|
Voltaire, portrait by an unknown artist after a portrait by Nicolas de Largillière, 1718. In (credit: Cliché Musées Nationaux, Paris)
For more information on Voltaire, visit Britannica.com.
On this page
Britannica Concise Encyclopedia:
Voltaire |
|
For more information on Voltaire, visit Britannica.com.
|
Featured Videos:
|
Gale Encyclopedia of Biography:
Voltaire |
The French poet dramatist, historian, and philosopher Voltaire (1694-1778) was an outspoken and aggressive enemy of every injustice but especially of religious intolerance. His works are an outstanding embodiment of the principles of the French Enlightenment.
François Marie Arouet rechristened himself Arouet de Voltaire, probably in 1718. A stay in the Bastille had given him time to reflect on his doubts concerning his parentage, on his need for a noble name to befit his growing reputation, and on the coincidence that Arouet sounded like both a rouer (for beating) and roué (a debauchee). In prison Voltaire had access to a book on anagrams, which may have influenced his name choice thus: arouet, uotare, voltaire (a winged armchair).
Youth and Early Success, 1694-1728
Voltaire was born, perhaps on Nov. 21, 1694, in Paris. He was ostensibly the youngest of the three surviving children of François Arouet and Marie Marguerite Daumand, although Voltaire claimed to be the "bastard of Rochebrune," a minor poet and songwriter. Voltaire's mother died when he was seven years old, and he was then drawn to his sister. She bore a daughter who later became Voltaire's mistress.
A clever child, Voltaire was educated by the Jesuits at the Colle‧ge Louis-le-Grand from 1704 to 1711. He displayed an astonishing talent for poetry, cultivated a love of the theater, and nourished a keen ambition.
When Voltaire was drawn into the circle of the 72-year-old poet the Abbé de Chaulieu, "one of the most complete hedonists of all times," his father packed him off to Caen. Hoping to squelch his son's literary aspirations and to turn his mind to the law, Arouet placed the youth as secretary to the French ambassador at The Hague. Voltaire fell in with a jilted French refugee, Catherine Olympe Dunoyer, pretty but barely literate. Their elopement was thwarted. Under the threat of a lettre de cachet obtained by his father, Voltaire returned to Paris in 1713 and was articled to a lawyer. He continued to write, and he renewed his pleasure-loving acquaintances. In 1717 Voltaire was at first exiled and then imprisoned in the Bastille for verses offensive to powerful personages.
As early as 1711, Voltaire, eager to test himself against Sophocles and Pierre Corneille, had written a first draft of Oedipe . On Nov. 18, 1718, the revised play opened in Paris to a sensational success. The Henriade, begun in the Bastille and published in 1722, was Voltaire's attempt to rival Virgil and to give France an epic poem. This work sounded in ringing phrases Voltaire's condemnation of fanaticism and advanced his reputation as the standard-bearer of French literature. However, his growing literary, financial, and social successes only partially reconciled him to his father, who died in 1722.
In 1726 an altercation with the Chevalier de Rohan, an effete but influential aristocrat, darkened Voltaire's outlook and intensified his sense of injustice. Rohan had mocked Voltaire's bourgeois origin and his change of name and in response to Voltaire's witty retort had hired ruffians to beat the poet, as Voltaire's friend and host, the Duc de Sully, looked on approvingly. When Voltaire demanded satisfaction through a duel, he was thrown into the Bastille through Rohan's influence and was released only on condition that he leave the country.
England willingly embraced Voltaire as a victim of France's injustice and infamy. During his stay there (1726-1728) he was feted; Alexander Pope, William Congreve, Horace Walpole, and Henry St. John, Viscount Bolingbroke, praised him; and his works earned Voltaire £1,000. Voltaire learned English by attending the theater daily, script in hand. He also imbibed English thought, especially that of John Locke and Sir Isaac Newton, and he saw the relationship between free government and creative speculation. More importantly, England suggested the relationship of wealth to freedom. The only protection, even for a brilliant poet, was wealth. Henceforth, Voltaire cultivated his Arouet business cunning.
At Cirey and at Court, 1729-1753
Voltaire returned to France in 1729. A tangible product of his English stay was the Lettres anglaises (1734), which have been called "the first bomb dropped on the Old Regime." Their explosive potential included such remarks as, "It has taken centuries to do justice to humanity, to feel it was horrible that the many should sow and the few should reap." Written in the style of letters to a friend in France, the 24 "letters" were a witty and seductive call for political, religious, and philosophic freedom; for the betterment of earthly life; for employing the method of Sir Francis Bacon, Locke, and Newton; and generally for exploiting the intellect toward social progress. After their publication in France in 1734, copies were sized from Voltaire's bookseller, and Voltaire was threatened with arrest. He fled to Lorraine and was not permitted to return to Paris until 1735. The work, with an additional letter on Pascal, was circulated as Letters philosophiques.
Prior to 1753 Voltaire did not have a home; but for 15 years following 1733 he had a refuge at Cirey, in a château owned by his "divine Émilie," Madame du Châtelet. While still living with her patient husband and son, Émilie made generous room for Voltaire. They were lovers; and they worked together intensely on physics and metaphysics. The lovers quarreled in English about trivia and studied the Old and New Testaments. These biblical labors were important as preparation for the antireligious works that Voltaire published in the 1750s and 1760s. At Cirey, Voltaire also wrote his Éléments de la philosophie de Newton.
But joining Émilie in studies in physics did not keep him from drama, poetry, metaphysics, history, and polemics. Similarly, Émilie's affection was not alone enough for Voltaire. From 1739 he required travel and new excitements. Thanks to Émilie's influence, Voltaire was by 1743 less unwelcome at Versailles than in 1733, but still there was great resentment toward the "lowborn intruder" who "noticed things a good courtier must overlook." Honored by a respectful correspondence with Frederick II of Prussia, Voltaire was then sent on diplomatic missions to Frederick. But Voltaire's new diversion was his incipient affair with his widowed niece, Madame Denis. This affair continued its erotic and stormy course to the last years of his life. Émilie too found solace in other lovers. The idyll of Cirey ended with her death in 1749.
Voltaire then accepted Frederick's repeated invitation to live at court. He arrived at Potsdam with Madame Denis in July 1750. First flattered by Frederick's hospitality, Voltaire then gradually became anxious, quarrelsome, and finally disenchanted. He left, angry, in March 1753, having written in December 1752: "I am going to write for my instruction a little dictionary used by Kings. 'My friend' means 'my slave."' Frederick was embarrassed by Voltaire's vocal lawsuit with a moneylender and angered by his attempts to ridicule P. L. M. de Maupertuis, the imported head of the Berlin Academy. Voltaire's polemic against Maupertuis, the Diatribe du docteur Akakia, angered Frederick. Voltaire's angry response was to return the pension and other honorary trinkets bestowed by the King. Frederick retaliated by delaying permission for Voltaire's return to France, by putting him under a week's house arrest at the German border, and by confiscating his money.
Sage of Ferney, 1753-1778
After leaving Prussia, Voltaire visited Strasbourg, Colmar, and Lorraine, for Paris was again forbidden him. Then he went to Geneva. Even Geneva, however, could not tolerate all of Voltaire's activities of theater, pen, and press. Therefore, he left his property "Les Delices" and bought an estate at Ferney, where he lived out his days as a kingly patriarch. His own and Madame Denis's great extravagances were supported by the tremendous and growing fortune he amassed through shrewd money handling. A borrower even as a schoolboy, Voltaire became a shrewd lender as he grew older. Generous loans to persons in high places paid off well in favors and influence. At Ferney, he mixed in local politics, cultivated his lands, became through his intelligent benevolence beloved of the townspeople, and in general practiced a self-appointed and satisfying kingship. He became known as the "innkeeper of Europe" and entertained widely and well in his rather small but elegant household.
Voltaire's literary productivity did not slacken, although his concerns shifted as the years passed at Ferney. He was best known as a poet until in 1751 Le Sie‧cle de Louis XIV marked him also as a historian. Other historical works include Histoire de Charles XII; Histoire de la Russie sous Pierre le Grand; and the universal history, Essai sur l'histoire générale et sur les moeurs et l'esprit des nations, published in 1756 but begun at Cirey. An extremely popular dramatist until 1760, when he began to be eclipsed by competition from the plays of Shakespeare that he had introduced to France, Voltaire wrote - in addition to the early Oedipe - La Mort de César, Ériphyle, Zaïre, Alzire, Mérope, Mahomet, L'Enfant prodigue, Nanine (a parody of Samuel Richardson's Pamela), L'Orphelin de la Chine, Sémiramis, and Tancre‧de.
The philosophic conte was a Voltaire invention. In addition to his famous Candide (1759), others of his stories in this genre include Micromégas, Vision de Babouc, Memnon, Zadig, and Jeannot et Colin . In addition to the Lettres Philosophiques and the work on Newton, others of Voltaire's works considered philosophic are Philosophie de l'histoire, Le Philosophe ignorant, Tout en Dieu, Dictionnaire philosophique portatif, and Traitédela métaphysique. Voltaire's poetry includes - in addition to the Henriade - the philosophic poems L'Homme, La Loi naturelle, and Le Désastre de Lisbonne, as well as the famous La Pucelle, a delightfully naughty poem about Joan of Arc.
Always the champion of liberty, Voltaire in his later years became actively involved in securing justice for victims of persecution. He became the "conscience of Europe." His activity in the Calas affair was typical. An unsuccessful and despondent young man had hanged himself in his Protestant father's home in Roman Catholic Toulouse. For 200 years Toulouse had celebrated the massacre of 4,000 of its Huguenot inhabitants. When the rumor spread that the deceased had been about to renounce Protestantism, the family was seized and tried for murder. The father was broken on the rack while protesting his innocence. A son was exiled, the daughters were confined in a convent, and the mother was left destitute. Investigation assured Voltaire of their innocence, and from 1762 to 1765 he worked unceasingly in their behalf. He employed "his friends, his purse, his pen, his credit" to move public opinion to the support of the Calas family.
Voltaire's ingenuity and zeal against injustice were not exhausted by the Calas affair. Similar was his activity in behalf of the Sirven family (1771) and of the victims of the Abbeville judges (1774). Nor was Voltaire's influence exhausted by his death in Paris on May 30, 1778, where he had gone in search of Madame Denis and the glory of being crowned with laurel at a performance of his drama Ire‧ne.
Assessment of Voltaire
John Morley, English secretary for lreland under William Gladstone, wrote of Voltaire's stature: "When the right sense of historical proportion is more fully developed in men's minds, the name of Voltaire will stand out like the names of the great decisive moments in the European advance, like the Revival of Learning, or the Reformation." Gustave Lanson, in 1906, wrote of Voltaire: "He accustomed public common sense to regard itself as competent in all matters, and he turned public opinion into one of the controlling forces in public affairs." Lanson added: "For the public to become conscious of an idea, the idea must be repeated over and over. But the sauce must be varied to please the public palate. Voltaire was a master chef, a superb saucier."
Voltaire was more than a thinker and activist. Style was nearly always nearly all to him-in his abode, in his dress, and particularly in his writings. As poet and man of letters, he was demanding, innovative, and fastidious within regulated patterns of expression. Even as thinker and activist, he believed that form was all-or at least the best part. As he remarked, "Never will twenty folio volumes bring about a revolution. Little books are the ones to fear, the pocket-size, portable ones that sell for thirty sous. If the Gospels had cost 1200 sesterces, the Christian religion could never have been established."
Voltaire's literary focus moved from that of poet to pamphleteer, and his moral sense had as striking a development. In youth a shameless libertine and in middle years a man notorious throughout the literary world, with more discreet but still eccentric attachments-in his later years Voltaire was renowned, whatever his personal habits, as a public defender and as a champion of human liberty. "Time, which alone makes their reputations of men," he observed," in the end makes their faults respectable." In his last days in Paris, he is said to have taken especially to heart a woman's remark: "Do you not know that he is the preserver of the Calas?"
Voltaire's life nearly spanned the 18th century; his writings fill 70 volumes; and his influence is not yet exhausted. He once wrote: "They wanted to bury me. But I outwitted them."
Further Reading
The best introduction in English to Voltaire's life is Gustave Lanson, Voltaire (1906; trans. 1966). John Morley's Voltaire (1903) also remains a readable and stimulating appreciation. A detailed and scholarly biography, by one of the world's leading authorities on Voltaire, is Theodore Besterman, Voltaire (1969). Ira O. Wade, The Intellectual Development of Voltaire (1969), in attempting to synthesize the many facets of Voltaire's mind for a unified view of his life, is often more encyclopedic than stimulating, but it provides a full and judicious treatment. Other useful studies include George Brandes. Voltaire (trans., 2 vols., 1930), and Henry Noel Brailsford, Voltaire (1935).
Interesting works that deal with various aspects of Voltaire's life include Ira O. Wade, Voltaire and Madame du Châtelet (1941); Edna Nixon, Voltaire and the Calas Case (1961); John N. Pappas, Voltaire and D'Alembert (1962); and H. T. Mason, Pierre Bayle and Voltaire (1963). Other specialized works worth consulting are Constance Rowe, Voltaire and the State (1955); J. H. Brumfitt, Voltaire: Historian (1958); Peter J. Gay, Voltaire's Politics: The Poet as Realist (1959); Virgil W. Topazio, Voltaire: A Critical Study of His Major Works (1967); and, for an excellent anthology of various critical opinions, William F. Bottiglia, ed., Voltaire: A Collection of Critical Essays (1968).
Oxford Dictionary of Politics:
Voltaire |
(1694-1778) French political writer, journalist, and popularizer of every kind of knowledge. ‘Voltaire’ is an anagram of ‘Arouet L I’ (le jeune—the pairs I and J, and U and V, each being treated as the same letter). He was immensely successful in his own time, but is now little read apart from his satirical novel Candide. He rejected formal religion, which he saw as an insult to the supreme being in whom, as a deist, he believed. Voltaire was a relativist who believed that different political systems were appropriate to different societies. He praised the English system for its freedom, but saw a renewed and enlightened absolutism as the best form of rule for France. Unlike Montesquieu, he supported the French monarchy against the Church and the aristocracy. For Geneva, however, he thought the existing system of direct democracy was best, and tried to influence it in a more egalitarian direction. After failing to guide Frederick II of Prussia as a more enlightened despot, he concentrated on trying to achieve justice in particular cases, and produced his Treatise on Toleration in 1763.
— Carl Slevin
Oxford Companion to Fairy Tales:
Voltaire |
Voltaire (pseudonym of François Marie Arouet, 1694–1778), French author, political polemicist, and Enlightenment philosopher. In his fairy tale ‘Le Taureau blanc’ (‘The White Bull’, 1774), Voltaire freely mixes reality and the marvellous in an ironic critique of Old Testament stories. Built around the literal interpretation of Nebuchadnezzar's metamorphosis into a white bull, the tale features humanized talking animals and a princess who reads Locke. True to the Enlightenment belief in rational enquiry, Voltaire specifically targets the Garden of Eden myth and denounces a God that would forbid knowledge to humanity.
— Adrienne E. Zuerner
Oxford Companion to French Literature:
Voltaire |
Voltaire (pseud. of François-Marie Arouet) (1694-1778). Held to be one of the three greatest French writers of the 18th c., Voltaire was perhaps its most representative, certainly its most prolific, and emphatically its most combative (he illustrated the virtues of engagement long before Sartre). Most of his life was spent in an increasingly vigorous battle against l'infâme, a concept generally taken to comprehend the evils resulting from religious bigotry and superstition but which is infinitely extensible and probably encompasses all that Voltaire abhorred in benighted human behaviour—particularly Establishment behaviour—and that served to thwart the realization of his resolutely modern vision of a secular, tolerant society.
1. The Tragic Poet
Born in Paris, the youngest child of a notary, a pupil of the Jesuits at Louis-le-Grand, Voltaire was precociously attracted towards poetry. Devoted as he would always be to the aesthetic prejudices of the grand siècle, with its strict code of values, he dreamed of success as his century's greatest tragic writer. To his contemporaries he became first and foremost precisely that: between Œdipe (1718) and Irène (1778) he composed—often to acclaim—28 tragedies on vastly differing subjects. Today the bulk of them are treated as so much literary history, despite the fact that Voltaire had a credible tragic dignity, a good sense of the dramatic possibilities of the stage, and above all ideas (in a period when the tragic theatre was remarkably stagnant) as to what constituted desirable innovations, e.g. an increase in action and spectacle ( Brutus, 1730; La Mort de César, 1731), or themes drawn from different times and places ( Zaïre, 1732; Adélaïde du Guesclin, 1734; Alzire, 1736; L'Orphelin de la Chine, 1755; Don Pèdre, 1761; etc.). His inability to equal Corneille or Racine is partly explicable by his lack of intense psychological insight and by his haste or impatience (although, paradoxically, he expended considerable energy on all his compositions), but it is mostly to be ascribed to his increasing desire to use the theatre—for long an ‘école de mœurs’—as a vehicle also for Enlightenment propaganda.
2. The Philosophe
Voltaire was always to look upon writing from the point of view of a philosophe, even when it did express immutable aesthetic values. Later, magisterially dismissing Rousseau, he was to say: ‘Jean-Jacques n'écrit que pour écrire; moi j'écris pour agir.’ Voltaire's ‘action’ can be detected as early as 1714 and is explicable by his growing dissatisfaction with the status quo (whether socio-political or religious), which had doubtless been fostered by his early frequentation of the Société du Temple. Even so young, Voltaire was already notorious as a frondeur with an insolent tongue and a caustic pen. The latter earned him provincial exile (1716). It was, moreover, in the Bastille (1717-18) that he finished composing Œdipe, which brought him international attention, and began work on his epic poem La Ligue, published in 1723 (re-titled La Henriade in 1728). Both these works—not to overlook his deistic Le Pour et le contre (1722)—betray, with their humanitarian and anticlerical outbursts, a spirit of revolt, even a spirit in revolt. Friendship with Viscount Bolingbroke (1722 onwards) ensured, moreover, Voltaire's interest in the complexities of the modern British state, ultimately setting the seal on his orientation as a philosophe ready to censure, systematically, whatever was contrary to liberty, tolerance, and common sense.
An opportunity to visit England came in 1726. Having, in his increasing self-regard, come to believe that a lionized poetic genius was second to none, Voltaire incautiously treated the chevalier de Rohan with ‘disregard’ (January 1726). Their altercation earned the poet (whose corporeal humiliation, administered by Rohan's lackeys, was largely treated by society with an indifference which Voltaire found incomprehensible and unjust) a further spell in the Bastille. Shortly afterwards he left for London, capital of that ‘pays où on pense librement et noblement sans être retenu par aucune crainte servile’. He remained there for over two years, delving into all aspects of its dynamic ‘republican’ civilization, free to meditate on the iniquities he had seen (or experienced) at home. He returned to France (autumn 1728), rapidly completing Brutus (1730) and the Histoire de Charles XII (1731), which both amply betrayed the more dangerous potential of his preparatory work for the Lettres philosophiques. The latter, Lanson's ‘première bombe lancée contre l'Ancien Régime’, immediately promoted the long-standing nuisance into a full-blown persona non grata.
Fleeing Paris to escape a lettre de cachet, Voltaire sought refuge at Cirey, home of his mistress, Madame du Châtelet (Émilie). The stay there (1734-44) was a period of happiness and of intense activity. Increasingly addicted to the tragic theatre, Voltaire added Alzire, Zulime, Mahomet, and Mérope to his repertoire; but essentially he worked—often alongside Émilie—on science and mathematics, biblical exegesis, history, and philosophical matters, either laying in large stocks of ammunition for his later campaign against revealed religion or using the material to produce that important work of popularization, the Éléments de la philosophie de Newton (1736). Émilie approved of this initiative. But stung somewhat by her opinion that history was much less important than natural science, the author of Charles XII also commenced two influential works: the Essai sur les mœurs and Le Siècle de Louis XIV.
3. Historian and Courtier
Voltaire was henceforth to be constantly preoccupied by history, giving much thought to its practice and to its role in society. His works on Louis XIV (1751), Peter the Great (1759-63), the philosophy of history (1765), the Parlement de Paris (1769), and Louis XV (1769) will all accentuate his determined break with the humanist and providentialist stances which he felt were characterized by credulity and prejudice, faulty emphasis and delusive rhetoric. Voltaire's own counterpoised, sceptical method (see Essai sur les mœurs) was to prove excellent. Not so his practice. For, though endowed with all the qualities of the marvellously stylish narrator, he tended quite visibly to fall victim to his own scepticism. When, moreover, it came to describing great men and events, Voltaire the historian performed—on two counts—exactly like Voltaire the tragic writer. Lacking psychological finesse, he had not been born to work that ‘résurrection intégrale’ of the past which Michelet, for example, so brilliantly illustrated. Secondly, being passionately engaged in the struggles of the century, he tended to reduced history to a utilitarian warning of what happens to humanity deprived of Enlightenment.
With the death of Fleury (1743) official hostility to Voltaire slackened. Thanks to powerful advocates (Madame de Pompadour, d'Argenson, the duc de Richelieu), he regained a measure of favour and worked hard to redeem himself; momentarily he became a court poet, producing in particular La Princesse de Navarre (1744) and the eulogistic (officially printed) Poème de Fontenoy (1745). The rewards came despite Voltaire's numerous enemies, who were either hostile to his ideals or jealous of his success and the considerable fortune he had amassed over the previous decades by business deals: Louis XV appointed him historiographer of France (1745), a distinction which doubtless helped his election (after four unsuccessful attempts) to the Académie Française (1746). During this period (1744-50) Voltaire also produced Zadig and—jousting yet again with Crébillon—three more tragedies: Sémiramis (1746), Oreste, and Rome sauvée (1749). ‘Immortalized’ and internationally famous, he now experienced relatively greater contentment. But the death of Émilie and diverse vexations and unpleasantness served to reactivate his restless, dissatisfied spirit. He decided to heed the siren-calls which Frederick II of Prussia, in his admiration for the ‘literary genius of the century’ had for long been sending. So began the (ultimately disastrous) Berlin interlude (1750-3), during which Voltaire, laden with Frederick's honours, completed Micromégas and Le Siècle de Louis XIV, wrote the Poème sur la loi naturelle, continued work on the Essai sur les mœurs, and conceived the idea for what became the Dictionnaire philosophique. Unfortunately, however, the two men's initial euphoria soon turned to mutual disenchantment. The rupture came, inevitably, when Voltaire, espousing König's cause in his famous quarrel with Maupertuis, demolished the latter (the president of Frederick's Academy of Science) with his bitterly satirical Diatribe du docteur Akakia (1753).
4. The Sage of Ferney
Now began the most sombre period in Voltaire's life (1753-7). Disgraced in Berlin, unwelcome in France, generally anathema to right-thinking societies, Voltaire wandered disconsolate, seeking a permanent home. He was now 60. Who and what was he? A celebrated poet and playwright, a controversial historian, a superb letter-writer, a skilful popularizer of scientific ideas, a brilliant nonconformist whose ideas and attitudes constantly irritated authority. This is the Voltaire, however, of whom Valéry once said: ‘S'il fût mort à 60 ans, il serait à peu près oublié aujourd'hui.’ The assessment, if extreme, is understandable: the ‘real’ Voltaire, the Voltaire of legend and posterity, the Voltaire of Candide, the Voltaire who campaigned against injustice, intolerance, and human imbecility, is the Sage of Ferney, the substantial estate just over the border from Geneva which Voltaire bought in 1758 and which he managed actively and profitably. Once there, secure from persecution, financially independent, conscious of his mission, he became less concerned with purely literary pursuits and more devoted to his and his disciples' accelerating crusade against all adversaries of the Enlightenment.
Since, by this time, Voltaire had for long been almost constantly absent from the intellectual milieux in Paris (with which, naturally, he remained in contact), and since, in parallel, he had become an international celebrity (whose letters were highly prized), we should perhaps mention here the outstanding importance of Voltaire's Correspondence (edited by Theodore Besterman). Contained in 45 stout volumes, it enshrines nearly 70 years of vital French history, and covers—with a superb mastery of all conceivable registers—all possible matters, whether social, political, philosophical, or cultural. Here we find, in contact with his 1, 200 different correspondents of various nationalities, professions, opinions, and importance, a complex, everchanging, multi-faceted Voltaire whose pen was superbly suited to all occasions. Lanson has suggested, with some justification, that it is the Correspondence which is his least-contested masterpiece.
This is also, unsurprisingly, the time when Voltaire's already numerous enemies multiplied alarmingly. However, his combination of wit, irony, Rabelaisian humour, and sheer vilification neutralized them all so effectively that their reputations were irreparably distorted (e.g. Fréron, Lefranc de Pompignan, Chaumeix, La Beaumelle, Rousseau, Nonnotte, Coger, etc.). His concerns, as he crossed swords with them, were political, philosophical, and above all religious. His attacks on revealed religion multiplied substantially and alarmingly (Extrait des sentiments de Jean Meslier, 1762; Dictionnaire philosophique, 1764; La Philosophie de l'histoire, 1764; Questions sur les miracles, 1765; Le Dîner du comte de Boulainvilliers, 1767; etc.). In tandem, his more general philosophe concerns found expression in his mock-heroic epic about Jeanne d'Arc, La Pucelle (1755-62), and in countless romans and contes, facéties and dialogues, which were even more accessible to that general public which avidly read his mordant, even scurrilous, productions. It is mainly these polemical pieces which—given their subject-matter—should have been perishable and yet which, paradoxically, proved to be eternal by their exuberance, their wonderful inventiveness. Candide had, for example, shown the propaganda value of the tale; now came Jeannot et Colin (1764), L'Ingénu (1767), L'Homme aux quarante écus (1768), etc.
But that was not all. Having himself experienced the direst vexations, Voltaire was more than normally sensitive to injustice and persecution. He concerned himself, for example, with the problems of political emancipation in Geneva (1765-6). Other activities are, however, better known: brilliantly he fought for the rehabilitation of Calas (1762-5) and Sirven (1765-71), victims of intolerance; or defended the memories of Lally (1766-78), La Barre (1767-75), and Montbailli (1771-3), all unjustly (even callously) executed; or undertook the seemingly hopeless defence (1772-3) of Morangiés, stridently accused of fraud. His most significant contributions in this field—besides his abundant writings which stubbornly justified the above unfortunates—are the Traité sur la tolérance (1762), the Commentaire sur le livre Des délits et des peines (1766), and the Prix de la justice et de l'humanité (1778).
It is the humanitarian Voltaire who, in the last decade of his life, imposed himself on his public. For when, in February 1778, he returned triumphally to Paris after 28 years of officially willed absence, it was ‘l'homme aux Calas’ who received the delirious welcome. When, worn out, he died on 28 May 1778, he was for many the most honoured man in Europe, for many others the most hated in Christendom. Similar mutually exclusive interpretations are common currency today.
Few authors have demonstrated such complexity. A man of extremes who was both mercurial and Protean, Voltaire was that essential man of extremes: the dual personality whose life and activities constantly and kaleidoscopically covered the whole spectrum of human behaviour. Valéry nicely formulated the problem when he called him ‘ce diable d'homme dont la mobilité, les ressources, les contradictions, font un personnage que la musique seule, la plus vive musique, pourrait suivre’.
[John Renwick]
Bibliography
Oxford Companion to German Literature:
François Marie Arouet Voltaire |
Voltaire, François Marie Arouet (Paris, 1694-1778, Paris), French poet, historian, and philosopher, whose humanitarian views on politics and religion influenced European thought. He ignored contemporary German thought as represented by G. E. Lessing, who later attacked his views on drama in the Hamburgische Dramaturgie, especially as represented in Sémiramis and its preface, and contributed to the decline of Voltaire's remarkable success on the German stage. During Voltaire's residence at the court of Friedrich II of Prussia, Lessing was commissioned to translate some of Voltaire's work. Through his contact with Voltaire's secretary he obtained in 1753 a copy of the (as yet unpublished) Siècle de Louis XIV, which he did not return upon his departure to Wittenberg. Voltaire, suspicious of his motives, made a complaint to the King who, remembering this unfortunate episode, refused Lessing the post of royal librarian some twelve years later.
Forty-eight years of correspondence with the Prussian king testify to the constancy of the intellectual intercourse between both men. It began in August 1736 when the 24-year-old Crown Prince wrote his first letter admiring Voltaire's genius and hoping for his friendship. They met for the first time in 1740, and Friedrich cherished the idea that Voltaire would come to stay at his court. After the death of Mme du Châtelet in 1749, Voltaire decided on the move to Potsdam, resigning in 1750 his post as historiographer and Chamberlain, Gentilhomme Ordinaire, thus burning his boats at the court of Louis XV. Personal contact, however, cooled the friendship, and after Voltaire had got himself involved in a court action over illegal money transactions as well as attacking Friedrich's President of the Royal Academy (see Akademien), P.-L. M. de Maupertuis, the King decided in 1753 that Voltaire must leave Prussia. He asked for the return of the order Pour le mérite, with which he had honoured him, and of a book of his own verses. At Frankfurt, Voltaire was kept prisoner for several weeks before he could proceed to Geneva. This humiliating episode was the responsibility of Friedrich's over-zealous representative, but Voltaire never forgot the disgrace. Yet the correspondence of the following years resumed the exchange of ideas and verses, Friedrich realizing that Voltaire was ‘only good to read’, but read him he must, while Voltaire confessed his love for the Prussian king ‘from a distance’. Their correspondence provides valuable insight into the minds of both men, whose extraordinary mutual fascination remains unique. Voltaire's defence of the reputations of Jean Calas, Sirven, and La Barre, who had been executed in the early 1760s, aroused the King's keen interest and sympathy.
In his last letter to Friedrich, Voltaire expressed the hope that the King might long survive him as the bulwark of Germanic liberty. Friedrich paid tribute to Voltaire's memory in a dignified and warm Éloge which was read to the Berlin Academy by Thiébault in November 1778. Briefwechsel Friedrich des Großen mit Voltaire was edited, in three volumes, by R. Koser and G. Droysen (1908-11) and followed by Nachträge zu dem Briefwechsel Friedrich des Großen mit Maupertuis und Voltaire (1917).
Oxford Dictionary of Philosophy:
Voltaire |
(1694-1778) French man of letters and philosopher. Voltaire was born François-Marie Arouet, into a wealthy Parisian family, and educated at the Jesuit school of Louis-le-Grand. His satirical writing led to exiles in Holland (1713) and England (1726-9; it was said that he went to England a poet and returned a philosopher). He returned to France, and published the Lettres philosophiques (1734, trs. as Philosophical Letters on the English Nation), whose admiration for the liberal spirit of England made it necessary for him to retire to the country to avoid arrest. For the next fifteen years he lived mainly in the country of Lorraine in the company of the savant Mme du Châtelet. After a period in Prussia he settled in 1755 in a château near Geneva, where he published Essai sur les mœurs et l'esprit des nations (1756, trs. as Essays on the Manners and Spirit of Nations, 1758) and Candide, ou l'optimisme (1759, trs. as Candide, or All for the Best, 1759). This was followed by the equally satirical Dictionnaire philosophique (1764, trs. as Philosophical Dictionary, 1764). He subsequently lived in France, but only returned to Paris shortly before his death, to be hailed as the greatest French champion of the Enlightenment, and his generation's most courageous spokesman for freedom and toleration.
Philosophically Voltaire imbibed the combination of science, empiricism, and religious awe characteristic of Newton and Locke. Although he wrote passionately against the metaphysical speculations of his predecessors, especially Leibniz, Voltaire was prepared to take refuge in ignorance, for instance of the nature of the soul, or the way to reconcile evil with divine providence. Himself a deist, he became famous as the implacable opponent of organized Christian religion, whose baleful effects were all too visible in the world of his time. Although his lustre as a philosopher does not match his eminence as a man of letters, poet, and playwright, Voltaire remains a central example of the philosopher as a politically engaged, liberal humanist.
Answer of the Day:
Voltaire |
|
|
|
| Seated Sculpture of Voltaire |
| Volgograd | |
| Volunteer vacations |
From our Archives: Today's Highlights, November 21, 2006
Columbia Encyclopedia:
François Marie Arouet de Voltaire |
Voltaire's Life and Works
Early Life
The son of a notary, he was born at Paris and was educated at the Jesuit Collège Louis-le-Grand. Because of insults to the regent, Philippe II d'Orléans, wrongly ascribed to him, Voltaire was sent to the Bastille (1717) for 11 months. There he rewrote his first tragedy, Œdipe (1718), and began an epic poem on Henry IV, the Henriade. It was at this time that he began to call himself Voltaire. Œdipe won him fame and a pension from the regent. Voltaire acquired an independent fortune through speculation; he was often noted for his generosity but also displayed a shrewd business acumen throughout his life and became a millionaire.
In 1726 a young nobleman, the chevalier de Rohan, resenting a witticism made at his expense by Voltaire, had Voltaire beaten. Far from obtaining justice, Voltaire was imprisoned in the Bastille through the influence of the powerful Rohan family, and he was released only upon his promise to go to England. The episode left an indelible impression on Voltaire: for the rest of his life he exerted himself to his utmost in struggling against judicial arbitrariness. During his more than two years (1726-28) in England, Voltaire met, through his friend Lord Bolingbroke, the literary men of the period. He was impressed by the greater freedom of thought in England and deeply influenced by Newton and Locke. Voltaire's Letters concerning the English Nation (1733, in English), which appeared (1734) in French as Lettres philosophiques, may be said to have initiated the vogue of English philosophy and science that characterized the literature of the Enlightenment. The book was formally banned in France.
Work in England and Cirey
While in England, Voltaire wrote the first of his historical works, a history of Charles XII of Sweden, which remains a classic in biography. Returning to France in 1729, he produced several tragedies, among them Brutus (1730) and Zaïre (1732). In 1733 he met Mme Du Châtelet, whose intellectual interests, especially in science, accorded with his own. They took up residence together at Cirey, in Lorraine, under the Marquis Du Châtelet's tolerant eye. The connection with Émilie Du Châtelet lasted until her death in 1749.
At Cirey, Voltaire worked on physics and chemistry experiments and began his long correspondence with Crown Prince Frederick of Prussia (later Frederick II). In addition, he wrote Éléments de la philosophie de Newton (1736), which was partially responsible for bringing awareness of Newtonian physics to the Continent; a burlesque treatment of the Joan of Arc legends, La Pucelle (1755); and the dramas Mahomet (1742), Mérope (1743), and Sémiramis (1748). Through the influence of Mme de Pompadour, Voltaire was made royal historiographer, a gentleman of the king's bedchamber, and a member of the French Academy.
Berlin and Geneva
Voltaire first visited Berlin in 1743, and after Mme Du Châtelet's death he accepted Frederick II's invitation to live at his court. His relations with Frederick, a man whose unbending nature matched his own, were generally stormy. Voltaire's interference in the quarrel between Maupertuis and König led to renewed coldness on the part of Frederick, and in 1753 Voltaire hastily left Prussia. At a distance, the two men later became reconciled, and their correspondence was resumed. Unwelcome in France, Voltaire settled in Geneva, where he acquired the property "Les Délices"; he also acquired another house near Lausanne. The Genevese authorities soon objected to Voltaire's holding private theatrical performances at his home and still more to the article "Genève" written for Diderot's Encyclopédie, on Voltaire's instigation, by Alembert. The article, which declared that the Calvinist pastors of Geneva had seen the light and ceased to believe in organized religion, stirred up a violent controversy.
The Ferney Years and Candide
Voltaire purchased (1758) an estate, Ferney (see Ferney-Voltaire), just over the French border, where he lived until shortly before his death. He conducted an extensive correspondence with most of the outstanding men and women of his time; received hosts of visitors who came to do homage to the "patriarch of Ferney"; employed himself in seeking justice for victims of religious or political persecution and in campaigning against the practice of torture; contributed to the Encyclopédie; and managed his estate, taking an active interest in improving the condition of his tenants.
Voltaire also edited the works of Corneille, wrote commentaries on Racine, and turned out a stream of anonymous novels and pamphlets in which he attacked the established institutions of his time with unremitting virulence. Ironically, it is one of these disavowed works, Candide (1759), that is most widely read today. It is the masterpiece among his "philosophical romances," which also include the inimitable short tale Jeannot et Colin (1764), perhaps the quintessence of Voltaire's style. In Candide Voltaire attacked the philosophical optimism made fashionable by Leibniz. Its conclusion, "Let us cultivate our garden" (instead of speculating on unanswerable problems), expresses succinctly Voltaire's practical philosophy of common sense.
The Final Chapter
In 1778, his 84th year, Voltaire attended the first performance of his tragedy Irène, in Paris. His journey and his reception were a triumph and apotheosis, but the emotion was too much for him and he died in Paris soon afterward. In order to obtain Christian burial he had signed a partial retraction of his writings. This was considered insufficient by the church, but he refused to sign a more general retraction. To a friend he gave the following written declaration: "I die adoring God, loving my friends, not hating my enemies, and detesting persecution." An abbot secretly conveyed Voltaire's corpse to an abbey in Champagne, where he was buried. His remains were brought back to Paris in 1791 and buried in the Panthéon.
Voltaire's Style
Voltaire attained the most subtly comical effects through an imperceptible turn of a phrase; his sentences flow with facility; his expressions are always felicitous and unlabored; his irony is as devastating as its touch is light. Brevity and lucidity characterize all his writings. The Dictionnaire philosophique (1764) is a compendium of Voltaire's thought on the most varied subjects. In his serious poetic works, the perfection of his style is usually combined with a coldness that has robbed them of lasting appeal, although they tower above those of other 18th-century imitators of Racine. Voltaire was significant in helping to introduce to the theater authentic costumes, and he labored successfully for the improvement of the social status of actors.
Voltaire's Philosophy
In his philosophy, based on skepticism and rationalism, he was indebted to Locke as well as to Montaigne and Bayle. Despite Voltaire's passion for clarity and reason, he frequently contradicted himself. Thus he would maintain in one place that man's nature was as unchangeable as that of animals and would express elsewhere his belief in progress and the gradual humanization of society through the action of the arts, sciences, and commerce. In politics he advocated reform but had a horror of the ignorance and potential fanaticism of people and the violence of revolution.
In religion Voltaire felt that Christianity was a good thing for chambermaids and tailors to believe in, but for the use of the elite he advocated a simple deism. He opposed the atheism and materialism of Helvétius and Holbach. His line, "If God did not exist, he would have to be invented," has become proverbial. His celebrated slogan, Écrasez l'infâme! [crush the infamous thing!], has been interpreted as addressed either against the church or against the ancien régime in general.
Voltaire's influence in the popularization of the science and philosophy of his age was incalculably great. Perhaps his most lasting and original intellectual contribution was made in the field of history. His Siècle de Louis XIV (1751) embodies in part the ideas of his historical masterpiece, Essai sur l'histoire générale et sur les mœurs et l'esprit des nations (7 vol., 1756; tr. 1759), the first attempt at writing a history of the world as a whole; Voltaire laid as much emphasis on culture and commerce as on politics and war, and he avoided national parochialism.
Bibliography
The first "complete" edition of Voltaire's work was the so-called Kehl edition, by Beaumarchais (70 vol. in octavo or 92 vol. in duodecimo, 1784-89); a later edition is that of M. Beuchot (72 vol., 1828-40; rev. and enl., 52 vol., 1883). See his correspondence, ed. by T. Besterman (part of the series Studies on Voltaire and the 18th Century [SVEC], 1955-). There are English translations of Voltaire's most widely read works. Biographies and studies of Voltaire reflect continued controversy as to Voltaire's real thought and beliefs.
See biographies by G. Lanson (1906, in French; tr. by R. A. Wagoner, 1966), A. Mourois (1932), H. N. Brailsford (1935, repr. 1963), S. G. Tallentyre (1972), H. T. Mason (1981), A. J. Ayer (1986), and J. Leigh (2004); studies by P. Gay (1959) and V. W. Topazio (1966); N. Mitford, Voltaire in Love (1954); I. O. Wade, Voltaire and Madame du Châtelet (1941, repr. 1967) and The Intellectual Development of Voltaire (1969); I. Davidson, Voltaire in Exile (2005).
Gale Encyclopedia of the Early Modern World:
Voltaire |
Voltaire (François-Marie Arouet; 1694–1778), French philosopher, historian, dramatist, and poet. Voltaire was born in Paris 21 November 1694, the son of a successful notary. A prolific philosopher, historian, and writer in numerous genres and a tireless champion of freedom of thought and expression, no figure better represents the spirit of the French Enlightenment than Voltaire.
Three years after the death of his mother (née Marguerite Daumard), Voltaire entered the Jesuit Collège Louis-le-Grand in Paris, in 1704, where he spent the next seven years. Following his studies, Voltaire frequented the libertine society of the Temple and began to exercise his literary talents by composing satirical light verse as well as his first play, Oedipe, completed in manuscript in 1715. In 1716 Voltaire was exiled from Paris because of an epigram against the regent, and in May 1717 was sent to the Bastille, accused of further inflammatory writings. Shortly after his release, Oedipe was staged in November 1718, its brilliant success making him an overnight celebrity, considered France's preeminent poet. It was at this point that he adopted the name Monsieur de Voltaire, not only a nom de plume but also an index of his lifelong aristocratic aspirations.
The self-styled nobleman received a harsh but transformative lesson in 1726, when following a quarrel with the chevalier de Rohan, Voltaire once again found himself imprisoned in the Bastille and then was exiled to England for two years. Rightly or wrongly, Voltaire saw in England a model of political freedom and, above all, religious tolerance, which was to result in his hugely popular and influential English Letters (published first in England in 1733, in English and French versions, then in France in 1734). During his British sojourn, Voltaire, having acquired reasonable competence in English, read numerous English writers and thinkers, but it was above all the works of John Locke and Isaac Newton that earned his enduring admiration.
While a number of biographers and critics have overstated the intellectual impact England was to have on Voltaire—his deism and skepticism certainly predated his exile—it is clear that England had the effect of consolidating his militant opposition to intolerance and dogma in politics and religion, and just as importantly, made him a partisan of British sensualism (in Locke), and the "new philosophy" of scientific method (in Newton and his precursor, Francis Bacon). In France Voltaire became the greatest popularizer of Newtonian physics (publishing Elements of Newton's Philosophy in 1738) and a driving force behind the Enlightenment's anti-metaphysical, positivistic, and scientific bent in which the Cartesian rationalism of the French classical age gave way to the influence of English empiricism.
The English exile set the stage not only for Voltaire's abiding philosophical concerns but also for a life spent mostly outside Paris. From 1734 he lived at Cirey with his mistress, Émilie du Châtelet, until her death in 1749. For a number of years prior to her death, Frederick the Great of Prussia (ruled 1740–1786) had sought to bring Voltaire to Potsdam and Berlin, and in 1750 Voltaire took up the offer; but the nearly three years he spent with Frederick ended in bitter disillusionment for both parties. After five years moving from one side of the Franco-Swiss border to the other, in 1759 he purchased the chateau of Ferney, just outside Geneva, which over the years he built into a sprawling estate, home to various cottage industries that added to his already considerable fortune, and a cultural crossroads where Voltaire hosted innumerable guests. He lived and worked there until the last year of his life. In February 1778, he returned to Paris to produce his last play, Irène, and his triumphant return to the capital was a legendary moment in French cultural history, so overwhelming that the eightyfour-year-old Voltaire remarked that he was being "killed with glory." After a long life of notorious ill health and hypochondria, he died during the night of 30 May.
Today Voltaire is read above all as a philosopher—in the restricted sense that word had in the French eighteenth century—and as an acerbic social critic who railed against injustice, metaphysical absurdity of every ilk, clerical abuse, prejudice, and superstition. Those threads came together brilliantly in his 1759 philosophical tale, Candide, in which he lambasted the idealist doctrine of preestablished harmony and the "best of all possible worlds" promulgated by Gottfried Wilhelm Leibniz and his followers Alexander Pope and Christian Wolff. Candide was written largely in response to the death of thirty thousand victims of the 1755 Lisbon earthquake and as an exposition of the problems raised in his hastily drafted 1755 Poem on the Lisbon Disaster. In response to the question of evil, Voltaire abandoned any claim on a metaphysical explanation of human affairs, proposing instead that we "cultivate our garden," that is, that we focus on local and practical concerns, faced with an order of experience that may in some sense be providential but whose mechanism escapes our reason. Voltaire had explored the problem of theodicy and providence in his earlier tale, Zadig (1747), which along with Micromégas (1752) and more than twenty other philosophical tales, made Voltaire the master of one of the French Enlightenment's most fecund and innovative literary forms.
Yet Voltaire thought of himself perhaps more as a poet, playwright, and historian than as the mordant satirist acknowledged today. His career began and ended with the theater; in between, he produced a dozen or so plays, with varying degrees of success. Today they are rarely read or staged. From the light verse of his youth to the epic Henriad and the bawdy Maid of Orleans, the epicurean Mondain, and his Poem on Natural Law, among many others, poetry also held a central place in his oeuvre. In the domain of history, Voltaire (who was appointed royal historiographer in 1745 and elected to the French Academy in 1746) composed works on Charles XII, Louis XIV, and Louis XV. As with his plays and poetry, these books are today little read. Other works of nonfiction have fared better: the Essay on Manners (1754), the Treatise on Tolerance (1763, written after Voltaire had intervened in the Calas affair, in which a Protestant man was wrongfully executed on the charge of killing his son who wished to convert to Catholicism), and the Philosophical Dictionary (first volume published 1764) remain enduring classics.
Voltaire's overwhelming importance and influence in the eighteenth century lie in his promotion of the force of reason and justice, his ironic wit, and his unparalleled skills as a propagandist of the ideals of the Enlightenment. In a career ranging from the end of the reign of Louis XIV to the reign of the last king of the ancien régime, Voltaire was France's clearest, most prolific, and most enduring voice of dissent.
Bibliography
Primary Sources
Voltaire. The Complete Tales of Voltaire. Translated by William Walton. New York, 1990.
——. Correspondance. Edited by Theodore Besterman. 13 vols. Paris, 1977–.
——. Les oeuvres complètes de Voltaire. Edited by Theodore Besterman and W. H. Barber. 64 vols. Geneva and Toronto, 1968–1984.
——. Political Writings. Edited and translated by David Williams. Cambridge, U.K., 1994.
——. The Portable Voltaire. Edited by Ben Ray Redman. New York, 1977.
——. The Selected Letters of Voltaire. Edited by Richard A. Brooks. New York, 1973.
——. The Works of Voltaire. Translated by William F. Fleming, et al. 22 vols. Reprint. New York, 1988.
Secondary Sources
Knapp, Bettina L. Voltaire Revisited. New York, 2000.
Mason, Haydn Trevor. Voltaire: A Biography. Baltimore, 1981.
Pearson, Roger. The Fables of Reason: A Study of Voltaire's "Contes philosophiques." Oxford, 1993.
Pomeau, René. D'Arouet à Voltaire, 1694–1734. Oxford, 1985.
—PATRICK RILEY, JR.
Word Tutor:
Voltaire |
LearnThatWord.com is a free vocabulary and spelling program where you only pay for results!
Quotes By:
Voltaire |
Quotes:
"To the living we owe respect, but to the dead we owe only the truth."
"You must have the devil in you to succeed in the arts."
"Divorce is probably of nearly the same date as marriage. I believe, however, that marriage is some weeks the more ancient."
"Doctors are men who prescribe medicines of which they know little, to cure diseases of which they know less, in human beings of whom they know nothing."
"Men who are occupied in the restoration of health to other men, by the joint exertion of skill and humanity, are above all the great of the earth. They even partake of divinity, since to preserve and renew is almost as noble as to create."
"I know of nothing more laughable than a doctor who does not die of old age."
See more famous quotes by
Voltaire
Rhymes:
Voltaire |
Bradford's Crossword Solver's Dictionary:
Voltaire |
Wikipedia on Answers.com:
Voltaire |
| Voltaire | |
|---|---|
Voltaire at 24, by Catherine Lusurier after Nicolas de Largillière's painting |
|
| Born | François-Marie Arouet 21 November 1694 Paris, France |
| Died | 30 May 1778 (aged 83) Paris, France |
| Pen name | Voltaire |
| Occupation | Writer, philosopher, playwright |
| Nationality | French |
|
Influences
|
|
|
|
|
François-Marie Arouet de Voltaire (French pronunciation: [fʁɑ̃.swa ma.ʁi aʁ.wɛ]; 21 November 1694 – 30 May 1778), better known by the pen name Voltaire (pronounced: [vɔl.tɛːʁ]), was a French Enlightenment writer, historian and philosopher famous for his wit and for his advocacy of civil liberties, including freedom of religion, freedom of expression, free trade and separation of church and state. Voltaire was a prolific writer, producing works in almost every literary form, including plays, poetry, novels, essays, and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken supporter of social reform, despite strict censorship laws with harsh penalties for those who broke them. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day.
Voltaire was one of several Enlightenment figures (along with Montesquieu, John Locke, Richard Price, Jean-Jacques Rousseau, and Émilie du Châtelet) whose works and ideas influenced important thinkers of both the American and French Revolutions.
|
Contents
|
François-Marie Arouet was born in Paris, the youngest of the five children[1] (only three of whom survived) of François Arouet (1650 – 1 January 1722), a notary who was a minor treasury official, and his wife, Marie Marguerite d'Aumart (ca. 1660 – 13 July 1701), from a noble family of the province of Poitou. Some speculation surrounds his date of birth, which Voltaire always claimed to be 20 February 1694. Voltaire was educated by the Jesuits at the Collège Louis-le-Grand (1704–1711), where he learned Latin and Greek; later in life he became fluent in Italian, Spanish and English.[2]
By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, who wanted him to become a notary. Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father found out, he sent Voltaire to study law, this time in Caen, (Normandy). Nevertheless, he continued to write, producing essays and historical studies. Voltaire's wit made him popular among some of the aristocratic families with whom he mixed. His father then obtained a job for him as a secretary to the French ambassador in the Netherlands, where Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer. Their scandalous elopement was foiled by Voltaire's father and he was forced to return to France.[3]
Most of Voltaire's early life revolved around Paris. From early on, Voltaire had trouble with the authorities for even mild critiques of the government and religious intolerance. These activities were to result in numerous imprisonments and exiles. One satirical verse about the Régent led to his imprisonment in the Bastille for eleven months.[4] While there, he wrote his debut play, Œdipe. Its success established his reputation.
The name "Voltaire", which the author adopted in 1718, is an anagram of "AROVET LI," the Latinized spelling of his surname, Arouet, and the initial letters of "le jeune" ("the younger").[5] The name also echoes in reverse order the syllables of the name of a family château in the Poitou region: "Airvault". The adoption of the name "Voltaire" following his incarceration at the Bastille is seen by many to mark Voltaire's formal separation from his family and his past.
Richard Holmes[6] supports this derivation of the name, but adds that a writer such as Voltaire would have intended it to also convey its connotations of speed and daring. These come from associations with words such as "voltige" (acrobatics on a trapeze or horse), "volte-face" (a spinning about to face one's enemies), and "volatile" (originally, any winged creature). "Arouet" was not a noble name fit for his growing reputation, especially given that name's resonance with "à rouer" ("to be broken on the wheel" - a form of torture still prevalent) and "roué" (a "débauché").
In a letter to Jean-Baptiste Rousseau (not to be confused with Jean-Jacques Rousseau) in March 1719, Voltaire concludes by asking that if Rousseau wishes to send him a return letter, he do so by addressing it to Monsieur de Voltaire. A post-scriptum explains: "J'ai été si malheureux sous le nom d'Arouet que j'en ai pris un autre surtout pour n'être plus confondu avec le poète Roi", which translates as, "I was so unhappy under the name d'Arouet that I took another, primarily so that I would cease to be confused with the poet Roi."[7] This probably refers to Adenes le Roi, and the 'oi' diphthong was then pronounced as modern French pronounces 'ai', so the similarity to 'Arouet' is clear, and thus, it could well have been part of his rationale. Indeed, Voltaire is additionally known to have used at least 178 separate pen names during his lifetime.[8]
After Voltaire retorted to an insult from the young French nobleman Chevalier de Rohan in late 1725, the aristocratic Rohan family obtained a royal lettre de cachet, an often arbitrary penal decree signed by the French King (Louis XV, in the time of Voltaire) that was often bought by members of the wealthy nobility to dispose of undesirables. This warrant caused Voltaire to be imprisoned in the Bastille without a trial and without giving him an opportunity to defend himself.[9] Fearing an indefinite prison sentence, Voltaire suggested that he be exiled to England as an alternative punishment, which the French authorities accepted.[10] This incident marked the beginning of Voltaire's attempts to improve the French judicial system.
Voltaire's exile in Great Britain lasted nearly three years, and his experiences there greatly influenced his thinking. He was intrigued by Britain's constitutional monarchy in contrast to the French absolute monarchy, and by the country's greater support of the freedoms of speech and religion. He was also influenced by several neoclassical writers of the age, and developed an interest in earlier English literature, especially the works of Shakespeare, still relatively unknown in continental Europe. Despite pointing out his deviations from neoclassical standards, Voltaire saw Shakespeare as an example that French writers might emulate, since French drama, despite being more polished, lacked on-stage action. Later, however, as Shakespeare's influence began growing in France, Voltaire tried to set a contrary example with his own plays, decrying what he considered Shakespeare's barbarities.
After almost three years in exile, Voltaire returned to Paris and published his views on British attitudes toward government, literature, and religion in a collection of essays in letter form entitled "Letters concerning the English Nation" (London, 1733). In 1734 they were published in French as "Lettres philosophique" in Rouen. A revised edition appeared in English in 1778 as Lettres philosophiques sur les Anglais (Philosophical Letters on the English). Most modern English editions are based on the French one from 1734 and typically use the title, "Philosophical Letters", a direct translation of the 1734 version's title.[11]
Because Voltaire regarded the British constitutional monarchy as more developed and more respectful of human rights (particularly religious tolerance) than its French counterpart, the French publication of "Letters" caused controversy; the book was burnt and Voltaire was forced again to flee.
Voltaire's next destination was the Château de Cirey, located on the borders of Champagne and Lorraine. The building was renovated with his money, and here he began a relationship with the Marquise du Châtelet, Gabrielle Émilie le Tonnelier de Breteuil (famous in her own right as Émilie du Châtelet). Cirey was owned by the Marquise's husband, Marquis Florent-Claude du Chatelet, who sometimes visited his wife and her lover at the chateau. The relationship, which lasted for fifteen years, had a significant intellectual element. Voltaire and the Marquise collected over 21,000 books, an enormous number for the time. Together, they studied these books and performed experiments in the "natural sciences" in his laboratory. Voltaire's experiments included an attempt to determine the elements of fire.
Having learned from his previous brushes with the authorities, Voltaire began his future habit of keeping out of personal harm's way, and denying any awkward responsibility. He continued to write plays, such as Mérope (or "La Mérope française") and began his long researches into science and history. Again, a main source of inspiration for Voltaire were the years of his British exile, during which he had been strongly influenced by the works of Sir Isaac Newton. Voltaire strongly believed in Newton's theories, especially concerning optics (Newton’s discovery that white light is composed of all the colours in the spectrum led to many experiments at Cirey), and gravity (Voltaire is the source of the famous story of Newton and the apple falling from the tree, which he had learned from Newton's niece in London and first mentioned in his Essai sur la poésie épique, or Essay on Epic Poetry).
Although both Voltaire and the Marquise were curious about the philosophies of Gottfried Leibniz, a contemporary and rival of Newton, they remained essentially "Newtonians", despite the Marquise's adoption of certain aspects of Leibniz's arguments against Newton[citation needed]. She translated Newton's Latin Principia in full, adjusting a few errors along the way, and hers remained the definitive French translation well into the 20th century. Voltaire's book Eléments de la philosophie de Newton (Elements of Newton's Philosophy), which was probably co-written with the Marquise, made Newton accessible to a far greater public. It is often considered the work that finally brought about general acceptance of Newton's optical and gravitational theories.
Voltaire and the Marquise also studied history—particularly those persons who had contributed to civilization. Voltaire's second essay in English had been Essay upon the Civil Wars in France. It was followed by La Henriade, an epic poem on the French King Henri IV, glorifying his attempt to end the Catholic-Protestant massacres with the Edict of Nantes, and by a historical novel on King Charles XII of Sweden. These, along with his Letters on England mark the beginning of Voltaire's open criticism of intolerance and established religions. Voltaire and the Marquise also worked with philosophy, particularly with metaphysics, the branch of philosophy that deals with being, and what is beyond the material realm such as whether or not there is a God or souls, etc. Voltaire and the Marquise analyzed the Bible, trying to discover its validity in their time. Voltaire's critical views on religion are reflected in his belief in separation of church and state and religious freedom, ideas that he had formed after his stay in England.
Though deeply committed to the Marquise, Voltaire by 1744 found life at the château confining. On a visit to Paris that year, he found a new love: his niece. At first, his attraction to Marie Louise Mignot was clearly sexual, as evidenced by his letters to her (only discovered in 1937).[12] Much later, they lived together, perhaps platonically, and remained together until Voltaire's death. Meanwhile, the Marquise also took a lover, the Marquis de Saint-Lambert.[13]
After the death of the Marquise in childbirth in September 1749, Voltaire briefly returned to Paris and in 1750 moved to Potsdam to join Frederick the Great, a close friend and admirer of his.[14] The king had repeatedly invited him to his palace, and now gave him a salary of 20,000 francs a year. Though life went well at first—in 1752 he wrote Micromégas, perhaps the first piece of science fiction involving ambassadors from another planet witnessing the follies of humankind—his relationship with Frederick the Great began to deteriorate and he encountered other difficulties. An argument with Maupertuis, the president of the Berlin Academy of Science, provoked Voltaire's Diatribe du docteur Akakia (Diatribe of Doctor Akakia), which satirized some of Maupertuis' theories and his abuse of power in his persecutions of a mutual acquaintance, Samuel Koënig. This greatly angered Frederick, who had all copies of the document burned and arrested Voltaire at an inn where he was staying along his journey home.
Voltaire headed toward Paris, but Louis XV banned him from the city, so instead he turned to Geneva, near which he bought a large estate (Les Délices). Though he was received openly at first, the law in Geneva which banned theatrical performances and the publication of The Maid of Orleans against his will made him move at the end of 1758 out of Geneva across the French border to Ferney, where he had bought an even larger estate, and led to Voltaire's writing of Candide, ou l'Optimisme (Candide, or Optimism) in 1759. This satire on Leibniz's philosophy of optimistic determinism remains the work for which Voltaire is perhaps best known. He would stay in Ferney for most of the remaining 20 years of his life, frequently entertaining distinguished guests, like James Boswell, Adam Smith, Giacomo Casanova, and Edward Gibbon.[15] In 1764 he published one of his best-known philosophical works, the Dictionnaire Philosophique, a series of articles mainly on Christian history and dogmas, a few of which were originally written in Berlin.[9]
From 1762 he began to champion unjustly persecuted people, the case of Jean Calas being the most celebrated. This Huguenot merchant had been tortured to death in 1763, supposedly because he had murdered his son for wanting to convert to Catholicism. His possessions were confiscated and his remaining children were taken from his widow and were forced to become members of a monastery. Voltaire, seeing this as a clear case of religious persecution, managed to overturn the conviction in 1765.[9]
In February 1778, Voltaire returned for the first time in 20 years to Paris, among other reasons to see the opening of his latest tragedy, Irene. The 5-day journey was too much for the 83-year old, and he believed he was about to die on 28 February, writing "I die adoring God, loving my friends, not hating my enemies, and detesting superstition." However, he recovered, and in March saw a performance of Irene where he was treated by the audience as a returning hero.[9] He soon became ill again and died on 30 May 1778. The accounts of his deathbed have been numerous and varying, and it has not been possible to establish the details of what precisely occurred. His enemies related that he repented and accepted the last rites given by a Catholic priest, or that he died under great torment, while his adherents told how he was defiant to his last breath.[16] According to one story, his last words were: "Now is not the time for making new enemies." It was his response to a priest at the side of his deathbed, asking Voltaire to renounce Satan.[17]
Because of his well-known criticism of the church, which he had refused to retract before his death, Voltaire was denied a Christian burial, but friends managed to bury his body secretly at the abbey of Scellières in Champagne before this prohibition had been announced. His heart and brain were embalmed separately. On 11 July 1791, the National Assembly of France, which regarded him as a forerunner of the French Revolution, had his remains brought back to Paris to enshrine him in the Panthéon. It is estimated that a million people attended the procession, which stretched throughout Paris. There was an elaborate ceremony, complete with an orchestra, and the music included a piece that André Grétry composed specially for the event, which included a part for the "tuba curva". This was an instrument that originated in Roman times as the cornu but had been recently revived under a new name.[18]
A widely repeated story that the remains of Voltaire were stolen by religious fanatics in 1814 or 1821 during the Pantheon restoration and thrown into a garbage heap is false. Such rumours resulted in the coffin being opened in 1897, which confirmed that his remains were still present.[19]
Voltaire had an enormous influence on the development of historiography through his demonstration of fresh new ways to look at the past. His best-known histories are The Age of Louis XIV (1751), and Essay on the Customs and the Spirit of the Nations (1756). He broke from the tradition of narrating diplomatic and military events, and emphasized customs, social history and achievements in the arts and sciences. The Essay on Customs traced the progress of world civilization in a universal context, thereby rejecting both nationalism and the traditional Christian frame of reference. Influenced by Bossuet's Discourse on the Universal history (1682), he was the first scholar to make a serious attempt to write the history of the world, eliminating theological frameworks, and emphasizing economics, culture and political history. He treated Europe as a whole, rather than a collection of nations. He was the first to emphasize the debt of medieval culture to Arab civilization, but otherwise was weak on the Middle Ages. Although he repeatedly warned against political bias on the part of the historian, he did not miss many opportunities to expose the intolerance and frauds of the church over the ages. Voltaire advised scholars that anything contradicting the normal course of nature was not to be believed. Although he found evil in the historical record, he fervently believed reason and educating the illiterate masses would lead to progress.
Voltaire explains his view of historiography in his article on "History" in Diderot's Encyclopédie :
Voltaire's histories imposed the values of the Enlightenment on the past, but he helped free historiography from antiquarianism, Eurocentrism, religious intolerance and a concentration on great men, diplomacy, and warfare.[20][21]
From an early age, Voltaire displayed a talent for writing verse and his first published work was poetry. He wrote two book-long epic poems, including the first ever written in French, the Henriade, and later, The Maid of Orleans, besides many other smaller pieces.
The Henriade was written in imitation of Virgil, using the Alexandrine couplet reformed and rendered monotonous for modern readers but it was a huge success in the 18th and early 19th century, with sixty-five editions and translations into several languages. The epic poem transformed French King Henry IV into a national hero for his attempts at instituting tolerance with his Edict of Nantes. La Pucelle, on the other hand, is a burlesque on the legend of Joan of Arc. Voltaire's minor poems are generally considered superior to either of these two works.
Many of Voltaire's prose works and romances, usually composed as pamphlets, were written as polemics. Candide attacks the passivity inspired by Leibniz's philosophy of optimism; L'Homme aux quarante ecus (The Man of Forty Crowns), certain social and political ways of the time; Zadig and others, the received forms of moral and metaphysical orthodoxy; and some were written to deride the Bible. In these works, Voltaire's ironic style, free of exaggeration, is apparent, particularly the restraint and simplicity of the verbal treatment. Candide in particular is the best example of his style. Voltaire also has, in common with Jonathan Swift, the distinction of paving the way for science fiction's philosophical irony, particularly in his Micromégas and the vignette Plato's Dream (1756).
In general criticism and miscellaneous writing, Voltaire's writing was comparable to his other works. Almost all of his more substantive works, whether in verse or prose, are preceded by prefaces of one sort or another, which are models of his caustic yet conversational tone. In a vast variety of nondescript pamphlets and writings, he displays his skills at journalism. In pure literary criticism his principal work is the Commentaire sur Corneille, although he wrote many more similar works – sometimes (as in his Life and notices of Molière) independently and sometimes as part of his Siècles.
Voltaire's works, especially his private letters, frequently contain the word "l'infâme" and the expression "écrasez l'infâme," or "crush the infamous". The phrase refers to abuses to the people by royalty and the clergy that Voltaire saw around him, and the superstition and intolerance that the clergy bred within the people.[22] He had felt these effects in his own exiles, the burnings of his books and those of many others, and in the hideous sufferings of Calas and La Barre. He stated in one of his most famous quotes that "Superstition sets the whole world in flames; philosophy quenches them".
The most oft-cited Voltaire quotation is apocryphal. He is incorrectly credited with writing, “I disapprove of what you say, but I will defend to the death your right to say it.” These were not his words, but rather those of Evelyn Beatrice Hall, written under the pseudonym S. G. Tallentyre in her 1906 biographical book The Friends of Voltaire. Hall intended to summarize in her own words Voltaire's attitude towards Claude Adrien Helvétius and his controversial book De l'esprit, but her first-person expression was mistaken for an actual quotation from Voltaire. Her interpretation does capture the spirit of Voltaire’s attitude towards Helvetius; it had been said Hall's summary was inspired by a quotation found in a 1770 Voltaire letter to an Abbot le Roche, in which he was reported to have said, “I detest what you write, but I would give my life to make it possible for you to continue to write.”[23] Nevertheless, scholars believe there must have again been misinterpretation, as the letter does not seem to contain any such quote.[24]
Voltaire's first major philosophical work in his battle against "l'infâme" was the Traité sur la tolérance ("Treatise on Tolerance"), exposing the Calas affair, along with the tolerance exercised by other faiths and in other eras (for example, by the Jews, the Romans, the Greeks and the Chinese). Then, in his Dictionnaire philosophique, containing such articles as "Abraham", "Genesis", "Church Council", he wrote about what he perceived as the human origins of dogmas and beliefs, as well as inhuman behavior of religious and political institutions in shedding blood over the quarrels of competing sects.
Amongst other targets, Voltaire criticized France's colonial policy in North America, dismissing the vast territory of New France as "a few acres of snow" ("quelques arpents de neige").
Voltaire also engaged in an enormous amount of private correspondence during his life, totaling over 20,000 letters. Theodore Besterman's collected edition of these letters, completed only in 1964, fills 102 volumes.[25] One historian called the letters "a feast not only of wit and eloquence but of warm friendship, humane feeling, and incisive thought."[26]
Voltaire did not believe that any single religious text or tradition of revelation was needed to believe in God. Voltaire's focus was rather on the idea of universal laws, demonstrable, and in the main, still waiting to be discovered in the physical world as well as those of the moral world, underlying every religious system, along with respect for nature reflecting the contemporary pantheism.
Like other key thinkers during the European Enlightenment, Voltaire considered himself a deist, expressing the idea: "What is faith? Is it to believe that which is evident? No. It is perfectly evident to my mind that there exists a necessary, eternal, supreme, and intelligent being. This is no matter of faith, but of reason."[27][28]
As for religious texts, Voltaire's opinion of the Bible was mixed. Although influenced by Socinian works such as the Bibliotheca Fratrum Polonorum, Voltaire's skeptical attitude to the Bible separated him from Unitarian theologians like Fausto Sozzini or even Biblical-political writers like John Locke.[29]
This did not hinder his religious practice, though it did win for him a bad reputation in certain religious circles. The deeply Catholic Wolfgang Amadeus Mozart wrote to his father the year of Voltaire's death, saying, "The arch-scoundrel Voltaire has finally kicked the bucket...."[30]
Evolving views of Islam and its prophet, Muhammad, can be found in Voltaire's writings. In a letter recommending his play Fanaticism, or Mahomet to Pope Benedict XIV, Voltaire described the founder of Islam as "the founder of a false and barbarous sect" and "a false prophet",[31] a view he later revised upon further research for his Essai sur les Moeurs et l'Esprit des Nations.[32]
There is an apocryphal story that his home at Ferney was purchased by the Geneva Bible Society and used for printing Bibles,[33] but this appears to be due to a misunderstanding of the 1849 annual report of the American Bible Society.[34] Voltaire's chateau is now owned and administered by the French Ministry of Culture.
In the Scottish Enlightenment the Scots began developing a uniquely practical branch of humanism to the extent that Voltaire said "We look to Scotland for all our ideas of civilisation".[35][36]
In a letter to Frederick II, King of Prussia, dated 5 January 1767 he wrote about Christianity :
| “ | La nôtre [religion] est sans contredit la plus ridicule, la plus absurde, et la plus sanguinaire qui ait jamais infecté le monde.[37] (Ours [religion] is without a doubt the most ridiculous, the most absurd, and the most blood-thirsty ever to infect the world.) |
” |
In a 1763 essay, Voltaire supported the toleration of other religions and ethnicities: "It does not require great art, or magnificently trained eloquence, to prove that Christians should tolerate each other. I, however, am going further: I say that we should regard all men as our brothers. What? The Turk my brother? The Chinaman my brother? The Jew? The Siam? Yes, without doubt; are we not all children of the same father and creatures of the same God?"[38]
Voltaire rejected the Christian Adam and Eve story and was a polygenist who speculated that each race had separate origins.[39] Like other philosophes, such as Buffon, he divided humanity into varieties or races and attempted to explain the differences between these races. He wondered if blacks fully shared in the common humanity or intelligence of whites due to their participation in the slave trade.[40][41]
His most famous remark on slavery is found in "Candide", where the hero is horrified to learn 'at what price we eat sugar in Europe'. Elsewhere, he wrote caustically about "whites and Christians [who] proceed to purchase negroes cheaply, in order to sell them dear in America".[42][43]
| Part of a series on |
| Criticism of Judaism |
|---|
| Subjects |
| Apostasy · Atheism · Heresy · Schisms · Anti-Judaism · Violence · Moses · The Bible · The Talmud · Kabbalah · Conservative Judaism |
| People |
| Abner of Burgos · Pablo Christiani · Uriel da Costa · Elizabeth Dilling · Nicholas Donin · Denis Fahey · Michael A. Hoffman II · Ramón Martí · Karl Marx · Friedrich Nietzsche · Johannes Pfefferkorn · Judith Plaskow · Justinas Pranaitis · August Rohling · Baruch Spinoza · Israel Shahak · Voltaire |
According to the rabbi Joseph Telushkin the most significant of Enlightenment hostility against Judaism was found in Voltaire,[44] although claims to the contrary have been made that his remarks were in fact anti-Biblical, not anti-semitic.[45] Thirty of the 118 articles in his Dictionnaire Philosophique dealt with Jews and described them in consistently negative ways,[46] although this analysis overlooks the fact that he had already defended the Jews as more tolerant than the Christians in his Traité sur la tolérance the previous year and issued "Le Sermon du rabbin Akib", a text attacking anti-semitism, three years before that.
Peter Gay, a contemporary authority on the Enlightenment,[44] also points to Voltaire's remarks in the Traité sur la tolérance and surmises that "Voltaire struck at the Jews to strike at Christianity". Whatever anti-semitism Voltaire may have felt, Gay suggests, derived from negative personal experience. However, Bertram Schwarzbach's far more detailed studies of Voltaire's dealings with Jewish people throughout his life concluded that he was anti-biblical, not anti-semitic. His remarks on the Jews and their "superstitions" were essentially no different from his remarks on Christians.[47] Telushkin states that Voltaire did not limit his attack on aspects of Judaism that Christianity used as a foundation, repeatedly making it clear that he despised Jews.[44] Arthur Hertzberg claims that Gay's second suggestion is also untenable, as Voltaire himself denied its validity when he remarked that he had "forgotten about much larger bankruptcies through Christians".[48]
Voltaire was initiated into Freemasonry the month before his death. On 4 April 1778 Voltaire accompanied his close friend Benjamin Franklin into Loge des Neuf Soeurs in Paris, France and became an Entered Apprentice Freemason, perhaps only to please Franklin.[49] [50][51]
Voltaire perceived the French bourgeoisie to be too small and ineffective, the aristocracy to be parasitic and corrupt, the commoners as ignorant and superstitious, and the Church as a static and oppressive force useful only on occasion as a counterbalance to the rapacity of kings, although all too often, even more rapacious itself. Voltaire distrusted democracy, which he saw as propagating the idiocy of the masses.[52] Voltaire long thought only an enlightened monarch could bring about change, given the social structures of the time and the extremely high rates of illiteracy, and that it was in the king's rational interest to improve the education and welfare of his subjects. But his disappointments and disillusions with Frederick the Great changed his philosophy somewhat, and soon gave birth to one of his most enduring works, his novella, Candide, ou l'Optimisme (Candide, or Optimism, 1759), which ends with a new conclusion: "It is up to us to cultivate our garden". His most polemical and ferocious attacks on intolerance and religious persecutions indeed began to appear a few years later. Candide was also burned and Voltaire jokingly claimed the actual author was a certain "Demad" in a letter, where he reaffirmed the main polemical stances of the text.[53]
Voltaire is also known for many memorable aphorisms, such as: "Si Dieu n'existait pas, il faudrait l'inventer" ("If God did not exist, it would be necessary to invent him"), contained in a verse epistle from 1768, addressed to the anonymous author of a controversial work, "The Three Impostors". But far from being the cynical remark it is often taken for, it was meant as a retort to the atheistic clique of d'Holbach, Grimm, and others.[54] Voltaire is remembered and honored in France as a courageous polemicist who indefatigably fought for civil rights—the right to a fair trial and freedom of religion—and who denounced the hypocrisies and injustices of the ancien régime. The ancien régime involved an unfair balance of power and taxes between the First Estate (the clergy), the Second Estate (the nobles), and the Third Estate (the commoners and middle class, who were burdened with most of the taxes).
Voltaire has had his detractors among his later colleagues. The Scottish Victorian writer Thomas Carlyle argued that, while Voltaire was unsurpassed in literary form, not even the most elaborate of his works were of much value for matter and that he never uttered an original idea of his own.[citation needed] Nietzsche, however, called Carlyle a muddlehead who had not even understood the Enlightenment values he thought he was promoting.
He often used China, Siam and Japan as examples of brilliant non-European civilizations and harshly criticized slavery.[55] He particularly had admiration for the ethics and government as exemplified by Confucius.[56]
The town of Ferney, where Voltaire lived out the last 20 years of his life, is now named Ferney-Voltaire in honor of its most famous resident. His château is a museum.
Voltaire's library is preserved intact in the National Library of Russia at St. Petersburg, Russia.
In Zurich 1916, the theater and performance group who would become the early avant-garde movement Dada named their theater The Cabaret Voltaire. A late-20th-century industrial music group then named themselves after the theater.
Astronomers have bestowed his name to the Voltaire crater on Deimos and the asteroid 5676 Voltaire.[57]
Voltaire was also known to have been an advocate for coffee, as he was purported to have drunk the beverage at least 30 times per day. It has been suggested that high amounts of caffeine acted as a mental stimulant to his creativity.[58]
His great grand-niece was the mother of Pierre Teilhard de Chardin, a famous philosopher and Jesuit priest.[59][60]
Voltaire wrote between fifty and sixty plays, including a few unfinished ones. Among them are these:

Note 45: Bertram Schwarzbach, "Voltaire et les juifs: bilan et plaidoyer", Studies on Voltaire and the eighteenth century (SVEC) 358, Oxford.
| Find more about Voltaire on Wikipedia's sister projects: | |
| Definitions and translations from Wiktionary |
|
| Images and media from Commons |
|
| Learning resources from Wikiversity |
|
| News stories from Wikinews |
|
| Quotations from Wikiquote |
|
| Source texts from Wikisource |
|
| Textbooks from Wikibooks |
|
| Wikisource has the text of the 1911 Encyclopædia Britannica article Voltaire. |
|
|||||
|
|||||||||||||||||||||||||||||||||||||
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
| Arouet | |
| Mérope | |
| voltairism |
| What were voltaire accomplishments? Read answer... | |
| Where was Voltaire jailed? Read answer... | |
| Who did Voltaire marry? Read answer... |
| What did voltaire write about? | |
| What was Voltaire\'s focus? | |
| What were Voltaire\'s failures? |
Copyrights:
![]() | Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 1994-2012 Encyclopædia Britannica, Inc. All rights reserved. Read more | |
![]() |
![]() | Gale Encyclopedia of Biography. Gale Encyclopedia of Biography. © 2006 by The Gale Group, Inc. All rights reserved. Read more |
![]() | Oxford Dictionary of Politics. The Concise Oxford Dictionary of Politics. Copyright © 1996, 2003 by Oxford University Press. All rights reserved. Read more | |
![]() | Oxford Companion to Fairy Tales. The Oxford Companion to Fairy Tales. Copyright © 2000, 2002, 2005 by Oxford University Press. All rights reserved. Read more | |
![]() | Oxford Companion to French Literature. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved. Read more | |
![]() | Oxford Companion to German Literature. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved. Read more | |
![]() | Oxford Dictionary of Philosophy. The Oxford Dictionary of Philosophy. Copyright © 1994, 1996, 2005 by Oxford University Press. All rights reserved. Read more | |
![]() | Answer of the Day. © 1999-present by Answers Corporation. All rights reserved. Read more | |
![]() |
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2012, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/. Read more |
![]() |
![]() | Gale Encyclopedia of the Early Modern World. Encyclopedia of the Early Modern World. Copyright © 2004 by The Gale Group, Inc. All rights reserved. Read more |
![]() |
![]() | Word Tutor. Copyright © 2004-present by eSpindle Learning, a 501(c) nonprofit organization. All rights reserved. eSpindle provides personalized spelling and vocabulary tutoring online; sign up free. Read more |
![]() |
![]() | Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved. Read more |
| Rhymes. Oxford University Press. © 2006, 2007 All rights reserved. Read more | ||
![]() |
![]() | Bradford's Crossword Solver's Dictionary. Collins Bradford's Crossword Solver's Dictionary © Anne Bradford, 1986, 1993, 1997, 2000, 2003, 2005, 2008 HarperCollins Publishers All rights reserved. Read more |
![]() |
![]() | Wikipedia on Answers.com. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article Voltaire. Read more |