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Warren Beatty

 
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Henry Warren Beatty


Warren Beatty
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(born March 30, 1937, Richmond, Va., U.S.) U.S. film actor, producer, director, and screenwriter. He studied acting with famed coach Stella Adler in New York and made his film debut in Splendor in the Grass (1961). He later starred in and produced the influential film Bonnie and Clyde (1967). Often cowriting, directing, or producing his own films, he later starred in Shampoo (1975), Heaven Can Wait (1978), Reds (1981, Academy Award for direction), and Bulworth (1998).

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Beatty, Warren (Henry Warren Beatty) ('tē, bē'-), 1937-, motion picture actor, director, producer, and screenwriter, b. Richmond, Va. An eminently bankable star, the handsome, charismatic, yet oddly elusive leading man made his film debut in Splendor in the Grass (1961). His reputation as a Hollywood Don Juan often overshadowed his considerable talents, which were nonetheless apparent in his next smash hit, Bonnie and Clyde (1967), which he also produced. Among his more notable later movies are Robert Altman's McCabe and Mrs. Miller (1971); The Parallax View (1974); the very popular Beatty-produced Shampoo (1975); Heaven Can Wait (1978); the ambitious and romantic saga of the Russian Revolution Reds (1981), for which he won the best-director Oscar; the colossal comedic flop Ishtar (1987); the comic book-like Dick Tracy (1991), costarring Madonna; Bugsy (1991), in which his complex and forceful gangster portrait is perhaps his most effective performance; and another directorial effort, Love Affair (1994), costarring his wife, Annette Bening. Long active in liberal politics, he briefly received media attention in 1999 as a potential presidential hopeful. The actress Shirley MacLaine is his sister.
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"For me, the highest level of sexual excitement is in a monogamous relationship."

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Biography

It might have been easy to write off American actor Warren Beatty as merely the younger brother of film star Shirley MacLaine, were it not for the fact that Beatty was a profoundly gifted performer whose creative range extended beyond mere acting. After studying at Northwestern University and with acting coach Stella Adler, Beatty was being groomed for stardom almost before he was of voting age, cast in prominent supporting roles in TV dramas and attaining the recurring part of the insufferable Milton Armitage on the TV sitcom Dobie Gillis. Beatty left Dobie after a handful of episodes, writing off his part as "ridiculous," and headed for the stage, where he appeared in a stock production of Compulsion and in William Inge's Broadway play A Loss of Roses.

The actor's auspicious film debut occurred in Splendor in the Grass (1961), after which he spent a number of years being written off by the more narrow-minded movie critics as a would-be Brando. Both Beatty and his fans knew that there was more to his skill than that, and in 1965 Beatty sank a lot of his energy and money into a quirky, impressionistic crime drama, Mickey One (1965). The film was a critical success but failed to secure top bookings, though its teaming of Beatty with director Arthur Penn proved crucial to the shape of movie-making in the 1960s. With Penn again in the director's chair, Beatty took on his first film as producer/star, Bonnie and Clyde (1967). Once more, critics were hostile -- at first. A liberal amount of praise from fellow filmmakers and the word-of-mouth buzz from film fans turned Bonnie and Clyde into the most significant film of 1967 -- and compelled many critics to reverse their initial opinions and issue apologies. This isn't the place to analyze the value and influence Bonnie and Clyde had; suffice it to say that this one film propelled Warren Beatty from a handsome, talented film star into a powerful filmmaker.

Picking and choosing his next projects very carefully, Beatty was offscreen as much as on from 1970 through 1975, though several of his projects -- most prominently McCabe and Mrs. Miller (1971) and The Parallax View (1974) -- would be greeted with effusive praise by film critics and historians. In 1975, Beatty wrote his first screenplay, and the result was Shampoo (1975), a trenchant satire on the misguided mores of the late '60s. Beatty turned director for 1978's Heaven Can Wait, a delightful remake of Here Comes Mr. Jordan that was successful enough to encourage future Hollywood bankrolling of Beatty's directorial efforts. In 1981, Beatty produced, directed, co-scripted and acted in Reds, a spectacular recounting of the Russian Revolution as seen through the eyes of American Communist John Reed. It was a pet project of Beatty's, one he'd been trying to finance since the 1970s (at that time, he'd intended to have Sergei Bondarchuk of War and Peace fame as director). Reds failed to win a Best Picture Academy Award, though Beatty did pick up an Oscar as Best Director. Nothing Beatty has done since Reds has been without interest; refusing to turn out mere vehicles, he has taken on a benighted attempt to re-spark the spirit of the old Hope-Crosby road movies (Ishtar [1984]); brought a popular comic strip to the screen, complete with primary colors and artistic hyperbole (Dick Tracy [1991]); and managed to make the ruthless gangster Bugsy Siegel a sympathetic visionary (Bugsy [1992]). In 1998 he was able to breath new life into political satire with Bulworth, his much acclaimed film in which he plays a disillusioned politician who turns to rap to express himself. In 2001, Beatty rekindled memories of Ishtar as he starred in another phenomenal bust, Town & Country. Budgeted at an astronomical 90 million dollars and earning a miserable 6.7 million dollars during it's brief theatrical run, Town & Country was released three years after completion and pulled from theaters after a mere four weeks, moving critics to rank it among the biggest flops in movie history.

Fiercely protective of his private life, and so much an advocate of total control that he will dictate the type of film stock and lighting to be used when being interviewed for television, Beatty has nonetheless had no luck at all in keeping his many amours out of the tabloids. However, Beatty's long and well-documented history of high-profile romances with such actresses as Leslie Caron, Julie Christie, Diane Keaton, and Madonna came to an abrupt end upon his 1992 marriage to Bugsy co-star Annette Bening, with whom he later starred in 1994's Love Affair, his blighted remake of the 1957 An Affair to Remember. ~ Hal Erickson, Rovi
Wikipedia on Answers.com:

Warren Beatty

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Warren Beatty

Warren Beatty at the 1990 Academy Awards
Born Henry Warren Beaty
(1937-03-30) 30 March 1937 (age 75)
Richmond, Virginia, U.S.
Occupation Actor, director, producer, screenwriter
Years active 1957–present
Spouse Annette Bening (1992–present)

Warren Beatty (play /ˈbti/ BAY-tee;[1] born March 30, 1937) is an American actor, producer, screenwriter and director. He has been nominated for 15 Academy Awards, including winning the Best Director Award and its highest honor, the Irving G. Thalberg Award. He has been nominated for 16 Golden Globe Awards and won six, including the Cecil B. DeMille Award, which he received in 2007. Only Beatty and Orson Welles have been nominated for producer, director, writer and actor in the same film. Welles did it once (for Citizen Kane), Beatty did it twice (for Heaven Can Wait and Reds).

Contents

Early life and education

Beatty was born Henry Warren Beaty in Richmond, Virginia. His mother, Kathlyn Corinne (née MacLean), was a Nova Scotia-born teacher, and his father, Ira Owens Beaty, was a Ph.D. of educational psychology, a public school administrator, and dealt in real estate.[2] Beatty's grandparents were also educators. The family was Baptist.[3][4] In 1945, the family moved from Richmond to Arlington, Virginia. Beatty's sister is the multi-award winning actress and writer Shirley MacLaine.

Beatty was a star football player at Washington-Lee High School in Arlington. Encouraged to act by the success of his sister, who had recently established herself as a Hollywood star, he decided to work as a stagehand at the National Theater in Washington, D.C., during the summer prior to his senior year. Upon graduation from high school, he turned down 10 football scholarships to study liberal arts at Northwestern University.

While at Northwestern, he appeared in the annual Waa-Mu Show. He became a member of the Sigma Chi Fraternity. He left after his freshman year to move to New York City, where he studied acting with Stella Adler. He received a best actor Tony Award nomination and won a Theatre World Award in 1960 for his performance in William Inge's drama A Loss of Roses. It was to be his only appearance on the Broadway stage.

Military service

Under his original name of Henry W. Beaty, Warren Beatty enlisted in the California Air National Guard on February 11, 1960.

On January 1, 1961, Beatty was discharged from the Air National Guard due to physical disability. He was also simultaneously discharged from the United States Air Force Reserve. He served on inactive duty only.

Career

1950s and 1960s

The handprints of Warren Beatty in front of The Great Movie Ride at Disney's Hollywood Studios theme park.

Beatty started his career making appearances on television shows such as Studio One (1957), Kraft Television Theatre (1957), and Playhouse 90 (1959). He made his film debut under Elia Kazan's direction in Splendor in the Grass (1961). The film was a critical and box office success and Beatty was nominated for a Golden Globe Award for Best Actor, and received the award for New Star of the Year - Actor.

He followed his initial film with Tennessee Williams' The Roman Spring of Mrs. Stone (1960) directed by Jose Quintero, All Fall Down (1961) directed by John Frankenheimer, Lilith (1963) directed by Robert Rossen, Promise Her Anything (1964) directed by Arthur Hiller, Mickey One (1964) directed by Arthur Penn, and Kaleidoscope (1965) directed by Jack Smight.

In 1966 Beatty produced and acted in Bonnie and Clyde at age 29. He assembled writers Robert Benton and David Newman and director Arthur Penn, and took full responsibility for production, including cast, script and delivery of the film. It was a critical and commercial success and was nominated for ten Academy Awards, including Best Picture and Best Actor. It also received seven Golden Gobe Award nominations, including Best Picture and Best Actor.

1970s and 1980s

After making Bonnie and Clyde, Beatty acted in The Only Game In Town (1969) directed by George Stevens, McCabe & Mrs. Miller (1970) directed by Robert Altman, Dollars (1971) directed by Richard Brooks, The Parallax View (1973) directed by Alan Pakula, and The Fortune (1974) directed by Mike Nichols. He produced, co-wrote and acted in Shampoo (1974) directed by Hal Ashby, which was nominated for four Academy Awards, including Best Screenplay. The film was nominated for five Golden Globe Awards, including Best Picture and Best Actor. In 1978, Beatty directed, produced, wrote and acted in Heaven Can Wait (1978). The film was nominated for nine Academy Awards, including Best Picture, Director, Actor, and Screenplay. It also won three Golden Globe Awards, including Best Picture and Best Actor.

Beatty's next film was Reds (1981), an historical epic about the Communist journalist John Reed who observed the Russian October Revolution – a project Beatty had begun researching and filming for as far back as 1970. It was a critical and commercial success (made all the more noticeable considering it was an American film about an American Communist made and released at the height of the Cold War). It received 12 Academy Award nominations, including four for Beatty for Best Picture, Director, Actor, and Screenplay. He won for Best Director. The film also received seven Golden Globe Award nominations, including Best Picture, Director, Actor and Screenplay. Beatty won the Golden Globe for Best Director.

Following Reds, in 1985-1986 Beatty acted in Ishtar, written and directed by Elaine May. Following severe criticism in press reviews by the new British studio chief David Puttnam just prior to its release, the film received mixed reviews. Puttnam attacked several other over-budget American films that had been greenlit by his predecessor. He was fired shortly thereafter.

1990s and 2000s

In 1990, Beatty produced, directed and acted in the title role of the film Dick Tracy. The film was critically acclaimed and one of the highest grossers of the year. It received seven Academy Award nominations and four Golden Globe Award nominations, including the Golden Globe for Best Picture. In 1991, he produced and starred as the real-life gangster Bugsy Siegel in the critically and commercially acclaimed Bugsy, directed by Barry Levinson, which was nominated for 10 Academy Awards, including Best Picture and Best Actor. The film also received eight Golden Globe Award nominations, including Best Picture and Best Actor. It won for Best Picture. His next film, Love Affair (1994), directed by Glenn Caron, received mixed reviews and was unimpressive commercially. In 1998, he wrote, produced, directed and starred in the political satire Bulworth which was critically acclaimed and was nominated for the Academy Award for Best Screenplay. The film also received three Golden Globe Award nominations, for Best Picture, Actor, and Screenplay. In 2001, he made an acting appearance in Town and Country, Directed by Peter Chelsom and produced by Simon Fields, which received mixed reviews and did not fare well commercially.

Beatty has appeared briefly in many documentaries, some of which include Arthur Penn, 1922-: Themes and Variants (1970), Year of the Woman (1973), George Stevens: A Filmmaker's Journey (1984), Dick Tracy: Behind the Badge, Behind the Scenes (1990), Madonna: Truth or Dare (1991), Bugsy: The Dark Passion of an American Dreamer (1991), Victory & Valor: Special Olympics World Games (1991), Writing With Light: Vittorio Storaro (1992), The First 100 Years: A Celebration of American Movies (1995), Forever Hollywood (1999), Dean Tavoularis: The Magician of Hollywood (2003), One Bright Shining Moment (2005), The Road to Damascus: The Reinvention of Bugsy Siegel (2006), In Search of Puppy Love (2007), American Masters (2008), and Revolution! The Making of Bonnie and Clyde (2008).

Tribune lawsuit

In May 2005, Beatty sued Tribune Co., claiming he still maintains the rights to Dick Tracy. On March 25, 2011 U.S. District Judge Dean Pregerson decided in Beatty's favor.[5]

Political work

Beatty in the White House with first lady Nancy Reagan and Diane Keaton, 1981

Since the 1960's, Beatty has been highly active in the presidential politics of the Democratic Party. In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care, gun control, and the need for the Democratic Party to return to its roots. In 1968, he campaigned with Senator Robert F. Kennedy in his bid for the Democratic nomination. That same year, Beatty traveled throughout the United States speaking in favor of gun control and against the war in Vietnam.

In 1972, Beatty was part of the "inner circle" of Senator George McGovern's presidential campaign. He traveled extensively and was instrumental in organizing fundraising.[6] In 1976 with California Governor Jerry Brown, and in 1984 and 1988 with Colorado Senator Gary Hart, Beatty played a similar role in their presidential campaigns. Beatty was rumored to be considering becoming a candidate for the Democratic Presidential nomination during the summer of 1999. He never publicly expressed an interest in doing so. When a recall of California Governor Gray Davis was set in motion, Beatty campaigned against the 2003 special election.

In 2005, he was the keynote speaker at the California Nurses Association's convention, gave the commencement speech at the Goldman School of Public Policy at the University of California, Berkeley, and campaigned against Governor Schwarzenegger's ballot propositions. The propositions were defeated, increasing speculation that Beatty might run against Schwarzenegger in the 2006 election, but Beatty denied he would seek the Democratic gubernatorial nomination.

Personal life

As a bachelor until the age of 54 who had become famous at the age of 20, Beatty has been the subject of myriad fabrications regarding his relationships with women. As a strong proponent of the First Amendment he has never taken legal action against a publisher, and has never authorized a biography of himself.

Honors

He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, the Philip Burton Public Service Award from the Foundation for Taxpayer and Consumer Rights, and the Spirit of Hollywood Award from the Associates for Breast and Prostate Cancer Studies. Beatty was a founding board member of the Center for National Policy, a founding member of the Progressive Majority, a member of the Council on Foreign Relations, has served as the Campaign Chair for the Permanent Charities Committee, and has participated in the World Economic Forum at Davos, Switzerland. He is on the Board of Trustees at the Scripps Research Institute and the Board of Directors of the Motion Picture and Television Fund Foundation. He was named Honorary Chairman of the Stella Adler Studio of Acting in 2006.

He was nominated twice for the Directors Guild of America Award for Best Director, and received the award for Reds. He was nominated four times for the Writers Guild of America Award for Best Screenplay, which he received three times for Shampoo, Heaven Can Wait, and Reds (film). The National Association of Theatre Owners awarded him with the Star of the Year Award in 1975, and in 1978 the Director of the Year Award and the Producer of the Year Award. He was nominated six times and received the Saturn Award three times for Best Film, Actor, and Screenplay. He received two Photoplay Awards for Best Actor and Best Film. He received an American Movie Award in 1981. He was nominated for three Golden Laurel Awards, winning Best Action-Drama for Bonnie and Clyde. In 1999 he was nominated for the Golden Satellite Award for Best Actor. He has received awards from numerous critic organizations, including sixteen nominations and ten awards for producing, writing, acting, and directing from the New York and the Los Angeles Film Critics, the National Board of Review, and the National Society of Film Critics.

He received numerous awards and nominations for Bulworth, including the Los Angeles Film Critics Award for Best Screenplay, and nominations for the Academy, Writers Guild, Golden Globe, and the Chicago Film Critics Association Awards for Best Screenplay. The film also received Golden Globe nominations for Best Picture and Best Actor, the Venice Film Festival Golden Lion Award for Best Film, and a Satellite Award for Best Actor.

He received the Alan J. Pakula Memorial Award from the National Board of Review in 1998. He received the Akira Kurosawa Lifetime Achievement Award in 2002 from the San Francisco International Film Festival. He has received the Board of Governors Award from the American Society of Cinematographers, the Distinguished Director Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild.

In 2004 he received the Kennedy Center Honors in Washington, D.C., and the Milestone Award from the Producers Guild of America. He was honored with the American Film Institute Life Achievement Award in 2008.

Beatty has also received a number of international awards. He was named a Commander of the Order of Arts and Letters in France in 1992. In Italy he received the David di Donatello Award twice, for Best Actor and Best Producer, from the Academy of Italian Cinema and its Lifetime Achievement Award in 1998. That same year, he was nominated for a Golden Lion Award for Best Film for Bulworth and received a Career Golden Lion Award from the Venice Film Festival. He was also nominated for the Italian National Syndicate of Film Journalists Award for Best Director for Dick Tracy. In 2001, he received the Donostia Lifetime Achievement Award from the San Sebastián International Film Festival in Spain. He was nominated for two BAFTA awards for Best Actor, and he received the British Academy Fellowship from BAFTA in 2002 and the Stanley Kubrick Britannia Award in 2011.

Beatty married Annette Bening on March 12, 1992. With his wife, Beatty received the Champion of Children Award from the Children's Institute International, the Caritas Award from the Saint John's Health Center, the Stem Cell Champions Award from the Juvenile Diabetes Research Foundation, and the In The Line of Duty Award from the Los Angeles Police Protective League's Eagle and Badge Foundation. They have four children.

Filmography

Year Film Role Notes
1961 Splendor in the Grass Bud Stamper Golden Globe for Best New Star - Actor
Nominated - Golden Globe for Best Actor
The Roman Spring of Mrs. Stone Paolo di Leo
1962 All Fall Down Berry-Berry Willart
1964 Lilith Vincent Bruce
1965 Mickey One Mickey One
Promise Her Anything Harley Rummell
1966 Kaleidoscope Barney Lincoln
1967 Bonnie and Clyde Clyde Barrow David di Donatello Award for Best Actor
Photoplay Award for Best Actor
Photoplay Award for Best Film
Golden Laurel Award for Best Action-Drama
Kansas City Film Critics Circle Award for Best Film
Nominated – Academy Award for Best Actor
Nominated – Academy Award for Best Picture
Nominated - Golden Globe for Best Picture
Nominated – Golden Globe for Best Actor
Nominated – BAFTA for Best Actor
Nominated - National Society of Film Critics for Best Film
1970 The Only Game in Town Joe Grady
1971 McCabe & Mrs. Miller John McCabe
$ Joe Collins
1974 The Parallax View Joseph Frady
1975 Shampoo George Roundy WGA Award for Best Screenplay
National Society of Film Critics Award for Best Screenplay
Nominated – Academy Award for Best Screenplay
Nominated – Golden Globe for Best Actor
Nominated - Golden Globe for Best Picture
The Fortune Nicky Wilson
1978 Heaven Can Wait Joe Pendleton Golden Globe for Best Picture
Golden Globe for Best Actor
WGA Award for Best Screenplay
Saturn Award for Best Film
Saturn Award for Best Actor
Saturn Award for Best Writing
Nominated – Academy Award for Best Actor
Nominated – Academy Award for Best Picture
Nominated – Academy Award for Best Director
Nominated – Academy Award for Best Screenplay
Nominated – DGA Award for Best Director
Nominated – Saturn Award for Best Direction
1981 Reds John Reed Academy Award for Best Director
DGA Award for Best Director
Golden Globe for Best Director
WGA Award for Best Screenplay
David di Donatello for Best Producer
Los Angeles Film Critics Association Award for Best Director
New York Film Critics Circle Award for Best Film
National Board of Review Award for Best Director
National Board of Review Award for Top Ten Film
American Movie Award for Excellence in Film
Nominated – Academy Award for Best Actor
Nominated – Academy Award for Best Picture
Nominated – Academy Award for Best Screenplay
Nominated – Golden Globe for Best Actor
Nominated – Golden Globe for Best Screenplay
Nominated - Golden Globe for Best Picture
Nominated – BAFTA for Best Actor
Nominated - Los Angeles Film Critics Association Award for Best Film
Nominated - Los Angeles Film Critics Association Award for Best Screenplay
1987 Ishtar Lyle Rogers
1990 Dick Tracy Dick Tracy Nominated - Golden Globe for Best Picture
Nominated - Italian National Syndicate of Film Journalists Award for Best Director
Nominated - Saturn Award for Best Actor
Nominated - Saturn Award for Best Film
1991 Bugsy Bugsy Siegel Golden Globe for Best Picture
Los Angeles Film Critics Association Award for Best Film
National Board of Review Award for Best Actor
National Board of Review for Top Ten Film
Nominated – Academy Award for Best Actor
Nominated – Academy Award for Best Picture
Nominated – Golden Globe for Best Actor
Nominated - Los Angeles Film Critics Association Award for Best Actor
Nominated - New York Film Critics Circle Award for Best Actor
Nominated - National Society of Film Critics Award for Best Actor
1994 Love Affair Mike Gambril
1998 Bulworth Sen. Jay Billington Bulworth Los Angeles Film Critics Association Award for Best Screenplay
Nominated – Academy Award for Best Screenplay
Nominated – WGA Award for Best Screenplay
Nominated – Golden Globe for Best Screenplay
Nominated - Golden Globe for Best Picture
Nominated – Golden Globe for Best Actor
Nominated - Venice Film Festival Golden Lion Award for Best Film
Nominated – Chicago Film Critics Association Award for Best Screenplay
Nominated – Satellite Award for Best Actor
2001 Town & Country Porter Stoddard

References

Warren Beatty appeared in One Step Beyond: The Visitor - Season 2, Episode 33

Further reading

  • Ellis Amburn, The Sexiest Man Alive : A Biography of Warren Beatty, HarperCollins Publishers Inc., New York, 2002. ISBN 0-06-018566-X
  • Suzanne Finstad, Warren Beatty : A Private Man, Random House, Inc., New York, 2005. ISBN 1-4000-4606-8
  • Mark Harris, "Pictures at a Revolution: Five Movies and the Birth of New Hollywood", Penguin Press, New York, 2008. ISBN 978-1-59420-152-3
  • Suzanne Munshower, "Warren Beatty: His Life, His Loves, HIs Work", St. Martin's Press, New York, 1990. ISBN 0-8065-0670-9
  • Lawrence Quirk, "The Films of Warren Beatty", Citadel Press, New Jersey, 1979. ISBN 0-8065-0670-9
  • Stephen J. Ross, "Hollywood Left and Right: How Movie Stars Shaped American Politics", Oxford Press, New York, 2011. ISBN 978-0-19-518172-2
  • Peter Swirski, "1990s That Dirty Word, Socialism: Warren Beatty's Bulworth." Ars Americana Ars Politica. Montreal, London: McGill-Queen's University Press, 2010. ISBN 978-0-7735-3766-8
  • David Thomson, "Warren Beatty: A Life and Story", Secker and Warburg, London, 1987. ISBN 0-436-52015-X
  • David Thomson, "Warren Beatty and Desert Eyes", Doubleday and Co., Inc., New York, 1987. ISBN 0-385-18707-6
  • Peter Biskind, Star: How Warren Beatty Seduced America, Simon & Schuster, Inc. New York, 2010. ISBN 978-0-7432-4658-3
  • Peter Biskind, "Easy Riders, Raging Bulls: How the Sex-drugs-and-rock-'n'-roll Generation Saved Hollywood", Simon & Schuster, Inc. New York, 1998. ISBN 0-684-80996-6

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