"When I was a fireman I was in a lot of burning buildings. It was a great job, the only job I ever had that compares with the thrill of acting. Before going into a fire, there's the same surge of adrenaline you get just before the camera rolls."
One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.
Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.
Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer.
Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever.
In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.
In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).
At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). ~ Rebecca Flint Marx, Rovi
Buscemi was born in Brooklyn, New York, the son of Dorothy (née Wilson), who worked as a hostess at Howard Johnson's, and John Buscemi, a sanitation worker and Korean Warveteran. Buscemi's father was of Italian descent, his ancestors were from the town of Menfi in Sicily, and Buscemi's mother was of part Irish ancestry.[4][5][6] He has three brothers: Jon, Ken and Michael. Buscemi was raised Roman Catholic.[7]
He graduated in 1975 from Valley Stream Central High School in Valley Stream, New York, a school which he attended with actress Patricia Charbonneau. In high school, Buscemi wrestled for the varsity squad and participated in the drama troupe, at the time directed by Mr. Lynne C. Lappin. Buscemi's 1996 film Trees Lounge, in which he not only starred but served as screenwriter and director, is set in and was largely shot in his childhood village of Valley Stream.[8]
His first role in a major motion picture was in the 1987 film Parting Glances, for which his performance in the role of Nick received praise. Other early films include Slaves of New York in 1988, and Tales from the Darkside, a 1990 film with three segments. Buscemi starred in the first segment, playing Bellingham, a college student who orders a mummy and unleashes it on fellow college students played by Christian Slater and Julianne Moore.
During 1990, Buscemi had a couple of additional crime roles. He played the henchman of Laurence Fishburne named Test Tube in Abel Ferrara’s King of New York. He also played Mink in the Coen Brothers' Millers Crossing. Although he had to audition twice for this role[11], it marked the first of six of the Coen Brothers' films in which Buscemi appeared. Before his work with the Coen Brothers, he played a small but important role in Jim Jarmusch's independent anthology film Mystery Train, released in 1989, for which he received an Independent Spirit Award nomination for Best Supporting Male[12].
In 1991, he played the bellboy, Chet, in the Coen Brothers film, Barton Fink. His first lead role was in 1992, where he played Adolpho Rollo in Alexandre Rockwell's In the Soup. Then he came to public attention for playing Mr. Pink in Quentin Tarantino’s 1992 film, Reservoir Dogs, a role that Tarantino wrote for himself.[11]
In 2003, Buscemi made a brief celebrity guest appearance as himself on the long-running Fox animated television show The Simpsons in the episode "Brake My Wife, Please". Most recently, Buscemi provided the voice for Dwight, a bank robber whom Marge promises to visit in jail if he turns himself in to the authorities. This episode, entitled "I Don't Wanna Know Why the Caged Bird Sings", originally aired on October 14, 2007.
In 2004, Buscemi joined the cast of The Sopranos as Tony Soprano's cousin and childhood friend, Tony Blundetto, a role for which he was nominated an Emmy Award[13]. Buscemi had previously contributed to the show as director of the third season episode "Pine Barrens," which was one of the most critically acclaimed episodes of the series, and the fourth season episode "Everybody Hurts."[14] He appeared in the third episode of season 6, as a doorman in the afterlife, which is portrayed as a country club, in Tony Soprano's dream. He returned to direct the episodes "In Camelot", the seventh episode of season five, and "Mr. & Mrs. John Sacrimoni Request...", the fifth episode of season 6.
In 2004, Buscemi appeared in the music video for Joe Strummer's cover of the Bob Marley track "Redemption Song". The video is shot after Strummer's death, and Buscemi appears beside a graffiti portrait of Strummer.
In 2002, Steve contributed to Lou Reed's concept album The Raven with the song "Broadway Song", and poems "Old Poe" and "The Cask".
In addition to feature films, he directed episodes of the television shows Homicide: Life on the Street, four episodes of The Sopranos, as well as two episodes of HBO's prison-drama series Oz, entitled "U.S. Male" and "Cuts Like a Knife". He has also directed two episodes of 30 Rock ("Retreat to Move Forward" and "Leap Day") and six episodes of Showtime's Nurse Jackie. In the latter, his brother Michael played the character God in several episodes.
While scouting a location for a film, Buscemi visited the Philadelphia Eastern State Penitentiary. He found the building so interesting that he later provided the majority of the narration for the audio tour there.[citation needed]
Personal life
Buscemi was a New York City fire fighter from 1980 to 1984, with Engine Company #55 in the Little Italy section of New York. He showed up at his old firehouse the day after the World Trade Center tragedy in New York to volunteer, working twelve-hour shifts for a week after the terrorist act, and digging through rubble with his old comrades looking for missing firefighters.[16] Buscemi was arrested, along with eleven others, on May 25, 2003 while protesting the closing of his former firehouse.[17]
Buscemi pronounces his name as "Bu-semmy", but the correct Sicilian pronunciation is "Bu-shemmy".[18] He once said about the pronunciation of his name: "I had to go to Sicily to find out I pronounce my name wrong."[19]
^Kevin Cook (September 2011). "Playboy Interview: Steve Buscemi". Playboy: 41. "I say Bu-semmy. I don't mind Bu-shemmy, though. That's the correct Sicilian pronunciation, from the old country."
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