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Mary J. Blige

 
Who2 Biography: Mary J. Blige, Singer / Songwriter
Mary J. Blige
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  • Born: 11 January 1971
  • Birthplace: New York, New York
  • Best Known As: The "Queen of Hip-Hop and Soul"

A native of Yonkers in New York City, Mary J. Blige caught the attention of record promoters in 1992 and became one of the top hip-hop and soul performers by the end of the decade, known to her fans as "Queen Mary." Her career was helped by Sean "Puffy" Combs and her first record, What's the 411? (1992) was a commercial and critical success. Her next records were equally well-received, My Life (1994), Share My World (1997), The Tour (1998) and Mary (1999). One of the biggest R&B stars of the 1990s, she has worked with other recording artists Busta Rhymes, Lil Kim, DMX, Lauryn Hill and Elton John. Blige released her sixth album No More Drama in 2001.

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Black Biography: Mary J. Blige
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singer; songwriter

Personal Information

Born Mary Jane Blige, January 11, 1971, in Yonkers, NY; daughter of Cora (a nurse) and a jazz musician; married Kendu Isaacs (a music producer), 2003.

Career

Worked various part-time jobs in late teens. Released albums, starting with 1992's What's the 411?. Appeared on The Jamie Foxx Show, 1998; film, Prison Song, 2000; performed in VH1's Divas Live concerts, 1999, 2001, 2002.

Life's Work

"Mary J. Blige has been called the inventor of New Jill Swing," Ron Givens wrote in Stereo Review in 1993. When the vocalist came to the public's attention the previous year, she became a magnet for the kind of superlatives music critics love to create. In an interview for the Source, Adario Strange described his subject as a "delicate ghetto-princess songstress," "the flower of the ghetto," and "the real momma of hip-hop R&B." In his Washington Post review of Blige's second album, Geoffrey Himes called her "the premier soul diva of the hip-hop generation." But more than anything else, the music media has crowned her the Queen of Hip Hop Soul.

Early Life Shaped Her

Part of the fuel for Blige's rocket to hip-hop stardom was her "street cred." She was born on November 11, 1971 in Yonkers, and grew up in the Schlobohm Housing Projects--or "Slow Bomb" projects as its residents called it. Blige's coming of age on the mean streets of the Bronx provided her with the "credentials" demanded by audiences who also grew up on city streets. Blige described the setting for Essence's Deborah Gregory, recalling that there "was always some sh** going on. Every day I would be getting into fights over whatever. You always had to prove yourself to keep from getting robbed or jumped. Growing up in the projects is like living in a barrel of crabs. If you try to get out, one of the other crabs tries to pull you down." The family, including Blige's older sister and two younger brothers, subsisted on her mother Cora's earnings as a nurse after her father left the family in the mid-1970s. "My mother made me strong," Blige told Strange. "Watching my mother struggle to raise us and feed us made me want to be a stronger woman," she continued.

Blige's environment also provided the sound and encouragement that first shaped her musical identity. A professional jazz musician, her father left his mark on Blige's ability to harmonize during the brief time he was present. Block parties in the Bronx taught her the rhythms and sampling styles created by the early hip-hop deejays. At home, her mother played a steady stream of R&B, soul, and funk, including Sam Cooke, Aretha Franklin, Stevie Wonder, Chaka Khan, and Gladys Knight. Blige sang regularly with her mother and sister in the choir at the House of Prayer Pentecostal Church, honing vocal skills and imbibing gospel. "We used to go to church all night. Everybody would be real good to us," Blige told Emil Wilbekin in a Vibe interview. She expanded on the experience for Essence's Gregory, remembering that she "felt so much better going to church every Sunday, just being there, testifying and just being kids. It was a lot of fun." By the time Blige was a teenager, she had solo spots in the choir and she made the rounds of local talent shows. Though she attended Lincoln High School--a school that specialized in the performing arts--studied music and participated in school sponsored talent shows, she dropped out of high school in the eleventh grade.

While she enjoyed singing, Blige did not expect to make her living at it and, like most teenagers in her position, helped bring in money with several part-time jobs. She told Allison Samuels of Newsweek, "People in church would say 'You should do something with your voice.' And I'd be like 'What? I am living in the projects in Yonkers. What am I going to do with my voice?'" Her first "demo" tape was, in fact, just a karaoke style recording made one night at a mall to entertain friends when she was 17. Before too long, however, the cover of Anita Baker's "Caught Up In The Rapture" found its way to Andre Harrell, an executive with Uptown Records: Blige's mother gave it to her boyfriend, who gave it to a friend, who gave it to R&B vocalist Jeff Redd. Redd passed it on, enthusiastically, to Harrell. On Harrell's initiative, Blige was brought onto Uptown's growing roster of young R&B talents. Sean "Puffy" Combs (later known as P. Diddy) became the young singer's mentor when the company began preparing her album.

Ushered in New Jill Swing

In 1992 What's the 411? introduced Blige's voice to audiences with a growing interest in the New Jack Swing take on R&B. The album not only fit neatly into that R&B revival, but also began to define it. Driven primarily by the single "Real Love," 411 reached double-platinum status after it sold more than two million copies in a short time. Its appeal crossed over from the R&B charts and entered the Top Ten on Billboard's pop chart. When Havelock Nelson gave the album an "A" in his Entertainment Weekly review in August of 1992, he began with the news everyone would soon know--that Blige was "the first diva to deliver frisky, fly-girl funk" and that she "conquers everything she tackles." He concluded that the album was "one of the most accomplished fusions of soul values and hip-hop to date."

Nelson described, in particular, how Blige took the then male-defined domain of New Jack Swing and remade it in her own image, kicking off the rage for New Jill Swing. She became known as the initiator of a new female incarnation of hip-hop. "Mary has become an icon of today's young Black nation," wrote the Source's Strange, "representing the feminine yet strong-willed woman that many young girls hope to be, and the sexy yet not too cute for a ruffneck girlfriend that many brothers from the hood long for." In April of 1993, Rolling Stone reviewer Steve Hochman noted that Blige had "become the role model for the new breed of strong hip-hop women." Strange dubbed her the "first true feminine hero of R&B lovin' ghetto residents." The singer commented on the phenomenon herself, telling Hochman, "I think I'm creating a style for women--a more feminine version of the way a lot of hip-hop guys dress now." As Strange noted, the impact of 411 showed up soon on other performers, as "baseball caps and boots suddenly became in vogue for female singers" and "divas everywhere demanded hip-hop tracks to back up their cubic zirconian efforts."

Attitude Turned Off Fans

The accolades was marred, however, by some bad publicity. It seemed to begin at the 1993 Soul Train Music Awards, where Blige accepted her award not in the expected glittering evening gown, but in standard street gear: jeans and a shirt. The public expressed its disapproval instantly: as the Source's Strange reported, "radio stations everywhere were flooded with phone calls from disgruntled fans." That incident occurred in the midst of other, less public, reports of bad behavior. Wilbekin recounted the history for Vibe, recalling that the "stories of tardiness, cancellations, and general lack of professionalism are endless. Mary was eight hours late to one magazine photo shoot, and threw a fit and walked out of at least one more. She conducted interviews where she did as much drinking as talking and acted like a zombie on national television. Then there was the concert in London where she was so out of it the crowd booed her off the stage."

It was only after the release of her second album that Blige was able to reflect on what might have fed her behavior at the time. She speculated that the attention had disconcerted her--that she had not been prepared, socially or professionally, for the kind of intense spotlight music celebrity creates. Harrell suggested to Wilbekin in Vibe that "the whole experience was overwhelming for her. She wasn't ready to be put under the microscope in that fashion." Friend and manager Steve Lucas told Gregory that "Mary got an undeserved bad rap because of what was going on around her-- the confusion, the lack of organization. When you communicate honestly with Mary, there aren't any problems. She's willing to cooperate and do whatever it takes to be successful. She's basically a very sweet, humble person." The difficulty of the situation was magnified, Blige admitted to Rolling Stone's Hochman, by her basic shyness. "I'm just not a very open person," she told him. "The most open I am is when I sing. I've always been kind of shy." On a more concrete note, she also felt there were problems with her management, which she changed before recording the second album. Combs was fired at Uptown and in 1993 started his own company, Bad Boy Entertainment, where Blige took her management business while still recording with Uptown.

Blige also pursued practical measures to prepare herself for the fresh onslaught of publicity that would accompany the second album: she enrolled with a public relations firm, Double XXposure, that trained artists to deal with the demands of public reputation. She worked extensively with the company's president, Angelo Ellerbee, whom she later credited with not just polishing her interview style, but changing her life more broadly. She told Wilbekin in Vibe that Ellerbee "gave me a totally new kind of life. There was a time when I wouldn't read nothin'," but Ellerbee sparked her interest in books her for the first time, introducing her, for example, to a novel by Zora Neale Hurston called Their Eyes Were Watching God.

When Uptown released My Life in 1994, it marked many changes for Blige, including the personal refining that turned around her public image. The vocalist also contributed lyrics for most of the songs; she had been writing before the debut album, but had little confidence in her skill as a lyricist. The sound of the music shifted also, due in part to the use of live horns and strings in place of the standard sampling, moving Blige deeper into the fusion of hip-hop and soul. Ultimately, all of the changes added up successfully for Blige and her producers: My Life debuted in December in the top position on Billboard's R&B album chart.

Shared Her World

In 1996, Blige released another album, Share My World. Along with the album, she sported a new attitude: self-love. She parted company from people who she felt were negative influences, including her producer and mentor, Combs, Deathrow Records president Suge Knight, and K-Ci of Jodeci fame, her on-again, off-again boyfriend. Her new attitude can also be traced to her renewed commitment to God. Blige spoke to Christopher John Farley of Time, "God comes first. If I don't love him, I can't love anybody. And if I can't love me, I can't love nobody."

Share My World also broadened Blige's horizons. She worked with producers Jimmy Jam and Terry Lewis, TrackMasters, and R Kelly. Though known for songs with strong hip hop beats, Share My World's songs were more mellow and showed Blige headed for mainstream R&B and pop. Amy Linden of People exclaimed, "Some might gripe that the overall sound is more polished than on her two previous multi-platinum CDs--and it is." The album also included the Babyface-produced and written song, "Not Gon' Cry," from the Waiting To Exhale soundtrack. The song became the jilted black woman's anthem.

Blige also continued to work on her image. In the beginning she did not care about her career or herself. During her interviews, Blige opened up and spoke about her lifestyle, which included using hard drugs. She told Kevin Chappell of Ebony, "I did a lot of stuff, things that a lot of girls wouldn't do, because of a lack of self-love. I did drugs, I did a lot. I did things, not just weed, but beyond...." Her finances also were not in order. She made both management and personal changes. "I'm a young lady now; with growing up comes a lot of responsibilities. So there are a lot of things that I have to do, and there are a lot of things that I can't do anymore.... I want to challenge myself more to see what comes out of it. Patience is a virtue to me," she was quoted as saying in Ebony.

In 1998 Blige headlined her own tour, and that summer she released a live album, called The Tour. "It was a great energy. And it's really at the concert; there are no studio tricks. I'm not afraid for the audience to hear my voice crack," she told Anita Samuels of Billboard. The album featured a medley of previous hits and two new covers. Blige also started her own label, Mary Jane Entertainment. She toured again as a headliner in The Mary Show in 2000 and appeared with Aretha Franklin on the annual VH1 Divas Live broadcast in 2001. With seemingly bottomless energy, Blige made her television acting debut on The Jamie Foxx Show in 1998.

More Mature Mary

Blige's next album, simply entitled Mary found Blige teaming up with legends such as Elton John, Stevie Wonder, and Aretha Franklin. Critics described the album as more mature, toning down the raunchier elements of her persona that had been evident since her debut and repositioning herself as a true soul singer. Mary was Blige's first attempt to truly shape her new image and the results were spectacular. The single "All That I Can Say" with Lauryn Hill hit the Billboard top ten charts and the album was nominated for both a Grammy and a Billboard Music Award.

Starting in 1999 and continuing on into 2000 and 2001, Blige has been very open and vocal about the path that her career and personal life took throughout the nineties and how hard she has worked to turn those around into something that she can be proud of. Blige talked of an abusive relationship that she finally realized she had to get out of before something serious happened to her. In an interview with Essence she says of the relationship, "When I looked back I knew I did the right thing, because if I didn't break out I was going to die. Somebody wanted me dead and subliminally it must have been me, because I drew someone to me who wanted to kill me." Blige has spoken at length about her new found faith in religion. Blige has openly said that it is God that has allowed her to make the changes that she has made in her life. In a Jet interview with Calerence Waldron, Blige said, "I'm trying to build my foundation on the wisdom, the Word, so that I will be able to pass on the right information to the universe. Because you get exactly what you put out there. I'm just happy with that."

One of the main regrets that Mary J. Blige has made public was the fact that she dropped out of high school before getting her diploma. Blige has repeatedly told interviewers that part of the reason that she was so careless with her money and her fame during her early career was due to the fact that she didn't have the proper education and didn't know how to properly invest her money or who she should trust. Blige studied with tutors and gained her Graduate Equivalence Degree (GED). Starting in 2000, Blige began touring schools, trying to convey the message that education was the most important thing and that students needed to stay in school. She told Jet, she emphasized to teens to " ... stay in school. Just be patient and pray. Finish school, finish high school. Don't drop out."

Blige continued to further her career and image with her 2001 release of her album No More Drama. This much-developed album with songs such as "Love," "Family Affair," and "No More Drama" earned her another Grammy nomination and secured Blige's place in the soul diva category. Blige attributed the popularity of the album to the fact that she herself is continuing on her in journey of self discovery and that her fans have turned the corner with her. In a Jet magazine interview, Blige says of No More Drama, "This album is a continuation of a turnaround. The Mary album was a cleanup. It was about cleaning up me. And this album? It's about solidifying and moving even further with the things I've learned and the strides I've made."

The positive reviews on Blige are endless. Geoffrey Himes, among others, paid particular tribute to Blige: "Blige may be a gospel-trained siren like older soul divas," he remarked in the Washington Times, "but these arrangements sound like no record ever made by Aretha Franklin, Diana Ross or Patti LaBelle. All the gooey orchestrations that have sugarcoated romantic crooners from Dinah Washington to Anita Baker are gone, leaving a skeletal rhythm track and a spectacular voice freed from all superfluous sentiment and ornamentation." J.D. Considine, of Baltimore's Evening Sun, noted that "Blige has more than surpassed expectations" and argued that as "good as the grooves are, it's her vocal work that ultimately drives these songs." Similarly, Himes declared her a "major voice of her generation."

She reunited with P. Diddy for Love and Life, in 2003. Also that year, she married music producer Kendu Isaacs. Blige won a Grammy award in 2004, with Sting, for Best Pop Collaboration with Vocals for their work, "Whenever I Say Your Name." In addition to making hit after hit, Blige continued to act. She has appeared in Prison Song, but it may be her last film as she explained in People, "I didn't like being on the set all day and doing scenes over and over.... I like performing more than getting up in the morning." Blige has lent her name and celebrity to support causes she believed in. She has appeared in ads for cosmetic company MAC's Viva Glam, lipstick, which raised money for the MAC AIDS fund. Blige has performed at three VH1's Divas Live concerts that helped raise money for the cable channel's Save the Music Foundation. Blige was also featured on Carson hair company's Dark & Lovely's permanent hair color box, named Red Hot Mary, after the singer.

As Sean Combs explained to Strange in the Source, Blige "represents all the honeys in the urban communities in Detroit, Harlem, Chicago, and Los Angeles that's growing up and going through regular every day things that are a part of hip-hop culture." Blige sums up herself the best. Though gifted with a beautiful voice, she lacked confidence in herself. Mary J. Blige has come through her growing pains into a mature young lady who cares about herself. She stated in Time, "You better believe that I give a damn now."

Awards

Soul Train Music Award, 1993; New York Music Award; NAACP Image Award; double-platinum album award for What's the 411?; Grammy nomination for Best R&B Album, 1995, 1999, 2002; Grammy award, Best Rap Performance by a Duo or Group, with Method Man, 1996; American Music Award, 1998; Soul Train Lady of Soul awards, 1997, 1998; celebrity spokesperson, MAC AIDS Fund, 2001, 2002; Grammy award, Best Pop Collaboration with Vocals (with Sting), 2004.

Works

Selected discography

  • What's the 411?, Uptown/MCA, 1992.
  • My Life, Uptown/MCA, 1994.
  • Share My World, MCA, 1996.
  • The Tour, MCA, 1998.
  • Mary, MCA, 1999.
  • No More Drama, MCA, 2001.
  • Dance for Me, MCA, 2002.
  • Love & Life, Geffen, 2003.

Further Reading

Periodicals

  • Atlanta Journal, November 29, 1994.
  • Billboard, January 16, 1993; July 25, 1998.
  • Boston Globe, December 15, 1994.
  • Dallas Morning News, April 4, 2002.
  • Ebony, January 1998; January 1999; June 2000.
  • Entertainment Weekly, August 7, 1992; November 20, 1992; December 3, 1993; November 25, 1994.
  • Essence, March 1995; November 2001.
  • Evening Sun, (Baltimore, MD), December 2, 1994.
  • Jet, November 29, 1999; August 28, 2000; September 18, 2000; October 1, 2001.
  • Newsweek, May 5, 1997.
  • People, December 5, 1994; May 19, 1997; July 17, 2000.
  • Rolling Stone, April 15, 1993.
  • Source, January 1995.
  • Stereo Review, April 1993.
  • Time, April 28, 1997.
  • Vibe, February 1995.
  • Washington Post, November 27, 1994.
Online
  • All Music Guide, http://www.allmusic.com (January 5, 2005).
  • "Mary J. Blige," MTV.com, http://www.mtv.com/bands/az/blige_mary_j/bio.jhtml (January 7, 2005).
  • Mary J. Blige Online, http://www.mjblige.com (January 5, 2005).
  • Rock On The Net, http://www.rockonthenet.com (January 5, 2005).
Other
  • Additional information for this sketch was obtained from Uptown Records.

— Ondine E. LeBlanc, Ashyia N. Henderson, and Ralph Zerbonia

Artist: Mary J. Blige
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Mary J. Blige

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

Kenny Greene, Chucky Thompson, Rick James, Babyface, Mark Rooney, James Harris, Sean "Puffy" Combs, Terry Lewis, C. Smith, Nickolas Ashford, Eric Milteer, Rodney Jerkins, LaTonya Blige-DaCosta, Gerry Goffin, Carole King, Big Bub, Arlene DelValle, L.A. Reid, Mark Morales, Dave Hall, Kenny "G-Love" Greene, Milk Dee

Worked With:

Lauryn Hill, Lil' Kim, Tony Maserati

Formal Connection With:

See Mary J. Blige Lyrics
  • Born: January 11, 1971, New York, NY [The Bronx]
  • Active: '90s, 2000s
  • Genres: Rhythm & Blues
  • Instrument: Vocals
  • Representative Albums: "Ballads", "What's the 411?", "Mary
  • Representative Songs: "Family Affair", "Be Without You", "Real Love

Biography

When her debut album, What's the 411?, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of Mary J. Blige's Yonkers, NY, childhood. Called alternately the new Chaka Khan or new Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots, Blige was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcised her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album, Mary, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album, No More Drama, it wasn't just Blige's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come.

Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, GA, before moving with her mother and older sister to the Schlobam housing projects in Yonkers, NY. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, NY, she recorded herself singing Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by Blige's stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige's voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no female singer had before. Uptown tried to capitalize on the success of What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially.

Her 1995 follow-up, My Life, again featured Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of ghetto pathos and Blige's own personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA.

Released in 1997, Share My World marked the beginning of Blige's creative partnerships with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard charts. Critics soured somewhat on its more conventional soul sound, but Blige's fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained.

That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige's songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year's patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months. A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger, which was released the November of the following year. ~ Stacia Proefrock, All Music Guide
Discography: Mary J. Blige
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Just Fine [CD Single]

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Live from Los Angeles

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Live from Los Angeles

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Mary J. Blige & Friends [Circuit City Exclusive]

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Intimate Evening With Mary J. Blige: Live From the House of Blues

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Intimate Evening With Mary J. Blige: Live From the House of Blues

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Family Affair [Sweden CD Single]

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My Life

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Family Affair [UK CD]

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No More Drama, Pt. 2 [UK CD]

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No More Drama [Dutch CD]

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Ballads

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Rainy Dayz [US 12"]

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Rainy Dayz [Germany CD]

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Queen of Hip Hop Soul

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Tour

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Love @ First Sight [US CD Single]

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Dance for Me

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Seven Days [Australia]

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Breakthrough

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Breakthrough

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Breakthrough

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Breakthrough

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Breakthrough [Japan Bonus Tracks]

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Be Without You [3 Tracks]

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Breakthrough [Bonus Track #1]

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Breakthrough [UK Bonus Tracks]

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Growing Pains

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Growing Pains [Deluxe Edition] [Bonus Track]

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MJB Da MVP [Universal]

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Reflections (A Retrospective)

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Reflections (A Retrospective)

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Not Today [UK CD]

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All That I Can Say

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No More Drama

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No More Drama [Japan Bonus Track]

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No More Drama [US Bonus Tracks]

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No More Drama [Japan Bonus Tracks]

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No More Drama [Denmark Bonus Track]

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Love & Life

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Love & Life [Bonus DVD]

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Love & Life [UK Bonus Tracks]

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Love & Life [Japan Bonus Tracks/Bonus DVD]

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Love & Life [1 Bonus Track]

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Mary

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Mary [Import Bonus Tracks]

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Mary [Japan Bonus Tracks]

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Mary [Limited Edition Bonus Pack]

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Share My World

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Share My World [Japan Bonus Track]

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We Ride (I See The Future)

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Maximum Mary J. Blige: The Unauthorised Biography of Mary J. Blige

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I Can Love You [CD]

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What's the 411?

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What's the 411? Remix

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Real Love

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Wikipedia: Mary J. Blige
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Mary J. Blige

Blige performing at the 2009 Neighborhood Ball in Washington, D.C.
Background information
Birth name Mary Jane Blige
Also known as Brook-Lynn[1]
Born January 11, 1971 (1971-01-11) (age 38)
The Bronx, New York City
Genres R&B, soul, hip hop
Occupations Singer-songwriter, rapper, record producer, model, actress
Instruments Vocals
Years active 1989–present
Labels Uptown, MCA, Geffen, Matriarch
Website www.mjblige.com

Mary Jane Blige (surname pronounced /ˈblaɪʒ/; born January 11, 1971), also known as Mary J. Blige, is an American singer, record producer, and actress. Blige has won nine Grammy awards and sold over 48 million records worldwide.

Contents

Early Life

Blige was born on January 11, 1971, in The Bronx, New York.[2] She is the second of four children born to parents Cora (a nurse), and Thomas Blige (a jazz musician).[3][4][5] Blige was taught to sing by her father. When Blige was four, her father (who is reported to have been physically abusive to Blige's mother) abandoned the family.[3] Blige spent her early years in Savannah, Georgia, where she sang in a Pentecostal church.[6] She later moved to Schlobohm Houses in Yonkers, New York, where she lived with her mother, older sister, five cousins and two aunts.[2][4] At the age of five, Blige was sexually abused by a family friend.[4] She dropped out of school in eleventh grade.[2]

Career

Blige has won several Grammys, and has received the World Music Legends Award for hip hop and soul. As of 2008, Blige had sold over 48 million records worldwide.[7][8]

Blige's vocal range registers from alto to soprano, including the mezzo-soprano range. Blige has cited Anita Baker, Aretha Franklin and Chaka Khan as three of her biggest influences.[9][10]

1971 to 1990

At the age of 17, Blige recorded an impromptu cover of Anita Baker's "Caught Up In the Rapture" at a recording booth in the Galleria Mall in White Plains, New York. Her mother's boyfriend at the time later played the cassette for Jeff Redd, a recording artist and A&R runner for Uptown Records.[3] Redd then sent it to the president and CEO of the label, Andre Harrell. Harrell met with Blige and, in 1989, she was signed to the label; becoming the company's youngest and first female artist.[6]

Upon signing to Uptown, Blige's early years there were dormant, as the label continued to focus most of its attention on its more established acts. During this time, Blige occasionally did session work as a background singer for her label mates. In 1990, she was introduced as a background singer for Redd, during a performance at the Apollo Theatre. The same year she sang the hook on "I'll Do 4 U" by rapper and label mate Father MC, appearing in the concert-themed music video of the same name; In 1991, she was spotted on the syndicated TV show, Showtime at the Apollo, singing back up for Jeff Redd. In early fall of 1992, Blige guest spotted with Grand Puba with his single, Check It Out. Blige's first national debut appearance was in the summer of 1992 when she appeared on MTV.

1991 to 1993: What's the 411? and the Remix album

Production for Blige's debut album began in 1992, with Sean "Puffy" Combs, at the time an A&R executive at Uptown, largely overseeing the project.

On July 28, 1991, Uptown Records released What's the 411?. "You Remind Me", the album's lead-off single, peaked chart and number one on the R&B singles chart that summer. The second single, "Real Love", was released in the fall. It too topped the R&B singles chart, and became Blige's first top ten Hot 100 single, peaking at number seven. Both singles were certified gold.

More What's the 411? singles followed into 1993, including "Sweet Thing", a cover of Rufus's "Sweet Thing", and "Love No Limit". By the end of the year, What's the 411? had sold three million copies. Blige, meanwhile, released a hip hop single "You Don't Have to Worry". After the success of What's the 411, Sean "Puffy" Combs hailed the singer as "the queen of hip-hop soul", a title that she has since retained. She later confessed that, at the time, she believed the title to be nothing more than a marketing tool. The name of her album, What's the 411? stems from her previous job as Directory Assistance operator.[11] The album's success spun off What's the 411? Remix, a remix album released in December that was used to extend the life of the What's the 411? singles on the radio into 1994, as Blige recorded her follow up album.

1994–96: My Life

On November 29, 1994, Uptown Records released Blige's second album, My Life. Darker, moodier, and slightly less uptempo than its predecessor—the set was again overseen by Combs (despite his having recently left the label), who co-produced all but one of the albums tracks, and took over as Blige's manager. Unlike What's the 411?, Blige co-wrote a large body of the material, basing it on her personal life.

"Be Happy", the album's single, peaked at number 29 and number six on the Hot 100 and R&B singles chart, respectively. In early 1995, it was followed up with a cover of Rose Royce's 1976 hit "I'm Goin' Down", which became her first top 20 hit in the UK, peaking at number 12. Other My Life singles included: "You Bring Me Joy" and "I Love You." "Mary Jane (All Night Long)" and "My Life" received heavy radio play, despite never being officially released as singles apart from the UK, where "Mary Jane (All Night Long)" became Blige's second top 20 hit from the album there. My Life was eventually certified triple platinum. In spite of its success and her growing fame, Blige later admitted that she was simultaneously dealing with long time bouts of drug addiction, alcoholism, and depression, as well as an abusive relationship with then-boyfriend K-Ci Hailey of Jodeci. Blige involved herself in several outside projects, recording a cover of Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" for the soundtrack to the FOX series New York Undercover, and "Everyday It Rains" (co-written by R&B singer Faith Evans) for the soundtrack to the hip hop biopic, The Show. That summer she dueted with rapper Method Man on his song, "I'll Be There for You/You're All I Need to Get By" (which sampled Marvin Gaye's "You're All I Need to Get By", and for which she won a Grammy award.) Later in the year, she recorded the Babyface-penned and produced "Not Gon' Cry", for the soundtrack to motion picture Waiting to Exhale. The platinum-selling single rose to number two on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs in early 1996, and became her biggest commercial hit at the time. Blige won her first Grammy Award – 'Best Rap Performance by a Duo or Group' for her collaboration with Method Man.

1997–98: Share My World and The Tour

On April 22, 1997, MCA Records (parent company to Uptown Records, which was in the process of being dismantled) released Blige's third album, Share My World. By now, she and Combs had dissolved their working relationship. In his place were a group of big name producers, including: Jimmy Jam and Terry Lewis, Chucky Thompson, R. Kelly, Babyface, and most significantly Rodney Jerkins, who helmed a significant portion of the album.

The album was made at a time where Blige was trying to "get her life together", by trying to overcome drugs and alcohol, as well as the ending of her relationship with Hailey. After an encounter with a person who threatened her life the previous year, she tried to quit the unhealthy life style and make more upbeat, happier music. As a result, songs such as "Love Is All We Need" and "Share My World", were made.

Share My World debuted at number one on the Billboard 200 and spawned five hit singles: "Love Is All We Need" (featuring Nas), "I Can Love You" (featuring Lil' Kim), "Everything", "Missing You" (UK only) and "Seven Days." The album became Blige's most commercially successful; selling three million copies in the U.S.. In early 1998, Blige won an American Music Award for "Favorite Soul/R&B Album." That summer she embarked on the Share My World Tour, which resulted in a Gold-certified live album released later that year, simply titled The Tour. The album spawned one single, "Misty Blue."

1999–2000: Mary

On August 17, 1999, Blige's fourth album, titled Mary was released. It marked a departure from her more familiar hip hop-oriented sound; this set featured a more earthy, whimsical, and adult contemporary-tinged collection of songs, reminiscent of 1970s to early 1980s soul.

On December 14, 1999, the album was re-released as a double-disc set. The second disc was enhanced with the music videos for the singles "All That I Can Say" and "Deep Inside" and included two bonus tracks: "Sincerity" (featuring Nas and DMX) and "Confrontation" (a collaboration with hip hop duo Funkmaster Flex & Big Kap originally from their 1999 album The Tunnel). The Mary album was critically praised, becoming her most nominated release to date, and was certified double platinum (moving almost two million in sales.) It, however, wasn't as commercially successful as Blige's prior releases, even though all of the singles: "All That I Can Say", "Deep Inside", "Your Child", and "Give Me You" performed considerably on radio. In the meantime, MCA used the album to expand Blige's demographic into nightclub market, as club-friendly dance remixes of the Mary singles were released. The club remix of "Your Child" peaked at number-one hit on the Billboard's Hot Dance Club Play chart in October 2000.

In 2001, a Japan-only compilation, Ballads, was released. The album featured covers of Stevie Wonder's "Overjoyed", and previous recordings of Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and Dorothy Moore's "Misty Blue".

2001–02: No More Drama

On August 28, 2001, MCA released Blige's fifth studio album, No More Drama. The album's first single, "Family Affair" (produced by Dr. Dre) became her first number-one single on the Billboard Hot 100, where it remained for six consecutive weeks. It was followed by two further hit singles, the European only single "Dance for Me" featuring Common and the Jimmy Jam and Terry Lewis-produced title track (originally recorded for the Mary album), which sampled "Nadia's Theme", the piano-driven theme song to the daytime drama The Young and the Restless.

Though the album sold nearly two million copies in the U.S., MCA was underwhelmed by its sales, and subsequently repackaged and re-released the album on January 29, 2002. The No More Drama re-release featured a new album cover, deleted three of the songs from the original track listing, while adding two brand-new songs—one of which was the fourth single and top twenty Hot 100 hit "Rainy Dayz", (featuring Ja Rule), plus two remixes; one of the title track, serviced by Puff Daddy and the single version of "Dance for Me" featuring Common. The album sold another million-plus units in the U.S. and five million worldwide. Blige won a Grammy for 'Best Female R&B Vocal Performance' for the song "He Think I Don't Know." In April 2002, Blige performed with Shakira with the song "Love Is a Battlefield" on VH1 Divas show live in Las Vegas, she also performed "No More Drama" and "Rainy Dayz" as a duet with the returning Whitney Houston.

On July 22, 2002, MCA released Dance for Me, a collection of club remixes of some of her past top hits including the Junior Vasquez remix of "Your Child", and the Thunderpuss mix of "No More Drama." This album was released in a limited edition double pack 12" vinyl for DJ-friendly play in nightclubs.

2003–04: Love & Life

Mary J. Blige in September 2003

On August 26, 2003, Blige's sixth album Love & Life was released on Geffen Records (which had absorbed MCA Records.) Blige heavily collaborated with her one-time producer Sean Combs (now calling himself "Diddy") for this set. Due to the history between them on What's the 411? and My Life, which is generally regarded as their best work, and Blige having just come off of a successful fifth album, expectations were high for the reunion effort.

Despite the album debuting at number one on the Billboard 200 and becoming Blige's fourth consecutive UK top ten album, Love & Life's lead-off single, the Diddy-produced "Love @ 1st Sight", which featured Method Man, barely cracked the top ten on the Hot R&B/Hip-Hop Songs, while altogether missing the top twenty on the Hot 100 (although peaking inside the UK top twenty). The following singles, "Ooh!", "Not Today" featuring Eve, "Whenever I Say Your Name"featuring Sting on the international re-release, and "It's a Wrap" fared worse. Although the album was certified platinum, it became Blige's lowest-selling to date. Critics and fans alike largely panned the disc, citing a lack of consistency and noticeable ploys to recapture the early Blige/Combs glory. Blige and Combs reportedly struggled and clashed during the making of this album, and again parted ways upon the completion of it.

2005–06: The Breakthrough and Reflections – A Retrospective

Geffen Records released Blige's seventh studio album, The Breakthrough on December 20, 2005. For the album, Blige collaborated with J.U.S.T.I.C.E. League, Rodney Jerkins, will.i.am, Bryan Michael Cox, 9th Wonder, Jimmy Jam and Terry Lewis, Raphael Saadiq, Cool and Dre, and Dre & Vidal. The cover art was photographed by Markus Klinko & Indrani. It debuted at number one on both the Billboard 200 and Top R&B/Hip-Hop Albums charts. Selling 727,000 copies in its first week, it became the biggest first-week sales for an R&B solo female artist in SoundScan history (a record subsequently broken by 2007 Alicia Keys' album As I Am),[12][13] the fifth largest first-week sales for a female artist, and the fourth largest debut of 2005. Since its release, The Breakthrough has sold over three million copies in the U.S and over seven million copies worldwide, becoming one of the five best-selling albums of 2006.

The lead-off single, "Be Without You", peaked at number three on the Billboard Hot 100, while peaking at number one on the R&B chart for a record-setting fifteen consecutive weeks; it remained on the chart for over sixteen months. "Be Without You" found success in the UK (although peaking in the lower end of the top forty) it became Blige's longest charting single on the UK Singles Chart. It is her second longest charting single to date. The album produced three more singles including two more top five R&B hits—"Enough Cryin'", which features Blige's alter ego Brook-Lynn (as whom she appeared on the remix to Busta Rhymes's "Touch It" in 2006); and "Take Me as I Am" (which samples Lonnie Liston Smith's "A Garden of Peace"). Blige's duet with U2 on the cover of their 1992 hit, "One" gave Blige her biggest hit to date in the UK, peaking at number two on the UK Singles Chart eventually being certified one of the forty highest-selling singles of 2006;[14] it her her longest charting UK single. The success of The Breakthrough won Blige nine Billboard Music Awards, two American Music Awards, two BET Awards, two NAACP Image Awards, and a Soul Train Award. She received eight Grammy Award nominations at the 2007 Grammy Awards, the most of any artist that year. "Be Without You" was nominated for both "Record of the Year" and "Song of the Year". Blige won three: "Best Female R&B Vocal Performance", "Best R&B Song" (both for "Be Without You"), and "Best R&B Album" for The Breakthrough. Blige completed a season sweep of the "big three" major music awards, having won the American Music Awards in November 2006, the Billboard Music Awards in December 2006, and the Grammy Awards in February 2007.

In December 2006, a compilation called Reflections - A Retrospective was released. It contained many of Blige's greatest hits and four new songs, including the worldwide lead single "We Ride (I See the Future)". In the UK, however, "MJB da MVP" (which appeared in a different, shorter form on The Breakthrough) was released as the lead single from the collection. The album peaked at number nine in the U.S, selling over 170,000 copies in its first week, while reaching number forty in the UK. It has sold more than 1.6 million copies. In 2006, Blige recorded a duet with rapper Ludacris, "Runaway Love", which is the third single on his fifth album, Release Therapy. It reached the top five on the Billboard Hot 100 and the R&B chart. Blige was featured with Aretha Franklin and The Harlem Boys Choir on the soundtrack to the 2006 motion picture Bobby, on the lead track "Never Gonna Break My Faith". The song was nominated for a Golden Globe and won the Grammy Award for Best Gospel Performance at the 50th Annual Grammy Awards.

2007–08: Growing Pains

Blige's eighth studio album, Growing Pains, was released on December 18, 2007, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart. It sold 629,000 copies in its first week, marking the third time since Nielsen SoundScan began collecting data in 1991 that two albums sold more than 600,000 copies in a week in the United States. In its second week, the album climbed to number one, making it Blige's fourth number-one album. The lead single, "Just Fine", peaked at number twenty-two on the Billboard Hot 100 and at number three on the Hot R&B/Hip-Hop Songs chart. "Just Fine" was nominated for the Grammy Award for "Best Female R&B Vocal Performance", and Blige won "Best R&B Performance by a Duo or Group with Vocals" for the Chaka Khan duet "Disrespectful" (featured on Khan's album Funk This) which Blige wrote.

Speaking in January 2008 to noted UK R&B writer Pete Lewis of the award-winning 'Blues & Soul', Blige explained the significance of the album's title 'Growing Pains': "I started writing the record right after that whole gigantic day I had at the Grammies last year. So it was important to me to get across to my fans that whole feeling I was going through of 'How do I sustain this breakthrough? How do I continue to remind myself I'm in a better place?'... And the only way to continue to stay in that place is to GROW! I believe the majority of people out there, if something uncomfortable is going on in their lives, are forced to either go back to where they were, or to GROW – and that that tension is called PAIN. So the light, happy songs on the album are celebrating my growth. While the less poppy, darker tracks represent the places I'm forced to grow out of. So in that way the title represents the growth, as well as the understanding that – in order for anything to develop – it has to have some kinda tension behind it."[15]

Growing Pains was not released in the UK until February 2008, where it became Blige's fifth top ten and third-highest charting album.The Breakthrough and Reflections (A Retrospective) were released in the Christmas rush and therefore settled for lower peaks, although both selling more than her top five album Mary.[citation needed] "Just Fine" returned Blige to the UK singles chart top 20 after her previous two singles failed to chart highly. Subsequent singles from Growing Pains include "Work That", which accompanied Blige in an iTunes commercial, and "Stay Down".

Blige was featured on 50 Cent's 2007 album, Curtis, in the song "All of Me". In March 2008, she toured with Jay-Z in the Heart of the City tour. They released a song called "You're Welcome". In the same period, cable network BET aired a special on Blige entitled The Evolution of Mary J. Blige, which showcased her career. Celebrities such as Method Man and Ashanti gave their opinions about Blige and her music. Blige is featured on singles by Big Boi, and Musiq Soulchild.

Growing Pains was nominated for a Grammy Award for Best Contemporary R&B Album, at the 51st Grammy Awards to be held on February 8, 2009, earning Blige her 27th Grammy nomination, in a mere decade.

Blige went on tour in Europe in support of Growing Pains, her first European tour in two years. A tour of Australia and New Zealand was scheduled for June but was postponed due to "weariness from an overwhelming tour schedule"[16] and then eventually canceled entirely.[17]

On August 7, 2008, it was revealed Blige faced a US$2 million federal suit claiming Neff-U wrote the music for the song "Work That", but was owned by Dream Family Entertainment. The filing claimed that Dream Family never gave rights to use the song to Blige, Feemster or Geffen Records. Rights to the lyrics of the song used in an iPod commercial are not in question.[18]

2009–present: Stronger with Each Tear

Blige returned to performing in January, 2009 by performing the song "Lean On Me" at the Presidential Inauguration Committee's, "We Are One: The Obama Inaugural Celebration at the Lincoln Memorial". Blige also performed her hit 2007 single, "Just Fine", with a new intro at the Neighborhood Inaugural Ball after Barack Obama was sworn in as the first black president on January 20, 2009.

Blige was honored at the 2009 BET Honors Ceremony and was paid tributes and honors by Anita Baker and Monica.

While Blige toured with Robin Thicke in 2008, she worked on her upcoming ninth album titled Stronger with Each Tear. The lead single, "The One", which features the Canadian rapper Drake,[19] was released for airplay on June 5, 2009, and was officially and digitally released on July 21, 2009. She performed the single at Hot 97's 2009 Summer Jam Concert. Blige also appeared in an AT&T Shedding Styles commercial in July of 2009. The commercial featured "The One", and was used to promote the single. The album, originally titled Stronger but renamed in late November of 2009 as Stronger with Each Tear, was due for a November 24, 2009, release, but was delayed to December 15, 2009 because “The One” wasn’t successful commercially, and also because Blige wanted to have time for additional recording. She announced in mid-November that the album had been completed and the album was delayed a week because Alicia Key’s fourth album The Element of Freedom is due for a December 15, 2009 release, and to avoid competition, the album is now expected to be released on December 21, 2009. It was due to be released along with the premiere of her reality show on BET, but the reality show has been delayed into 2010. The song, "Stronger", which is the lead single from the soundtrack to the basketball documentary "More Than a Game", was confused as the second single from the album in August of 2009, but this was proved false as the song will not be included on the album because her label chose not to include it. The second single from "Stronger with Each Tear", “I Am", was performed by Blige at the 2009 AMAs on November 22, 2009. The single was released for airplay on November 23, 2009, and will be officially and digitally released on December 8, 2009.

Blige also played the role of Tanya in the 2009 Tyler Perry movie, I Can Do Bad All By Myself, where she performed the song, "I Can Do Bad All By Myself". Blige has been announced as a guest judge on the 2010 series of American Idol as well.

Blige recorded the song "Color" for the 2009 motion picture Precious and it will be featured on her ninth studio album as well.

On November 4, 2009, Blige sang the The Star-Spangled Banner at Yankee Stadium before the New York Yankees and Philadelphia Phillies played the last game (Game 6) of the World Series. In December of 2009, Blige will be the marquee performer on the annual Christmas in Washington television special.

Acting career

In 1998, Blige made her acting debut on the sitcom The Jamie Foxx Show playing a character ,the apparently southern Ola Mae; a preacher's daughter who wanted to sing more than gospel music. Her father was portrayed by Ronald Isley of The Isley Brothers. In 2001, Blige starred opposite rapper Q-Tip in the independent film Prison Song. That same year, Blige made a cameo on the Lifetime network series, Strong Medicine; playing Simone Fellows, lead singer of a band who was sick, but wouldn't seek treatment. In 2000, Blige had her own superhero web cartoon in junction with Stan Lee. Blige used the cartoon to open her 2000 tour. In 2004, Blige starred in an off-Broadway play, The Exonerated. The play chronicled the experiences of real death row inmates. Blige portrayed Sunny Jacobs, a woman who spent 20 years in prison for a crime she did not commit. In late 2005, it was reported that Blige had landed the starring role in the upcoming MTV Films biopic on American singer/pianist Nina Simone. There is no word yet as to when the film will start shooting; it will be released (according to IMDB) in 2012. In February 2007, Blige guest-starred on Ghost Whisperer, in the episode "Mean Ghost", as Jackie Boyd; a cheerleading coach grieving for the death of her brother and dealing with a dead cheerleader harming her team. The episode features many of Blige's songs. In August 2007, Blige guest-starred on Entourage, playing herself as a client of Ari Gold's agency. In October 2007, Blige guest-starred on America's Next Top Model, as creative director for a photoshoot done by Matthew Rolston. In May 2009, Mary made a guest appearance on 30 Rock, as one of the artists recording a benefit song for a kidney. Blige had a supporting role in Tyler Perry's Movie I Can Do Bad All By Myself, which was released in theatres in September 2009. She will contribute the title track from her ninth album Stronger (due for a December 21, 2009 release) to the soundtrack and for promotion of the LeBron James documentary, More Than a Game.

Product endorsements

Blige is a spokesperson and investor for Carol's Daughter beauty products and a Citibank spokesperson with Nickelback during the 2008 holiday season. Blige has also had endorsement contracts with Reebok, Air Jordan, Pepsi, Coca-Cola, Gap, Target, American Express, AT&T, M·A·C, Apple Inc. and Chevrolet.

She has her own record label called Matriarch Records, which is distributed through Geffen.

Personal life

Blige had a very public and tumultuous six-year relationship with Jodeci frontman Cedric "K-Ci" Hailey, which ended in 1997. Following the run of their union, despite having been linked with singer Case, rappers Ghostface Killah and Nas and producer/singer Malik Pendleton, she has kept many of her relationships private.

In 2000, Blige began a relationship with record industry executive Martin Kendu Isaacs (known simply as "Kendu"), who is now her manager. Blige has credited Isaacs for helping her overcome her addictions to drugs and alcohol. The two were married on December 7, 2003 in a small private ceremony at Blige's home attended by 50 guests (none of whom were media).[20]

In a 2006 appearance on The Oprah Winfrey Show, Blige said that she was molested at the age of five.[21]

On March 27, 2008 it was reported that Mary J. Blige, along with her husband bought a 12.3 million dollar house, with a movie theater and a basketball court.

In 2008, Mary J. Blige was among the celebrities listed as People magazine's 100 Most Beautiful People.

Philanthropy

Blige was a spokesperson for the M·A·C AIDS Fund. She appeared in two ads, one with Lil' Kim in 2000 and the other with Elton John and Shirley Manson in 2002.

She was one of the featured singers on the CNN Heroes Awards Show on December 6, 2007.

Blige lent her voice to the 2008 song, Just Stand Up. The proceeds benefited Stand Up to Cancer. As a result of SU2C fundraising endeavors, the SU2C scientific advisory committee, overseen by the American Association for Cancer Research[22] was able to award 73.6 million dollars towards novel, groundbreaking cancer research.[23]

On May 9, 2008, the Mary J. Blige and Steve Stoute Foundation for the Advancement of Women Now, Inc. (FFAWN) was announced at Roosevelt High School in Yonkers. According to the foundation's website, "FFAWN is an organization founded by Mary J. Blige to inspire women from all walks of life to reach their individual potential. Through scholarships, grants, and programs that foster strong self-esteem, career development, and personal growth, FFAWN is intended to help women gain the confidence and skills they need to achieve success. FFAWN will initially focus its efforts in Yonkers and surrounding communities in Westchester and then expand its scope to include the Greater New York area and, eventually, the entire country. The Mary J. Blige Center for Women has opened in Yonkers.

Awards

Mary J. Blige has received 9 Grammy awards and 8 multi-platinum records.[24]

Discography

Tours

Filmography

Film
Year Film & Television Role Notes
1998 The Jamie Foxx Show Ola Mae "Papa Don't Preach" (episode 14, season 2)
2001 Angel: One More Road to Cross Guardian Angel Direct to DVD
Prison Song Mrs. Butler Main Role
Strong Medicine Simone Fellows "History" (episode 4, season 2)
2007 Ghost Whisperer Jackie Boyd "Mean Ghost" (episode 15, season 2)
2009 I Can Do Bad All By Myself (film) Tanya Supporting Role
30 Rock Herself Guest

See also

References

  1. ^ "MJB Says Before Sasha Fierce She had an Alter Ego". Bossip.com. 2009 07 09. http://bossip.com/150945/mjb-says-before-sasha-fierce-she-had-an-alter-ego/. Retrieved 2009 08 09. 
  2. ^ a b c Proefrock, Stacia. "Mary J. Blige Biography". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&searchlink=&sql=11:fcfwxqy5ldke~T1. Retrieved 2008-11-14. 
  3. ^ a b c Whetstone, Muriel L. (1995-10). "Goin' Down and Up with Mary J. Blige". FindArticles. CBS Corporation. pp. 1–3. http://findarticles.com/p/articles/mi_m1077/is_n12_v50/ai_17502823/. Retrieved 2009-04-17. 
  4. ^ a b c Lampert, Nicole (2008-01-25). "Mary J Blige is back from rock bottom – how she kicked drugs, gin and hangers-on". Daily Mail. Associated Newspapers. http://www.dailymail.co.uk/tvshowbiz/article-510205/Mary-J-Blige-rock--kicked-drugs-gin-hangers-on.html. Retrieved 2009-04-17. 
  5. ^ "You can find a way to heal". Parade Magazine. 2007-01-23. http://www.parade.com/articles/editions/2007/edition_02-04-2007/Mary_J._Blige. Retrieved 2009-09-11. 
  6. ^ a b "Mary J. Blige: Biography". Rolling Stone. Wenner Media. http://www.rollingstone.com/artists/maryjblige/biography. Retrieved 2009-04-17. 
  7. ^ "Mary J. Blige, Biography". http://www.rollingstone.com/artists/maryjblige. Retrieved 2008-07-29. 
  8. ^ "Mary J. Blige & Jay-Z Announce Heart of the City Tour". Reuters. 2008-02-07. http://www.reuters.com/article/pressRelease/idUS128210+07-Feb-2008+PRN20080207. Retrieved 2008-11-30. 
  9. ^ Mary J Blige and Jay-Z review.
  10. ^ http://www.rollingstone.com/news/coverstory/24161972
  11. ^ http://www.flixster.com/actor/mary-j-blige#, http://www.pbs.org/kcet/tavissmiley/archive/200711/20071129_blige.html
  12. ^ "Mary J. Blige is able to mix integrity, popularity". San Jose Mercury News. September 6, 2006. http://www.mercurynews.com/mld/mercurynews/entertainment/15449943.htm. Retrieved 2007-01-27. 
  13. ^ Cohen, Jonathan (November 21, 2007). "Keys Storms Chart With Mega-Selling 'As I Am'". Billboard. http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003676535. Retrieved 2008-08-09. 
  14. ^ "The Official UK Singles Chart of the year: 2006". BBC Radio 1. http://www.bbc.co.uk/radio1/chart/top40_2006.shtml#thirtyone. Retrieved 2007-01-27. 
  15. ^ Pete Lewis Interviews Mary J. Blige, 'Blues & Soul' February 2008
  16. ^ AAP (2008-06-06). "Mary J Blige postpones Aussie tour". News.com.au. http://www.news.com.au/story/0,23599,23820830-29277,00.html. Retrieved 2008-10-30. 
  17. ^ "Chugg Entertainment : Mary J Blige". Chuggentertainment.com. http://www.chuggentertainment.com/tours/maryj/index.php. Retrieved 2008-10-30. 
  18. ^ Grace, Melissa (2008-08-07). "Mary J. Blige faces 2M lawsuit over stolen song". New York Daily News. http://www.nydailynews.com/gossip/2008/08/07/2008-08-07_mary_j_blige_faces_2m_lawsuit_over_stole.html. Retrieved 2008-11-16. 
  19. ^ The One Songfacts
  20. ^ "Mary J. Blige's Wedding Details". Weddings.about.com. http://weddings.about.com/cs/justforfun/a/maryjblige.htm. Retrieved 2008-10-30. 
  21. ^ "Rise and Shine: Mary's J. Blige's Struggle". Oprah.com. 2006-02-01. http://www.oprah.com/tows/slide/200602/20060201/slide_20060201_350_106.jhtml. Retrieved 2008-10-30. 
  22. ^ http://www.aacr.org
  23. ^ [AACR, Stand Up to Cancer][1]
  24. ^ http://www.mjblige.com/bio/

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