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Born in Cleveland, Ohio, Paul Newman (1925-2008) was one of the most distinguished twentieth-century American actors. Drama, however, was not Newman's sole passion; he was a professional race car driver, owned a food business that donates all proceeds to charity, and was an outspoken proponent of various liberal causes.
Paul Newman has been described as the quintessential American on-screen male. His sometimes gruff, sometimes duplicitous, nearly always captivating characterizations have earned him a place in the pantheon of celebrated and beloved American film stars. In a 1994 assessment of Newman's career, Newsweek writer David Ansen mused that "the great mystery of his stardom is how he has managed to play so many heels-driven, ambitious, solipsistic men-that the audience falls in love with."
Paul Leonard Newman was born to Arthur and Theresa Newman in Cleveland, Ohio, on January 26, 1925. He was raised in Shaker Heights, a well-to-do suburb, where the family enjoyed a comfortable middle-class lifestyle. His father was a partner in a sporting goods store which Newman was expected to eventually take over. As a child, however, Newman was far more interested in extracurricular activities than in achieving good grades and acquiring a head for business. He loved sports and dreamed of becoming a professional athlete. Around this time, he began acting. At the age of ten, he won the lead role in a production of St. George and the Dragon at the Cleveland Playhouse. Still, to Newman his flaws were numerous: "When I was a kid, I was not a good scholar, and I really wanted to be one, " Newman once said to Esquire. "I was not a good athlete, and I really wanted to be one; I was not a good conversationalist, and to this day I have difficulty talking."
An injury ended Newman's dream of a sports career. When he graduated from high school in 1943, in the midst of World War II, he enlisted in the U.S. Naval Reserve. Newman had hoped for the heroic role of a fighter pilot, but this dream also disappeared when it was determined that he was slightly colorblind. Newman instead served as a radioman in the South Pacific for three years. After his discharge, he returned to Ohio and enrolled at Kenyon College on the G.I. Bill, which provided tuition assistance to returning veterans. Once more, Newman displayed a proclivity for everything but academics, running a lucrative beer and laundry business that was a hit with Kenyon students. He also began to contemplate a career on the stage at this point and devoted much of his energy to roles in Kenyon's drama department productions.
Newman graduated in 1949 and joined a summer stock company in Wisconsin, then an Illinois repertory theater. He also married fellow actress, Jacqueline Witte, that same year; the couple would have three children. When Newman's father passed away, he returned to the Cleveland area to take over the sporting goods store. It was a life and career path to which he was deeply averse. Fortunately for him, the store was sold and he took his wife and growing family to New Haven, Connecticut, where he was accepted at the prestigious Yale School of Drama.
At Yale, Newman honed his stage skills and sold encyclopedias on the side for cash. His talents landed him a place with the acclaimed New York drama workshop, the Actors Studio, where he studied with such luminaries of the craft as Lee Strasberg and Elia Kazan in the early 1950s. Soon Newman found work in television plays, then a fresh and innovative union of the two arts that was attracting stellar writers, directors, and performers. His success in this medium led to Broadway work, and, in 1953, he was cast as the understudy for the lead in the play Picnic. Hungry for a chance to prove himself, Newman asked the director if he could play the part on the road, to which the director, Joshua Logan, refused. Newman, Logan said, did not possess the sexual charisma required for the character.
Crushed, Newman adopted a new attitude. He began working out, but more importantly, he began observing others and their behavior. It was also around this time that he met actress Joanne Woodward, and the chemistry between the two dissolved Newman's first marriage. Film seemed the next logical career move, but he was wary. He finally accepted the lead in the 1955 biblical drama The Silver Chalice. It was a disastrous move and almost ended his acting career in one fell swoop. Newman played a Greek slave who hammered the cup from which Jesus and the apostles allegedly drank at the Last Supper. "That I survived that picture is a testament to something, " Newman declared in an interview with New York writer Lynn Hirschberg. He wore a short toga through most of it. When a network bought The Silver Chalice and planned to broadcast it, Newman bought newspaper advertisements urging people not to watch.
Newman returned to New York and devoted his energies to more gratifying stage work. He was next cast alongside James Dean in a teleplay, but when Dean died in a car crash in September of 1955, Newman was asked to take the lead. He hesitated, but his role in the adaptation of a story by Ernest Hemingway revived his reputation and his faith in his abilities. Hollywood beckoned again, but this time with an offer to play the boxer Rocky Graziano in Somebody Up There Likes Me. The 1957 hit made the actor into an overnight sensation, and Warner Brothers signed Newman to seven-year contract.
Newman's next film, The Long Hot Summer, also starred his new wife, Woodward, in the tale of small town Southern politics and a malevolent drifter. The role would come to typify the characterization in which the tougher, now battle-scarred actor would excel and build his career upon. Other films included Cat on a Hot Tin Roof, which was also released in 1958 and earned him his first Academy Award (Oscar) nomination, and another biblical drama, Exodus. Still, Newman was unhappy with the Hollywood system and managed to be released from his contract through the help of his savvy agent. Now an independent actor not influenced by studio whims, he was able to take a role that offered a well-written dramatic challenge: the smooth talking pool shark Fast Eddie Felson in The Hustler. The 1961 role brought Newman his second Academy Award nomination.
Similar roles followed, with similar results. For the 1963 drama Hud and the mournful prison picture Cool Hand Luke, one of 1967's biggest box-office successes, Newman again won nominations, but did not win the Oscar in either instance. Subsequent roles in period pieces, such as 1969's Butch Cassidy and the Sundance Kid and 1973's The Sting, again teamed him with Robert Redford and did phenomenally well. Later in the decade, Newman's career took a slight downturn. His only admirable portrayal came as a vicious minor league hockey coach in the 1977 cult classic Slap Shot.
Personal tragedy also visited Newman. In 1978, his son from his first marriage, Scott, died of a drug and alcohol overdose. Newman would later fund a drug rehabilitation facility in Los Angeles in honor of his son. The veteran actor also began to take an active role in other issues of personal significance to him, most notably liberal politics. Though he had always been politically active, by marching in civil rights protests and publicly supporting Democratic presidential campaigns, Newman grew more outspoken. President Jimmy Carter appointed him as his delegate to nuclear disarmament talks at the United Nations, and Newman once took on fellow actor and noted Republican Charlton Heston in a television debate.
In 1995, Newman bought a controlling interest in The Nation, a liberal political journal, and even began writing for it occasionally. One essay spoke out against a prominent United States senator who had supported dictatorial regimes in Latin America, for example. Newman is also on the board of Cease Fire, a gun control group funded by prominent celebrities. He also sponsors an annual free speech award by the writers' organization PEN. "Your sense of yourself comes from what you're doing today, not what you did yesterday, " Newman told Hirschberg in the New York interview.
Newman continued to command respect with his film roles as well, especially with the 1981 drama Absence of Malice, for which he earned his fifth Oscar nomination. The role of a wretched alcoholic lawyer in 1982's The Verdict landed him his sixth. His Oscar losing streak became a joke among Newman and his circle of family and friends. "I had this wonderful scenario worked out in my head that somehow I would never win, " Newman confessed to Hirschberg, "and then, finally, in a terrible state of physical disrepair, I'd be nominated and I'd win and I'd be carried up by two paramedics on a stretcher…." When he was nominated for reprising his "Fast Eddie" role in the sequel to The Hustler, the 1986 Tom Cruise movie The Color of Money, he didn't even travel to Los Angeles for the ceremony. This time, he won.
Newman remains grounded on the East Coast, far away from the celebrity glamour of Hollywood. "Hollywood breeds insecurity, " Newman told New York's Hirschberg. "When I was a young actor, I delighted in the dailies, " referring to the unedited footage from the a movie shoot. "I used to bathe in the idea of watching that image on the screen. I'm uneasy about it now. I'm afraid I will be so critical that I will be immobilized for the next day's shooting." He and Woodward, with whom he has three daughters, live in a 200-year-old farmhouse in Connecticut and also keep a home on New York's Upper East Side. The actor is well-known personality on the automobile racing circuit, and owns an Indy car competitor with a partner. He is also a famed prankster feared by his film set colleagues. He once had a Porsche demolished, wrapped, and sneaked into Robert Redford's house. Film director Robert Altman was paid back for exploding nine feet of popcorn in Newman's dressing room on a film set with a series of attacks that included 200 live chickens installed in Altman's personal trailer.
Perhaps Newman's proudest achievement, however, is the food company he launched in the 1980s with his friend A. E. Hotchner, a writer. "Newman's Own" began with their bottling of a vinaigrette they concocted that had been a hit with friends. "Giving the profits away was a philosophy that evolved with the company, " Newman told Pam Janis for USA Weekend, noting that he was strongly urged by all involved to lend his name and visage to the label. "With that, it would be tacky not to give the money away." Over the next decade, Newman's Own expanded to over 40 different products, including salsa, lemonade, and the prank inducing popcorn. His daughter, Nell, and her devotion to organic foods helped launch a second line. All proceeds are donated to charitable organizations. By 1997 Newman's Own had given more than $80 million away to projects chosen by the actor and his wife, such as a school for children of migrant laborers and AIDS research.
Newman continued to choose outstanding film roles when he did enter into the Hollywood sphere. One such effort was the critically acclaimed 1994 drama Nobody's Fool. His character, wrote Ansen in Newsweek, "is a classic Newman type, the older relative of all the intransigent outsiders he played in the '50s and '60s." Ansen likened Newman's tragicomic Sully to the "rebellious rakes who cut themselves off from women, from family, from community to pursue their private dreams and demons…. Sully's selfish, self-involved and a loser. He's also, like all Newman antiheroes, enormously likeable." Newman admitted that Nobody's Fool and his role as Sully, who learns to connect when he establishes a shaky relationship with his grandson, tapped into some emotional defenses that were not altogether unfamiliar to him. "An actor who's successful develops a certain shield to protect that part of his life which isn't up for public examination, " he told Bonnie Churchill in the Christian Science Monitor. "It bleeds over into your private life."
Further Reading
Contemporary Theatre, Film, and Television, Volume 14, Gale, 1996.
Newsmakers, 1995 Cumulation, Gale, 1995.
Christian Science Monitor, December 27, 1994, p. 14; March 5, 1996, p. 8.
Good Housekeeping, May 1995, p. 147.
Newsweek, December 19, 1994, pp. 56-62.
New York, December 12, 1994, pp. 36-45.
Sunday Times (London), June 22, 1997.
USA Weekend, October 17-19, 1997.
Wall Street Journal, November 20, 1997, p. B1.
Columbia Encyclopedia:
Paul Newman |
Bibliography
See biographies by J. Epstein and E. Z. Morella (1988) and E. Lax (1996).
Quotes By:
Paul Newman |
Quotes:
"The embarrassing thing is that the salad dressing is out-grossing my films."
"Show me a good loser and I will show you a loser."
"Acting is a question of absorbing other people's personalities and adding some of your own experience."
AMG AllMovie Guide:
Paul Newman |
Filmography:
Paul Newman |
Wikipedia on Answers.com:
Paul Newman |
| Paul Newman | |
|---|---|
Circa 1950s |
|
| Born | Paul Leonard Newman January 26, 1925 Shaker Heights, Ohio |
| Died | September 26, 2008 (aged 83) Westport, Connecticut |
| Cause of death | Lung cancer |
| Residence | Westport, Connecticut |
| Education | Shaker Heights High School |
| Alma mater | Kenyon College (B.A.), Ohio University |
| Occupation | Actor, director, entrepreneur |
| Years active | 1951-2008 |
| Known for | Founder of Newman's Own |
| Home town | Shaker Heights, Ohio |
| Political party | Democrat |
| Spouse | Jackie Witte (1949-1958; divorced) Joanne Woodward (1958-2008; his death) |
| Children | Scott Newman (1950–1978) Shauna Newman (b.1951) Jack Newman (b.1953) Nell Newman (b.1959) Melanie Newman (b.1960) Melissa Newman (b.1961) |
| Awards | Academy Award in 1986 Academy of Motion Pictures Arts and Sciences Golden Globe Award BAFTA Award Screen Actors Guild Award Cannes Film Festival Award Emmy Award |
Paul Leonard Newman (January 26, 1925 – September 26, 2008)[1] was an American actor, film director, entrepreneur, humanitarian, professional racing driver, auto racing team owner, and auto racing enthusiast. He won numerous awards, including an Academy Award for best actor for his performance in the 1986 Martin Scorsese film The Color of Money and eight other nominations,[2] three Golden Globe Awards, a BAFTA Award, a Screen Actors Guild Award, a Cannes Film Festival Award, an Emmy award, and many honorary awards. He also won several national championships as a driver in Sports Car Club of America road racing, and his race teams won several championships in open wheel IndyCar racing.
Newman was a co-founder of Newman's Own, a food company from which Newman donated all post-tax profits and royalties to charity.[3] As of July 2011, these donations exceeded $300 million.[3]
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Newman was born in Shaker Heights (a suburb of Cleveland). He was the son of Theresa (née Fetzer or Fetsko; Slovak: Terézia Fecková)[4][5] and Arthur Sigmund Newman, who ran a profitable sporting goods store.[6][7][8] His father was Jewish (Paul's paternal grandparents, Simon Newman and Hannah Cohn, were immigrants from Hungary and Poland).[7][9] His mother, who practiced Christian Science, was born to a Slovak Roman Catholic family at Humenné, Ptičie (formerly Pticsie) in the former Kingdom of Hungary, Austria–Hungary (now Humenné in Slovakia).[5][10] Newman had no religion as an adult, but described himself as a Jew, stating that "it's more of a challenge".[11] Newman's mother worked in his father's store, while raising Paul and his brother, Arthur, who later became a producer and production manager.[12]
Newman showed an early interest in the theater, which his mother encouraged. At the age of seven, he made his acting debut, playing the court jester in a school production of Robin Hood. Graduating from Shaker Heights High School in 1943, he briefly attended Ohio University in Athens, Ohio, where he was initiated into the Phi Kappa Tau fraternity.[12]
Newman served in the United States Navy in World War II in the Pacific theater.[12] Newman enrolled in the Navy V-12 program at Ohio University, hoping to be accepted for pilot training, but was dropped when it was discovered he was color blind.[12][13] He was sent instead to boot camp and then received further training as a radioman and gunner. Qualifying as a rear-seat radioman and gunner in torpedo bombers, in 1944, Aviation Radioman Third Class Newman was sent to Barber's Point, Hawaii. He was subsequently assigned to Pacific-based replacement torpedo squadrons (VT-98, VT-99, and VT-100). These torpedo squadrons were responsible primarily for training replacement pilots and combat air crewmen, placing particular importance on carrier landings.[13]
He later flew from aircraft carriers as a turret gunner in an Avenger torpedo bomber. As a radioman-gunner, he served aboard the USS Bunker Hill during the Battle of Okinawa in the spring of 1945. He was ordered to the ship with a draft of replacements shortly before the Okinawa campaign, but his life was spared because he was held back after his pilot developed an ear infection. The men who remained in his detail were killed in action.[14]
After the war, he completed his Bachelor of Arts degree in English and Speech at Kenyon College in Gambier, Ohio in 1949.[12][15] Newman later attended the Yale School of Drama for one year before moving to New York City to study under Lee Strasberg at the Actors Studio.[12]
Oscar Levant wrote that Newman initially was hesitant to leave New York for Hollywood: "Too close to the cake," he reported him saying, "Also, no place to study."[16]
Newman arrived in New York City in 1951 with his first wife Jackie Witte, taking up residence in the St. George section of Staten Island.[17] He made his Broadway theater debut in the original production of William Inge's Picnic with Kim Stanley in 1953 and appeared in the original Broadway production of The Desperate Hours in 1955. In 1959, he was in the original Broadway production of Sweet Bird of Youth with Geraldine Page and three years later starred with Page in the film version.
During this time Newman started acting in television. He had his first credited TV or film appearance with a small but notable part in a 1952 episode of the science fiction TV series Tales of Tomorrow entitled "Ice from Space".[18] In the mid-1950s, he appeared twice on CBS's Appointment with Adventure anthology series.
In February 1954, Newman appeared in a screen test with James Dean, directed by Gjon Mili, for East of Eden (1955). Newman was testing for the role of Aron Trask, Dean for the role of Aron's fraternal twin brother Cal. Dean won his part, but Newman lost out to Richard Davalos. In the same year, Newman co-starred with Eva Marie Saint and Frank Sinatra in a live —and color —television broadcast of Our Town, a musical adaptation of Thornton Wilder's stage play. Newman was a last-minute replacement for James Dean.[19] In 2003, Newman acted in a remake of Our Town, this time in the role of the stage manager.
His first movie for Hollywood was The Silver Chalice (1954). The film was a box office failure and the actor would later acknowledge his disdain for it.[20] In 1956, Newman garnered much attention and acclaim with Somebody Up There Likes Me as boxer Rocky Graziano. By 1958, he was one of the hottest new stars in Hollywood. Later that year, he starred in Cat on a Hot Tin Roof (1958), opposite Elizabeth Taylor. The film was a box office smash and Newman garnered his first Academy Award nomination. Also in 1958, Newman starred in The Long, Hot Summer with Joanne Woodward, whom he met on the set. He won best actor at the 1958 Cannes Film Festival for this film.
Newman was one of the few actors who successfully made the transition from 1950s cinema to that of the 1960s and 1970s. His rebellious persona translated well to a subsequent generation. Newman starred in Exodus (1960), The Hustler (1961), Hud (1963), Harper (1966), Hombre (1967), Cool Hand Luke (1967), The Towering Inferno (1974), Slap Shot (1977), and The Verdict (1982). He teamed with fellow actor Robert Redford and director George Roy Hill for Butch Cassidy and the Sundance Kid (1969) and The Sting (1973).
He appeared with his wife, Joanne Woodward, in the feature films The Long, Hot Summer (1958), Rally 'Round the Flag, Boys!, (1958), From the Terrace (1960), Paris Blues (1961), A New Kind of Love (1963), Winning (1969), WUSA (1970), The Drowning Pool (1975), Harry & Son (1984), and Mr. and Mrs. Bridge (1990). They both also starred in the HBO miniseries Empire Falls, but did not have any scenes together.
In addition to starring in and directing Harry & Son, Newman also directed four feature films (in which he did not act) starring Woodward. They were Rachel, Rachel (1968), based on Margaret Laurence's A Jest of God, the screen version of the Pulitzer Prize-winning play The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972), the television screen version of the Pulitzer Prize-winning play The Shadow Box (1980), and a screen version of Tennessee Williams' The Glass Menagerie (1987).
Twenty-five years after The Hustler, Newman reprised his role of "Fast" Eddie Felson in the Martin Scorsese-directed The Color of Money (1986), for which he won the Academy Award for Best Actor. He told a television interviewer that winning an Oscar at the age of 62 deprived him of his fantasy of formally being presented with it in extreme old age.[citation needed]
In 2003, he appeared in a Broadway revival of Wilder's Our Town, receiving his first Tony Award nomination for his performance. PBS and the cable network Showtime aired a taping of the production, and Newman was nominated for an Emmy Award[21] for Outstanding Lead Actor in a Miniseries or TV Movie.
His last screen appearance was as a conflicted mob boss in the 2002 film Road to Perdition opposite Tom Hanks, although he continued to provide voice work for films.
In 2005 at age 80, Newman was profiled alongside Robert Redford as part of the Sundance Channel's TV series Iconoclasts.[22]
In 2006, in keeping with his strong interest in car racing, he provided the voice of Doc Hudson, a retired anthropomorphic race car in Disney/Pixar's Cars - this was his final performance for a major feature film.
Similarly, he served as narrator for the 2007 film Dale, about the life of the legendary NASCAR driver Dale Earnhardt, which turned out to be Newman's final film performance in any form. Newman also provided the narration for the film documentary The Meerkats, which was released in 2008.
Newman announced that he would entirely retire from acting on May 25, 2007. He stated that he did not feel he could continue acting at the level he wanted to. "You start to lose your memory, you start to lose your confidence, you start to lose your invention. So I think that's pretty much a closed book for me."[23]
With writer A. E. Hotchner, Newman founded Newman's Own, a line of food products, in 1982. The brand started with salad dressing, and has expanded to include pasta sauce, lemonade, popcorn, salsa, and wine, among other things. Newman established a policy that all proceeds, after taxes, would be donated to charity. As of 2010, the franchise has donated in excess of $300 million.[3] He co-wrote a memoir about the subject with Hotchner, Shameless Exploitation in Pursuit of the Common Good. Among other awards, Newman's Own co-sponsors the PEN/Newman's Own First Amendment Award, a $25,000 reward designed to recognize those who protect the First Amendment as it applies to the written word.[24]
One beneficiary of his philanthropy is the Hole in the Wall Gang Camp, a residential summer camp for seriously ill children, which is located in Ashford, Connecticut. Newman co-founded the camp in 1988; it was named after the gang in his film Butch Cassidy and the Sundance Kid (1969). Newman's college fraternity, Phi Kappa Tau, adopted Hole in the Wall as their "national philanthropy" in 1995. One camp has expanded to become several Hole in the Wall Camps in the U.S., Ireland, France, and Israel. The camps serve 13,000 children every year, free of charge.[3]
In June 1999, Newman donated $250,000 to Catholic Relief Services to aid refugees in Kosovo.[25]
On June 1, 2007, Kenyon College announced that Newman had donated $10 million to the school to establish a scholarship fund as part of the college's current $230 million fund-raising campaign. Newman and Woodward were honorary co-chairs of a previous campaign.[26]
Newman was one of the founders of the Committee Encouraging Corporate Philanthropy (CECP), a membership organization of CEOs and corporate chairpersons committed to raising the level and quality of global corporate philanthropy. Founded in 1999 by Newman and a few leading CEOs, CECP has grown to include more than 175 members and, through annual executive convenings, extensive benchmarking research, and best practice publications, leads the business community in developing sustainable and strategic community partnerships through philanthropy.[27]
Newman was named the Most Generous Celebrity of 2008 by Givingback.org. He contributed $20,857,000 for the year of 2008 to the Newman's Own Foundation, which distributes funds to a variety of charities.[28]
Upon Newman's death, the Italian newspaper (a "semi-official" paper of the Holy See) L'Osservatore Romano published a notice lauding Newman's philanthropy. It also commented that "Newman was a generous heart, an actor of a dignity and style rare in Hollywood quarters."[29]
Newman was married to Jackie Witte[12] from 1949 to 1958. They had two daughters (Susan Kendall born in 1953 and Stephanie)[12] and a son, Scott, who died in November 1978 from a drug overdose.[30] He appeared in films including Breakheart Pass, The Towering Inferno and the 1977 film Fraternity Row. Paul Newman started the Scott Newman Center for drug abuse prevention in memory of his son.[31] Susan is a documentary filmmaker and philanthropist and has Broadway and screen credits, including a starring role as one of four Beatles fans in I Wanna Hold Your Hand (1978), and also a small role opposite her father in Slap Shot. She also received an Emmy nomination as co-producer of his telefilm, The Shadow Box.
Newman met actress Joanne Woodward in 1953. Shortly after filming The Long, Hot Summer, in 1957 he divorced Witte. He married Woodward early in 1958. They remained married for fifty years until his death in 2008.[32] They had three daughters: Elinor "Nell" Teresa (b. 1959), Melissa "Lissy" Stewart (b. 1961), and Claire "Clea" Olivia (b. 1965). Newman directed Nell (using the stage name Nell Potts) alongside her mother in the films Rachel, Rachel and The Effect of Gamma Rays on Man-in-the-Moon Marigolds.
The Newmans lived away from the Hollywood environment, making their home in Westport, Connecticut. Newman was well known for his devotion to his wife and family. When asked once about infidelity, he famously quipped, "Why go out for a hamburger when you have steak at home?"[33]
For his support of Eugene McCarthy in 1968 (and effective use of television commercials in California) and his opposition to the War in Vietnam, Newman was placed nineteenth on Richard Nixon's enemies list,[34] which Newman claimed was his greatest accomplishment.
Consistent with his work for liberal causes, Newman publicly supported Ned Lamont's candidacy in the 2006 Connecticut Democratic Primary against Senator Joe Lieberman, and was even rumored as a candidate himself, until Lamont emerged as a credible alternative. He donated to Chris Dodd's presidential campaign.[35]
He attended the first Earth Day event in Manhattan on April 22, 1970. Newman was also a vocal supporter of gay rights.[36]
Newman was concerned over global warming and supported nuclear energy development as a solution.[37]
Newman was an avid auto racing enthusiast, and first became interested in motorsports ("the first thing that I ever found I had any grace in") while training at the Watkins Glen Racing School for the filming of Winning, a 1969 film. Because of his love and passion for racing, Newman agreed in 1971 to star in and to host his first television special, Once Upon a Wheel, on the history of auto racing. It was produced and directed by David Winters, who co-owned a number of racing cars with Newman.[38][39] Newman's first professional event as a racer was in 1972, in Thompson, Connecticut, and he was a frequent competitor in Sports Car Club of America (SCCA) events for the rest of the decade, eventually winning four national championships. He later drove in the 1979 24 Hours of Le Mans in Dick Barbour's Porsche 935 and finished in second place.[40] Newman reunited with Barbour in 2000 to compete in the Petit Le Mans.[41]
| 24 Hours of Le Mans career | |
|---|---|
| Participating years | 1979 |
| Teams | Dick Barbour Racing |
| Best finish | 2nd (1979) |
| Class wins | 1 (1979) |
From the mid-1970s to the early 1990s, he drove for the Bob Sharp Racing team, racing mainly Datsuns (later rebranded as Nissans) in the Trans-Am Series. He became closely associated with the brand during the 1980s, even appearing in commercials for them. At the age of 70 years and 8 days, he became the oldest driver to be part of a winning team in a major sanctioned race,[42] winning in his class at the 1995 24 Hours of Daytona.[43] Among his last races were the Baja 1000 in 2004 and the 24 Hours of Daytona once again in 2005.[44]
Newman initially owned his own racing team, which competed in the Can-Am series, but later co-founded Newman/Haas Racing with Carl Haas, a Champ Car team, in 1983. The 1996 racing season was chronicled in the IMAX film Super Speedway, which Newman narrated. He was also a partner in the Atlantic Championship team Newman Wachs Racing. Newman owned a NASCAR Winston Cup car, before selling it to Penske Racing, where it now serves as the #12 car.
Newman was posthumously inducted into the SCCA Hall of Fame at the national convention in Las Vegas, Nevada on February 21, 2009.[45]
Newman was scheduled to make his professional stage directing debut with the Westport Country Playhouse's 2008 production of John Steinbeck's Of Mice and Men, but he stepped down on May 23, 2008, citing health issues.[46]
In June 2008, it was widely reported that Newman, a former chain smoker, had been diagnosed with lung cancer and was receiving treatment at Sloan-Kettering hospital in New York City.[47] Photographs taken of Newman in May and June showed him looking gaunt.[citation needed] Writer A. E. Hotchner, who partnered with Newman to start the Newman's Own company in the 1980s, told the Associated Press that Newman told him about the disease about eighteen months prior to the interview.[48] Newman's spokesman told the press that the star was "doing nicely," but neither confirmed nor denied that he had cancer.[49] In August, after reportedly finishing chemotherapy, Newman told his family he wished to die at home.
Newman died on September 26, 2008, aged 83, surrounded by his family and close friends.[50][51] His remains were cremated after a private funeral service near his home in Westport.[52]
| Year | Film | Notes |
|---|---|---|
| 1968 | Rachel, Rachel | Golden Globe Award for Best Director - Motion Picture Nominated – Academy Award for Best Picture New York Film Critics Circle Award (best director)[54] |
| 1969 | Butch Cassidy and the Sundance Kid | Co-executive producer (uncredited) |
| Winning | Co-executive producer (uncredited) | |
| 1970 | WUSA | Co-producer |
| 1971 | Sometimes a Great Notion | Director and co-executive producer |
| They Might Be Giants | producer | |
| 1972 | The Effect of Gamma Rays on Man-in-the-Moon Marigolds | Director and producer |
| The Life and Times of Judge Roy Bean | Co-executive producer (uncredited) | |
| 1980 | The Shadow Box | Nominated – Emmy Award for Best Director for a Miniseries, Movie or Dramatic Special |
| 1984 | Harry & Son | Director and producer |
| 1987 | The Glass Menagerie | |
| 2005 | Empire Falls | Producer, Nominated: Primetime Emmy Award for Outstanding Miniseries |
In addition to the awards Newman won for specific roles, he received an honorary Academy Award in 1986 for his "many and memorable and compelling screen performances" and the Jean Hersholt Humanitarian Award for his charity work in 1994.
He received the Golden Globe New Star of the Year — Actor award for The Silver Chalice (1957), the Henrietta Award World Film Favorite — Male in 1964 and 1966 and the Cecil B. DeMille Award for Lifetime Achievement in 1984.
Newman won Best Actor at the Cannes Film Festival for The Long, Hot Summer and the Silver Bear at the Berlin Film Festival for Nobody's Fool.
In 1968, Newman was named "Man of the Year" by Harvard University's performance group, the Hasty Pudding Theatricals.
Newman Day has been celebrated at Kenyon College, Bates College, Princeton University, and other American colleges since the 1970s. In 2004, Newman requested that Princeton University disassociate the event from his name, due to the fact that he did not endorse the behaviors, citing his creation of the Scott Newman Centre in 1980, which is "dedicated to the prevention of substance abuse through education".[55]
Posthumously, Newman was inducted into the Connecticut Hall of Fame, and was honored with a 37-acre (150,000 m²) nature preserve in Westport named in his honor. He was also honored by the United States House of Representatives following his death.
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| Media offices | ||
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| Preceded by |
President of the Actors Studio 1982–1994 |
Succeeded by Al Pacino Ellen Burstyn Harvey Keitel |
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