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William Styron |
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Gale Encyclopedia of Biography:
William Styron |
William Styron (born 1925) was a Southern writer of novels and articles. His major works were "Lie Down in Darkness, The Long March, The Confessions of Nat Turner, and Sophie's Choice". His major theme was the response of basically decent people to such cruelties of life as war, slavery, and madness.
William Styron was born January 11, 1925, in Newport News, Virginia, to a family whose roots in the South go back to the 17th century. After attending Christchurch, a small Episcopal high school in Middlesex County, Virginia, he entered Davidson College in 1942. In 1943 he transferred to Duke University but left school for service with the Marines. His experiences first as a trainee at Parris Island and then as an officer are the bases for the preoccupation with war, the military mind, and authority in his novels.
Discharged in 1945, Styron returned to Duke. There, under the guidance of William Blackburn, he became seriously interested in literature and began writing short stories. After he graduated in 1947 and took a job in New York, it was Blackburn who influenced him to enroll in a creative writing class taught by Hiram Haydn at the New School for Social Research. But Styron found that his job writing copy and reading manuscripts for McGraw Hill sapped his energy and creativity. Within six months he was fired "for slovenly appearance, not wearing a hat, and reading the New York Post." The loss of his job turned out to be beneficial, since, with financial support from his father and encouragement from Haydn, he could write full-time, and in 1952 he published Lie Down in Darkness.
This novel is about the disintegration of a southern family, the Loftises. The immediate setting is the funeral of one of the daughters, Peyton, a suicide. But the conflicts between the narcissistic, alcoholic father and the emotionally disturbed mother, the hate between mother and daughter, and the near incestuous love of the father for Peyton - all contributors to the characters' disillusionment and the suicide itself - are unfolded in flashbacks. Though the story is told in third person, the final section is a remarkable monologue recited by Peyton before she jumps out of a window. Lie Down in Darkness was an impressive first novel, and in 1952 Styron won the Prix de Rome of the Academy of Arts and Letters for his achievement.
During the Korean conflict, in 1951, just before Lie Down in Darkness appeared, Styron was recalled briefly to the Marines. Two incidents - the accidental killing of soldiers by a stray shell and a forced march - which occurred at the camp where he was assigned were the sources for the plot of a novella, The Long March. It was written during a tour Styron took of Europe directly after his discharge and was published in 1956.
The two-year stay in Europe had other results. Styron met and married Rose Burgunder, a native of Baltimore, and helped a group of young writers establish The Paris Review.
Styron's next novel, Set This House on Fire (1960), is a long book with rape and two murders at its center. Two friends, Peter Leveritt and Cass Kinsolving, visiting together in Charleston, recall the events which took place three years earlier when they were guests at a villa in Sambucco, Italy. Though Peter is the narrator, many critics consider Cass, who kills the man he wrongly suspects of raping and murdering a peasant girl, the protagonist because he progresses from weakness and despair to self-knowledge and faith. For many readers Set This House on Fire was a disappointment, the narrative disjointed, the characters incompletely realized. But the book received acclaim in France and marked an important step in Styron's development.
The Confessions of Nat Turner (1967) is based on a true story, the 1831 rebellion of a group of slaves against their white oppressors. Nat Turner, the leader, in jail awaiting execution, dictates his "confessions" to his attorney. The book was a success; in 1968 it received the Pulitzer Prize. But it aroused controversy, particularly among African Americans, who felt that Nat represented a white man's condescending vision of them and that the story distorted history, a charge Styron answered by claiming the right of the novelist to "meditate" on history and augment facts with imagination.
Reactions to Sophie's Choice (1979) were also mixed. Stingo, the narrator, is a young Southerner, who, like Styron himself, comes to New York hoping to become a writer. In a Brooklyn rooming house he meets Sophie and her Jewish lover, Nathan, who alternates between brilliance, warmth, and charm and psychopathic fury. Most of the story centers on Sophie, a Polish Catholic refugee who was interned in a concentration camp during World War II. Tormented by her memories, particularly the loss of her children, she submits to Nathan's love and abuse up until the tragic conclusion, a double suicide. The book was a best seller, then a motion picture. But some critics claimed Styron had misrepresented the Holocaust, linking its horrors with eroticism and ignoring the plight of its major victims, the Jews. In 1982, the film version of Sophie's Choice, starring Meryl Streep, received several Academy Award nominations.
More recently, Styron's novels include, Darkness Visible: A Memoir of Madness (1990), which covers his own bouts with depression; and a trilogy of short stories, A Tide-water Morning: Three Tales from Youth (1993). Styron also co-authored, The Face of Mercy: A Photographic History of Medicine at War (1995) with Mathew Naythons, Sherwin B. Nuland, and Stanley B. Burns.
Aside from novels and articles, Styron also wrote a play, In the Clap Shack (1972), which was performed at Yale. A military novel, The Way of the Warrior, was in progress in the 1980s.
Styron is highly regarded as a Southern writer. The injustices of the old South and the materialism of the new are two themes which figure prominently in his novels. But he was more than a regional writer. His major characters generally are decent people thrust among the cruelties of the world: slavery, war, individual madness, and violence. Though he was not particularly optimistic, most of his protagonists achieve illumination or regeneration by observing or struggling with these forces. There are critics, in fact, who see his works as religious. In addition to religious imagery, the novels suggest that when one gets in touch with his humanity he finds some sort of salvation.
Further Reading
Studies entitled William Styron - by Robert Fossum (1968), Melvin Friedman (1974), Cooper Mackin (1969), Richard Pearce (1971), and Mark Ratner (1972) - include biography and criticism. More studies are Arthur Casciato/James West, Critical Essays on William Styron (1982) and Robert Morris, The Achievement of William Styron (revised edition, 1981), which contains a bibliography of numerous articles and books about and by Styron. In the mid-1990s, Styron was working on a semi-autobiographical novel about the Marine Corps.
In January of 1997, William Styron was the focus of a public television biographical series/documentary film, American Masters, during which he discussed the fact that his recent works often contain a theme of coping to understand the African American experience, which is autobiographical in nature. He has also written a commentary for the New York Times Magazine (1995), entitled, A Horrid Little Racist, discussing a boyhood incident where he was punished for making a racist remark. This and other experiences ultimately piqued his interest in trying to understand the African American experience.
Columbia Encyclopedia:
William Styron |
Bibliography
See Conversations with William Styron (1985), ed. by J. L. W. West 3d; biography by J. L. W. West 3d (1998); studies by M. J. Friedman (1974), R. K. Morries and I. Malin, ed. (2d ed. 1981), A. D. Casciato and J. L. W. West 3d, ed. (1982), J. K. Crane (1985), J. Ruderman (1987), S. L. Murthy (1988), S. Coale (1991), G. Cologne-Brookes (1995), D. W. Ross, ed. (1995), and E. Herion-Sarafidis (1995).
Houghton Mifflin Chronology of US Literature:
Works by William Styron |
| 1951 | Lie Down in Darkness. Styron's first novel is published to critical acclaim. The plot, revolving around a family funeral in Tidewater, Virginia, is strongly reminiscent of William Faulkner's As I Lay Dying, which also makes use of interior monologue. The Virginia-born writer served in the Marine Corps before graduating from Duke University in 1947. |
| 1956 | The Long March. Called to active service in the Marine Corps during the Korean War, Styron bases this novel on his actual experience of a punishing forced march at Camp Lejeune, North Carolina. The story had been published in the first issue of Discovery in 1953. |
| 1960 | Set This House on Fire. Styron's second novel concerns a murder that becomes a redemptive act for a painter. One of the writer's most ambitious and complex works, the novel is faulted as collapsing under the weight of its allusions and portentousness. |
| 1967 | The Confessions of Nat Turner. A first-person account of an actual 1931 slave rebellion in Virginia--told from the perspective of its leader--proves both successful and highly controversial. The novel wins a Pulitzer Prize but is criticized by black writers who complain that Styron had played on stereotypes in his portrayal of Turner and other slaves. |
| 1979 | Sophie's Choice. Styron draws praise and criticism for his novel about a young writer's involvement with a damaged concentration camp survivor. Connecting the Holocaust with slavery in America, Styron is both accused of misappropriating a subject for fictional effect and applauded for being one of the first American writers to deal with the moral and psychological consequences of the Holocaust. |
Quotes By:
William Styron |
Quotes:
"A great book should leave you with many experiences and slightly exhausted at the end. You should live several lives while reading it."
"Let's face it, writing is hell."
Wikipedia on Answers.com:
William Styron |
| William Styron | |
|---|---|
| Born | June 11, 1925 Newport News, Virginia, USA |
| Died | November 1, 2006 (aged 81) Martha's Vineyard, Massachusetts, USA |
| Occupation | Novelist, essayist |
| Nationality | American |
| Alma mater | Duke University |
| Period | 1951–2006 |
| Notable work(s) | The Confessions of Nat Turner Sophie's Choice |
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Influenced
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William Clark Styron, Jr. (June 11, 1925 – November 1, 2006) was an American novelist and essayist who won major literary awards for his work.[1]
For much of his career, Styron was best known for his novels, including:
Styron's influence deepened and his readership expanded with the publication of Darkness Visible in 1990. This memoir, originally intended as a magazine article, chronicled the author's descent into depression and his near-fatal night of "despair beyond despair."[3]
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Contents
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William Styron was born in the Hilton Village historic district[4] of Newport News, Virginia. He grew up in the South and was steeped in its history. His birthplace was less than a hundred miles from the site of Nat Turner’s slave rebellion, later the source for Styron's most famous and controversial novel.
Although Styron’s paternal grandparents had been slave owners, his Northern mother and liberal Southern father gave him a broad perspective on race relations. Styron’s childhood was a difficult one: his father, a shipyard engineer, suffered from clinical depression, which Styron himself would later experience. His mother died from breast cancer in 1939 when Styron was a boy, following a decade-long battle.
Styron attended public school until third grade, when his father sent him to Christchurch School, an Episcopal college-preparatory school in the Tidewater region of Virginia. Styron once said, "But of all the schools I attended ... only Christchurch ever commanded something more than mere respect — which is to say, my true and abiding affection."
On graduation, Styron enrolled in Davidson College and joined Phi Delta Theta. He dropped out to join the Marines toward the end of World War II. Though Styron was made a lieutenant, the Japanese surrendered before Styron’s ship left San Francisco. Styron then enrolled in Duke University, where he earned a B.A. in English. There he published his first fiction, a short story heavily influenced by William Faulkner, in an anthology of student work.
After his 1947 graduation, Styron took an editing position with McGraw-Hill in New York City. Styron later recalled the misery of this work in an autobiographical passage of Sophie’s Choice. After provoking his employers into firing him, he set about writing his first novel in earnest. Three years later, he published the novel, Lie Down in Darkness (1951), the story of a dysfunctional Virginia family. The novel received overwhelming critical acclaim. For this novel, Styron received the prestigious Rome Prize, awarded by the American Academy in Rome and the American Academy of Arts and Letters.
His recall into the military due to the Korean War prevented him from immediately accepting the Rome Prize. Styron joined the Marine Corps, but was discharged in 1952 for eye problems. However, he was to transform his experience at Camp Lejeune, North Carolina into his short novel, The Long March, published serially the following year. This was adapted for the Playhouse 90 episode The Long March in 1958.
Styron spent an extended period in Europe. In Paris, he became friends with writers Romain Gary, George Plimpton, Peter Matthiessen, James Baldwin, James Jones and Irwin Shaw, among others. The group founded the magazine Paris Review in 1953. It became a celebrated literary journal.
The year 1953 was eventful for Styron in another way. Finally able to take advantage of his Rome Prize, he traveled to Italy. At the American Academy, he renewed an acquaintance with a young Baltimore poet, Rose Burgunder, to whom he had been introduced the previous fall at Johns Hopkins University. They were married in Rome in the spring of 1953.
Some of Styron’s experiences during this period inspired his third published book Set This House on Fire (1960), a novel about intellectual American expatriates on the Riviera. The novel received, at best, mixed reviews in the United States although its publisher considered it successful in terms of sales. In Europe, however, its translation into French achieved best-seller status, far outselling the American edition.
Above the door to his writing studio, Styron posted a quotation from Gustave Flaubert:
| “ | Be orderly in your life, and ordinary like a bourgeois, in order to be violent and original in your works. | ” |
A dictum of sorts, Flaubert's words proved themselves prophetic over the intervening years. The unyielding originality of Styron's next two novels, published between 1967 and 1979, sparked much controversy and may have caused the violent responses they received. Styron, feeling wounded by his first truly harsh reviews for Set This House On Fire (1960), would spend the years after its publication both researching and composing his next novel, the fictitious memoirs of the historical Nathaniel "Nat" Turner, a slave who led a slave rebellion in 1831.
Styron was now an eyewitness to another time of rebellion in the United States. He was living and writing at the heart of the turbulent decade of the 1960s, a time highlighted by the counterculture revolution. So while Styron was researching and composing his next novel, narrated from the perspective of a militant slave, he was living in a time that coincided with the Black Power movement, political struggle, civil unrest, and racial tension. With increased media attention, both on television and in print, the public response to this social upheaval was furious and intense: battle lines were being drawn. In 1968, Styron signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.[5]
In this atmosphere of dissent, many had criticized Styron's friend and fellow novelist, James Baldwin, for his novel Another Country published in 1962. Among the many criticisms of the book was outrage over a black author (Baldwin) choosing a white woman as the protagonist of a story that tells of her involvement with a black man. Baldwin was Styron's house guest and interlocutor for several months following the critical storm generated by Another Country. Baldwin was able to catch glimpses of the early drafts of Styron's new novel. Baldwin predicted that Styron's work would face even harsher scrutiny than the reception of Another Country. “Bill’s going to catch it from both sides”, he told an interviewer immediately following the 1967 publication of Styron's The Confessions of Nat Turner.
Baldwin's prediction was correct, and despite public defenses of Styron by leading artists of the time, figures such as Baldwin and Ralph Ellison, numerous other black critics reviled Styron’s portrayal of Turner as racist stereotyping. Particularly controversial was a passage in which Turner fantasizes about raping a white woman. Styron also writes of a situation where Turner and another slave boy have a homosexual encounter while alone in the woods. Several critics pointed to this as a dangerous perpetuation of a traditional Southern justification for lynching. Despite the controversy, the novel became a runaway critical and financial success, eventually winning the 1968 Pulitzer Prize for Fiction[6] as well as the William Dean Howells Medal in 1970.
Though it seems now that the critical response to Styron's next novel, Sophie's Choice (1979), could hardly match the reception sparked by the publication of The Confessions of Nat Turner (a novel reflecting the turbulent decade in which it was born even as it seems to reinforce the social and political turmoil of that time), Styron's decision to portray a non-Jewish victim of the Holocaust generated various debates of its own.
The novel tells the story of Sophie (a Polish Roman Catholic who survived Auschwitz), Nathan (her brilliant, mercurial and menacing Jewish lover), and Stingo (a Southern transplant in post WWII-Brooklyn who was in love with Sophie). It won the 1980 National Book Award[7][a] and was a nationwide bestseller. A 1982 film version was nominated for five Academy Awards, with Meryl Streep winning the Academy Award for Best Actress for her portrayal of Sophie. Kevin Kline and Peter MacNicol played Nathan and Stingo, respectively.
William Styron was awarded the Prix mondial Cino Del Duca in 1985. That year he suffered his most serious and dangerous bout with depression. Out of this grave and menacing experience, he was later able to write the memoir Darkness Visible (1990), the work Styron became best known for during the last two decades of his life.
His short story "Shadrach" was filmed in 1998, under the same title. It was co-directed by his daughter Susanna. His two other daughters are also artists: Paola, an internationally acclaimed modern dancer, and the youngest daughter Alexandra, a novelist (All The Finest Girls [2001]) who published a book about her father in 2011 (Reading My Father: A Memoir). Styron's son Thomas is a professor of clinical psychology at Yale University.
Styron's other works published during his lifetime, not already mentioned, include the play In the Clap Shack (1973) and a collection of his nonfiction pieces, This Quiet Dust (1982).
French President Francois Mitterrand invited Styron to his first presidential inauguration and later made him a commander of the Legion of Honor.[8] In 1993, Styron was awarded the National Medal of Arts.[9]
In 2002 an opera by Nicholas Maw based on Sophie's Choice premièred at the Royal Opera House, Covent Garden, London. Maw wrote the libretto and composed the music (Maw had at first approached Styron about writing the libretto, but he declined). Later the opera received a new production by stage director Markus Bothe at the Deutsche Oper Berlin and the Volksoper Wien, and had its North American premiere at the Washington National Opera in October 2006.[2]
Styron died from pneumonia on November 1, 2006, at age 81 in Martha's Vineyard. He is buried at West Chop Cemetery in Vineyard Haven, Dukes County, Massachusetts, USA.[10]
Port Warwick in Virginia was named after the fictional city in Styron's Lie Down in Darkness. The "town" describes itself as a "mixed-use new urbanism development". The most prominent feature of Port Warwick is William Styron Square along with its two main boulevards, Loftis Boulevard and Nat Turner Boulevard, named after characters in Styron's novels. Styron himself was appointed to design a "naming plan" for Port Warwick in order to name the "remaining streets and parks in Port Warwick [and] Styron decided to honor great American writers".[11]
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