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Willie Nelson

 

Willie Nelson
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(born April 30, 1933, Fort Worth, Texas, U.S.) U.S. country music singer and songwriter. His grandfather taught him to play guitar, and by age 10 he was performing at local dances. After working as a disc jockey, in 1961 he moved to Nashville, Tenn., where he wrote hit songs for dozens of country, rhythm-and-blues, and pop singers; these songs include Hello Walls, Night Life, and Crazy. Returning to Texas, he released the hit album Red Headed Stranger (1975); it was followed by Wanted: The Outlaws, which outsold every country album that had preceded it, and Stardust (1978), with songs by Hoagy Carmichael and Irving Berlin. He has recorded with at least 75 other singers, including Waylon Jennings (19372002). In the 1980s he organized annual Farm Aid festivals to raise money for farmers. His later albums include the critically acclaimed Teatro (1998).

For more information on Willie Nelson, visit Britannica.com.

With well over 200 albums to his credit since the beginning of his country music career in the late 1950s, Willie Nelson (born 1933) has had a long run as one of the stars of the genre. As a songwriter, he penned some of the most familiar modern standards of country and pop music, including "Crazy," recorded by Patsy Cline, "Night Life," and the song that has come to represent his career: "On the Road Again." Beyond his accomplishments in country music, Nelson has become something of an icon of American popular culture, his distinctive dual hair braids and bandanna handkerchief instantly recognizable all over the United States and through much of the world.

Nelson was born in Abbott, Texas, a small farming community located between Waco and the Dallas-Fort Worth metropolitan area. His parents were migrant farmers who had come west from Arkansas. He picked cotton as a child, and later told Texas Monthly that "my desire to escape manual labor started back there in the cotton fields." After he was left with his paternal grandparents, who were voice and piano teachers, he also began spending time on music. Nelson's sister Bobbie would become an accomplished classical pianist, but his own talents ran immediately toward songwriting. When he was five years old he started writing poetry, and when he was given a guitar a year later he started to fill a songbook to which he had given the title Songs of Willie Nelson.

Various types of music shaped the young songwriter and showed up in his mature style. He learned from not only the country music and western swing dance bands that flourished all over Texas, but also the pop and jazz vocals he heard on the radio and a even less-common influence, the polka music that filled the dance halls in heavily Czech-American central Texas. In fact, it was as a polka musician that Nelson, at age ten, made his professional debut, in Abbott's John Raycheck Band. Nelson's grandparents - strict Methodists whose musical influences surfaced in Nelson's famous gospel song "Family Bible" - tried to steer the boy away from the barrooms, but to no avail. "I was doomed to go to hell by the time I was seven," Nelson told Entertainment Weekly, "because I had been told that if you smoke cigarettes and drink beer you're going to hell. And by seven, I was gone."

As a teenager Nelson played regularly in a band led by his sister's husband, Bud Fletcher. After graduating from high school he actually thought about embarking on a conventional career. He joined the United States Air Force but was discharged after nine months because of the back problems that would plague him his entire life. He then enrolled at Baylor University in Waco, but did not last long there. Back in Abbott in 1952, he married the first of his four wives, Martha Matthews, a woman said by Nelson to be of full-blooded Cherokee descent. He also resumed his musical life.

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For much of the 1950s, Nelson was torn between family responsibilities and creative inspiration. He tried to split the difference by working as a disc jockey, at first at stations in San Antonio and Fort Worth, Texas, and later in Vancouver, British Columbia, Canada, where he became one of several country stars - another was Loretta Lynn - who launched their recording careers by promoting self-released singles there. Nelson's debut was called "No Place for Me." After Martha found herself pregnant with the third of Nelson's eventual seven children, the family returned to Texas where Nelson worked selling encyclopedias and then vacuum cleaners.

Soon he was back writing songs and performing with a band that played gigs in the rough honky-tonks throughout the Houston area. What steered Nelson toward a musical career for good was the sale of "Family Bible," one of his earliest compositions, to a Nashville publisher for $50. The song became a hit for vocalist Claude Gray in 1960, and that same year Nelson headed for Nashville himself. There he met veteran songwriter Hank Cochran, who realized the value of the songs flowing from Nelson's pen and steered him toward the Pamper Music publishing house. Nelson's first marriage dissolved after his wife tied him up with a children's jump rope during one dispute, but he moved in with singer Shirley Collie and married her in 1963.

The late 1950s and early 1960s were an especially rich time creatively for Nelson, who wrote songs rapidly, telling a Texas Monthly interviewer that "the air is full of melodies." He penned three of country music's greatest standards, "Crazy," "Ain't It Funny How Time Slips Away," and "Night Life," within a single week. Unschooled in the ways of the music business, he realized little profit from these compositions; for "Night Life," which was recorded by artists ranging from Frank Sinatra to bluesman B.B. King, he received a flat fee of $150. However, he was properly paid for "Hello Walls," opening his mail one day to find a $40,000 royalty check after the song became a smash for vocalist Faron Young. Apart from songwriting, he also earned a regular paycheck as a member of singer Ray Price's Cherokee Cowboys band.

Recounted Rushing into Burning House

Nelson once again made a stab at settling down, this time as a pig farmer. However, he soon returned to the road, "swallowing enough pills," he was quoted as saying in Texas Monthly, "to choke Johnny Cash." By 1969 Nelson's second marriage had dissolved after his wife opened a hospital bill containing charges for the birth of Nelson's child by another woman. Late that year his house in Nashville burned down; Nelson claimed to have rushed into the burning building to rescue a guitar and a stash of marijuana. He later gave up alcohol and other drugs, but became an advocate for marijuana usage.

During the early 1970s Nelson moved back to Texas and started his career afresh. In and around the college town of Austin, he noticed an unusual mingling between youthful rock audiences and traditional country fans, and he reacted by writing new songs carefully crafted to appeal to both groups. In 1972 he founded an annual music festival in Dripping Springs, Texas, playing host to similarly minded Nashville nonconformists such as Waylon Jennings and Kris Kristofferson and sowing the seeds of country music's socalled Outlaw movement. Nelson was signed to the Atlantic label, formerly known mostly for rhythm and blues, and he released the structurally innovative Shotgun Willie album to critical praise.

In 1975 Nelson was signed to the country division of the giant Columbia label. Newly confident about his creative vision, he insisted on complete creative control over his recordings. When he approached the label with the finished masters of his Red Headed Stranger album, Columbia personnel were dismayed by its stripped-down sound and unusual "concept" structure; the album's songs, for the first time in country-music history, collectively told a story. Powerful executive Billy Sherrill even left the room as the music was playing. Despite Columbia's concerns, Nelson was vindicated when Red Headed Stranger hit the number-one spot on the country charts and had healthy sales among pop and rock audiences as well. In the late 1970s Nelson dominated the country charts, both as a solo artist and as part of a duet with Waylon Jennings. The two spearheaded the well-marketed Outlaw brand of country music that contributed to the country genre's sales boom during those years.

Nelson confounded label expectations again in 1978 with another shift in direction: he recorded an album of pop standards titled Stardust. For Nelson it was not an extreme creative stretch; he had admired jazz-influenced pop singers such as Frank Sinatra since he was young. His quiet, conversational baritone proved an ideal match for songs like Irving Berlin's "Blue Skies," and the album became a runaway success, remaining in print continuously for the next quarter century. Meditative, jazzy phrasing also provided the framework for 1982's "Always on My Mind," a song originally recorded by Elvis Presley that became one of Nelson's biggest hits.

Another blockbuster came in connection with Nelson's modest but favorably received film career: "On the Road Again," which was hurriedly written for inclusion on the soundtrack of the 1980 film Honeysuckle Rose, became his signature song on tour. Asked by a Fortune contributor whether he ever got tired of playing it, Nelson replied, "Not at all. It just takes me out of one town and into the next. It keeps me movin'." True to his touring barroom-band origins, Nelson remained an inexhaustible road performer through times thick and thin. In 1985 he founded an annual concert, Farm Aid, that was designed to focus attention on the financial problems of American farmers.

Ran Afoul of IRS

Nelson topped the country charts in 1984 in a duet with pop singer Julio Iglesias, "To All the Girls I've Loved Before," and the following year with "Highwayman" as part of a quartet with fellow Outlaws Jennings as well as Johnny Cash, and Kris Kristofferson. The new influence that band-oriented rock sounds exerted on country music in the 1980s and 1990s knocked Nelson from the very top reaches of the country charts, but he had by now amassed a huge following that continued to show interest in his music. His fans also stuck with him through several much-publicized difficulties, including a $16.7 million bill from the Internal Revenue Service for unpaid taxes. Nelson paid off the debt, partly with the proceeds from a solo-vocal-and-guitar double album, Who'll Buy My Memories, that was marketed through a toll-free telephone number in 1991 and remains one of the more elusive items in the Nelson catalogue. Nelson also struggled after the suicide of his son Billy in 1991 and the subsequent breakup of his third marriage. But he married his fourth wife, makeup artist Ann-Marie D'Angelo, that same year and fathered two more children with her.

The singer remained popular partly because he never rested on his laurels. Even well into the senior citizen age range, he continued to experiment with new sounds. Another hard find for Nelson collectors was a 1984 LP of straight jazz, Angel Eyes, and Nelson continued to show an interest in jazz, releasing several albums of standards and original jazz compositions in the 1990s. He also recorded such innovative projects as the rock-oriented 1993 album Across the Borderline and 1998's Teatro, the latter produced by Daniel Lanois, a frequent collaborator with Irish rock band U2. In 2000 he recorded a blues CD, Milk Cow Blues, and he mused to the writer in Fortune that "Maybe I ought to hook up with some of those rap guys." In 2002 Nelson returned to the top of the country charts in a duet with country singer Toby Keith called "Beer for My Horses."

Despite his tumultuous personal life, during the 1990s Nelson seemed to find a sense of inner peace that cemented his status as an elder statesman of American music. Asked by Time whether he feared a backlash from conservative "red state" country fans over his antiwar song titled "Whatever Happened to Peace on Earth" in light of strong emotions regarding America's involvement in the War in Iraq, Nelson replied, "I sure hope so. I don't care if people say, 'Who the hell does he think he is?' I know who I am." That year also saw Nelson touring minor-league baseball stadiums with folk-rock great Bob Dylan. He continued to make music prolifically, installing a studio near his home "so I can cut records all day and night," he told Fortune.

Books

Contemporary Musicians, Volume 11, Gale, 1994.

Country: The Music and the Musicians, Abbeville Press, 1988.

Kingsbury, Paul, editor, The Encyclopedia of Country Music, Oxford University Press, 1998.

Periodicals

Entertainment Weekly, July 21, 1995; September 18, 1998.

Fortune, October 2, 2000.

People, August 28, 1995.

Texas Monthly, April 1998; December 1999; August 2004.

Time, January 12, 2004.

Online

"Willie Nelson," All Music Guide Online,http://www.allmusic.com/ (January 5, 2005).

Columbia Encyclopedia:

Willie Nelson

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Nelson, Willie, 1933-, American country singer, guitarist, and songwriter, b. Abbott, Tex. Nelson began playing professionally at 10 and joined a western swing band as a teenager. In the 1960s he moved to Nashville, where he became a successful songwriter, composing such tunes as "Funny How Time Slips Away" and the Patsy Cline hit "Crazy." Nelson returned to Texas in the 1970s and during that decade came into his own as a performer, creating the blues-rock-country hybrid known as "outlaw music" and becoming enormously popular. He achieved great success with the albums Shotgun Willie (1973) and Red Headed Stranger (1975) (containing the hit "Blue Eyes Crying in the Rain") and also began performing widely in concert tours, singing for a country-crossover audience. Among his later albums are Wanted: The Outlaws (1976), Stardust (1978), City of New Orleans (1984), The Promised Land (1986), Across the Borderline (1993), Teatro (1998), and the comprehensive collection One Hell of a Ride (2008). Nelson had federal tax problems in the 1980s, but they were resolved by the 1990s, in part with revenues from The IRS Tapes (1991). He has performed in a number of films, including The Electric Horseman (1979), Honeysuckle Rose (1980), and Wag the Dog (1998), and is well known for sponsoring Farm Aid concerts.

Bibliography

See biography by J. N. Patoski (2008).

AMG AllMovie Guide:

Willie Nelson

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Biography

Texas born-and-bred musical legend Willie Nelson cracked into showbiz as a disc jockey in Fort Worth. He went on to join the Ray Price band, writing tunes for Price as well as a slew of other artists (Nelson's the man who penned Patsy Cline's signature tune "Crazy"). Fronting his own group, The Outlaws, Nelson played the tanktown and honky-tonk circuit before scoring with his 1975 hit "Blue Eyes Cryin' in the Rain." In 1979, he made a laudable film debut as Robert Redford's sidekick in The Electric Horseman; one year later, he starred in the C&W "Intermezzo" clone Honeysuckle Rose (1980), for which he also wrote the score, including the chartbuster "On the Road Again." Nelson's acting resumé includes several made-for-TV westerns, among them 1990's A Pair of Aces and its 1992 sequel, and a 1987 remake of Stagecoach; he also appeared as "himself"--and a very weather-beaten self it was--in a 1995 TV-movie biopic of country star Dottie West. Nelson has been awarded five Grammy Awards, and in the early 1980s he organized the annual Farm Aid Benefit, which earned him a Special Humanitarian Award. ~ Hal Erickson, Rovi
Filmography:

Willie Nelson

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The Big Bounce

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The Country Bears

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All Star Jam

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Ralph Emery & Friends

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Willie Nelson: Live in Amsterdam

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America: A Tribute to Heroes

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Farm Aid 2001: A Concert for America

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Country Legends Homecoming

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Ralph Emery's Country Homecoming

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Chet Atkins: A Life in Music

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Merle Haggard: Live in Concert

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Austin Powers: The Spy Who Shagged Me

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Willie Nelson: Teatro

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Ryman Country Homecoming, Vol. 1

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Ryman Country Homecoming, Vol. 2

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Ryman Country Homecoming, Vol. 3

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Half Baked

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Outlaw Justice

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Gone Fishin'

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Wag the Dog

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The Beach Boys: Nashville Sounds - The Making of Stars and Stripes

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The Best of Austin City Limits: Country Music's Finest Hour

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Grammy's Greatest Country Moments

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Willie Nelson: My Life

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Willie Nelson: The Big Six-0 - An All-Star Birthday Celebration

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Waylon Jennings: Renegade. Outlaw. Legend.

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The Highwaymen: On the Road Again

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Another Pair of Aces: Three of a Kind

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The Highwaymen: Live

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A Pair of Aces

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Willie Nelson: Some Enchanted Evening

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In the Hank Williams Tradition

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Dynamite and Gold

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A Vision Shared: A Tribute to Woody Guthrie and Leadbelly

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Once Upon a Texas Train

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Baja Oklahoma

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Chet Atkins and Friends: Music from the Heart

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Trespasses

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Amazons

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The Last Days of Frank & Jesse James

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The Red-Headed Stranger

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We Are the World: The Video Event

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Willie Nelson: Greatest Hits (Live)

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Songwriter

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Willie Nelson & Family in Concert

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The Willie Nelson Special: With Special Guest Ray Charles

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Hells Angels Forever

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Barbarosa

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Coming Out of the Ice

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Thief

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Honeysuckle Rose

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The Electric Horseman

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Porky's Revenge

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Ruckus

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Gale Musician Profiles:

Willie Nelson

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Singer, songwriter, guitarist

The long and prolific musical career of Willie Nelson—not to mention his personal life—has been like a roller coaster ride, slow moving at the start, then climbing straight to the stars, dipping to a heart-rending low, and finally running straight and true once more. Cheryl McCall wrote in People, "An instant success after 25 years trying, Willie didn't cut a big-selling album until he was 40." Once Nelson's career took off, however, he became "an inadvertent and unassailable national monument." And his output has been prodigious, numbering well over 100 albums. In the early 1990s, though, Nelson had to overcome two crushing events—the suicide of his oldest son, and a multi-million-dollar battle with the U.S. Internal Revenue Service. But, demonstrating an indomitable spirit, he managed to bounce back in 1993 with a new recording that a number of critics called his best in years, if not one of his best ever. "Imagine answering a late-night phone call from a friend who's been in a coma, only to find him lucid, clever, and loving as ever. That's what Across the Borderline feels like," noted Burl Gilyard of Request.

Nelson was born on April 30, 1933, in Abbott, Texas. The country was mired in the Great Depression, and times were rough for the little farming community. When Nelson was six months old, his mother left to find a job and never returned. Nelson and his older sister, Bobbie, were then raised by their paternal grandparents, who were strict, church-going people. They were also devoted amateur musicians who pushed the children into music and performing, teaching both Nelson and his sister how to play an instrument. Nelson's grandfather, a blacksmith by trade, gave him his first and only training on the guitar. His grandmother taught Bobbie how to play piano. Nelson told Teresa Taylor Von-Frederick of McCall's that his grandparents were "his true, and earliest, inspiration."

Although his grandparents raised him and his sister to be "solid Methodists and obedient kids," Nelson related in Willie: An Autobiography that he strayed from the straight and narrow early on. Drinking and smoking were forbidden, yet, "I can't tell you how many Sundays I would be singing in the choir," he revealed, "and my heart would be sad because I was thinking I was going to fry in hell because I had already drunk beer and smoked."

Nelson worked in the cotton fields after school to help bring in money for the family. By the age of ten, he was an accomplished enough musician, along with his sister, to begin playing at local dances. After his grandfather died, Nelson learned songs listening to the radio. "He'd pick up things just like that," his sister Bobbie told McCall. "His ear is so fantastic, he doesn't even know how good he is." When Nelson was in the sixth grade, he got his first professional job, with the John Ray-check Band, an Abbott polka outfit that played the bohemian clubs in the area. Needless to say, Nelson's grandmother was horrified that he was playing in beer joints. But it was undeniable that he could make much more money there than in the cotton fields.

As a teenager, Nelson and his sister played in a band that her husband, Bud Fletcher, put together. Fletcher was able to land steady bookings for the group, and they would play whatever the club owner wanted, while Nelson honed his craft and broadened his horizons.

Turbulent Early Years
After graduating from high school, Nelson joined the U.S. Air Force. But he received a medical discharge after just nine months because of an earlier back injury. He returned to Abbott and formed a band, and again started playing in local clubs. He attended Baylor University but quickly dropped out. He also fell in love and married Martha Matthews—he was 18 years old; she was 16. From the start, they struggled to make ends meet and soon began fighting regularly. "She was a full-blooded Cherokee," Nelson told People, "and every night with us was like Custer's last stand. We'd live in one place a month, then pack up and move when the rent would come due." Nelson was making as little as 50 cents a night with his band.

The honky tonks and beer joints that were Nelson's second home were rough, rowdy places where the band had to be shielded from flying bottles by chicken-wire fences. In 1953 Nelson and his wife moved to San Antonio, Texas, and he landed a job as a disc jockey. He also continued to play his music at clubs in the evenings. He and Martha went back to Abbott for the birth of their first child, Lana, and then moved to Fort Worth, Texas, where Nelson got another disc jockey job.

The family next moved West, and eventually Nelson got a job as a disc jockey in Vancouver, Canada. In 1957, his second child, Susie, was born. Also in 1957, Nelson recorded his first single, "No Place for Me." He produced the record himself and promoted and sold it over the radio. With two children and his wife pregnant with a third, Nelson decided to try a regular job. Moving back to Fort Worth, he sold encyclopedias and vacuum cleaners. But he soon went back to performing in clubs. He taught Sunday school for a while, but when the congregation complained about him playing in beer joints, he quit.

Sold First Song for $50
Nelson's third child, Billy, was born in 1958. The family moved to Houston, Texas, and Nelson was invited to join Larry Butler's band. He played with the band six nights a week and had a disc jockey job on Sundays. Since the mid-1950s Nelson had been writing songs, and he now tried to sell some in order to help support his family. He sold his first, "Family Bible," for $50 to pay for food and rent. It eventually became a number one country hit. He then sold another song, "Night Life," for $150. "Night Life" went on to become one of the most-recorded songs ever. Performed by more than 70 artists, it has sold more than 30 million records, though Nelson never made a dime from the royalties. Nelson then moved to Nashville to take his shot at the big time.

In Nashville, musician and songwriter Hank Cochran helped Nelson get a job as a songwriter with Pamper Music. By 1961 several of Nelson's songs had been recorded by country performers and had become hits. "Hello Walls" was released by Faron Young; "Crazy" was recorded by Patsy Cline (and became a classic); and Billy Walker did "Funny How Time Slips Away." Besides becoming country hits, "Hello Walls" and "Crazy" also made the pop top 40.

Nelson next joined Ray Price's band, the Cherokee Cowboys, as a bass player. Although he was now collecting royalty checks for his songwriting, plus a salary from the band, Nelson spent his money as fast as he made it. His already stormy marriage deteriorated. He began recording his own songs but did not meet with much success. Nelson then got together with singer Shirley Collie and recorded a couple of songs, "Willingly" and "Touch Me," that became top ten hits. Nelson started dating Collie, and when his wife found out, she packed up the kids and left for Las Vegas to get a divorce. Nelson formed a small band with Collie and went on the road. In 1963 Collie filed for divorce from her husband, and she and Nelson married. The couple bought a farm near Nashville, and Nelson's children moved back in with him. Collie then became a housewife, while Nelson went on the road alone. She accepted this arrangement at first, but after a while became restless and resentful.

Throughout the 1960s, Nelson's own recordings sold few copies. He had an unusual voice that sounded high and quavering, and he favored uncommon phrasing. His music did not fit the traditional Nashville mold, so it was considered non-commercial, and his records were not adequately promoted. He was signed by Nashville record companies primarily for his songwriting talents. "They grudgingly allowed me to sing as long as they could cover up my voice with horns and strings," he stated in his autobiography.

By 1968 Nelson's second marriage was foundering. Shirley Collie discovered that Nelson had fathered a child by a woman named Connie Koepke, and she and Nelson split up, while Koepke and the child moved in.

The night before Christmas Eve in 1969, Nelson was at a party when he was told that his house had burned to the ground. When he arrived at the scene of the fire, he rushed into the smoking remains to grab a guitar case containing two pounds of marijuana, afraid that the authorities would find it. Nelson has long used marijuana, and considers it a calming medicinal herb, instrumental in containing his tremendous energy. "Most people smoke to get high," a friend remarked to McCall, "Willie smokes to get normal." But Nelson prohibits his bandmembers from using any other drugs, particularly cocaine. "If you're wired," he has said, "you're fired."

Life Among the Outlaws
With his home devastated and his Nashville recording career going nowhere, Nelson decided to move the family to Texas. He settled in Austin, which was becoming the home of the "outlaws"—country singers like himself who could never quite fit in, back in Nashville. These included Waylon Jennings and Kris Kristofferson. Nelson started touring the area's dance halls and county fairs, and developed a growing following. In the early 1970s he began sporting the distinctive look he wears to this day: long hair—often fashioned in two braids—and beard, bandanna head-band, jeans, and running shoes.

In April of 1971, Connie Koepke became Nelson's third wife. Around this time, Nelson signed a contract with Atlantic Records that allowed him to use his own band to record. Previously he had been forced to use studio musicians, and had objected to this approach, since he felt that by working with him for just a few hours, the studio musicians could not get a true feel for his particular style of music.

In 1973 Nelson released the album Shotgun Willie, and it outsold all his previous albums combined. Also in 1973, Nelson was inducted into Nashville's Songwriters Hall of Fame, and his first Fourth of July picnic—a rock-style country festival—attracted a crowd of 50,000, including rock and rollers as well as country fans.

Atlantic dropped its country division in 1974 and Nelson signed with Columbia Records, where he finally enjoyed complete creative control over his recordings. In 1975 he released the album Red Headed Stranger, which became a major hit. The LP rose to number one on the country charts and cracked the top 40 of the pop charts. A single from Stranger, "Blue Eyes Crying in the Rain," became a top ten hit, and won Nelson his first Grammy Award.

By 1976 Nelson was selling records like crazy. Seven of his albums appeared on the Billboard charts that year. Gold and platinum records were rolling in. In 1978 Nelson tried a new direction, releasing an album of pop standards called Stardust. It included such songs as the title track, by Hoagy Carmichael, and "Blue Skies," by Irving Berlin, both remade in Nelson's unique style. The album became a country and pop hit. David Gates of Newsweek noted, "The archetypal country outlaw reinvented himself as a singer beyond categories; Star-dust has sold more than 4 million copies."

As Stardust demonstrated, even when Nelson sang other people's songs, he truly made them his own. "Everything he does, he reinterprets," wrote Frank Mc-Connell of Commonweal, adding that Nelson's versions of pop classics are "a reclamation and rediscovery of songs we thought we had already heard too often." Request's Gilyard concurred, maintaining that "Nelson's truest gift is his instinctive genius for interpretation.… Singing ballads as effortlessly as he exhales, Nelson can even infuse pure corn … with genuine feeling."

In 1979 Nelson ventured into acting, taking a supporting role in the film Electric Horseman, which starred Jane Fonda and Robert Redford. He then co-starred in the 1980 movie Honeysuckle Rose, which was based loosely on his life. Other films followed, including Barbarosa in 1982, and television movies such as 1986's Stagecoach.

A song Nelson wrote for Honeysuckle Rose, "On the Road Again," reached number one on the country charts and became a top 20 pop hit; it also became the singer's unofficial theme song. Nelson continued to release successful singles and albums over the course of the 1980s, and toured extensively throughout the United States and abroad, regularly spending as many as 250 days a year on the road.

Organized Farm Aid Benefits
In 1985 Nelson organized the first Farm Aid benefit concert. He had witnessed the plight of the nation's farmers, and wanted to do something to assist them. "A farmer told me there had been four suicides in the neighborhood, and I could feel how on edge he was. Another said that he'd lost his farm, and his wife had left him, and he couldn't find any other work," Nelson told Ellen Hawkes of the Ladies' Home Journal. "Well, I know what it's like to feel down, and once I realized how bad the farm crisis was, I had to help." Farm Aid has become a yearly event, featuring a variety of musical performers and earning millions of dollars for farm groups.

By the end of the decade, Nelson's marriage to third wife Connie was breaking up. He next took up with Anne-Marie D'Angelo, a makeup artist he had met while filming one of his movies, and they had two children. They married in 1991. Discussing his marriages, Nelson told Redbook, "It's not easy being married to a man like me. It's asking a lot to let your husband run around the world, flirting with pretty girls who flirt back. That's a hard one. It's pretty obvious that entertainers marry and remarry … more than anyone else. I think it's because they're away from home so much and the temptations are so great."

The year 1991 began and ended with two shattering personal crises. At the end of 1990, the I.R.S. seized Nelson's properties and possessions to settle a tax debt totaled at $32 million after the agency had disallowed various tax shelters. The figure was later reduced to $16.7 million, but in January of 1991, the I.R.S. held what Newsweek's Gates termed a "humiliating" auction of all of Nelson's possessions. Friends and supporters stepped in and tendered bids, purchasing his property and allowing him to remain on the premises until he could buy it back. One friend bought his home, another his Pedernales Country Club and Recording Studio.

Nelson sold an album that year through an 800 number—Who'll Buy My Memories: The I.R.S. Tapes—to help pay off the seemingly insurmountable debt, and also toured heavily. Then, on Christmas Day of 1991 Nelson's son Billy was found dead, a suicide by hanging. People reported that Billy had suffered alcohol problems and "a history of despondency." He lived mostly off an allowance from his father. "I've never experienced anything so devastating in my life," Nelson admitted to a friend. Reflecting further on his troubles, he told Alanna Nash of TV Guide, "I think everything we go through is a test. I don't think we're ever asked to endure anything that we can't endure." Nelson put his faith in the power of positive thinking. "I guess I'm just living in the present," he said to Nash. "So far, more good things have come along, and the more I think that way, the more positive things happen. That's how I keep it together."

"The Best of American Music"
Eventually, Nelson's I.R.S. debt was negotiated down to $9 million. By 1993 he had paid off about half, and had agreed to a schedule to pay off the rest. That year he released a daring new album, Across the Borderline, which was widely praised by critics. Stephen Holden of Rolling Stone reported that the record, produced by pop producer Don Was, "seasons the singer's own brand of austere, hard-chugging country swing with echoes of everything from English art rock to Paul Simon's South African-flavored folk rock." Jay Cocks of Time referred to Nelson's album as a "singular achievement," and remarked that the album "will fix him for good right where he belongs, among the best of American music." Duets with pop stars Sinead O'Connor, Bonnie Raitt, and Bob Dylan, as well as songs by Dylan, Paul Simon, and Lyle Lovett ensured the record's success with country and pop fans.

That year Nelson also turned 60, an age he never expected to see as a performer. He told Gary Graff of the Detroit Free Press that he originally saw himself retiring at 50 and getting a job as a disc jockey at "some small country station somewhere. Then I'd really enjoy life—ride my horses and play golf."

Having released close to 200 albums of both new and compiled material during his career, Nelson's first new material in five years came via the 1996 Island release Spirit. The album contained echoes of some of Nelson's finest material from the early 1970s. Nelson's 1996 gospel album How Great Thou Art also preceded the Grammy-nominated Teatro. Released in September of 1998 and produced by Daniel Lanois, Teatro was recorded in an old movie theater in Mexico with the help of singer Emmylou Harris, who appeared on 11 of the 14 tracks. All Music Guide called Teatro "Striking, beautiful and affecting. Teatro is a sonic film that displays its moving images in the minds and hearts of its listeners."

Nelson had always dabbled in various musical genres, and 1999's all-instrumental record Night And Day was no exception. Channeling gypsy guitarist Django Reinhardt, Nelson's guitar playing was center stage. On 2000's Me and the Drummer, Nelson included an interactive CD containing interviews with various country musicians. All Music Guide's Michael Smith saw Me and the Drummer as a return to some of Nelson's greatest work. "The songs … are a flashback to a simpler time, reminiscent of the Western-flavored tunes featured on his Red Headed Stranger and Tougher Than Leather releases."

A few months later, Nelson released his first blues record, Milk Cow Blues. Loaded with superstar duets, the album covered a number of classic Nelson songs. For 2002's The Great Divide, which earned Nelson a Grammy nomination, the country icon once again focused on duets. This time around, he stuck with mostly contemporary artists, including Sheryl Crow, Rob Thomas, Brian McKnight, and rapper Kid Rock. "Nelson's sound is so deep, so sad yet unapologetic, that he can make a lyric about the summer sun seem as dark and cold as meditation on the Arctic," wrote Pat Blashill in Rolling Stone.

Twenty-three years after Nelson recorded San Antonio Rose with Ray Price, the pair teamed up again for 2003's Run That By Me One More Time, a honky tonk record recorded in Texas. In October of 2004 Nelson released It Always Will Be on Lost Highway, which Rolling Stone called "Nelson's strongest album since 1996's Spirit." The humble and low-key album was rounded off by duets with Toby Keith, Norah Jones, Lucinda Williams and Nelson's own daughter Paula (on a track she wrote, titled "Be That As It May").

In 2005 Nelson got back into the movie business, starring as Uncle Jesse in the big-screen remake of The Dukes of Hazzard. He also made headlines with a company he co-founded, called Willie Nelson's Biodiesel, which was set up to market BioWillie, a truck fuel made from vegetable oils, at truck stops across the United States.

Selected discography
…And Then I Wrote, Liberty, 1962.
Here's Willie Nelson, Liberty, 1963.
Country Willie—His Own Songs, RCA, 1965.
Hello Walls, Sunset, 1966; reissued, Pickwick, 1978.
Country Favorites—Willie Nelson Style, RCA, 1966.
Country Music Concert, RCA, 1966.
Make Way for Willie Nelson, RCA, 1967.
The Party's Over, RCA, 1967.
Texas in My Soul, RCA, 1968.
Good Times, RCA, 1968.
My Own Peculiar Way, 1969.
Columbus Stockade Blues, RCA/Camden, 1970.
Both Sides Now, RCA, 1970.
Laying My Burdens Down, RCA, 1970.
Willie Nelson and Family, RCA, 1971.
Yesterday's Wine, RCA, 1971.
The Words Don't Fit the Picture, RCA, 1972.
The Willie Way, RCA, 1972.
Country Winners, RCA/Camden, 1973.
Shotgun Willie, Atlantic, 1973.
The Best of Willie Nelson, United Artists, 1973.
Spotlight on Willie Nelson, RCA/Camden, 1974.
Phases and Stages, 1974; reissued, Atlantic, 1991.
What Can You Do to Me Now, RCA, 1975.
Red Headed Stranger, Columbia, 1975; reissued, 1982.
Country Willie, United Artists, 1975.
(Contributor) Texas Country, United Artists, 1976.
Willie Nelson and His Friends, Plantation, 1976.
Columbus Stockade Blues, Pickwick, 1976.
(Contributor) The Outlaws, RCA, 1976.
Willie Nelson Live, RCA, 1976.
The Sound in Your Mind, Columbia, 1976.
The Troublemaker, Columbia, 1976.
Willie/Before His Time, RCA, 1977.
To Lefty From Willie, Columbia, 1977.
There'll Be No Teardrops Tonight, United Artists, 1978; reissued, Liberty, 1984.
Stardust, Columbia, 1978; reissued, 1980.
(With Waylon Jennings) Waylon and Willie, RCA, 1978.
Willie and Family Live, Columbia, 1978.
Willie Nelson Sings Kristofferson, Columbia, 1979.
Pretty Paper, Columbia, 1979.
(Contributor) The Electric Horseman (soundtrack), Columbia, 1979.
(With Leon Russell) One for the Road, Columbia, 1979.
Willie Nelson: Country Superstar, Candelite Music, 1980.
Honeysuckle Rose (soundtrack), Columbia, 1980.
(With Ray Price) San Antonio Rose, Columbia, 1980.
Family Bible, MCA/Songbird, 1980.
Danny Davis and Willie Nelson, RCA, 1980.
The Minstrel Man, RCA, 1981.
Once More With Feeling, RCA, 1981.
Somewhere Over the Rainbow, Columbia, 1981.
Willie Nelson's Greatest Hits, Columbia, 1981.
The Best of Willie, RCA, 1982.
(With Jennings) WW II, RCA, 1982.
Always on My Mind, Columbia, 1982; reissued, 1983.
(With Merle Haggard) Poncho & Lefty, Epic, 1982.
(With Roger Miller) Old Friends, Columbia, 1982.
(With Webb Pierce) In the Jailhouse Now, Columbia, 1982.
Willie Nelson: The Ghost, Solid Gold Productions, 1982.
The Best of Willie Nelson, Liberty Special Products, 1982.
(With Jennings) Take It to the Limit, Columbia, 1983.
Without a Song, Columbia, 1983.
Tougher Than Leather, Columbia, 1983.
On My Way, RCA, 1983.
Bandanna Land, H.S.R.D., 1983.
Don't You Ever Get Tired of Hurting Me, RCA, 1984.
City of New Orleans, Columbia, 1984.
Angel Eyes, Columbia, 1984.
(With Kris Kristofferson) Music From Songwriter (sound-track), Columbia, 1984.
Replay: Willie Nelson, Sierra Records, 1984.
Willie Nelson, RCA, 1985.
Willie, RCA, 1985.
Stardust (Classic Nelson), CBS, 1985.
Half Nelson, CBS, 1985.
Me and Paul, Columbia, 1985.
(With Jennings, Kristofferson, Johnny Cash, and Johnny Rodriguez) The Highwaymen, Columbia, 1985.
(With Faron Young) Funny How Time Slips Away, Columbia, 1985.
(With Hank Snow) Brand on My Heart, Columbia, 1985.
Willie Nelson: A Portrait in Music, Premier Records, 1985.
Mellow Moods of the Vintage Years, 82 Music Co., 1985.
Partners, CBS, 1986.
The Promiseland, CBS, 1986.
Island in the Sea, CBS, 1987.
(With Haggard) Seashores of Old Mexico, Epic, 1987.
(With Haggard and George Jones) Walking the Line, Epic, 1987.
(With Bobbie Nelson) I'd Rather Have Jesus, Arrival, 1987.
What a Wonderful World, Columbia, 1988.
A Horse Called Music, Columbia, 1989.
(With Cash, Jennings, and Kristofferson) Highwaymen II, Columbia, 1990.
Born for Trouble, Columbia, 1990.
(With Jennings) Waylon and Willie: Clean Shirt, Epic, 1991.
Who'll Buy My Memories?: The IRS Tapes, Columbia, 1991.
Across the Borderline, Columbia, 1993.
(Contributor) Asleep at the Wheel: A Tribute to the Music of Bob Wills and the Texas Playboys, Liberty, 1993.
Moonlight Becomes You, Justice Records, 1994.
The Classic, Unreleased Collection, Rhino, 1994.
The Early Years, Scotti Bros., 1994.
Healing Hands of Time, Capitol, 1994.
Pancho, Lefty and Rudolph, Disney, 1995.
Six Hours at Pedernales, Step One, 1995.
Just One Love, Transatlantic, 1996.
Spirit, Island, 1996.
Christmas with Willie Nelson, Unison, 1997.
Hill Country Christmas, Fine Arts, 1997.
Teatro, Island, 1998.
Life's Railway to Heaven, Mercury, 1998.
Willie Nelson Live, Columbia River, 1998.
Night and Day, Free Falls Entertainment, 1999.
Me and the Drummer, Lockdown, 2000.
Milk Cow Blues, Island, 2000.
Rainbow Connection, Island, 2001.
Tales Out of Luck, Corazong, 2001.
The Great Divide, Universal, 2002.
Stars & Guitars, Universal, 2002.
Willie Nelson and Friends: Live and Kickin', Lost Highway, 2003.
Standard Time, Sony Special Products, 2003.
Run That By Me One More Time, Lost Highway, 2003.
I Just Don't Understand, Blu Mountain, 2003.
Outlaws and Angels, Lost Highway, 2004.
It Will Always Be, Lost Highway, 2004.
Countrymen, Lost Highway, 2005.

Sources
Books
Nelson, Willie, and Bud Sheldrake, Willie: An Autobiography, Simon & Schuster, 1988.

Periodicals
Ann Arbor News (MI), July 5, 1993.
Billboard, October 2, 1993; December 11, 1993.
Cappers, February 15, 2005, p. 38.
Commonweal, October 4, 1985.
Country Music, March/April 1993; May/June 1993.
Detroit Free Press, April 16, 1993.
Entertainment Weekly, April 2, 1993; June 27, 2003.
Guitar Player, November 1993.
Ladies' Home Journal, September 1987.
McCall's, May 1988.
Newsweek, March 22, 1993.
People, September 1, 1980; March 4, 1991; January 13, 1992; June 21, 1993.
Redbook, December 1984.
Request, April 1993.
Rolling Stone, August 28, 1986; March 7, 1991; May 13, 1993.
Time, May 17, 1993.
TV Guide, November 21, 1992.
Vanity Fair, November 1991.

Online
"Willie Nelson," All Music Guide, http://www.allmusic.com (March 28, 2005).
"Willie Nelson," Rolling Stone, http://www.rollingstone.com (March 28, 2005).
  • Genres: Country

Biography

As a songwriter and a performer, Willie Nelson played a vital role in post-rock & roll country music. Although he didn't become a star until the mid-'70s, Nelson spent the '60s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away") as well as releasing a series of records on Liberty and RCA that earned him a small, but devoted, cult following. During the early '70s, Willie aligned himself with Waylon Jennings and the burgeoning outlaw country movement that made him into a star in 1975. Following the crossover success of that year's The Red Headed Stranger and "Blue Eyes Crying in the Rain," Nelson was a genuine star, as recognizable in pop circles as he was to the country audience; in addition to recording, he also launched an acting career in the early '80s. Even when he was a star, Willie never played it safe musically. Instead, he borrowed from a wide variety of styles, including traditional pop, Western swing, jazz, traditional country, cowboy songs, honky tonk, rock & roll, folk, and the blues, creating a distinctive, elastic hybrid. Nelson remained at the top of the country charts until the mid-'80s, when his lifestyle -- which had always been close to the outlaw clichés with which his music flirted -- began to spiral out of control, culminating in an infamous battle with the IRS in the late '80s. During the '90s and into the 2000s, Nelson's sales never reached the heights that he had experienced earlier, but he remained a vital icon in country music, having greatly influenced the new country, new traditionalist, and alternative country movements of the '80s and '90s as well as leaving behind a legacy of classic songs and recordings.

Nelson began performing music as a child growing up in Abbott, Texas. After his father died and his mother ran away, Nelson and his sister Bobbie were raised by their grandparents, who encouraged both children to play instruments. Willie picked up the guitar, and by the time he was seven, he was already writing songs. Bobbie learned to play piano, eventually meeting -- and later marrying -- fiddler Bud Fletcher, who invited both of the siblings to join his band. Nelson had already played with Raychecks' Polka Band, but with Fletcher, he acted as the group's frontman. Willie stayed with Fletcher throughout high school. Upon his graduation, he joined the Air Force but had to leave shortly afterward, when he became plagued by back problems. Following his disenrollment from the service, he began looking for full-time work. After he worked several part-time jobs, he landed a job as a country DJ at Fort Worth's KCNC in 1954. Nelson continued to sing in honky tonks as he worked as a DJ, deciding to make a stab at recording career by 1956. That year, he headed to Vancouver, Washington, where he recorded Leon Payne's "Lumberjack." At that time, Payne was a DJ and he plugged "Lumberjack" on the air, which eventually resulted in sales of 3,000 -- a respectable figure for an independent single, but not enough to gain much attention. For the next few years, Willie continued to DJ and sing in clubs. During this time, he sold "Family Bible" to a guitar instructor for 50 dollars, and when the song became a hit for Claude Gray in 1960, Nelson decided to move to Nashville the following year to try his luck. Though his nasal voice and jazzy, off-center phrasing didn't win him many friends -- several demos were made and then rejected by various labels -- his songwriting ability didn't go unnoticed, and soon Hank Cochran helped Willie land a publishing contract at Pamper Music. Ray Price, who co-owned Pamper Music, recorded Nelson's "Night Life" and invited him to join his touring band, the Cherokee Cowboys, as a bassist.

Arriving at the beginning of 1961, Price's invitation began a watershed year for Nelson. Not only did he play with Price -- eventually taking members of the Cherokee Cowboys to form his own touring band -- but his songs also provided major hits for several other artists. Faron Young took "Hello Walls" to number one for nine weeks, Billy Walker made "Funny How Time Slips Away" into a Top 40 country smash, and Patsy Cline made "Crazy" into a Top Ten pop crossover hit. Earlier in the year, he signed a contract with Liberty Records and began releasing a series of singles that were usually drenched in strings. "Willingly," a duet with his then-wife Shirley Collie, became a Top Ten hit for Nelson early in 1962, and it was followed by another Top Ten single, "Touch Me," later that year. Both singles made it seem like Nelson was primed to become a star, but his career stalled just as quickly as it had taken off, and he was soon charting in the lower regions of the Top 40. Liberty closed its country division in 1964, the same year Roy Orbison had a hit with "Pretty Paper."

When the Monument recordings failed to become hits, Nelson moved to RCA Records in 1965, the same year he became a member of the Grand Ole Opry. Over the next seven years, Willie had a steady stream of minor hits, highlighted by the number 13 hit "Bring Me Sunshine" in 1969. Toward the end of his stint with RCA, he had grown frustrated with the label, which had continually tried to shoehorn him into the heavily produced Nashville sound. By 1972, he wasn't even able to reach the country Top 40. Discouraged by his lack of success, Nelson decided to retire from country music, moving back to Austin, Texas, after a brief and disastrous sojourn into pig farming. Once he arrived in Austin, Nelson realized that many young rock fans were listening to country music along with the traditional honky tonk audience. Spotting an opportunity, Willie began performing again, scrapping his pop-oriented Nashville sound and image for a rock- and folk-influenced redneck outlaw image. Soon, he earned a contract with Atlantic Records.

Shotgun Willie (1973), Nelson's first album for Atlantic, was evidence of the shift of his musical style, and although it initially didn't sell well, it earned good reviews and cultivated a dedicated cult following. By the fall of 1973, his version of Bob Wills' "Stay All Night (Stay a Little Longer)" had cracked the country Top 40. The following year, he delivered the concept album Phases and Stages, which increased his following even more with the hit singles "Bloody Mary Morning" and "After the Fire Is Gone." But the real commercial breakthrough didn't arrive until 1975, when he severed ties with Atlantic and signed to Columbia Records, which gave him complete creative control of his records. Willie's first album for Columbia, The Red Headed Stranger, was a spare concept album about a preacher, featuring only his guitar and his sister's piano. The label was reluctant to release with such stark arrangements, but they relented and it became a huge hit, thanks to Nelson's understated cover of Roy Acuff's "Blue Eyes Crying in the Rain."

Following the breakthrough success of The Red Headed Stranger as well as Waylon Jennings' simultaneous success, outlaw country -- so named because it worked outside of the confines of the Nashville industry -- became a sensation, and RCA compiled the various-artists album Wanted: The Outlaws!, using material Nelson, Jennings, Tompall Glaser, and Jessi Colter had previously recorded for the label. The compilation boasted a number one single in the form of the newly recorded Jennings and Nelson duet "Good Hearted Woman," which was also named the Country Music Association's single of the year. For the next five years, Nelson consistently charted on both the country and pop charts, with "Remember Me," "If You've Got the Money I've Got the Time," and "Uncloudy Day" becoming Top Ten country singles in 1976; "I Love You a Thousand Ways" and the Mary Kay Place duet "Something to Brag About" were Top Ten country singles the following year.

Nelson enjoyed his most successful year to date in 1978, as he charted with two very dissimilar albums. Waylon and Willie, his first duet album with Jennings, was a major success early in the year, spawning the signature song "Mammas Don't Let Your Babies Grow Up to Be Cowboys." Later in the year, he released Stardust, a string-augmented collection of pop standards produced by Booker T. Jones. Most observers believed that the unconventional album would derail Nelson's career, but it unexpectedly became one of the most successful records in his catalog, spending almost ten years in the country charts and eventually selling over four million copies. After the success of Stardust, Willie branched out into film, appearing in the Robert Redford movie The Electric Horseman in 1979 and starring in Honeysuckle Rose the following year. The latter spawned the hit "On the Road Again," which became another one of Nelson's signature songs.

Willie continued to have hits throughout the early '80s, when he had a major crossover success in 1982 with a cover of Elvis Presley's hit "Always on My Mind." The single spent two weeks at number one and crossed over to number five on the pop charts, sending the album of the same name to number two on the pop charts as well as quadruple-platinum status. Over the next two years, he had hit duet albums with Merle Haggard (1983's Poncho & Lefty) and Jennings (1982's WWII and 1983's Take It to the Limit), while "To All the Girls I've Loved Before," a duet with Latin pop star Julio Iglesias, became another major crossover success in 1984, peaking at number five on the pop charts and number one on the country singles chart.

Following a string of number one singles in early 1985, including "Highwayman," the first single from the Highwaymen, a supergroup he formed with Jennings, Johnny Cash, and Kris Kristofferson, Nelson's popularity gradually began to erode. A new generation of artists had captured the attention of the country audience, which began to drastically cut into his own audience. For the remainder of the decade, he recorded less frequently and remained on the road; he also continued to do charity work, most notably Farm Aid, an annual concert that he founded in 1985 designed to provide aid to ailing farmers. While he career was declining, an old demon began to creep up on Willie: the IRS. In November 1990, he was given a bill for $16.7 million in back taxes. During the following year, almost all of his assets -- including several houses, studios, farms, and various properties -- were taken away, and to help pay his bill, he released the double album The IRS Tapes: Who'll Buy My Memories? Originally released as two separate albums, the records were marketed through television commercials, and all the profits were directed to the IRS. By 1993 -- the year he turned 60 -- his debts had been paid off, and he relaunched his recording career with Across the Borderline, an ambitious album produced by Don Was and featuring cameos by Bob Dylan, Bonnie Raitt, Paul Simon, Sinéad O'Connor, David Crosby, and Kris Kristofferson. The record received strong reviews and became his first solo album to appear in the pop charts since 1985.

After the release of Across the Borderline, Nelson continued to work steadily, releasing at least one album a year and touring constantly. In 1993, he was inducted into the Country Music Hall of Fame, but by that time, he had already become a living legend for all country music fans across the world. Signing to Island for 1996's Spirit, he resurfaced two years later with the critically acclaimed Teatro, produced by Daniel Lanois. Nelson followed up that success with the instrumental-oriented Night and Day a year later; Me and the Drummer and Milk Cow Blues followed in 2000. The Rainbow Connection, which featured an eclectic selection of old-time country favorites, appeared in spring 2001.

Amazingly prolific as a recording artist, Nelson released The Great Divide on Universal in 2002. A collection of his early-'60s publishing demos for Pamper Music called Crazy: The Demo Sessions came out on Sugar Hill in 2003. Later in 2003 Nelson released Run That by Me One More Time, which reunited him with Ray Price and kicked off a relationship with Lost Highway Records. It Always Will Be and Outlaws and Angels both appeared on Lost Highway in 2004, followed by the release of Nelson's long-delayed attempt at a country-reggae fusion, Countryman, also on Lost Highway, in 2005. You Don't Know Me: The Songs of Cindy Walker arrived the following year, along with Songbird, Nelson's collaboration with alt-country singer/songwriter Ryan Adams and his band the Cardinals. The double-disc Last of the Breed, an ambitious project that paired Nelson with Merle Haggard, Ray Price, and Asleep at the Wheel, was released by Lost Highway in 2007, followed by the Kenny Chesney/Buddy Cannon-produced Moment of Forever a year later in 2008. Also in 2008, Nelson paired with jazz trumpeter Wynton Marsalis for the live album Two Men with the Blues and with harmonica player and producer Mickey Raphael for some serious-repair remixes of vintage Nelson releases from RCA originally recorded between 1966 and 1970 called Naked Willie. Lost Highway, an album of duets with country and pop singers ranging from Shania Twain to Elvis Costello, appeared in 2009. Also appearing in 2009 was the jazz-inflected American Classic from Blue Note Records. Country Music followed next from Rounder Records in 2010. Nelson reunited with Marsalis again for 2011’s Here We Go Again: Celebrating the Genius of Ray Charles, which was recorded live on February 9 and 10, 2009 at the Rose Theater with Norah Jones also on board. A CD drawn from the shows appeared on Blue Note in the spring of 2011. ~ Stephen Thomas Erlewine & Steve Leggett, Rovi
Wikipedia on Answers.com:

Willie Nelson

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Willie Nelson
A red Headed man with white beard smiling. He wears a red bandanna, a black shirt and a red, white and blue guitar strap.
Willie Nelson performing at Farm Aid in 2009
Background information
Birth name Willie Hugh Nelson
Also known as Red Headed Stranger
Born (1933-04-30) April 30, 1933 (age 79)
Abbott, Texas, United States[1]
Genres Country, country rock, outlaw country, alternative country
Occupations Musician, songwriter, producer, actor, activist
Instruments Vocals, guitar
Years active 1956–present
Labels Liberty, RCA, Atlantic, Columbia, Island, Justice Records, Lost Highway
Associated acts Waylon Jennings, The Highwaymen, Johnny Cash, Kris Kristofferson
Website www.willienelson.com
Notable instruments

"Trigger" (Martin N-20)

A signature penned in black ink
Signature of Willie Nelson

Willie Hugh Nelson (pronounced /wɪli nɛlsən /; born April 30, 1933)[1] is an American country music singer-songwriter, as well as an author, poet, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed at the end of the 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana.

Born during the Great Depression, and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the Air Force but was later discharged due to back problems. After his return, Nelson attended Baylor University for two years but dropped out because he was succeeding in music. During this time, he worked as a disc jockey in Texas radio stations and a singer in honky tonks. Nelson moved to Vancouver, Washington, where he wrote "Family Bible" and recorded the song "Lumberjack" in 1956. In 1960, he signed a publishing contract with Pamper Music which allowed him to join Ray Price's band as a bassist. During that time, he wrote songs that would become country standards, including "Funny How Time Slips Away", "Hello Walls", "Pretty Paper", and "Crazy". In 1962, he recorded his first album, And Then I Wrote. Due to this success, Nelson signed in 1964 with RCA Victor and joined the Grand Ole Opry the following year. After mid-chart hits during the end of 1960s and the beginning of the 1970s, and the failure to succeed in music, Nelson retired in 1972 and moved to Austin, Texas. The rise of the popularity of Hippie music in Austin motivated Nelson to return from retirement, performing frequently at the Armadillo World Headquarters.

In 1973, after signing with Atlantic Records, Nelson turned to outlaw country, including albums such as Shotgun Willie and Phases and Stages. In 1975, he switched to Columbia Records, where he recorded the critically acclaimed album, Red Headed Stranger. The same year, he recorded another outlaw country album, Wanted! The Outlaws, along with Waylon Jennings, Jessi Colter, and Tompall Glaser. During the mid 1980s, while creating hit albums like Honeysuckle Rose and recording hit songs like "On the Road Again", "To All the Girls I've Loved Before", and "Pancho & Lefty", he joined the country supergroup The Highwaymen, along with fellow singers, Johnny Cash, Waylon Jennings, and Kris Kristofferson. During 1990 Nelson's assets were seized by the Internal Revenue Service, that claimed that he owed US $32,000,000. It was later discovered that his accountants, Price Waterhouse did not pay Nelson's taxes for years. The impossibility of Nelson to pay his outstanding debt was aggravated by weak investments made by him during the 1980s. Nelson released in 1991 The IRS Tapes: Who'll Buy My Memories?, the profits of the double album, destined to the IRS and the auction of Nelson's assets cleared his debt by 1993. During the 1990s and 2000s, Nelson continued touring extensively, and released albums every year. Reviews ranged from positive to mixed. Nelson explored genres such as reggae, blues, jazz, and folk. Nelson made his first movie appearance in the 1979 film, The Electric Horseman, followed by other appearances in movies and on television.

Nelson is a major liberal activist and the co-chair of the advisory board of the National Organization for the Reform of Marijuana Laws, which is in favor of marijuana legalization. On the environmental front, Nelson owns the bio-diesel brand Willie Nelson Biodiesel, which is made from vegetable oil. Nelson is also the honorary chairman of the Advisory Board of the Texas Music Project, the official music charity of the state of Texas.

Early life

A man with a leather helmet and a white football jersey.
Willie Nelson's high school football portrait

Willie Nelson was born in Abbott, Texas, during the Great Depression on April 30, 1933, to Myrle Marie (née Greenhaw) and Ira Doyle Nelson.[2] Nelson's ancestors were on his father's side English and Irish, while his mother's forebears were Irish and Cherokee.[3][4] The Nelson family had moved from Arkansas in 1929, looking for work. Nelson's grandfather, William, worked as a blacksmith, while his father worked as a mechanic.[5] His mother left soon after he was born,[6] and his father remarried and moved away, leaving the grandparents to bring up Nelson and his sister Bobbie. The Nelson's, who taught singing in schools while living in Arkansas, initiated their grandchildren in music.[7][8] Nelson's grandfather bought him a guitar when he was six, and taught him a few chords;[5] and with his sister Bobbie he sang gospel songs in the local church.[9] He wrote his first song when he was seven,[10] and played the guitar for the local band Bohemian Polka at age nine.[11] During the summer, like most of Abbott's inhabitants, the family picked cotton.[12] As Nelson didn't like picking cotton, starting at age thirteen and continuing through high school, he earned money by singing in local dance halls, taverns, and honky tonks.[13] Nelson was influenced musically during his childhood by Hank Williams, Bob Wills, Lefty Frizzell, Ray Price, Ernest Tubb, Hank Snow , Django Reinhardt, Frank Sinatra and Louis Armstrong .[14][15]

Nelson attended Abbott High School where, as well as raising pigs for the Future Farmers of America organization,[2] he was a halfback in the school football team, and also played basketball as a guard, and as a shortstop in baseball.[16] While still at school he sang and played guitar in The Texans, a band formed by his sister's husband, Bud Fletcher.[11] After leaving school in 1950 he joined the United States Air Force for eight to nine months,[17] then worked as a disc jockey at local radio stations.[18] He had short stints with KHBR in Hillsboro, Texas and later with KBOP in Pleasanton, Texas.[19][20] In 1952, he married Martha Matthews, and from 1954 to 1956 studied agriculture at Baylor University.[21] Nelson joined the Tau Kappa Epsilon fraternity, but dropped out to pursue a future in music.[22][23] Meanwhile, he held jobs as a tree-trimmer, saddle-maker, as well as selling door-to-door bibles, vacuum cleaners and encyclopedias.[24]

Music career

Beginnings (1956–1972)

In 1956, Nelson moved to Vancouver, Washington to begin his formal musical career. His first record, "No Place For Me" included Leon Payne's "Lumberjack" on the b-side,[25] but was not successful.[26] Nelson continued working as a radio announcer and singing in Vancouver clubs.[27] He sold the song "Family Bible" for US$50 to a guitar instructor, and the song turned into a hit for Claude Gray in 1960.[28] Nelson moved to Nashville in 1960, but no label signed him. Although most of his demos were rejected, thanks to his songwriting and Hank Cochran's help, he signed a publishing contract with Pamper Music. After Ray Price recorded Nelson's "Night Life", Nelson joined Price's touring band as a bass player. While playing with Price and the Cherokee Cowboys, Nelson's songs became hits for other artists, including "Funny How Time Slips Away" (Billy Walker), "Hello Walls" (Faron Young), "Pretty Paper" (Roy Orbison), and, most famously, "Crazy" (Patsy Cline),[27] which became the biggest jukebox hit of all time.[29]

Nelson signed with Liberty Records and was recording by August 1961 at Quonset Hut Studio. His first two successful singles as an artist were released by the next year, including "Willingly" (which became his first charting single and first Top Ten at #10) and "Touch Me" (his second Top Ten, stalling at #7), a duet with his soon-to-be second wife, Shirley Collie.[30] He had not further hit singles. Nelson's tenure at Liberty yielded his first album entitled And Then I Wrote, released in September 1962.[31] Fred Foster of Monument Records signed Nelson in early 1964, but only one single was released, "I Never Cared For You".[32]

By the fall of 1964, Nelson had moved to RCA Victor Records at the behest of Chet Atkins, signing a contract for US $10,000 per year.[33] Country Willie – His Own Songs became Nelson's first RCA album, recorded in April 1965. That same year he joined the Grand Ole Opry[34]. During his first few years on RCA, Nelson had no significant hits, but from November 1966 through March 1969, his singles reached the Top 25 in a consistent manner. "One In a Row" (#19, 1966), "The Party's Over" (#24 during a 16-week chart run in 1967), and his cover of Morecambe & Wise's "Bring Me Sunshine" (#13, March 1969) were Nelson's best-selling records during his time with RCA.[26]

After recording his final RCA single – "Mountain Dew" (backed with "Phases, Stages, Circles, Cycles and Scenes") in late April 1972, RCA requested that Nelson renew his contract ahead of schedule, with the implication that RCA would not release his latest recordings if he did not.[35] Due to the failure of his albums to succeed, and particularly frustrated by the reception of Yesterday's Wine, although his contract was not over, Nelson decided to retire from music.[36] Nelson moved to Austin, Texas, where the burgeoning hippie music scene (see Armadillo World Headquarters) rejuvenated the singer. His popularity in Austin soared as he played his own brand of country music marked by country, folk and jazz influences.[37] In March, he performed on the final day of the Dripping Springs Reunion, a three-day country music festival aimed by its producers to be an annual event. Despite the failure to reach the expected attendance, the concept of the festival inspired Nelson to create the Fourth of July Picnic, his own annual event, starting the following year.[38] Nelson decided to return to the recording business, he signed Neil Rashen as his manager to negotiate with the RCA, who got the label to agree to end Nelson's contract upon repayment of US$14,000.[35] Rashen eventually signed Nelson to Atlantic Records for US$25,000 per year, becoming the label's first country artist.[33] By February 1973, Nelson was recording his acclaimed Shotgun Willie at Atlantic Studios in New York City.[39]

Outlaw country and success (1973–1989)

Shotgun Willie, released in May 1973, earned excellent reviews but did not sell well. The album led Nelson to a new style, later stating that Shotgun Willie had "cleared his throat".[40] His next album, Phases and Stages, released in 1974, was a concept album about a couple's divorce, inspired by his own experience. Side one of the record is from the viewpoint of the man, while the other side is from the viewpoint of the woman.[41] The album included the hit single "Bloody Mary Morning." Nelson then moved to Columbia Records, where he signed a contract that gave him complete creative control, made possible by the critical and commercial success of his previous albums.[42] The result was the critically acclaimed, and massively popular 1975 concept album Red Headed Stranger. Although Columbia was reluctant to release an album with primarily a guitar and piano for accompaniment, Nelson and Waylon Jennings insisted. The album included a cover of Fred Rose's 1945 song "Blue Eyes Crying in the Rain", that had been released as a single previous to the album, and became Nelson's first number one hit as a singer.[43]

Three men. From left to right, the first man has brown hair and beard. He wears a blue t-shirt and a white jacket and is looking at the man in the middle. The man in the middle wears a green cap and shades, and long red hair. He wears a brown t-shirt. The man at the right has brown hair, he looks at the man at the middle. He wears a white shirt and a black letter jacket.
L-R: Kris Kristofferson, Nelson, and Waylon Jennings at the 1972 Dripping Springs Reunion

As Jennings was also achieving success in country music in the early 1970s, the pair were combined into a genre called outlaw country, since it did not conform to Nashville standards.[44] The album Wanted! The Outlaws in 1976 with Jessi Colter and Tompall Glaser cemented the pair's outlaw image and became country music's first platinum album.[44] Later that year Nelson released The Sound in Your Mind (certified gold in 1978 and platinum in 2001)[45] and his first gospel album Troublemaker[46] (certified gold in 1986).[47] In 1978, Nelson released two more platinum albums, Waylon & Willie, a collaboration with Jennings that included "Mammas Don't Let Your Babies Grow Up to Be Cowboys", a hit single written and performed by Ed Bruce.[48] Though observers predicted that Stardust would ruin his career, it went platinum the same year.[49] Nelson continued to top the charts with hit songs during the late 1970s, including "Good Hearted Woman", "Remember Me",[50] "If You've Got the Money I've Got the Time", and "Uncloudy Day".[51]

During the 1980s Nelson recorded a series of hit singles including "Midnight Rider", a 1980 cover of the Allman Brothers song which Nelson recorded for The Electric Horseman,[52] the soundtrack "On the Road Again" from the movie Honeysuckle Rose,[53] and a duet with Julio Iglesias titled "To All the Girls I've Loved Before". Pancho & Lefty, a duet album with Merle Haggard,[54] and WWII, with Jennings, came out in 1982,[55] while Take it to the Limit was released in 1983, also with Jennings.[56]

In the mid-1980s, Nelson, Jennings, Kristofferson, and Johnny Cash formed The Highwaymen,[57] who achieved platinum record sales and toured the world.[58] Meanwhile, he became more involved with charity work, such as singing on We are the World in 1984.[59] In 1985, Nelson had another success with Half Nelson, a compilation album of duets with a range of artists such as Ray Charles and Neil Young.[60] In 1980, Nelson performed on the south lawn of the White House. The September 13 concert featured First Lady Rosalynn Carter and Nelson in a duet of Ray Wylie Hubbard's "Up Against the Wall Redneck Mother".[61] Nelson frequently visited the White House according to his biography, Willie Nelson: An Epic Life, where he smoked marijuana on the White House roof.[62]

IRS and later career (1990–present)

In 1990, the Internal Revenue Service (IRS) seized most of Nelson's assets, claiming that he owed US$32,000,000. It was later discovered that his accountants, Price Waterhouse, had not been paying Nelson's taxes for years. In addition to the unpaid taxes, Nelson's situation was worsened by the weak investments he had made during the early 1980s.[63] His lawyer, Jay Goldberg, negotiated the sum to be lowered to US$16,000,000. Later, Nelson's attorney renegotiated a settlement with the IRS in which he paid US$6,000,000, although Nelson did not comply with the agreement.[64] Nelson released The IRS Tapes: Who'll Buy My Memories? as a double album, with all profits destined for the IRS. Many of his assets were auctioned and purchased by friends, who donated or rented his possessions to him for a nominal fee. He sued Price Waterhouse, contending that they put his money in illegal tax shelters.[65] The lawsuit was settled for an undisclosed amount and Nelson cleared his debts by 1993.[63][66]

A man with long white hair and white beard playing a guitar. He wears a black t-shirt, which is crossed by the red, white and blue strap of the guitar. He also wears black pants.
Nelson, and his guitar "Trigger", performing at Cardiff on January 25, 2007

During the 1990s and 2000s, Nelson toured continuously, recording several albums including 1998's critically acclaimed Teatro,[67] and performed and recorded with other acts including Phish,[68] Johnny Cash,[69] and Toby Keith. His duet with Keith, "Beer for My Horses", was released as a single and topped the Billboard Hot Country Songs charts for six consecutive weeks in 2003,[70] while the accompanying video won an award for "Best Video" at the 2004 Academy of Country Music Awards.[71] A USA Network television special celebrated Nelson's 70th birthday,[72] and Nelson released The Essential Willie Nelson as part of the celebration.[73] Nelson also appeared on Ringo Starr's 2003 album, Ringo Rama, as a guest vocal on "Write One for Me."

Nelson headlined the 2005 Tsunami Relief Austin to Asia concert to benefit the victims of the 2004 Indian Ocean earthquake, which raised an estimated US$75,000 for UNICEF.[74] Also in 2005, a live performance of the Johnny Cash song "Busted" with Ray Charles was released on Charles' duets album Genius & Friends. Nelson's 2007 performance with jazz trumpeter Wynton Marsalis at the Lincoln Center,[75] was released as the live album Two Men with the Blues in 2008; reaching number one in Billboard's Top Jazz Albums and number twenty on the Billboard 200.[76] In 2009 Nelson and Marsalis joined with Norah Jones in a tribute concert to Ray Charles, which resulted in the Here We Go Again: Celebrating the Genius of Ray Charles album, released in 2011.[77] In 2010, Nelson released Country Music, a compilation of standards produced by T-Bone Burnett.[78] The album peaked number four in Billboard's Top Country Albums, and twenty on the Billboard 200.[79] It was nominated for Best Americana Album in the 2011 Grammy Awards.[80] In 2011 Nelson participated in the concert Kokua For Japan, a fundraising event for the victims of the 2011 Tōhoku earthquake and tsunami in Japan which raised US$1.6 million.[81] On February 2012, Legacy Recordings signed a deal with Nelson that included the release of new material, as well as past releases that would be selected and complemented with outtakes and other material selected by Nelson.[82]

Other ventures

Nelson's acting debut was in the 1979 movie, The Electric Horseman, followed by appearances in Honeysuckle Rose, Thief, and Barbarosa.[83] He played the role of Red Loon in Coming Out of the Ice in 1982 and starred in Songwriter two years later.[84] He portrayed the lead role in the 1986 film version of his concept album Red Headed Stranger. Other movies that Nelson acted in include Wag the Dog, Gone Fishin' (as Billy 'Catch' Pooler), the 1986 television movie Stagecoach (with Johnny Cash), Half Baked, Beerfest, The Dukes of Hazzard, Surfer, Dude and Swing Vote.[83] He has also made guest appearances on Miami Vice (1986's "El Viejo" episode), Delta, Nash Bridges, The Simpsons, Monk, Adventures in Wonderland, Dr. Quinn, Medicine Woman, King of the Hill, The Colbert Report, Swing Vote and Space Ghost Coast to Coast.[85]

A store with a sign that reads "Willie's Place". The apostrophe is replaced in the sign by a bullet hole. The structure of the store is constructed in wooden with three columns. There are four windows and there are a red and a grey car in the parking lot.
In 2008, Nelson reopened the truck stop "Willie's Place" near Hillsboro, Texas.

In 1988 his first book, Willie: An Autobiography, was published.[86] The Facts of Life: and Other Dirty Jokes, a personal recollection of tour and musical stories from his career, combined with song lyrics, followed in 2002.[87] In 2005 he co-authored Farm Aid: A Song for America, a commemorative book about the twentieth anniversary of the foundation of Farm Aid.[88] His third book, co-authored with long time friend Turk Pipkin, The Tao of Willie: A Guide to the Happiness in Your Heart, was published in 2006.[89] In 2007 a book advocating the use of bio-diesel and the reduction of gas emissions, On The Clean Road Again: Biodiesel and The Future of the Family Farm, was published.[90] His next book, A Tale Out of Luck, published in 2008 and co-authored by Mike Blakely, was Nelson's first fictional book.[91]

In 2002, Nelson became the official spokesman of the Texas Roadhouse, a chain of steakhouses. Nelson heavily promoted the chain and appeared on a special on Food Network. The chain installed Willie's Corner, a section dedicated to him and decked out with Willie memorabilia, at several locations.[92] In 2008, Nelson reopened Willie's place, a truckstop in Hillsboro, Texas. The U.S. Bankruptcy Court allowed Nelson to invest in it. The establishment currently has about 80 employees[93] and is used as a concert hall with a bar and a 1,000 square feet (93 m2) dance floor.[94]

Nelson has practised different styles of martial arts, beginning with Kung Fu during the 1980s, as well as Tae Kwon Do, in which he holds a Black belt degree.[95]

Music style

Nelson uses a variety of music styles to create his own distinctive blend of country music – a hybrid of jazz, pop, blues, rock and folk.[96] His "unique sound", which uses a "relaxed, behind-the-beat singing style and gut-string guitar",[97] and his "nasal voice and jazzy, off-center phrasing",[96] has been responsible for his wide appeal, and has made him a "vital icon in country music",[96] influencing the "new country, new traditionalist, and alternative country movements of the '80s and '90s".[96]

Guitars

A classical guitar. There are several damages in the soundboard, near the sound hole there is a big hole and the wood is worn out in the surrounding areas of it. The guitar has several signatures on it. there is a blue and white strap in the soundhole.
Willie Nelson's guitar, Trigger, has been signed by several of Nelson's friends

In 1969, the Baldwin company gave Nelson an amplifier and a three-cord pickup electric guitar. During a show in Helotes, Texas, Nelson left the guitar on the floor of the stage, that was later stepped on by a drunk man.[98] He sent it to be repaired in Nashville by Shot Jackson, who told Nelson that the damage was too great. Jackson offered him a Martin N-20 nylon-string acoustic and, at Nelson's request, moved the pickup to the Martin. Nelson purchased the guitar unseen for US$750 and named it after Roy Rogers' horse "Trigger".[99] The next year Nelson rescued the guitar from his burning ranch.[100][101][102]

Constant strumming with a guitar pick over the decades has worn a large sweeping hole into the guitar's body near the sound hole—the N-20 has no pick-guard since classical guitars are meant to be played fingerstyle instead of with picks.[29] Its soundboard has been signed by over a hundred of Nelson's friends and associates, ranging from fellow musicians to lawyers and football coaches.[99] The first signature on the guitar was Leon Russell's, who asked Nelson initially to sign his guitar. When Nelson was about to sign it with a marker, Russell requested him to scratch it instead, explaining that the guitar would be more valuable in the future. Interested in the concept, Nelson requested Russell also to also sign his guitar.[98] In 1991, during his process with the IRS, Nelson was worried that Trigger could be auctioned off, stating: "When Trigger goes, I'll quit". He asked his daughter, Lana, to take the guitar from the studio before any IRS agent got there, and bring it to him on Maui.[101] Nelson then hid the guitar in his manager's house until his debt was paid in 1993.[99]

In his book, The Tao of Willie: A Guide to Happiness in Your Heart, Nelson described the influence of the guitar in his style: "One of the secrets to my sound is almost beyond explanation. My battered old Martin guitar, Trigger, has the greatest tone I’ve ever heard from a guitar [...] If I picked up the finest guitar made this year and tried to play my solos exactly the way you heard them on the radio or even at last night’s show, I’d always be a copy of myself and we’d all end up bored. But if I play an instrument that is now a part of me, and do it according to the way that feels right for me [...] I’ll always be an original".[103]

Activism

Nelson is active in a number of issues. Along with Neil Young and John Mellencamp, he set up Farm Aid in 1985 to assist and increase awareness of the importance of family farms,[104] after Bob Dylan's comments during the Live Aid concert that he hoped some of the money would help American farmers in danger of losing their farms through mortgage debt.[105] The first concert included Bob Dylan, Billy Joel, B.B. King, Roy Orbison, and Neil Young among many others,[106] and raised over $9 million for America's family farmers.[107] Besides organizing and performing in the annual concerts, Nelson is the president of the board of Farm Aid.[108]

Nelson is a co-chair of the National Organization for the Reform of Marijuana Laws (NORML) advisory board.[109] He has worked with NORML for years, fighting for marijuana legalization. In 2005 Nelson and his family hosted the first annual "Willie Nelson & NORML Benefit Golf Tournament", leading to a cover appearance and inside interview in the January 2008 issue of High Times magazine.[110] After his arrest for possession of marijuana in 2010, Nelson created the TeaPot party under the motto "Tax it, regulate it and legalize it!".[111][112]

Nelson supported Dennis Kucinich's campaign in the 2004 Democratic presidential primaries. He raised money, appeared at events, and composed the song "Whatever Happened to Peace on Earth?", criticizing the war in Iraq.[113] He recorded a radio advertisement asking for support to put musician/author Kinky Friedman on the ballot as an independent candidate for the 2006 Texas gubernatorial election.[114] Friedman promised Nelson a job in Austin as the head of a new Texas Energy Commission due to his support of bio-fuels.[115] In January 2008, Nelson filed a suit against the Texas Democratic Party, alleging that the party violated the First and Fourteenth Amendments of the United States Constitution by refusing to allow co-plaintiff Kucinich to appear on the primary ballot because he had scratched out part of the loyalty oath on his application.[116]

In 2004, he and his wife Annie became partners with Bob and Kelly King in the building of two Pacific Bio-diesel plants, one in Salem, Oregon and the other at Carl's Corner, Texas (the Texas plant was founded by Carl Cornelius, a longtime Nelson friend and the namesake for Carl's Corner).[117] In 2005, Nelson and several other business partners formed Willie Nelson Biodiesel[118] ("Bio-Willie"), a company that is marketing bio-diesel bio-fuel to truck stops. The fuel is made from vegetable oil (mainly soybean oil), and can be burned without modification in diesel engines.[119]

Nelson is an advocate for better treatment for horses and has been campaigning for the passage of the American Horse Slaughter Prevention Act (H.R. 503/S. 311) alongside the Animal Welfare Institute.[120] He is on its Board of Directors and has adopted a number of horses from Habitat for Horses.[121] In 2008, Nelson signed on to warn consumers about the cruel and illegal living conditions for calves raised to produce milk for dairy products. He wrote letters to Land O'Lakes and Challenge Dairy, two of the major corporations that use milk from calves raised at California's Mendes Calf Ranch, which employs an intensive confinement practice that was the subject of a lawsuit and campaign brought by the Animal Legal Defense Fund.[122]

Personal life

Nelson lives in Maui, Hawaii, in a largely self-sustaining community where all the homes use only solar power.[123] Neighbors include Kris Kristofferson, Woody Harrelson, and Owen Wilson.[124]

Willie Nelson has married four times and fathered seven children.[125] His first marriage was to Martha Matthews; it lasted from 1952 to 1962, and produced three children: Lana, Susie, and Billy. The last committed suicide in 1991.[126] The marriage was marked by violence, with Matthews assaulting Nelson several times.[127][34] Nelson's next marriage was to Shirley Collie in 1963.[128] The couple divorced in 1971, after Collie found a bill from the maternity ward of a Houston hospital charged to Nelson and Connie Koepke for the birth of Paula Carlene Nelson.[127] Koepke and Nelson married the same year and had two daughters, Paula Carlene and Amy Lee. Following a divorce in 1988, he married his current wife, Annie D'Angelo, in 1991. They have two sons, Lukas Autry and Jacob Micah.[129] Nelson traces his genealogy to the American Revolutionary War, in which his ancestor John Nelson served as a major.[130]

While swimming in Hawaii in 1981, Nelson's lung collapsed. All of his scheduled concerts were cancelled and he was taken to the Maui Memorial Hospital.[131] Nelson temporarily stopped smoking cigarettes each time his lungs became congested, and resumed when the congestion ended.[132] In 2008 he started to smoke with a carbon-free system to avoid the effects of smoke in his lungs.[102][133] In 2004 Nelson underwent surgery for Carpal Tunnel Syndrome, as he had damaged his wrists by continuously playing the guitar.[134] On the recommendation of his doctor, he cancelled his scheduled concerts and only wrote songs during his recovery.[135]

Nelson has been arrested several times for marijuana possession. The first occasion was in 1974, in Dallas, Texas.[136] Twenty years later, in 1994, highway patrolmen found a marijuana cigarette in his car near Waco, Texas; the resulting court appearance caused him to cancel his appearance at the Grammy awards.[133] While travelling to Ann W. Richards' funeral in 2006, Nelson, along with his manager and his sister, Bobbi, were arrested in St. Martin Parish, Louisiana and charged with possession of marijuana and hallucinogenic mushrooms.[137] Nelson received six months probation.[138] On November 26, 2010, Nelson was arrested for possession of six ounces of marijuana found in his tour bus while travelling from Los Angeles to Texas. He was released after paying bail of US$2,500.[139] Prosecutor Kit Bramblett supported not sentencing Nelson to jail due to the amount of marijuana being small, but suggested instead a US$100 fine and told Nelson that he would have him sing "Blue Eyes Crying in the Rain" for the court. Judge Becky Dean-Walker stated that Nelson had to pay the fine but did not require him to perform the song, explaining that the prosecutor was joking.[140] Nelson's lawyer Joe Turner reached an agreement with the prosecutor. Nelson was set to pay a US$500 fine to avoid a two-year jail sentence with a 30-day review period, which in case of another incident would end the agreement.[141] The judge later rejected the agreement, claiming that Nelson was receiving preferential treatment for his celebrity status, when the offence normally carried a one-year jail sentence.[142]

Legacy

A sign of a street that reads "2nd street, Willie Nelson BLVD 100". It is night time and the sign is lighted. The borders and letters are white and the inside is red.
The Willie Nelson boulevard in Austin, Texas

Nelson is widely recognized as an American icon.[143][144] He was inducted into the Country Music Hall of Fame in 1993,[145] and he received the Kennedy Center Honors in 1998.[146][147] In 2011, Nelson was inducted to the National Agricultural Hall of Fame, for his labor in Farm Aid and other fund risers to benefit farmers.[148]

In 2003 Governor Perry signed bill #2582, introduced by State Representative Elizabeth Ames Jones and Senator Jeff Wentworth,[149] which funded the Texas Music Project, the state's official music charity. Nelson was named Honorary Chairman of the Advisory Board of the project.[150] In 2005, Democratic Texas Senator Gonzalo Barrientos introduced a bill to name 49 miles (79 km) of the Travis County section of State Highway 130 after Nelson, and at one point 23 of the 31 state Senators were co-sponsors of the bill.[151] The legislation was dropped after two Republican senators, Florence Shapiro and Wentworth, objected, citing Nelson's lack of connection to the highway, his fundraisers for Democrats, his drinking, and his marijuana advocacy.[152]

An important collection of Willie Nelson materials (1975–1994) became part of the Wittliff collections of Southwestern Writers, Texas State University, San Marcos, Texas. The collection contains lyrics, screenplays, letters, concert programs, tour itineraries, posters, articles, clippings, personal effects, promotional items, souvenirs, and documents. It documents Nelson's IRS troubles and how Farm Aid contributions were used. Most of the material was collected by Nelson's friend Bill Wittliff, who wrote or co-wrote Honeysuckle Rose, Barbarosa and Red Headed Stranger.[153]

In April 2010, Nelson received the "Feed the Peace" award from The Nobelity Project for his extensive work with Farm Aid and overall contributions to world peace.[154] On June 23, 2010 he was inducted into the Library of Congress’s National Recording Registry.[155][156] Nelson is an honorary trustee of the Dayton International Peace Museum.[157] In 2010, Austin, Texas renamed Second Street to Willie Nelson Boulevard. The city also unveiled a life-size statue to honor him, placed at the entrance of Austin City Limits' new studio.[158] The non-profit organization Capital Area Statues commissioned sculptor Clete Shields to execute the project.[159] The statue was unveiled on April 20, 2012.[160] The date selected by the city of Austin unintentionally coincided with the number 4/20, associated with cannabis culture. In spite of the coincidence and Nelson's advocacy for the legalization of marijuana, the ceremony was scheduled also for 4:20 pm. During the ceremony, Nelson performed the song "Roll Me Up and Smoke Me When I Die".[161]

For many years, Nelson's image was marked by his red hair, often divided into two long braids partially concealed under a bandanna. In the April 2007 issue of Stuff Magazine Nelson was interviewed about his long locks.[162] "I started braiding my hair when it started getting too long, and that was, I don't know, probably in the 70's." On May 26, 2010, the Associated Press reported that Nelson had cut his hair,[163] and Nashville music journalist Jimmy Carter published a photograph of the pigtail-free Nelson on his website.[164] Reportedly, he wanted a more maintainable hairstyle, as well helping him stay cool more easily at his Maui home.[165]

Nelson's touring and recording group, the Family, is full of longstanding members. The original lineup included his sister Bobbie Nelson, drummer Paul English, harmonicist Mickey Raphael, bassist Bee Spears, Billy English (Paul's younger brother), and Jody Payne.[166] The current lineup includes all the members but Jody Payne, who retired, and Bee Spears, who died in 2011.[167] Willie & Family tours North America in the bio-diesel bus Honeysuckle Rose IV, which is fueled by Bio-Willie.[168]

Discography and other works

As well as recording over sixty studio albums, Nelson has appeared in over thirty films and TV shows. His acting debut was in the 1979 movie, The Electric Horseman, followed by appearances in Honeysuckle Rose, Thief, and Barbarosa.[83]

Recordings
Films
Books
  • Willie: An Autobiography, Simon & Schuster, 1988, with Bud Shrake
  • The Facts of Life and Other Dirty Jokes, Random House, 2002
  • The Tao of Willie: A Guide to the Happiness in Your Heart, Gotham, 2006, with Turk Pipkin
  • A Tale Out of Luck (a novel), Center Street, 2008, with Mike Blakely
  • On The Clean Road Again: Biodiesel and The Future of the Family Farm, Fulcrum Publishing, 2007
  • Farm Aid: A Song for America, 2005, Rodale Books, foreword by Willie Nelson

See also

References

  1. ^ a b Since he was born around midnight some sources use April 29, 1933
  2. ^ a b Scobey, Lola 1982, p. 58.
  3. ^ Nelson, Willie; Bud Shrake; Edwin Shrake 2000, p. 94.
  4. ^ Nelson, Willie; Bud Shrake; Edwin Shrake 2000, p. 49.
  5. ^ a b Willie Nelson (2007). On the Clean Road Again: Biodiesel and the Future of the Family Farm. Fulcrum Publishing. p. 29. ISBN 978-1-55591-624-4. http://books.google.com/?id=o5euCvzAWAEC&pg=PA29&dq=Willie+Nelson++grandfather+died#v=onepage&q&f=false. Retrieved 23 June 2011. 
  6. ^ Norbert B. Laufenberg (2005). Entertainment Celebrities. Trafford Publishing. p. 473. ISBN 978-1-4120-5335-8. http://books.google.com/?id=mzTW9Nitee4C&pg=PA473&dq=willie+nelson+mother#v=onepage&q=willie%20nelson%20mother&f=false. Retrieved 23 June 2011. 
  7. ^ Patoski, Joe Nick 2008, p. 6.
  8. ^ Reid; Jan p.218
  9. ^ Bill C. Malone (2002). Country music, U.S.A.. University of Texas Press. p. 303. ISBN 978-0-292-75262-7. http://books.google.com/?id=CR63ED_FH_AC&pg=PA303&dq=Willie+Nelson+was+born+on+April+30,+1933#v=onepage&q=Willie%20Nelson%20was%20born%20on%20April%2030%2C%201933&f=false. Retrieved 22 June 2011. 
  10. ^ Patoski, Joe Nick (May 2008). "The Gospel According to Willie: The Resurrection of the Abbott Methodist Church". http://www.texascooppower.com/texas-stories/life-arts/the-gospel-according-to-willie. Retrieved December 6, 2011. 
  11. ^ a b Kienzle, Richard 2003, p. 236.
  12. ^ Richmond, Clint 2000, p. 7, 8, 23.
  13. ^ Scobey, Lola 1982, p. 47.
  14. ^ Richmond, Clint 2000, p. 17.
  15. ^ Hann, Michael (May 17, 2012). "Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives'". The Guardian (Guardian News and Media Ltd.). http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson. Retrieved May 20, 2012. 
  16. ^ Patoski, Joe Nick 2008, p. Abott, 1933.
  17. ^ Roger Chapman (2010). Culture wars: an encyclopedia of issues, viewpoints, and voices, Volume 1. M.E. Sharpe. p. 392. ISBN 978-0-7656-1761-3. http://books.google.com/?id=vRY27FkGJAUC&pg=PA392&dq=United+States+Air+Force+willie+Nelson#v=onepage&q=United%20States%20Air%20Force%20willie%20Nelson&f=false. Retrieved 5 July 2011. 
  18. ^ Richmond, Clint 2000, p. 11, 24, 25.
  19. ^ Patoski, Joe Nick 2008, p. Vancouver, Washington 1956.
  20. ^ "Massive Box celebrates Willie Nelson's 75th". Billboard. Prometheus Global Media. 2008. http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003700497#/bbcom/news/article_display.jsp?vnu_content_id=1003700497. Retrieved February 20, 2011. 
  21. ^ Brown 1982, p. 58.
  22. ^ Wang, Steven. "Famous TKE alumni". Lambda Chapter of the Tau Kappa Epsilon International Fraternity. Tau Kappa Epsilon International Fraternity. http://www.uwtke.com/alums.php. Retrieved February 1, 2010. [dead link]
  23. ^ Richmond, Clint 2000, p. 24.
  24. ^ Dingus, Anne, p. 77.
  25. ^ Mike Evans (2006). Country Music Facts, Figures & Fun. AAPPL. p. 70. ISBN 978-1-904332-53-4. http://books.google.com/?id=4JH4e8BNIY4C&pg=PA70&dq=willie+nelson+%22Lumberjack%22#v=onepage&q=willie%20nelson%20%22Lumberjack%22&f=false. Retrieved 21 June 2011. 
  26. ^ a b Dicair, David 2007, p. 246.
  27. ^ a b Erlewine, Michael 1997, p. 324.
  28. ^ Patoski, Joe Nick, p. Nashville, 1960.
  29. ^ a b "Willie Nelson, Live from the 'Fresh Air' Studios". NPR Music (=National Public Radio). 1996. http://www.npr.org/templates/story/story.php?storyId=90066056. Retrieved September 9, 2009. 
  30. ^ Edwards, David; Callahan, Mike. "The Liberty Records Story". Both Sides Now. Both Sides Now Publications. http://www.bsnpubs.com/liberty/liberty.html. Retrieved February 7, 2011. 
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  153. ^ "Largest Willie Nelson collection now at Texas State". Alkek Library News. Alkek Library. September 22, 2010. http://alkeklibrarynews.typepad.com/alkek/willie-nelson/. Retrieved February 20, 2011. 
  154. ^ "The Nobelity Project Honors Willie Nelson". PRWeb. Vocus PRW Holdings, LLC. http://www.prweb.com/releases/Nobelity_Project/Willie_Nelson/prweb3824704.htm. Retrieved February 15, 2011. 
  155. ^ Donahue, Ann (June 23, 2010). "Tupac, Willie Nelson, R.E.M. Among Inductees To National Recording Register". Billboard. Prometheus Global Media. http://www.billboard.com/news/tupac-willie-nelson-r-e-m-among-inductees-1004099730.story#/news/tupac-willie-nelson-r-e-m-among-inductees-1004099730.story. Retrieved February 14, 2011. 
  156. ^ Grossberg, Josh (June 23, 2010). "Library of Congress Taps Willie Nelson, Tupac, R.E.M". E! Entertainment. E! Entertainment Television, LLC.. http://www.eonline.com/uberblog/b187243_library_of_congress_taps_willie_nelson.html. Retrieved May 23, 2011. 
  157. ^ "Dayton International Peace Museum". Dayton International Peace Museum. Dayton International Peace Museum. http://www.daytonpeacemuseum.org/willie_nelson_dayton_peace_museu.htm. Retrieved March 27, 2011. .
  158. ^ "Willie Nelson to have street named after him in Texas". BBC (BBC). May 28, 2010. http://www.bbc.co.uk/news/10182790. Retrieved March 27, 2011. 
  159. ^ "Willie Nelson statue and boulevard planned for Austin". The Houston Chronicle. Hearst Corporation. May 7, 2010. http://www.chron.com/disp/story.mpl/metropolitan/6994415.html. Retrieved March 27, 2011. 
  160. ^ MacLaggan, Corrie (April 21, 2012). "Bronze Nelson statue unveiled in Texas". Reuters. Canoe, Inc.. http://www.canoe.ca/Travel/News/2012/04/21/19662666.html. Retrieved April 22, 2012. 
  161. ^ "Willie Nelson unveils statue of himself on 4/20". Associated Press. Detroit Free Press. April 21, 2012. http://www.freep.com/apps/pbcs.dll/article?AID=2012120421010. Retrieved April 22, 2012. 
  162. ^ "Willie Nelson haircut: Country singer chops off trademark long tresses and debuts shorter new look". New York Daily News. Mortimer Zuckerman. May 27, 2010. http://www.nydailynews.com/gossip/2010/05/27/2010-05-27_willie_nelsons_new_haircut_country_singer_chops_off_trademark_long_tresses_and_d.html. Retrieved February 15, 2011. 
  163. ^ "The pigtails are gone: Willie Nelson cuts his hair". Las Cruces Sun-News (MediaNews Group). May 26, 2010. http://www.lcsun-news.com/las_cruces-news/ci_15166128. Retrieved February 15, 2011. 
  164. ^ "Willie cuts his hair". May 26, 2010. http://askjimmycarter.blogspot.com/2010/05/willie-cuts-his-hair.html 
  165. ^ "Willie Nelson Cuts Off His Braids!". Yahoo! Inc.. May 26, 2010. http://new.music.yahoo.com/blogs/ourcountry/32905/willie-nelson-cuts-off-his-braids/. Retrieved March 27, 2011. 
  166. ^ Scobey, Lola, pp. 198, 358.
  167. ^ Williams, Kern (March 4, 2012). "Willie Nelson has Near-Sellout Crowd in Palm of his Hand Sunday". Lubbock Online (Lubbock Avalanche-Journal). http://lubbockonline.com/entertainment/2012-03-04/willie-nelson-has-near-sellout-crowd-palm-his-hand-sunday-review-and-photo#.T2ZOp3lqKXk. Retrieved March 18, 2012. 
  168. ^ "Willie Nelson's had a 'Crazy' career IN CONCERT – Willie Nelson and Family". The Vancouver Province (Postmedia Network). June 28, 2007. http://www.canada.com/theprovince/news/story.html?id=da0cd4de-9c39-462b-a43b-1644eb5bd63d&k=72998. Retrieved February 14, 2011. 
Books
  • Cartwright, Gary (2000). Turn Out the Lights: Chronicles of Texas in the 80's and 90's. University of Texas Press. ISBN 978-0-292-71226-3. 
  • Dicair, David (2007). The First Generation of Country Music Stars. McFarland. ISBN 978-0-7864-3021-5. 
  • Erlewine, Michael (1997). All Music Guide to Country: The Experts' Guide to the Best Recordings in Country Music. Miller Freeman. ISBN 978-0-87930-475-1. 
  • Harden, Lydia Dixon; Hoekstra, Dave; McCall, Michael; Morris, Edward; Williams, Janet (1996). The Stars of Country Music:The Legends & The New Breed. Publications International, Ltd. ISBN 978-1-56173-697-3. 
  • Hartman, Gary (2008). The History of Texas Music. Texas A&M University Press. ISBN 978-1-60344-002-8. 
  • Jennings, Waylon; Kaye, Lenny (1996). Waylon: An Autobiography. Warner Brooks. ISBN 978-0-446-51865-9. 
  • Kienzle, Richard (2003). Southwest Shuffle: Pioneers of Honky-Tonk, Western Swing, and Country Jazz. Routledge. ISBN 978-0-415-94103-7. 
  • Nelson, Willie; Pipkin, Turk (2007). The Tao of Willie: A Guide to the Happiness in Your Heart. Gotham. ISBN 1-59240-287-9. 
  • Nelson, Willie; Bud Shrake; Edwin Shrake (2000). Willie: An Autobiography. Cooper Square Press. 
  • Patoski, Joe Nick (2008). Willie Nelson: An Epic Life. Hachette Digital. ISBN 978-0-316-01778-7. 
  • Reid, Jan (2004). The Improbable Rise of Redneck Rock: New Edition. University of Texas Press. ISBN 978-0-292-70197-7. 
  • Reid, Jan; Sahm Shawn (2010). Texas Tornado: The Times and Music of Doug Sahm. University of Texas Press. ISBN 978-0-292-72196-8. 
  • Richmond, Clint (2000). Willie Nelson: Behind the Music. Simon & Schuster. ISBN 978-0-671-03960-8. 
  • Riggs, Thomas (2007). Contemporary Theatre, Film, and Television. Gale Research Co.. ISBN 978-0-7876-9049-6. 
  • Scobey, Lola (1982). Willie Nelson: Country Outlaw. Kensington Pub Corp. ISBN 978-0-89083-936-2. 
  • Wolff, Kurt; Duane, Orla (2000). Country Music: The Rough Guide. Rough Guides. ISBN 978-1-85828-534-4. 
Journals
  • Texas Monthly. November 1973 [cited February 7, 2011].
  • Texas Monthly. August 1976 [cited May 24, 2011];4.
  • Dingus, Anne (February 1992). "Ernest Tubb Goes Electric and 51 More Moments to Remember Texas' Rich Musical Past". Texas Monthly (Emmis Communications) 19 (2). ISSN 0148-7736. 
  • Texas Monthly. May 1991 [cited February 8, 2011];19(5).
  • Billboard. October 11, 1986 [cited January 8, 2011];98(41).
  • Billboard. December 25, 1976 [cited February 8, 2011];88(52).
Further reading
  • The Encyclopedia of Country Music ed. Paul Kingsbury, pp. 374–76 "Willie Nelson", Bob Allen, New York: Oxford University Press, 1998

External links

Awards
Preceded by
Rodney Crowell
AMA Lifetime Achievement Award for Songwriting
2007
Succeeded by
John Hiatt

 
 
Related topics:
Country Willie: His Own Songs (1965 Album by Willie Nelson)
3 for 3: Willie Nelson, Kenny Rogers & Freddy Fender (1997 Album by Various Artists)
Columbus Stockade Blues/December Days (2000 Album by Willie Nelson)

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