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Gale Encyclopedia of Biography:
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The American short-story writer William Sydney Porter (1862-1910), who wrote under the pseudonym O. Henry, pioneered in picturing the lives of lower-class and middle-class New Yorkers.
William Sydney Porter was born in Greensboro, N.C., on Sept. 11, 1862. He attended school for a short time, then clerked in an uncle's drugstore. At the age of 20 he went to Texas, working first on a ranch and later as a bank teller. In 1887 he married and began to write free-lance sketches. A few years later he founded a humorous weekly, the Rolling Stone. When this failed, he became a reporter and columnist on the Houston Post.
Indicted in 1896 for embezzling bank funds (actually a result of technical mismanagement), Porter fled to a reporting job in New Orleans, then to Honduras. When news of his wife's serious illness reached him, he returned to Texas. After her death he was imprisoned in Columbus, Ohio. During his 3-year incarceration, he wrote adventure stories set in Texas and Central America that quickly became popular and were collected in Cabbages and Kings (1904).
Released from prison in 1902, Porter went to New York City, his home and the setting of most of his fiction for the remainder of his life. He wrote, under the pen name O. Henry, at a prodigious rate - a story a week for a newspaper, plus still other stories for magazines. Books made up of his stories followed rapidly: The Four Million (1906); Heart of the West and The Trimmed Lamp (both 1907); The Gentle Grafter and The Voice of the City (both 1908); Options (1909); and Whirligigs and Strictly Business (both 1910).
O. Henry's most representative collection was probably The Four Million. The title and the stories answered the snobbish claim of socialite Ward McAllister that only 400 people in New York "were really worth noticing" by detailing events in the lives of everyday Manhattanites. In his most famous story, "The Gift of the Magi," a poverty-stricken New York couple secretly sell valued possessions to buy one another Christmas gifts. Ironically, the wife sells her hair so that she can buy her husband a watch chain, while he sells his watch so that he can buy her a pair of combs.
Incapable of integrating a book-length narrative, O. Henry was skilled in plotting short ones. He wrote in a dry, humorous style and, as in "The Gift of the Magi," frequently used coincidences and surprise endings to underline ironies. Even after O. Henry's death on June 5, 1910, stories continued to be collected: Sixes and Sevens (1911); Rolling Stones (1912); Waifs and Strays (1917); O. Henryana (1920); Letters to Lithopolis (1922); Postscripts (1923); and O. Henry Encore (1939).
Further Reading
The best biographical and critical studies are Eugene H. Long, O. Henry: The Man and His Work (1949), and Dale Kramer, The Heart of O. Henry (1954). See also Gerald Langford, Alias O. Henry: A Biography of William Sydney Porter (1957), and a good recent study, Richard O'Connor, O. Henry: The Legendary Life of William Sydney Porter (1970).
Additional Sources
Blansfield, Karen Charmaine, Cheap rooms and restless hearts: a study of formula in the urban tales of William Sydney Porter, Bowling Green, Ohio: Bowling Green State University Popular Press, 1988.
Current-Garcia, Eugene, O. Henry: a study of the short fiction, New York: Twayne Publishers; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, 1993.
Current-Garcia, Eugene, O. Henry (William Sydney Porter), New York, Twayne Publishers 1965.
Eikhenbaum, Boris Mikhailovich, O. Henry and the theory of the short story, Ann Arbor Dept. of Slavic Languages and Literatures, University of Michigan 1968.
Engel, Elliot, A Dickens of a Christmas, Raleigh, NC: Dickens Fellowship, 1994.
Gallegly, Joseph, From Alamo Plaza to Jack Harris's Saloon. O. Henry and the Southwest he knew, The Hague, Mouton, 1970.
Harris, Richard C., William Sydney Porter (O. Henry), a reference guide, Boston: G. K. Hall, 1980.
Henry, O., Four short stories: English, Francais, Deutsch, Hanover, USA: Hanover Print., 1987.
Knight, Jesse F., The world of O. Henry: five one-act plays, Indianapolis: Lion Enterprises, 1977.
Langford, Gerald, Alias O. Henry: a biography of William Sidney Porter, Westport, Conn.: Greenwood Press, 1983, 1957.
Long, E. Hudson (Eugene Hudson), O. Henry, the man and his world, New York, Russell & Russell 1969, 1949.
Longo, Lucas, O. Henry, short story writer, Charlotteville, N.Y.: Sam Har Press, 1976.
O'Connor, Richard, O. Henry papers; containing some sketches of his life together with an alphabetical index to his complete work, Folcroft, Pa.: Folcroft Library Editions, 1973.
O'Quinn, Trueman E., Time to write: how William Sidney Porter became O. Henry, Austin, Tex.: Eakin Press, 1986.
Pike, Cathleen., O. Henry in North Carolina, Folcroft, Pa.: Folcroft Library Editions, 1978.
Smith, C. Alphonso (Charles Alphonso), 1864-1924, O. Henry, New York: Chelsea House: distributed by Scribner Book Companies, 1980.
Stuart, David, O. Henry: a biography of William Sydney Porter, Chelsea, MI: Scarborough House, 1990.
Toepperwein, Fritz Arnold, O. Henry almanac through the years 1862 to 1910, containing an account of some of the highlights in the life of William Sydney Porter, pseudonym O. Henry, Boerne, Tex., Highland Press, 1966?.
Columbia Encyclopedia:
O. Henry |
Bibliography
See biographies by G. Langford (1957) and R. O'Connor (1970); study by J. Gallegly (1970); bibliography by P. S. Clarkson (1938).
Houghton Mifflin Chronology of US Literature:
Works by O. Henry |
| 1904 | Cabbages and Kings. Born in North Carolina, the writer lived for a decade in Texas, writing magazine pieces while working as a bank teller. This is his first book, a loosely joined collection of stories derived from his experiences in Central America, where he had fled after being indicted for embezzlement. He eventually turned himself in, was convicted, and served three years of a five-year sentence in an Ohio penitentiary. |
| 1906 | The Four Million. The title of this story collection refers to the population of New York City, the subject of many of these portraits of city life. It includes O. Henry's most famous story, "The Gift of the Magi," and "The Furnished Room," which has been called his best. An immense bestseller, the collection establishes O. Henry's reputation nationwide. |
| 1907 | The Trimmed Lamp. The title story of O. Henry's collection is one of his few stories in which a character undergoes change. It also includes two other noteworthy stories, "Harlem Tragedy" and "The Pendulum." O. Henry also publishes a second collection, Heart of the West, which draws on his experiences in Texas. |
| 1908 | The Voice of the City and The Gentle Grafter. The first of O. Henry's two 1908 story collections includes one of his best-known stories, "While the Auto Waits." The second collection draws on his prison experience. |
| 1909 | Roads of Destiny. This story collection includes "Whistling Dick's Christmas Stocking," the first story written under O. Henry's pen name; "The Renaissance at Charleroi," the best of his New Orleans tales; "A Retrieved Reformation," the basis of Paul Armstrong's play Alias Jimmy Valentine (1910); and the title story, which is considered one of the most carefully structured of his longer stories. A second, lesser collection, Options, also appears in 1909. |
| 1910 | Strictly Business. The last story collection published during the author's lifetime includes one of his best works, "A Municipal Report." The first of seven posthumously published volumes, Whirligigs, with the much reprinted and admired story "The Ransom of Red Chief," also appears. |
| 1911 | Sixes and Sevens. The second of O. Henry's posthumously published collections. It would be followed by Rolling Stones (1913), Waifs and Strays (1917), Seven Odds and Ends (1920), Letters to Lithopolis (1922), Postscripts (1923), and O. Henry Encore (1939). |
| 1918 | The O. Henry Prize Stories competition. Begun by the Society of Arts and Sciences, this competition honors the best American short stories published each year. |
Wikipedia on Answers.com:
O. Henry |
| O. Henry | |
|---|---|
| Born | William Sidney Porter September 11, 1862 Greensboro, North Carolina |
| Died | June 5, 1910 (aged 47) New York City, New York |
| Pen name | O. Henry, Olivier Henry, Oliver Henry[1] |
| Occupation | Writer |
| Nationality | American |
William Sydney Porter (September 11, 1862 – June 5, 1910), known by his pen name O. Henry, was an American writer. O. Henry's short stories are known for their wit, wordplay, warm characterization and clever twist endings.
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Contents
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William Sidney Porter was born on September 11, 1862, in Greensboro, North Carolina. His middle name at birth was Sidney; he changed the spelling to Sydney in 1898. His parents were Dr. Algernon Sidney Porter (1825–1888), a physician, and Mary Jane Virginia Swaim Porter (1833–1865). They were married on April 20, 1858. When William was three, his mother died from tuberculosis, and he and his father moved into the home of his maternal grandmother. As a child, Porter was always reading, everything from classics to dime novels; his favorite works were Lane's translation of One Thousand and One Nights, and Burton's Anatomy of Melancholy.[2]
Porter graduated from his aunt Evelina Maria Porter's elementary school in 1876. He then enrolled at the Lindsey Street High School. His aunt continued to tutor him until he was fifteen. In 1879, he started working in his uncle's drugstore and in 1881, at the age of nineteen, he was licensed as a pharmacist. At the drugstore, he also showed off his natural artistic talents by sketching the townsfolk.
Porter traveled with Dr. James K. Hall to Texas in March 1882, hoping that a change of air would help alleviate a persistent cough he had developed. He took up residence on the sheep ranch of Richard Hall, James' son, in La Salle County and helped out as a shepherd, ranch hand, cook and baby-sitter. While on the ranch, he learned bits of Spanish and German from the mix of immigrant ranch hands. He also spent time reading classic literature. Porter's health did improve and he traveled with Richard to Austin in 1884, where he decided to remain and was welcomed into the home of the Harrells, who were friends of Richard's. Porter took a number of different jobs over the next several years, first as pharmacist then as a draftsman, bank teller and journalist. He also began writing as a sideline.
Porter led an active social life in Austin, including membership in singing and drama groups. Porter was a good singer and musician. He played both the guitar and mandolin. He became a member of the "Hill City Quartet," a group of young men who sang at gatherings and serenaded young women of the town. Porter met and began courting Athol Estes, then seventeen years old and from a wealthy family. Her mother objected to the match because Athol was ill, suffering from tuberculosis. On July 1, 1887, Porter eloped with Athol to the home of Reverend R. K. Smoot, where they were married.
The couple continued to participate in musical and theater groups, and Athol encouraged her husband to pursue his writing. Athol gave birth to a son in 1888, who died hours after birth, and then a daughter, Margaret Worth Porter, in September 1889. Porter's friend Richard Hall became Texas Land Commissioner and offered Porter a job. Porter started as a draftsman at the Texas General Land Office (GLO) in 1887 at a salary of $100 a month, drawing maps from surveys and field notes. The salary was enough to support his family, but he continued his contributions to magazines and newspapers.
In the GLO building, he began developing characters and plots for such stories as "Georgia's Ruling" (1900), and "Buried Treasure" (1908). The castle-like building he worked in was even woven into some of his tales such as "Bexar Scrip No. 2692" (1894).
His job at the GLO was a political appointment by Hall. Hall ran for governor in the election of 1890 but lost. Porter resigned in early 1891 when the new governor was sworn in.
The same year, Porter began working at the First National Bank of Austin as a teller and bookkeeper at the same salary he had made at the GLO. The bank was operated informally and Porter was apparently careless in keeping his books and may have embezzled funds. In 1894, he was accused by the bank of embezzlement and lost his job but was not indicted.
He then worked full time on his humorous weekly called The Rolling Stone, which he started while working at the bank. The Rolling Stone featured satire on life, people and politics and included Porter's short stories and sketches. Although eventually reaching a top circulation of 1500, The Rolling Stone failed in April 1895 since the paper never provided an adequate income. However, his writing and drawings had caught the attention of the editor at the Houston Post.
Porter and his family moved to Houston in 1895, where he started writing for the Post. His salary was only $25 a month, but it rose steadily as his popularity increased. Porter gathered ideas for his column by loitering in hotel lobbies and observing and talking to people there. This was a technique he used throughout his writing career.
Unfortunately for him, while he was in Houston, the First National Bank of Austin was audited by federal auditors and they found the embezzlement shortages that had led to his firing. A federal indictment followed and he was arrested on charges of embezzlement.
Porter's father-in-law posted bail to keep Porter out of jail, but the day before Porter was due to stand trial on July 7, 1896, he fled, first to New Orleans and later to Honduras. While holed up in a Trujillo hotel for several months, he wrote Cabbages and Kings, in which he coined the term "banana republic" to describe the country, subsequently used to describe almost any small, unstable tropical nation in Latin America.[3] Porter had sent Athol and Margaret back to Austin to live with Athol's parents. Unfortunately, Athol became too ill to meet Porter in Honduras as Porter had planned. When he learned that his wife was dying, Porter returned to Austin in February 1897 and surrendered to the court, pending an appeal. Once again, Porter's father-in-law posted bail so Porter could stay with Athol and Margaret.
Athol Estes Porter died on July 25, 1897, from tuberculosis (then known as consumption). Porter, having little to say in his own defense, was found guilty of embezzlement in February 1898, sentenced to five years jail, and imprisoned on March 25, 1898, as federal prisoner 30664 at the Ohio Penitentiary in Columbus, Ohio. While in prison, Porter, as a licensed pharmacist, worked in the prison hospital as the night druggist. Porter was given his own room in the hospital wing, and there is no record that he actually spent time in the cell block of the prison. He had fourteen stories published under various pseudonyms while he was in prison, but was becoming best known as "O. Henry", a pseudonym that first appeared over the story "Whistling Dick's Christmas Stocking" in the December 1899 issue of McClure's Magazine. A friend of his in New Orleans would forward his stories to publishers, so they had no idea the writer was imprisoned. Porter was released on July 24, 1901, for good behavior after serving three years. Porter reunited with his daughter Margaret, now age 11, in Pittsburgh, Pennsylvania, where Athol's parents had moved after Porter's conviction. Margaret was never told that her father had been in prison—just that he had been away on business.
Porter's most prolific writing period started in 1902, when he moved to New York City to be near his publishers. While there, he wrote 381 short stories. He wrote a story a week for over a year for the New York World Sunday Magazine. His wit, characterization, and plot twists were adored by his readers, but often panned by critics. Porter married again in 1907, to childhood sweetheart Sarah (Sallie) Lindsey Coleman, whom he met again after revisiting his native state of North Carolina.
Porter was a heavy drinker, and his health deteriorated markedly in 1908, which affected his writing. In 1909, Sarah left him, and he died on June 5, 1910, of cirrhosis of the liver, complications of diabetes, and an enlarged heart. After funeral services in New York City, he was buried in the Riverside Cemetery in Asheville, North Carolina. His daughter, Margaret Worth Porter, who died in 1927, was buried next to her father.
O. Henry's stories frequently have surprise endings. In his day, he was called the American answer to Guy de Maupassant. Both authors wrote plot twist endings, but O. Henry stories were much more playful. His stories are also known for witty narration.
Most of O. Henry's stories are set in his own time, the early 20th century. Many take place in New York City and deal for the most part with ordinary people: clerks, policemen, waitresses, etc.
O. Henry's work is wide-ranging, and his characters can be found roaming the cattle-lands of Texas, exploring the art of the con-man, or investigating the tensions of class and wealth in turn-of-the-century New York. O. Henry had an inimitable hand for isolating some element of society and describing it with an incredible economy and grace of language. Some of his best and least-known work is contained in Cabbages and Kings, a series of stories each of which explores some individual aspect of life in a paralytically sleepy Central American town, while advancing some aspect of the larger plot and relating back one to another.
Cabbages and Kings was his first collection of stories, followed by The Four Million. The second collection opens with a reference to Ward McAllister's "assertion that there were only 'Four Hundred' people in New York City who were really worth noticing. But a wiser man has arisen—the census taker—and his larger estimate of human interest has been preferred in marking out the field of these little stories of the 'Four Million.'" To O. Henry, everyone in New York counted.
He had an obvious affection for the city, which he called "Bagdad-on-the-Subway,"[4] and many of his stories are set there—while others are set in small towns or in other cities.
Among his most famous stories are:
Porter gave various explanations for the origin of his pen name.[5] In 1909 he gave an interview to The New York Times, in which he gave an account of it:
It was during these New Orleans days that I adopted my pen name of O. Henry. I said to a friend: "I'm going to send out some stuff. I don't know if it amounts to much, so I want to get a literary alias. Help me pick out a good one." He suggested that we get a newspaper and pick a name from the first list of notables that we found in it. In the society columns we found the account of a fashionable ball. "Here we have our notables," said he. We looked down the list and my eye lighted on the name Henry, "That'll do for a last name," said I. "Now for a first name. I want something short. None of your three-syllable names for me." "Why don’t you use a plain initial letter, then?" asked my friend. "Good," said I, "O is about the easiest letter written, and O it is."
A newspaper once wrote and asked me what the O stands for. I replied, "O stands for Olivier, the French for Oliver." And several of my stories accordingly appeared in that paper under the name Olivier Henry.[6]
In the introduction to The World of O. Henry: Roads of Destiny and Other Stories (Hodder & Stoughton, 1973), William Trevor writes that when Porter was in the Ohio State Penitentiary "there was a prison guard named Orrin Henry, whom William Sydney Porter . . . immortalised as O. Henry".
The writer and scholar Guy Davenport offers another explanation: "[T]he pseudonym that he began to write under in prison is constructed from the first two letters of Ohio and the second and last two of penitentiary [bold added]."[5]
The O. Henry Award is a prestigious annual prize named after Porter and given to outstanding short stories. Several schools around the country bear Porter's pseudonym.
In 1952, a film featuring five stories, called O. Henry's Full House, was made. The episode garnering the most critical acclaim[citation needed] was "The Cop and the Anthem" starring Charles Laughton and Marilyn Monroe. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief" (starring Fred Allen and Oscar Levant), and "The Gift of the Magi".
The O. Henry House and O. Henry Hall, both in Austin, Texas, are named for him. O. Henry Hall, now owned by the University of Texas, previously served as the federal courthouse in which O. Henry was convicted of embezzlement.
Porter has elementary schools named for him in Greensboro, North Carolina (William Sydney Porter Elementary[7]) and Garland, Texas (O. Henry Elementary), as well as a middle school in Austin, Texas (O. Henry Middle School[8]). The O. Henry Hotel in Greensboro is also named for Porter.
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