
  • Philippe Melot et Jean-Marie Embs (2005).Le Guide Jules Verne.Les Editions de l'Amateur,Paris. ISBN 2-85917-417-6
  • Ondřej Neff, Podivuhodný svět Julese Vernea (The Extraordinary World of Jules Verne), Prague, (1978)
  • Gallagher, E. J. (1980). Jules Verne: A primary and secondary bibliography. Boston: MA, G. K. Hall & Co.
  • Evans, A. B. (1988). Jules Verne rediscovered: Didacticism and the scientific novel. Westport, CT: Greenwood Press.
  • Martin, A. (1990). The mask of the prophet: The extraordinary fictions of Jules Verne. New York: Oxford University Press.
  • Lynch, L. (1992). Jules Verne. New York: Twayne Publishers.

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From Today's Highlights
February 8, 2005

Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.
- Jules Verne

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