rap musician; actor; activist
Personal Information
Born Dante Terrell Beze on December 11, 1973, in Brooklyn, NY.
Career
Formed his first group, Urban Thermo Dynamics (UTD), with his brother and sister; appeared as "Richard" in God Bless the Child on television, 1988; played "Raymond Kirkland" on TV's You Take the Kids, 1990; appeared in NYPD Blue and The Cosby Mysteries, 1994; released UTD single, "My Kung Fu," 1994; joined the Native Tongues collective founded by Afrika Bambaataa, which included A Tribe Called Quest and De La Soul; made cameo appearances on De La Soul's "Big Brother Beat" and the Bush Babees's "Love Song"; appeared on TV's Spin City, 1996; released debut single "The Universal Magnetic," on Rawkus Records, 1996; released "Body Rock," featuring Q-Tip of A Tribe Called Quest, 1998; released debut album (with Talib Kweli), Black Star, 1998; released Black on Both Sides, 1999; played "Julius" in Spike Lee's film, Bamboozled, 2000; headlined the Lyricist Lounge Tour, 2000; made guest appearances on MTV's spin-off show, Lyricist Lounge, 2000; appeared in Carmen: A Hip Hopera, MTV, 2001.
Life's Work
Rapper, activist, and actor Mos Def found a vehicle for his socially conscious beliefs in hip-hop music. The Brooklyn native grew up in the "golden age" of hip-hop and became such a powerful voice that the United Nations invited him to speak and perform at what was called the peace conference of the century. Jonathan Perry in the Boston Globe called Mos Def an "outspoken, politically minded rapper whose positivist messages of unity, freedom, and self-knowledge found their way onto seminal hip-hop albums" like Mos Def and Talib Kweli Are...Black Star in 1998 and Mos Def's debut solo release, 1999's Black on Both Sides.
Mos Def was born Dante Terrell Beze (some sources say his last name is Smith) on December 11, 1973, and raised in the Bedford-Stuyvesant and East Flatbush neighborhoods of Brooklyn, New York. He started rhyming at age nine. He grew up in the Brooklyn projects during the "golden age" of hip-hop, a time of seminal hip-hop artists like Public Enemy, KRS-One, and Eric B. and Rakim. "It was as if the Black Panthers had been a musical group," he said of these musicians in an interview with Black Book, "generating very serious social criticism, and not just criticism absent of solution." Mos Def excelled in schools for the gifted and in a yearlong internship with the human rights organization Amnesty International. Mos Def pursued his talent for hip-hop, which he described in Black Book as "this generation's fire and passion applied to sound."
Mos Def got his start in acting as a teenager. He first appeared on television as "Richard" in God Bless the Child in 1988 and played "Raymond Kirkland" on You Take the Kids in 1990. He also appeared in episodes of NYPD Blue, The Cosby Mysteries, and Spin City. MTV developed a spin-off series called Lyricist Lounge, on which Mos Def made guest appearances. He also appeared in Carmen: A Hip Hopera, on television in 2001. On the big screen, Mos Def appeared in Spike Lee's film, Bamboozled, which satirized television. In it, he played Julius, the leader of a radical rap group called the Mau Maus, who changes his name to Big Black Africa. He contributed to the soundtrack of Hurricane, which stars Denzel Washington.
Mos Def formed his first group, Urban Thermo Dynamics (UTD), with his brother and sister, and released a UTD single, "My Kung Fu," in 1994. He was invited to join the Native Tongues collective founded by Afrika Bambaataa, which included A Tribe Called Quest and De La Soul. He then made cameo appearances on De La Soul's single "Big Brother Beat" and the Bush Babees's "Love Song." He released his own debut single "The Universal Magnetic," on the seminal independent hip-hop label Rawkus Records in 1996. Another Rawkus single, "Body Rock," featuring Q-Tip of A Tribe Called Quest, followed in 1998. Mos Def began working with like-minded community activist Talib Kweli, and the two recorded a full-length release called Mos Def and Talib Kweli Are...Black Star. Out in 1998, the album became one of the hottest hip-hop releases of the year.
In 1999 Time magazine reported that three acts, including the Roots, Q-Tip, and Mos Def, were leading a "new movement" in hip-hop. "All three are creating hip-hop that's more personal, political, and spiritual," wrote Christopher John Farley in Time, "than the bulk of what passes for Top-40 rap today." Mos Def fit this new movement because his lyrics were socially conscious and his music was considered among the best in hip-hop. His voice became so powerful the United Nations invited him to The Hague to speak and perform at what was deemed the peace conference of the century. He accepted the invitation but insisted on paying his own way. Acts like his are rare, he said, because the music industry stifles them. "There is a community of artists in hip-hop who have made politically and socially conscious music," he told Black Book, "but the corporate structure does whatever it can to frustrate the efforts of these artists."
Mos Def has never been completely comfortable being labeled a socially conscious artist. He felt it alienated him somewhat from the hip-hop community as a whole. "So often, artists like myself...are referred to as alternative or conscious," Mos Def was quoted as saying in his bio. "To me, that's like another code word to diminish your attachments to the community, to black people. You're sort of like this foreign, distant element that people may admire from a distance but they don't have any real closeness to, it's not intimate to them, it's not of them."
Mos Def's highly anticipated debut full-length album came out in 1999. Black on Both Sides "is a tightrope walk across diverse hip-hop styles," wrote critic Matt Diehl in Entertainment Weekly. "Merging old-school bravado with new-school poetics, the Brooklyn legend spouts incisive Afrocentric reality that takes all sides into account." According to a critic in CMJ New Music Report, Black on Both Sides "is a poignant celebration of black culture through masterful lyricism and advanced sonic knowledge." Another CMJ critic wrote the album "is simply one of the most unhindered and aesthetically ambitious hip-hop records in recent memory... . Free of the self-imposed limitations that often hinder other rap acts." Black on Both Sides was certified gold.
In 2000 Mos Def headlined the 18-city Lyricist Lounge Tour 2000 with Talib Kweli, Punch & Words, Master Fuel, Ali Vegas, Jus, Reks, Akrobatic, Swiss Chris, and others. He took the stage with an all-star band which included Sugarhill Gang/Living Colour bassist Doug Wimbish, Bad Brains guitarist Dr. Know, and Parliament-Funkadelic keyboardist Bernie Worrell. The rapper incorporated a variety of styles into his set, including the Temptations' classic, "Just My Imagination (Running Away With Me)" and Bob Marley's reggae song, "Waiting in Vain." The hour-long set was "by turns celebratory ... devotional ... and scathing," wrote Boston Globe correspondent Jonathan Perry in a review of a Lyricist Lounge performance. Mos Def "demonstrated that his skills as an artist don't merely begin and end with hip-hop," Perry wrote. "...Mos Def's turn at the mike was marvelously unpredictable and satisfyingly self-assured."
Mos Def has always been outspoken on the state of contemporary culture and media. "In terms of what certain media outlets show you, it's very one-dimensional," he told Newsweek. "It's not just hip-hop music--TV and movies in general are very narrow. Sex, violence, the underbelly, with junkies, prostitutes, alcoholics, gamblers. The new trend today is depravity." He has been equally critical of the music industry and the repetitious, uninspired product it cranks out. "If all you make available is acorns," he continued, "people will eat the ... acorns." He believes that violence in music is a reflection of the violence in culture, rather than an inspiration for it. "Artists," he continued, "are only going to repeat what the climate is saying. America is extremely violent and oppressive to a lot of different folks. It's very hostile to youth, only treating them like consumers--or addicts. It's terminal consumerism. What's going on in media is just a symptom of the real sickness."
Works
Selected discography
- Mos Def and Talib Kweli Are ... Black Star, Rawkus, 1998.
- Black on Both Sides, Rawkus, 1999.
Further Reading
Periodicals
- Black Book, Spring 2000, p. 169.
- Boston Globe, September 29, 2000, p. C9.
- Entertainment Weekly, November 5, 1999, p. 82.
- Newsweek, October 9, 2000, p. 58.
- Time, December 6, 1999, p. 96.
- All Music Guide, http://www.allmusic.com (July 10, 2001).
- Bamboozled, http://www.bamboozledmovie.com/film/mdef.html (July 16, 2001).
- CD Now, http://www.cdnow.com (July 16, 2001).
- Internet Movie Database, http://www.imdb.com (July 16, 2001).
- Rawkus Records, http://www.rawkus.com (July 10, 2001).
— Brenna Sanchez




