Woody Allen: Biography from Answers.com

Woody Allen (born 1935) has been one of America's most prominent filmmakers, with a series of very personal films about the subjects that have always obsessed him: sex, death and the meaning of life.

"If I sat down to do something popular, I don't think I could," Woody Allen told interviewer Stephen Farber in 1985. "I'm not making films because I want to be in the movie business. I'm making them because I want to say something." When Allen was one of America's most popular stand-up comedians, his fans might have mocked those words, coming from a man whose first role models were Bob Hope and Groucho Marx.

Allen's own films have been made on modest budgets in New York City, where he lives, with no concessions to studio taste or control. Despite the growing seriousness of his work, audiences have never lost sight of Allen the performer and the character he created for himself in his days as a comedian: a nerdy neurotic whose only defense against a hostile universe is his sense of the absurd, which he fearlessly directs at any and all targets, beginning with himself. A very private man, Allen has reluctantly become a public figure, but through all the changes and controversies, "The Woodman" has remained a symbol of uncompromising integrity to his loyal fans. On that subject, he told Farber, "I never hold them cheaply … I never write down to them … I always assume that they're at least as smart as I am, if not smarter, and … I try to do films that they will respect."

Woody Allen was born Allen Konigsberg on December 1, 1935, in the Bronx and grew up in Brooklyn. He changed his name to Woody Allen when at age 17 he began submitting jokes to a newspaper column, eventually attracting the attention of a publicist who hired him to write gags for his clients. After graduation, Allen enrolled in New York University as a motion picture major and then in night school at City College, but dropped out of both to pursue his career as a comedy writer. Years later he told his biographer Eric Lax that when a dean recommended he "seek psychiatric help" if he ever wanted to get a job, he replied that he was already working in show business. "Well, if you're around other crazy people," the dean conceded, "may be you won't stand out."

Fortunately, Allen had a remarkable gift for his chosen profession. In a recent New Yorker article, Adam Gopnik recalled, "Woody was famous among his contemporaries for possessing a pure and almost abstract gift for one-liners … that could be applied to any situation, or passed on to any comic, almost impersonally." Before he turned 20 Allen had sold 20,000 gags to the New York tabloids, married his childhood sweetheart Harlene Rosen and landed a job in the writer's development program at NBC. By the time he turned 23 he was writing for the network's biggest comedy star, Sid Caesar, and had signed with talent managers Jack Rollins and Charles Joffe, who would later produce his films. He had also hired a tutor from Columbia University to teach him literature and philosophy at home.

At the urging of his new managers, Allen began performing his own material in a small New York nightclub in 1960. Honing his craft in painful encounters with the audience night after night, six nights a week, he struck a gold mine of comedy material when he and Rosen divorced in 1962. (His jokes about his ex-wife eventually led to a law suit from Rosen that was settled out of court.) By this time Allen was beginning to appear on network television and was a hit at Greenwich Village's legendary coffee house, The Bitter End.

Unlike other comics of the time, who favored political humor, Allen made jokes about his own comic persona, the little guy tormented by big philosophical issues and his unfailing hard luck with women. This fact was appreciated by a New York Times reviewer, who called him "the freshest comic to emerge in many months."

National recognition was not long in coming. Success in clubs and on television led to a Grammy-nominated comedy album, Woody Allen, in 1964, followed by Woody Allen, Volume Two in 1965 and The Third Woody Allen Album in 1968. Allen's humor found a more up-scale outlet when he began writing humorous essays in the style of S. J. Perelman for the New Yorker in 1966. Three collections of these essays have been published: Getting Even, Without Feathers, and Side Effects.

Allen had long been a lover of movies, American and foreign, but the first one he wrote and acted in, What's New, Pussycat? (1965), was a bad experience. Recruited to write a comedy for hip young audiences, he found the experience of sixties-style, big-budget improvisational filmmaking appalling. "I fought with everybody all the time," he told Cinema magazine. "I hated everyone, and everyone hated me. When that picture was over, I decided I would never do another film unless I had complete control of it." But the film made a fortune and established Woody Allen as a "bankable" movie talent.

True to his word, he made his directorial debut with a film so modest that no one ever thought to tamper with it. Released by AIP, a company specializing in low-budget action and horror films, What's Up, Tiger Lily? (1966) was a Japanese James Bond movie with new dialogue composed of dream-like one-liners put into the characters' mouths by Allen and some friends. "All we did was put five people in a room and keep them there improvising as the film ran," Allen told Rolling Stone. Truly for the young and hip, Tiger Lily didn't make as much money as Pussycat, but it acquired an enduring cult following.

Besides the release of Tiger Lily, 1966 was also the year of Allen's marriage to actress Louise Lasser, who supplied one of the voices for Tiger Lily, and the Broadway opening of his first play, Don't Drink the Water, a comedy about an Jewish American family on vacation who get in hot water behind the Iron Curtain. Don't Drink the Water ran for over a year and spawned a movie directed by Howard Morris; Allen directed a television remake of Don't Drink the Water in December 1994. The marriage to Lasser ended in divorce after three years, but they remained friends, and she acted in Allen's first three hit comedies: Take the Money and Run (1969), Bananas (1971), and Everything You Always Wanted to Know About Sex but Were Afraid to Ask (1972).

Allen's early comedies, made for United Artists - a company that gave him complete control of his work as writer-director - recall the messy, anything-goes style of classic American comedies built around such free-wheeling talents as the Marx Brothers and W. C. Fields. Like the Marx Brothers, a reviewer for Time magazine wrote, Allen was ready "to subordinate everything - plot, plausibility, people - to the imperative of a good joke."

Perhaps because it demanded a more controlled style, he entrusted the film version of his second Broadway hit, Play It Again, Sam (1972), to veteran director Herbert Ross. But he played the lead himself, as he had done in the stage version of this romantic comedy about a man who fulfills his dream: to play the last scene of his favorite movie, Casablanca, in real life, with himself in the Bogart role. His co-star on stage and in the film was his new off-screen friend and romantic partner, Diane Keaton.

Keaton and Allen also co-starred in the two films written and directed by Allen which mark the end of his "early, funny" period. In Sleeper (1973), Allen's character wakes up from a cryogenic sleep to find himself trapped in a future society that looks suspiciously like Los Angeles. And in Love and Death (1975), which Allen considers his best comedy, he takes on his favorite themes in an epic satire of all of Russian literature.

It was Keaton's talents as an actress that inspired Allen to make his first serious film, a bittersweet comedy about a failed romance between two neurotics, and it was undoubtedly her personality that inspired him to create the title character, Annie Hall (1977). (She won an Oscar for her performance; the film won a total of four of the prized gold statuettes.) "What is Woody Allen doing starring in, writing and directing a ruefully romantic comedy that is at least as poignant [distressing] as it is funny and may be the most autobiographical film ever made by a major comic?" asked Time magazine. "What he is doing is growing, right before our eyes, and it is a fine sight to behold."

Keaton went on to star for Allen in Interiors (1978), and Manhattan (1979), a somber black-and-white film about cheating New Yorkers which ends with a salute to the last scene of Charlie Chaplin's City Lights. His career as a serious filmmaker had definitely begun.

Annie Hall also marked the beginning of a nine-picture collaboration with cinematographer Gordon Willis in which Allen's growing mastery of film-making techniques enabled him to create a new style for each new film. He imitated the style of Italian director Federico Fellini in his next, most controversial film, Stardust Memories (1980), in which he plays a filmmaker who seems to hate his fans. Despite the ensuing hue and cry, Allen told an Esquire interviewer in 1987, "The best film I ever did, really, was Stardust Memories."

When the executives who had given him artistic control of his work left United Artists and founded Orion Pictures, Allen worked off his contract with UA and joined them. Coincidentally, the move to Orion also marked the beginning of his collaboration with his new off-screen partner, actress Mia Farrow. Their first four films together all have a fairy-tale quality: A Midsummer Night's Sex Comedy (1982) mixes fairies and moonstruck lovers on a country estate; Zelig (1983) uses special-effects wizardry to tell the story of a human chameleon who achieved a peculiar kind of fame in the 1920s; Broadway Danny Rose (1984) transforms present-day New York into a never-neverland of show-business losers for a poignant romance between a brassy beauty and a hapless agent, and The Purple Rose of Cairo (1985) darkens the fairy-tale mood when a hero of the silver screen steps down into real life, with tragic consequences for a Depression-era housewife, touchingly played by Farrow.

Hollywood bestowed three Oscars on their next collaboration, Hannah and Her Sisters, in which Hannah (Farrow) is divorced from a hypochondriac, played by Allen, and married to a philanderer, played by Michael Caine. "Tracking the career of Woody Allen is exhausting but exhilarating," began the New York Times review of Hannah. "Just when we reach the top, another peak appears." But Allen, who told Eric Lax that "the whole concept of awards is silly," was worried by the film's success. "When I put out a film that enjoys any acceptance that isn't mild or grudging," he explained to Lax, "I immediately become suspicious of it."

After Radio Days (1987), a light-hearted look at Allen's childhood and the Golden Age of radio, the mood of his films darkened again. September (1987) replays the grim psychological dramas of Interiors, and Another Woman (1988) pairs Farrow with one of America's greatest actresses, Gena Rowlands, in a story of mid-life crisis. Allen briefly returned to comedy in the short Oedipus Wrecks (1989), about a man whose problems with his mother take a supernatural turn. He then made his most pessimistic film to date, Crimes and Misdemeanors (1989), in which a respectable married man (Martin Landau) murders his mistress (Anjelica Huston) and gets away with it, while Allen's character loses the woman he loves (Farrow) to a shallow fool (Alan Alda).

Before their off-screen relationship ended in a bitter child-custody suit, Allen and Farrow made three more films together: Alice (1990), a fairy tale recalling their early collaborations, in which a neglected housewife discovers love and life with the help of a Chinese herbalist who dispenses magic potions; Shadows and Fog (1992), a comic salute to the novels of Franz Kafka set in a Middle European country out of some German silent film, and Husbands and Wives (1992).

Released in a firestorm of publicity over the custody battle, Allen's last film with Farrow had the press looking for parallels to Allen's real-life romance with Farrow's 21-year-old adopted-daughter, Soon-Yi Farrow Previn. It also marked another new beginning for Woody Allen the film-maker. Orion's impending bankruptcy obliged him to make the film for Tri-Star, while a less controlled style of filming, with a hand-held camera scampering to keep up with the actors, brought a new sense of life to this savagely funny contemporary look at marriage and infidelity. "It's a good movie," observed the reviewer for New York magazine, "yet a decade or so may have to pass before anyone can see it in itself."

The hand-held camera still wobbles noticeably in Manhattan Murder Mystery, which reunites him with Diane Keaton, playing a married couple who suspect their next-door neighbor of murder. A pure comedy, Allen's first in many years, Manhattan Murder Mystery was a pit-stop for the filmmaker and his loyal fans before his 1994 film Bullets Over Broadway, the critically acclaimed melodrama set in the 1920s that focuses on a group of old Broadway stereotypes. He continued with comedy in 1995, releasing Mighty Aphrodite, a contemporary tale of a man obsessed with his adopted son's mother interspersed with scenes parodying Greek tragedy. The next release, Everyone Says I Love You, surprised his cast and fans alike, marking the director's first foray into musicals. Reports noted that he waited until two weeks after the film's stars signed their contracts to mention that he was making a musical, and that he chose actors who were not necessarily musically trained on purpose in order to evoke more honest emotion in the songs. Reviews were mixed.

Allen's interest in music extended to his off-screen life as well - starting in 1997, he regularly began playing clarinet for the Eddy Davis New Orleans Jazz Band every Monday at a club in New York City. Despite his diverse talents, however, Allen in real life can demonstrate his neurotic tendencies that are trademarks in his films. He told Jane Wollman Rusoff on the "Mr. Showbiz" web site, "I've never made a movie where scholars sat around and said, 'This ranks with the greatest.' … It's a goal, but the trick is to have a great vision. That's not so easy."

Woody Allen
Allen at the 2009 premiere of Whatever Works
Born	Allan Stewart Konigsberg (1935-12-01) December 1, 1935 (age 76) The Bronx, New York, U.S.
Occupation	Actor Director Screenwriter Comedian Musician Playwright
Years active	1950–present
Influenced by	Charlie Chaplin, Groucho Marx, Ingmar Bergman, Federico Fellini, Stanley Kubrick
Home town	New York City, New York
Spouse	Harlene Rosen (m. 1954–1959) Louise Lasser (m. 1966–1969) Soon-Yi Previn (m. 1997)
Partner	Mia Farrow (1980–92)
Children	Ronan Farrow (son) Bechet Dumaine Allen (daughter) Manzie Tio Allen (daughter)^[1]
Relatives	Letty Aronson (sister)
Website
www.woodyallen.com

Early life

Allen was born Allan Stewart Königsberg in The Bronx and raised in Brooklyn, NY, the son of Nettie (born Cherrie; November 8, 1906 – January 27, 2002), a bookkeeper at her family's delicatessen, and Martin Königsberg (December 25, 1900 – January 13, 2001), a jewelry engraver and waiter.^[7] His family was Jewish and his grandparents were German immigrants who spoke Yiddish, Hebrew, and German;^[8] both of his parents were born and raised on the Lower East Side of Manhattan.^[8] Allen has a sister, Letty, who was born in 1943, and was raised in Midwood, Brooklyn.^[9] His childhood was not particularly happy: his parents did not get along, and he had a rocky relationship with his stern, temperamental mother.^[10] Allen spoke German quite a bit during his early years.^[11] While attending Hebrew school for eight years, he went to Public School 99 (now The Isaac Asimov School for Science and Literature)^[12] and to Midwood High School.^[13] During that time, he lived in an apartment at 1402 Avenue K, between East 14th and 15th Streets.^{[citation needed]} Unlike his comic persona, he was more interested in baseball than school and his strong arms ensured he was the first to be picked for a team.^[14]^[15] He impressed students with his extraordinary talent at card and magic tricks.^[16] To raise money he began writing jokes (or "gags") for the agent David O. Alber, who sold them to newspaper columnists. According to Allen, his first published joke read: "Woody Allen says he ate at a restaurant that had O.P.S. prices – over people's salaries."^[17]

He began to call himself Woody Allen. He would later joke that when he was young he was often sent to inter-faith summer camps, where he "was savagely beaten by children of all races and creeds."^[16] At the age of 17, he legally changed his name to Heywood Allen.^[18] He was already earning more than both of his parents combined.^[14]

After high school, he attended New York University, where he studied communication and film. He later briefly attended City College of New York and soon flunked out. Later, he learned via self-study rather than the classroom.^[15] He eventually taught at The New School. He also studied with writing teacher Lajos Egri.^[15]^p.74

Career

Comedy writer

He became a full-time writer for Herb Shriner, earning $75 a week at first.^[17] At the age of 19, he started writing scripts for The Ed Sullivan Show, The Tonight Show, specials for Sid Caesar post-Caesar's Hour (1954–1957), and other television shows.^[15]^[19]^p.111 By the time he was working for Caesar, he was making $1500 a week; with Caesar he worked alongside Danny Simon, whom Allen credits for helping him to form his writing style.^[17]^[20]

In 1961, he started a new career as a stand-up comedian, debuting in a Greenwich Village club called the Duplex.^[17] Examples of Allen's standup act can be heard on the albums Standup Comic and Nightclub Years 1964–1968 (including his classic routine entitled "The Moose").^[21] Together with his managers, Allen developed a neurotic, nervous, and intellectual persona for his stand-up routine, a successful move which secured regular gigs for him in nightclubs and on television. Allen brought innovation to the comedy monologue genre and his stand-up comedy is considered influential.^[22]

Allen wrote for the popular Candid Camera television show, and appeared in some episodes.^[23]^[24]^[25]

Allen started writing short stories and cartoon captions for magazines such as The New Yorker; he was inspired by the tradition of four prominent New Yorker's humorists, S. J. Perelman, George S. Kaufman, Robert Benchley and Max Shulman, whose material he modernized.^[26]^[27]^[28]^[29]^[30] Allen is also an accomplished author having published four collections of his short pieces and plays.^[31]^[32] These are Getting Even, Without Feathers, Side Effects and Mere Anarchy. His early comic fiction was heavily influenced by the zany, pun-ridden humour of S.J. Perelman.

Playwright

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He also became a successful Broadway playwright and wrote Don't Drink the Water in 1966. It starred Lou Jacobi, Kay Medford, Anita Gillette and Allen's future movie co-star Tony Roberts. A film adaptation of the play, directed by Howard Morris, was released in 1969, starring Jackie Gleason. Because he was not particularly happy with the 1969 film version of his play, in 1994, Allen directed and starred in a third version for television, with Michael J. Fox and Mayim Bialik.

The next play Allen wrote that was produced on Broadway was Play It Again, Sam, which he also starred in. The play opened on February 12, 1969, and ran for 453 performances. It also featured Diane Keaton and Tony Roberts. Allen, Keaton and Roberts would reprise their roles in the film version of the play, directed by Herbert Ross. For its March 21 issue, Life featured Allen on its cover.^[33] In 1981, his play The Floating Light Bulb premiered on Broadway and ran for 65 performances. While receiving mixed reviews, it was noted for giving an autobiographical insight into Allen's childhood, specifically his fascination with magic tricks. He has written several one-act plays, including 'Riverside Drive' and 'Old Saybrook' which both explore well-known Allen themes.

On October 20, 2011, Allen's one-act play Honeymoon Motel opened as part of a larger piece entitled Relatively Speaking on Broadway, along with two other one-acts by Ethan Coen and Elaine May.^[34]

Early films

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His first movie was the Charles K. Feldman production What's New Pussycat? in 1965, for which he wrote the initial screenplay. Warren Beatty hired him to re-write a script and to appear in a small part in the movie. Over the course of the re-write, Beatty's role was lessened and Allen's increased. Beatty was upset and quit the production. Peter O'Toole was hired for the Beatty role, and Peter Sellers was brought in as well; Sellers was a big enough star to demand many of Woody Allen's best lines/scenes, prompting hasty re-writes. Because of this experience, Allen realized the importance of having control of his own writing. Despite the fact that most of his movies do not gross well and the fact that due to the small amounts of money his producers are able to raise he asks his actors to work for far less than what they would normally be paid, Allen remains one of a handful of writers and directors who has been able to maintain complete control over his own work.^{[citation needed]}

Allen's first directorial effort was What's Up, Tiger Lily? (1966, co-written with Mickey Rose), in which an existing Japanese spy movie – Kokusai himitsu keisatsu: Kagi no kagi (1965), "International Secret Police: Key of Keys" – was redubbed in English by Allen and his friends with entirely new, comic dialogue.^{[citation needed]}

Allen also appeared in Feldman's follow-up to What's New Pussycat?, the James Bond spoof Casino Royale. A number of writers contributed to the film, but once again Allen scripted his own sequences, although in this case uncredited.^{[citation needed]}

Allen directed, starred in, and wrote Take the Money and Run in 1969. That same year he starred in his own TV special, The Woody Allen Special. On the show he performed standup comedy routines before a live audience and acted in a sketch with Candice Bergen in which they appeared nude but their bodies were kept hidden from view by the camera. The special also had Allen interviewing evangelist Billy Graham and performances by the pop vocal group The 5th Dimension, singing their hit singles "Workin' On A Groovy Thing" and "Wedding Bell Blues." The show's sponsor, Libby's, broadcast comical commercials starring Tony Randall as a detective.^{[citation needed]}

From 1971 to 1975, Allen co-wrote, directed, and starred in Bananas, Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask), Sleeper, and Love and Death. Take the Money and Run and Bananas were co-written by his childhood friend, Mickey Rose.^{[citation needed]}

In 1972, he wrote and starred in the film version of Play It Again, Sam, which was directed by Herbert Ross and co-starred Diane Keaton. In 1976, he starred in The Front (directed by Martin Ritt) a humorous and poignant account of Hollywood blacklisting during the 1950s.

Then came two of Allen's finest films. Annie Hall won four Academy Awards in 1977, including Best Picture, Best Actress in a Leading Role for Diane Keaton, Best Original Screenplay and Best Director for Woody Allen. Annie Hall set the standard for modern romantic comedy and also started a minor fashion trend with the clothes worn by Diane Keaton in the film (the masculine clothing, such as ties with cardigans, was actually Keaton's own). While in production, its working title was "Anhedonia," a term that means the inability to feel pleasure and its plot revolved around a murder mystery. Allen re-cut the movie after production ended to focus on the romantic comedy between Allen's character, Alvy Singer, and Keaton's character, Annie Hall. The new version, retitled Annie Hall (named after Keaton, Hall being her original last name and Annie a nickname), still deals with the theme of the inability to feel pleasure. The film is ranked at No. 35 on the American Film Institute's "100 Best Movies" and at No. 4 on the AFI list of "100 Best Comedies."

Manhattan, released in 1979, is a black-and-white film that can be viewed as an homage to New York City. As in many other Allen films, the protagonists are upper-middle class academics. The love-hate opinion of cerebral persons found in Manhattan is characteristic of many of Allen's movies including Crimes and Misdemeanors and Annie Hall. Manhattan focuses on the complicated relationship between a middle-aged Isaac Davis (Allen) and a 17-year-old Tracy (Mariel Hemingway).

Between Annie Hall and Manhattan, Allen wrote and directed the dark drama Interiors (1978), in the style of the late Swedish director Ingmar Bergman, one of Allen's chief influences. Interiors represented a departure from Allen's "early, funny" comedies (a line from 1980s Stardust Memories).

1980s

Woody Allen at the 2005 Cannes Film Festival

Allen's 1980s films, even the comedies, have somber and philosophical undertones. Some are influenced by the works of European directors, notably Ingmar Bergman and Federico Fellini.^[35]^[36] September resembles Bergman's Autumn Sonata, and Allen uses many elements from Bergman's Wild Strawberries^[37] in Another Woman. Similarly, the Federico Fellini classic Amarcord strongly inspired Radio Days.^[38]

Stardust Memories features Sandy Bates, a successful filmmaker played by Allen, who expresses resentment and scorn for his fans. Overcome by the recent death of a friend from illness, the character states, "I don't want to make funny movies any more" and a running gag has various people (including a group of visiting space aliens) telling Bates that they appreciate his films, "especially the early, funny ones."^[39] Allen believes this to be one of his best films.^[40]

Allen combined tragic and comic elements in such films as Hannah and Her Sisters and Crimes and Misdemeanors, in which he tells two stories that connect at the end. He also produced a vividly idiosyncratic tragi-comical parody of documentary, Zelig.

He made three films about show business: Broadway Danny Rose, in which he plays a New York show business agent, The Purple Rose of Cairo, a movie that shows the importance of the cinema during the Depression through the character of the naive Cecilia, and Radio Days, which is a film about his childhood in Brooklyn and the importance of the radio. Purple Rose was named by Time as one of the 100 best films of all time and Allen has described it as one of his three best films, along with Stardust Memories and Match Point.^[41] (Allen defines them as "best" not in terms of quality but because they came out the closest to his original vision.)

In 1989, Allen teamed up with directors Francis Ford Coppola and Martin Scorsese to make New York Stories, an anthology film about New Yorkers. Allen's short, Oedipus Wrecks, is about a neurotic lawyer and his critical mother. His short pleased critics, but New York Stories bombed at the box office.

1990s

His 1992 film Shadows and Fog is a black-and-white homage to the German expressionists and features the music of Kurt Weill. Allen then made his critically acclaimed drama Husbands and Wives (1992), which received two Oscar nominations: Best Supporting Actress for Judy Davis and Best Original Screenplay for Allen. His film Manhattan Murder Mystery (1993) combined suspense with dark comedy and marked the return of Diane Keaton, Alan Alda and Anjelica Huston.

He returned to lighter movies like Bullets Over Broadway (1994), which earned him an Academy Award nomination for Best Director, followed by a musical, Everyone Says I Love You (1996). The singing and dancing scenes in Everyone Says I Love You are similar to many musicals starring Fred Astaire and Ginger Rogers. The comedy Mighty Aphrodite (1995), in which Greek drama plays a large role, won an Academy Award for Mira Sorvino. Allen's 1999 jazz-based comedy-drama Sweet and Lowdown was also nominated for two Academy Awards for Sean Penn (Best Actor) and Samantha Morton (Best Supporting Actress). In contrast to these lighter movies, Allen veered into darker satire towards the end of the decade with Deconstructing Harry (1997) and Celebrity (1998). Allen made his only sitcom "appearance" to date (2009) via telephone on the show Just Shoot Me! in a 1997 episode, "My Dinner with Woody" which paid tribute to several of his films. Allen also provided the lead voice in the 1998 animated film Antz, which featured many actors he had worked with and had Allen play a character that was similar to his earlier neurotic roles.

2000s

Small Time Crooks (2000) (a remake of the 1942 film comedy Larceny, Inc., written by S. J. Perelman and starring Edward G. Robinson) was his first film with the DreamWorks studio and represented a change in direction: Allen began giving more interviews and made an attempt to return to his slapstick roots. Small Time Crooks was a relative financial success, grossing over $17 million domestically but Allen's next four films floundered at the box office, including Allen's most expensive film, The Curse of the Jade Scorpion (with a budget of $26 million). Hollywood Ending, Anything Else, and Melinda and Melinda were given "rotten" ratings from film-review website Rotten Tomatoes and each earned less than $4 million domestically.^[42] Some critics claimed that Allen's films since 1999's Sweet and Lowdown were subpar and expressed concern that Allen's best years were now behind him.^[43] Others have been less harsh; reviewing the little-liked Melinda and Melinda, Roger Ebert wrote, "I cannot escape the suspicion that if Woody had never made a previous film, if each new one was Woody's Sundance debut, it would get a better reception. His reputation is not a dead shark but an albatross, which with admirable economy Allen has arranged for the critics to carry around their own necks."^[44] Woody gave his godson Quincy Rose a small part in Melinda and Melinda. Allen was elected a Fellow of the American Academy of Arts and Sciences in 2001.^[45]

Woody Allen in concert in New York City, 2006

Match Point (2005) was one of Allen's most successful films of the decade, garnering very positive reviews.^[46] Set in London, it starred Jonathan Rhys-Meyers and Scarlett Johansson. It is also markedly darker than Allen's first four films with DreamWorks SKG. In Match Point, Allen shifts his focus from the intellectual upper class of New York to the moneyed upper class of London. It earned more than $23 million domestically (more than any of his films in nearly 20 years) and over $62 million in international box office sales.^[47] Match Point earned Allen his first Academy Award nomination since 1998, for Best Writing – Original Screenplay and also earned directing and writing nominations at the Golden Globes, his first Globe nominations since 1987. In an interview with Premiere Magazine, Allen stated this was the best film he has ever made.^[48]

Allen returned to London to film Scoop, which also starred Johansson, Hugh Jackman, Ian McShane, Kevin McNally and Allen himself. The film was released on July 28, 2006, and received mixed reviews. He has also filmed Cassandra's Dream in London. Cassandra's Dream was released in November 2007, and stars Colin Farrell, Ewan McGregor and Tom Wilkinson.

After finishing his third London film, Allen headed to Spain. He reached an agreement to film Vicky Cristina Barcelona in Avilés, Barcelona and Oviedo, where shooting started on July 9, 2007. The movie stars Scarlett Johansson, Javier Bardem, Rebecca Hall and Penélope Cruz.^[49]^[50] Speaking of his experience there, Allen said: "I'm delighted at being able to work with Mediapro and make a film in Spain, a country which has become so special to me." Vicky Cristina Barcelona was well received, winning "Best Musical or Comedy" at the Golden Globe awards. Penélope Cruz received the Academy Award for Best Supporting Actress for her role in the film.

Allen has said that he "survives" on the European market. Audiences there have tended to be more receptive to Allen's films, particularly in Spain, France and Italy – countries where he has a large audience (something joked about in Hollywood Ending). "In the United States things have changed a lot, and it's hard to make good small films now," Allen said in a 2004 interview. "The avaricious studios couldn't care less about good films – if they get a good film they're twice as happy but money-making films are their goal. They only want these $100 million pictures that make $500 million."^[51]

In April 2008, he began filming for a movie focused more towards older audiences starring Larry David, Patricia Clarkson^[52] and Evan Rachel Wood.^[53] Released in 2009, Whatever Works,^[54]^[55] described as a dark comedy, follows the story of a botched suicide attempt turned messy love triangle. Whatever Works was written by Allen in the 1970s and the character now played by Larry David was originally written for Zero Mostel, who died the year Annie Hall came out.

2010s

You Will Meet a Tall Dark Stranger, filmed in London, stars Antonio Banderas, Josh Brolin, Anthony Hopkins, Anupam Kher, Freida Pinto and Naomi Watts. Filming started in July 2009. It was released theatrically in the US on September 23, 2010, following a Cannes debut in May 2010, and a screening at the Toronto International Film Festival on September 12, 2010. Allen announced that his next film would be titled Midnight in Paris,^[56] starring Adrien Brody, Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates, Michael Sheen, Gad Elmaleh and French First Lady Carla Bruni. The film followed a young engaged couple in Paris who see their lives transformed. It debuted at the 2011 Cannes Film Festival on May 12, 2011. Allen said he wanted to "show the city emotionally," during the press conference. "I just wanted it to be the way I saw Paris – Paris through my eyes," he added.^[57] Midnight in Paris has overthrown Hannah and Her Sisters as Allen's most successful film at the box office in the United States.^[58] It has also opened to much critical acclaim, and has been considered by many critics to mark his return to form.^[59] His next film, To Rome with Love, is a Rome-set comedy slated for a 2012 release. The film will be structured in four different vignettes featuring dialogue in both Italian and English. The film will mark Allen's return to acting since his last role in Scoop.^[60]

Future projects

For many years, Allen wanted to make a film about the origins of jazz in New Orleans. The film, tentatively titled American Blues, would follow the vastly different careers of Louis Armstrong and Sidney Bechet. Allen has stated that the film would cost between $80 and $100 million and is therefore unlikely to be made.^[61]

It was announced in February 2012 that Allen would adapt Bullets Over Broadway into a Broadway musical scheduled to open in 2013.^[62]

Distinction in the film world

Main article: List of awards and nominations received by Woody Allen

Life-size statue of Woody Allen in Oviedo, Spain

Over the course of his career, Allen has received a considerable number of awards and distinctions in film festivals and yearly national film awards ceremonies, saluting his work as a director, screenwriter, and actor.^[19]

Allen's film Annie Hall won four Academy Awards in 1977, including Best Picture.
Allen won the 1978 O. Henry Award for his short story The Kugelmass Episode, published in The New Yorker on May 2, 1977.
Allen twice won the César Award for Best Foreign Film, the first in 1980, for Manhattan and the second in 1986, for The Purple Rose of Cairo. Seven other of his movies were nominated for the prize.
In 1986, Allen won the Golden Globe for Best Screenplay for The Purple Rose of Cairo. In 2009 he won the same award for Best Motion Picture – Comedy or Musical for Vicky Cristina Barcelona. In 2012, he won the Best Screenplay award for Midnight in Paris which was also nominated for Best Motion Picture – Comedy or Musical, Best Director and Best Actor (Comedy/musical) – Owen Wilson. Overall, Allen has been nominated five times as Best Director, five times for Best Screenplay and twice for Best Actor (Comedy/musical).
At the 1995 Venice Film Festival, Allen received a Career Golden Lion for lifetime achievement.
In 1996, Allen received a lifetime achievement award from the Directors Guild of America.
In 2002, Allen won the Prince of Asturias Award. Subsequently, the city of Oviedo, Spain, erected a life-size statue of Allen.^[63]
In 2002, Allen received the Palme des Palmes, a special lifetime achievement award granted by the Cannes Festival.^[64]
In a 2005 UK poll The Comedian's Comedian, Allen was voted the third greatest comedy act ever by fellow comedians and comedy insiders.^[4]
In June 2007, Allen received a PhD Honoris Causa from Pompeu Fabra University in Barcelona, Spain.

Academy Awards

Woody Allen has won 4 Academy Awards: three Best Original Screenplays (Annie Hall (1978, shared with Marshall Brickman), Hannah and Her Sisters (1987) and Midnight in Paris (2012)), and one Best Director (Annie Hall (1978)). Mr. Allen has been nominated a total of 23 times: 15 as a screenwriter, seven as a director, and once as an actor.^[65] He has more screenwriting Academy Award nominations than any other writer; all are in the Best Original Screenplay category. He is tied for third all-time with seven Best Director nominations.

Annie Hall won four Academy Awards (Best Picture, Best Original Screenplay, Best Director and Best Actress in a Leading Role – Diane Keaton). The film received a fifth nomination, for Allen as Best Actor in a Leading Role. Hannah and Her Sisters won three, for Best Original Screenplay, Best Actor in a Supporting Role and Best Actress in a Supporting Role categories; it was nominated in four other categories, including Best Picture and Best Director.

His actors have regularly received both nominations and Academy Awards for their work in Allen films, particularly in the Best Supporting categories: In 1987 Michael Caine^[66] and Diane Wiest^[67] won for Hannah and Her Sisters^[68], in 1995 Diane Wiest again won for Bullets Over Broadway^[69], in 1996 Mira Sorvino^[70] won for Mighty Aphrodite ^[71], and in 2009 Penelope Cruz^[72] won for Vicky Cristina Barcelona.^[73]

Despite friendly recognition from the Academy, Allen has consistently refused to attend the ceremony or acknowledge his Oscar wins. He broke this pattern only once. At the Academy Awards ceremony in 2002, Allen made an unannounced appearance, making a plea for producers to continue filming their movies in New York City after the 9-11 attacks, where he stated, "I didn't have to present anything. I didn't have to accept anything. I just had to talk about New York City."^[74] He was given a standing ovation before introducing a montage of movie clips featuring New York.

BAFTA

Allen has won a number of British Academy of Film and Television Arts (BAFTA) awards and nominations for best picture, best director, best actor, and best screenplay. In 1997, he received the honorary BAFTA Fellowship for his work.

1978 – Won – Best Film – Annie Hall
1978 – Won – Best Screenplay – Annie Hall (with Marshall Brickman)
1978 – Won – Best Direction – Annie Hall
1980 – Won – Best Film – Manhattan
1980 – Won – Best Screenplay – Manhattan (with Marshall Brickman)
1985 – Won – Best Screenplay – Broadway Danny Rose
1986 – Won – Best Film – The Purple Rose of Cairo
1986 – Won – Best Screenplay – The Purple Rose of Cairo
1987 – Won – Best Screenplay – Hannah and Her Sisters
1987 – Won – Best Direction – Hannah and Her Sisters
1993 – Won – Best Screenplay – Husbands and Wives
2012 – Nominated – Best Screenplay – Midnight in Paris
Nominated for best film for Hannah and Her Sisters, Radio Days, Crimes and Misdemeanors.
Nominated for best actor for Annie Hall, Manhattan, Hannah and Her Sisters.
Nominated for best director for Manhattan, Crimes and Misdemeanors.
Nominated for best screenplay for Zelig, Radio Days, Crimes and Misdemeanors, and Bullets Over Broadway (with Douglas McGrath).

Theatre

Although best known for his films, Allen has also enjoyed a very successful career in theater, starting as early as 1960, when Allen wrote sketches for the revue From A to Z. His first great success was Don't Drink the Water, which opened in 1968, and ran for 598 performances for almost two years on Broadway. His success continued with Play it Again, Sam, which opened in 1969, starring Allen and Diane Keaton. The show played for 453 performances and was nominated for three Tony Awards, although none of the nominations were for Allen's writing or acting.^[75]

In the 1970s, Allen wrote a number of one-act plays, most notably God and Death, which were published in his 1975 collection Without Feathers.

In 1981, Allen's play The Floating Light Bulb opened on Broadway. The play was a critical success but a commercial flop. Despite two Tony Award nominations, a Tony win for the acting of Brian Backer (who also won the 1981 Theater World Award and a Drama Desk Award for his work), the play only ran for 62 performances.^[76] As of January 2008^[update], it is the last Allen work that ran on Broadway.

After a long hiatus from the stage, Allen returned to the theater in 1995, with the one-act Central Park West, an installment in an evening of theater known as Death Defying Acts that was also made up of new work by David Mamet and Elaine May.^[77]

For the next couple of years, Allen had no direct involvement with the stage, yet notable productions of his work were being staged. A production of God was staged at The Bank of Brazil Cultural Center in Rio de Janeiro,^[78] and theatrical adaptations of Allen's films Bullets Over Broadway^[79] and September^[80] were produced in Italy and France, respectively, without Allen's involvement. In 1997, rumors of Allen returning to the theater to write a starring role for his wife Soon-Yi Previn turned out to be false.^[81]

In 2003, Allen finally returned to the stage with Writer's Block, an evening of two one-acts – Old Saybrook and Riverside Drive – that played Off-Broadway. The production marked the stage-directing debut for Allen.^[82] The production sold out its entire run.^[83]

Also that year, reports of Allen writing the book for a musical based on Bullets Over Broadway surfaced, but no show ever formulated.^[84] In 2004, Allen's first full-length play since 1981, A Second Hand Memory,^[85] was directed by Allen and enjoyed an extended run Off-Broadway.^[83]

In June 2007, it was announced that Allen would make two more creative debuts in the theater, directing a work that he did not write and directing an opera – a re-interpretation of Puccini's Gianni Schicchi for the Los Angeles Opera^[86] – which debuted at the Dorothy Chandler Pavilion on September 6, 2008.^[87] Commenting on his direction of the opera, Allen said, "I have no idea what I'm doing." His production of the opera opened the Festival of Two Worlds in Spoleto, Italy, in June 2009.^[88]

In October 2011, Woody Allen's one-act play called Honeymoon Motel premiered as one in a series of one act plays on Broadway titled Relatively Speaking.^[89] Also contributing to the plays are Elaine May and Ethan Coen with John Turturro directing.^[90]

Marriages and relationships

Harlene Rosen

At age 19, Allen married 16-year-old Harlene Rosen.^[91] The marriage lasted from 1954 to 1959. Time stated that the years were "nettling" and "unsettling."^[91]

Rosen, whom Allen referred to in his standup act as "the Dread Mrs. Allen," later sued Allen for defamation due to comments at a TV appearance shortly after their divorce. Allen tells a different story on his mid-1960s standup album Standup Comic. In his act, Allen said that Rosen sued him because of a joke he made in an interview. Rosen had been sexually assaulted outside her apartment and according to Allen, the newspapers reported that she "had been violated." In the interview, Allen said, "Knowing my ex-wife, it probably wasn't a moving violation." In a later interview on The Dick Cavett Show, Allen brought the incident up again where he repeated his comments and stated that the amount that he was being sued for was "$1 million."

Louise Lasser

Allen married Louise Lasser in 1966. They divorced in 1969, and Allen did not marry again until 1997. Lasser appeared in three Allen films after the divorce – Take the Money and Run, Bananas, and Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) – and made a brief appearance in Stardust Memories.

Diane Keaton

In 1970, Allen cast Diane Keaton in his Broadway show, Play It Again, Sam. During the run she and Allen became romantically involved and although they broke up after a year, she continued to star in a number of his films, including Sleeper as a futuristic poet and Love and Death as a composite character based on the novels of Tolstoy and Dostoevsky. Annie Hall was very important in Allen and Keaton's careers. It is said that the role was written specifically for her as Diane Keaton's given name is Diane Hall. She then starred in Interiors as a poet, followed by Manhattan. In 1987, she had a cameo as a night-club singer in Radio Days and was chosen to replace Mia Farrow in the co-starring role for Manhattan Murder Mystery after Allen and Farrow began having troubles with their personal and working relationship while making this film. Keaton has not worked with Allen since Manhattan Murder Mystery. Since the end of their romantic relationship, Keaton and Allen have remained close friends.^[92]

Stacey Nelkin

The film Manhattan is said by the Los Angeles Times^[93] to be widely known to have been based on his romantic relationship with the actress Stacey Nelkin. Her bit part in Annie Hall ended up on the cutting room floor, and their relationship, though never publicly acknowledged by Allen, reportedly began when she was 17 years old and a student at New York's Stuyvesant High School.^[94]^[95]^[96]

Mia Farrow

Around 1980, Allen began a relationship with actress Mia Farrow, who had leading roles in several of his movies from 1982 to 1992. Farrow and Allen never married and kept separate homes^[97] but they adopted two children, Dylan Farrow (who changed her name to Eliza and is now known as Malone) and Moshe Farrow (now known as Moses); they also had one biological child, Satchel Farrow (now known as Ronan Seamus Farrow). Allen did not adopt any of Farrow's other family, including Soon-Yi Farrow Previn (the adopted daughter of Farrow and André Previn, now known as Soon-Yi Previn). Allen and Farrow separated in 1992, after Farrow discovered nude photographs that Allen had taken of a then 20-year-old Soon-Yi.^[98] In her autobiography, What Falls Away (New York: Doubleday, 1997), Farrow says that Allen admitted to a relationship with Soon-Yi.^[99]

After Allen and Farrow separated, a long public legal battle for the custody of their three children began. During the proceedings, Farrow alleged that Allen had sexually molested their adopted daughter Dylan, who was then seven years old. The judge eventually concluded that the sex abuse charges were inconclusive^[100] but called Allen's conduct with Soon-Yi "grossly inappropriate." She called the report of the team that investigated the issue "sanitized and therefore, less credible" and added that she had "reservations about the reliability of the report."^[101] Farrow won custody of their children. Allen was denied visitation rights with Malone and could see Ronan only under supervision. Moses, who was then 14, chose not to see Allen.^[101]

In a 2005 Vanity Fair interview,^[102] Allen estimated that, despite the scandal's damage to his reputation, Farrow's discovery of Allen's attraction to Soon-Yi Previn by finding nude photographs of her was "just one of the fortuitous events, one of the great pieces of luck in my life. . . It was a turning point for the better." Of his relationship with Farrow, he said, "I'm sure there are things that I might have done differently. . . Probably in retrospect I should have bowed out of that relationship much earlier than I did." In a report June 22, 2011, Reuters quoted Allen as saying, "What was the scandal? I fell in love with this girl, married her. We have been married for almost 15 years now. There was no scandal, but people refer to it all the time as a scandal and I kind of like that in a way because when I go I would like to say I had one real juicy scandal in my life."^[103]

Soon-Yi Previn

Soon-Yi Previn and Allen at the 2009 Tribeca Film Festival

After ending his relationship with Mia Farrow in 1992, Allen continued his relationship with Soon-Yi Previn. Even though Allen never married Mia Farrow^[97]^[104] and was never Previn's legal stepfather, the relationship between Allen and Previn has often been referred to as a father involved romantically with his stepdaughter^[105] since he had been perceived as being in Previn's life in a father-like capacity. For example, in 1991, The New York Times described Allen's family life by reporting, "Few married couples seem more married. They are constantly in touch with each other, and not many fathers spend as much time with their children as Allen does."^[97] Despite assertions from Previn that Allen was never a father figure to her,^[106] the relationship became a scandal. In 1991, when the relationship started, Allen was 56 and Previn was 21. Asked whether their age difference was conducive to "a healthy, equal relationship," Allen said equality is not necessarily a requirement in a relationship and said, "The heart wants what it wants. There's no logic to those things. You meet someone and you fall in love and that's that."^[107]

Allen and Previn married on December 24, 1997, in the Palazzo Cavalli in Venice. The couple have adopted two daughters, naming them Bechet and Manzie Tio^[108] after jazz musicians Sidney Bechet, Manzie Johnson and Lorenzo Tio, Jr.

Allen and Farrow's biological son, Ronan Seamus Farrow, is widely quoted, without source or date, as disparaging Allen and having said he cannot see him.

Clarinetist

Woody Allen with Jerry Zigmont and Simon Wettenhall performing at Vienne Jazz Festival, Vienne, France, September 20, 2003

Allen is a passionate fan of jazz, which is often featured prominently in the soundtracks to his films. He began playing as a child and took his stage name from clarinetist Woody Herman.^[109] He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper.^[110] One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971.^[111]

Woody Allen and his New Orleans Jazz Band have been playing each Monday evening at Manhattan's Carlyle Hotel for many years^[112] (as of 2011,^[113] specializing in classic New Orleans jazz from the early twentieth century).^[114] The documentary film Wild Man Blues (directed by Barbara Kopple) documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project (1993) and the soundtrack of Wild Man Blues (1997).

Allen and his band played the Montreal Jazz Festival on two consecutive nights in June 2008.^[115]

Significant works about Woody Allen

A panel from Stuart Hample's Inside Woody Allen comic strip

Apart from Wild Man Blues, directed by Barbara Kopple, there are a number of other documentaries featuring Woody Allen, including the 2002 cable-television documentary Woody Allen: a Life in Film, directed by Time film critic Richard Schickel, which interlaces interviews of Allen with clips of his films, and Meetin' WA, a short interview of Allen by French director Jean-Luc Godard. In 2011 the PBS series American Masters co-produced a comprehensive documentary about him, Woody Allen: a Documentary directed by Robert B. Weide.

From 1976 to 1984, Stuart Hample wrote and drew Inside Woody Allen, a comic strip based on Allen's film persona.

Psychoanalysis

Allen spent over 37 years undergoing psychoanalysis. Many of his films contain references to psychoanalysis. Even the film Antz, an animated feature in which Allen contributes the voice of lead character Z, opens with a classic piece of Allen analysis shtick.

Moment Magazine says, "It drove his self-absorbed work." John Baxter, author of Woody Allen – A Biography, wrote, "Allen obviously found analysis stimulating, even exciting."^[116]

Allen says he ended his psychoanalysis visits around the time he began his relationship with Previn. He says he still is claustrophobic and agoraphobic.^[102]

Filmography

Main article: Woody Allen filmography

Allen's films span six decades, starting with 1965's What's New Pussycat?. He has written, directed, and starred in many of them, including films such as Annie Hall (1977), Hannah and Her Sisters (1986), and Husbands and Wives (1992), all of which earned major awards. Originally known for his comedies, his early successes were followed by his first purely dramatic work, Interiors (1978).

Theatre works

In addition to directing, writing, and acting in films, Allen has written and performed in a number of Broadway theater productions.

Year	Title	Credit	Venue
1960	From A to Z	Writer (book)	Plymouth Theatre
1966	Don't Drink the Water	Writer	Coconut Grove Playhouse, Florida
1969	Play It Again, Sam	Writer, Performer (Allan Felix)	Broadhurst Theatre^[117]
1975	God	Writer	—
1975	Death	Writer	—
1981	The Floating Light Bulb	Writer	Vivian Beaumont Theatre
1995	Central Park West	Writer	Variety Arts Theatre
2003	Old Saybrook	Writer, Director	Atlantic Theatre Company
2003	Riverside Drive	Writer, Director	Atlantic Theatre Company
2004	A Second Hand Memory	Writer, Director	Atlantic Theater Company
2011	Honeymoon Motel	Writer	Brooks Atkinson Theatre

Bibliography

Published plays

Don't Drink the Water: A comedy in two acts (1967), ASIN B0006BSWBW
Play It Again, Sam (1969), ISBN 0-394-40663-X
God: A comedy in one act (1975), ISBN 0-573-62201-9
The Floating Light Bulb (1981)
Three One-Act Plays: Riverside Drive / Old Saybrook / Central Park West (2003), ISBN 0-8129-7244-9
Writer's Block: Two One-Act Plays (2005), ISBN 0-573-62630-8 (includes Riverside Drive and Old Saybrook)
A Second Hand Memory: A drama in two acts (2005)
The one-act plays God and Death are both included in Allen's 1975 collection Without Feathers (see below).

Short stories

Getting Even (1971), ISBN 0-394-47348-5
Without Feathers (1975), ISBN 0-394-49743-0
- "The Whore of Mensa" (1974)^[118]
Side Effects (1980), ISBN 0-394-51104-2
Mere Anarchy (2007), ISBN 978-1-4000-6641-4

Anthologies

Complete Prose of Woody Allen (1992), ISBN 0-517-07229-7. (Collection of Allen's short stories first published in Getting Even, Without Feathers and Side Effects.)
The Insanity Defense: The Complete Prose. New York: Random House Trade Paperbacks, 2007, ISBN 978-0-8129-7811-7.

Chapbook

Lunatic's Tale (1986), ISBN 1-55628-001-7 (Short story previously included in Side Effects.)

References

^ Steven Silverman (November 6, 1997). Woody's New Girl People. Accessed 2008-01-19.
^ Gross, Terry (2009/2012). "Woody Allen: Blending Real Life With Fiction." URL accessed 07 April 2012.
^ Comedy Central's 100 Greatest Stand-Ups of all Time. Everything2.com (2004-04-18). Retrieved on 2012-05-04.
^ ^a ^b Thorpe, Vanessa (January 2, 2005). "Cook tops poll of comedy greats". The Guardian (London). http://www.guardian.co.uk/uk/2005/jan/02/arts.artsnews.
^ Newton, Michael (January 13, 2012). "Woody Allen: cinema's great experimentalist". The Guardian. Guardian News and Media. http://www.guardian.co.uk/film/2012/jan/13/woody-allen-michael-newton. Retrieved April 9, 2012. "In the 1970s, Allen looked irreverent, hip, a part of the New Hollywood generation. In an age of 'auteurs', he was the auteur personified, the writer, director and star of his films, active in the editing, choosing the soundtrack, initiating the projects"
^ "Midnight in Paris :: rogerebert.com :: Reviews". Rogerebert.suntimes.com. May 25, 2011. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110524/REVIEWS/110529987. Retrieved 2011-06-20.
^ "Woody Allen Biography (1935–)". Filmreference.com. http://www.filmreference.com/film/33/Woody-Allen.html. Retrieved March 9, 2010.
^ ^a ^b "The religion of Woody Allen, director and actor". http://www.adherents.com/people/pa/Woody_Allen.html. Retrieved January 16, 2008.
^ Andy Newman; Corey Kilgannon (June 5, 2002). "Curse of the Jaded Audience: Woody Allen, in Art and Life". The New York Times. http://www.nytimes.com/2002/06/05/nyregion/curse-of-the-jaded-audience-woody-allen-in-art-and-life.html. Retrieved January 16, 2008. "'I think he's slacked off the last few movies', said Norman Brown, 70, a retired draftsman from Mr. Allen's old neighborhood, Midwood, Brooklyn, who said he had seen nearly all of Mr. Allen's 33 films."
^ "The Unruly Life of Woody Allen". The New York Times. March 5, 2000. http://partners.nytimes.com/books/first/m/meade-woody.html. Retrieved March 9, 2010.
^ "The Religious Affiliation of Woody Allen, Influential Director and Actor". Adherents.com. http://www.adherents.com/people/pa/Woody_Allen.html. Retrieved November 5, 2011.
^ Meade, Marion (2000). The unruly life of Woody Allen: a biography. New York: Scribner. p. 31. ISBN 978-0-684-83374-3. OCLC 42291110.
^ The principal of P.S. 99 was Mrs. Eudora Fletcher; Allen has used her name for characters in several of his films.
^ ^a ^b "Woody Allen On Life, Films And Whatever Works". June 15, 2009. http://www.npr.org/templates/story/story.php?storyId=105400872.
^ ^a ^b ^c ^d Eric Lax (December 26, 2000). Woody Allen: a biography (2nd ed.). Da Capo Press. ISBN 978-0-306-80985-9. OCLC 45714340.
^ ^a ^b "Woody Allen : Comedian Profile". http://www.comedy-zone.net/standup/comedian/a/allen-woody.htm. Retrieved January 16, 2008.
^ ^a ^b ^c ^d "Woody Allen: Rabbit Running". Time. July 3, 1972. http://www.time.com/time/magazine/article/0,9171,877848-2,00.html. Retrieved June 8, 2007.
^ Woody Allen at Encyclopædia Britannica.
^ ^a ^b "IMDb: Woody Allen". http://www.imdb.com/name/nm0000095/+IMDb+profile. Retrieved January 17, 2008.
^ Bernstein, Adam. "TV Comedy Writer Danny Simon Dies". The Washington Post. http://www.washingtonpost.com/wp-dyn/content/article/2005/07/27/AR2005072702568_pf.html. Retrieved January 17, 2008.
^ "Woody Allen – The Moose". YouTube. August 21, 2007. http://www.youtube.com/watch?v=xmnLRVWgnXU. Retrieved March 9, 2010.
^ Scanzi, Andrea (2002) (in Italian). Man on the moon, interview with comedian Daniele Luttazzi. Il Mucchio Selvaggio. "Woody Allen per un monologhista è fondamentale. E' la forma aurea del monologo. Se uno vuole fare il monologhista, che è un genere a parte come il mimo, deve ispirarsi a Woody Allen. Non ci si improvvisa monologhisti. Dalla scelta di argomenti alla loro esposizione, lui è il modello. [...] Woody Allen ha fatto cose molto nuove. Negli anni si è spostato verso la commedia sofisticata alla Lubitsch, o alla Wilder, perdendo però quell'aspetto surreale che era ciò per cui più lo amavo. Il mio film della vita è Ciao Pussycat. C'era il meglio di quella generazione, che proprio allora si affacciava alla vita artistica. Era un film surreale, assurdo. Allen lo ha sconfessato, dicendo che era senza capo né coda. Ma no, Ciao Pussycat era una formless comedy. Una "commedia senza forma", come quella dei fratelli Marx. Un film comico non ha bisogno della trama, quella deve essere esilissima, il resto devono essere tutte intuizioni comiche. All'epoca lui faceva film meravigliosi che erano una sequenza continua di gag. Oggi ha aggiunto la trama, la storia, sottraendo le invenzioni comiche. Volendo essere per forza Lubitsch, ha finito col non essere più Woody Allen. Prendi i soldi e scappa, Il dormiglione, Amore e guerra erano eccezionali."
^ "Woody Allen Candid Camera Must See". YouTube. February 15, 2009. http://www.youtube.com/watch?v=TYpROqeKRMY. Retrieved November 5, 2011.
^ O'Connor, John J. (February 17, 1987). "TV Reviews; 'Candid Camera' Marks 40 Years With a Special". The New York Times. http://www.nytimes.com/1987/02/17/arts/tv-reviews-candid-camera-marks-40-years-with-a-special.html?src=pm. Retrieved November 5, 2011.
^ "Woody Allen = IMDb". http://www.imdb.com/name/nm0000095/. Retrieved November 5, 2011.
^ Daniele Luttazzi, preface to the Italian translation of Allen's trilogy Complete prose, ISBN 978-88-452-3307-4 p. 7 quote: "Uno dei tanti meriti di Allen e' quello di aver reso moderno l'arsenale comico della tradizione cui si ispira, quella dei monumentali umoristi della rivista New Yorker (Perelman, Kaufman, Benchley e Shulman)". [1]. Retrieved December 1, 2010.
^ Allen, W. (October 24, 2004) "I Appreciate George S. Kaufman", The New York Times.
^ Woody Allen: Rabbit Running. Time. July 3, 1972. pp. 5–6 quote: "I never had a teacher who made the least impression on me, if you ask me who are my heroes, the answer is simple and truthful: George S. Kaufman and the Marx Brothers."
^ Michiko Kakutani (1995) "Woody Allen". This interview is part I of the series The Art of Humor, published by Paris Review v37, n136 (Fall, 1995):200 (23 pages). [2]
^ David Galef (February 21, 2003). "Getting Even: Literary Posterity and the Case for Woody Allen". South Atlantic Review (South Atlantic Modern Language Association) 64 (2): 146–160. doi:10.2307/3201987. JSTOR 3201987.
^ "Amazon.com: The Insanity Defense – The Complete Prose". amazon.com. http://www.amazon.com/Insanity-Defense-Complete-Prose/dp/0812978110/ref=sr_1_1?s=books&ie=UTF8&qid=1320523358&sr=1-1. Retrieved November 5, 2011.
^ "Amazon.com: Woody Allen plays: Books". Amazon. http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=Woody+Allen+plays&x=13&y=12. Retrieved November 5, 2011.
^ "1969 LIFE Magazine Cover Art". http://www.2neatmagazines.com/life/1969cover.html. Retrieved January 25, 2010.
^ "Official Website". http://www.relativelyspeakingbroadway.com.
^ Corliss, Richard (August 1, 2007). "Woody Allen on Ingmar Bergman". Time. http://www.time.com/time/arts/article/0,8599,1648917,00.html. Retrieved July 13, 2010.
^ Kington, Tom (August 1, 2007). "Guradian—Fellini a Woody Allen influence". The Guardian (London). http://www.guardian.co.uk/world/2010/jan/23/federico-fellini-foundation-legacy. Retrieved July 13, 2010.
^ Roger Ebert (November 18, 1988). "Another Woman". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19881118/REVIEWS/811180301/1023. Retrieved March 9, 2010.
^ Roger Ebert (January 30, 1987). "Radio Days". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19870130/REVIEWS/701300302/1023. Retrieved March 9, 2010.
^ "Stardust Memories review". http://triviana.com/film/sfilm/stmem.htm. Retrieved January 17, 2008.
^ David Kamp (November 18, 2007). "Woody Talks". The New York Times. http://www.nytimes.com/2007/11/18/books/review/Kamp-t.html. Retrieved March 9, 2010.
^ Jason Matloff. "Woody Allen Speaks!". Premiere Magazine. Archived from the original on March 17, 2006. http://web.archive.org/web/20060317120401/http://www.premiere.com/article.asp?section_id=6&article_id=2539&page_number=1&print_page=y. Retrieved December 1, 2010.
^ "Woody Allen – Rotten Tomatoes Celebrity Profile". http://www.rottentomatoes.com/p/woody_allen. Retrieved January 17, 2008.
^ "Melinda and Melinda review (2004) Woody Allen – Qwipster's Movie Reviews". http://www.qwipster.net/melindamelinda.htm. Retrieved January 17, 2008.
^ Roger Ebert's Movie Yearbook 2007. Google Books. November 1, 2006. ISBN 978-0-7407-6157-7. http://books.google.com/books?id=LtJgv-f-nl8C&pg=PA451&lpg=PA451&dq#v=onepage&q&f=false. Retrieved January 9, 2011.
^ "Book of Members, 1780–2010: Chapter A". American Academy of Arts and Sciences. http://www.amacad.org/publications/BookofMembers/ChapterA.pdf. Retrieved April 15, 2011.
^ "Match Point Reviews". Metacritic. http://www.metacritic.com/movie/match-point. Retrieved December 30, 2011.
^ "Box Office Mojo – People Index". http://www.boxofficemojo.com/people/chart/?view=Director&id=woodallen.html. Retrieved January 17, 2008.
^ Matloff, Jason (February 2006). "Woody Allen's European Vacation". Premiere 19 (5): 98–101. http://jasonmatloff.com/selected-articles/woody-allens-european-vacation/. "I think it turned out to be the best film I've ever made."
^ "Woody Allen's Next Star: Penelope Cruz – Celebrity Gossip". FOX News. February 1, 2007. http://www.foxnews.com/story/0,2933,249259,00.html. Retrieved January 17, 2008.
^ Hopewell, John (January 2, 2006). "Spain woos Woody". Variety. http://www.variety.com/article/VR1117935397. Retrieved January 17, 2008.
^ Garfield, Simon (August 8, 2004). "Why I love London". The Guardian (UK). http://film.guardian.co.uk/interview/interviewpages/0,6737,1278451,00.html. Retrieved January 17, 2008.
^ "Watch out for our Emma in Woody Allen's next movie". Daily Mail (London). March 7, 2008. http://www.dailymail.co.uk/pages/live/articles/showbiz/bazbamigboye.html?in_article_id=528290&in_page_id=1794. Retrieved March 8, 2008.
^ "Larry David, Evan Rachel Wood to star in Woody Allen's next movie". Hollywood Insider. Archived from the original on February 18, 2008. http://web.archive.org/web/20080218035906/http://hollywoodinsider.ew.com/2008/02/larry-david-to.html?xid=rss-cnn-todayslatest-20080206-Allen+casts+Larry+David,+Evan+Rachel+Wood. Retrieved February 7, 2008.
^ Barnes, Jessica (July 31, 2008). "Woody Allen Reveals Latest Movie Title: 'Whatever Works'". Cinematical. http://www.cinematical.com/2008/07/31/woody-allen-reveals-latest-movie-title-whatever-works. Retrieved March 9, 2010.
^ Mark Harris (May 24, 2009). "Twilight of the Tummlers". New York. http://nymag.com/movies/features/56930/. Retrieved June 10, 2009.
^ McNary, Dave (April 22, 20010). "Woody Allen reveals details of upcoming pic". Variety. http://www.variety.com/article/VR1118018163.html. Retrieved April 22, 2010.
^ "Woody Allen's film featuring Carla Bruni opens Cannes Film Festival". Radio France Internationale. http://www.english.rfi.fr/culture/20110512-woody-allens-film-featuring-carla-bruni-opens-cannes-film-festival. Retrieved May 12, 2011.
^ "How Did 'Midnight in Paris' Become Woody Allen's Top-Grossing Movie". Moviefone. http://blog.moviefone.com/2011/08/02/midnight-in-paris-woody-allen-highest-grossing-box-office/. Retrieved November 5, 2011.
^ Stephanie Zacharek REVIEW: Woody Allen Returns to Form For Real This Time With Midnight in Paris. Movie-Line (2011-05-19). Retrieved November 20, 2011.
^ "Woody Allen adds himself to the cast of his next picture". National Post. http://arts.nationalpost.com/2011/05/09/woody-allen-adds-himself-to-the-cast-of-his-next-picture/. Retrieved May 12, 2011.
^ Lax, Eric. Conversations with Woody Allen. Alfred A. Knopf. 2007. pp. 315–316 ISBN 1-4000-3149-4.
^ Healy, Patrick (February 23, 2012). "'Bullets Over Broadway' Is Heading There". The New York Times. http://artsbeat.blogs.nytimes.com/2012/02/23/allen-taking-bullets-over-broadway-to-broadway/. Retrieved February 28, 2012.
^ "Neatorama". Neatorama. June 9, 2006. http://www.neatorama.com/2006/06/09/woody-allen-visits-woody-allen/. Retrieved March 9, 2010.
^ Mitchell, Elvis. Critic's Notebook; Embracing The Auteurs At Cannes", The New York Times, May 18, 2002.
^ Awards for Woody Allen. IMDb.com
^ Awards for Michael Caine (I). IMDb.com
^ Awards for Diane Wiest. IMDb.com
^ Awards for Hannah and Her Sisters (1986). IMDb.com
^ Awards for Bullets Over Broadway (1994). IMDb.com
^ Awards for Mira Sorvino. IMDb.com
^ Awards for Mighty Aphrodite (1995). IMDb.com
^ Awards for Penélope Cruz. IMDb.com
^ Awards for Vicky Cristina Barcelona (2008). IMDb.com
^ Ty Burr (February 21, 2003). "Deconstructing Woody". Entertainment Weekly. Archived from the original on August 19, 2007. http://www.ew.com/ew/article/0,,346426__422878,00.html. Retrieved December 1, 2010.
^ The Broadway League (March 14, 1970). "Internet Broadway Database: Play It Again, Sam Production Credits". Ibdb. http://www.ibdb.com/production.asp?ID=2849. Retrieved March 9, 2010.
^ The Broadway League. "Internet Broadway Database: The Floating Light Bulb Production Credits". Ibdb.com. http://www.ibdb.com/production.asp?ID=4112. Retrieved March 9, 2010.
^ "Death Defying Acts and No One Shall Be Immune – David Mamet Society". Mamet.eserver.org. http://mamet.eserver.org/review/1995/death.html. Retrieved March 9, 2010.
^ "Allen's God Shows Up in Rio, Jan. 16". Playbill. January 15, 1998. http://www.playbill.com/news/article/36475.html. Retrieved March 9, 2010.
^ "Playbill News: Woody Allen Adaptation Debuts at Italian Theater Festival, Aug. 1". Playbill. July 31, 1998. http://www.playbill.com/news/article/40306.html. Retrieved March 9, 2010.
^ "Playbill News: Stage Version of Woody Allen's September to Bow in France, Sept. 16". Playbill. September 15, 1999. http://www.playbill.com/news/article/47752.html. Retrieved March 9, 2010.
^ "NY Post: Woody Allen Penning Play for Soon-Yi Previn". Playbill. December 31, 1997. http://www.playbill.com/news/article/36263.html. Retrieved March 9, 2010.
^ "Playbill News: Woody Allen's Writer's Block, with Neuwirth and Reiser, Opens Off Broadway May 15". Playbill. http://www.playbill.com/news/article/79561.html. Retrieved March 9, 2010.
^ ^a ^b "Playbill News: Two Weeks Added to Woody Allen's New Play, Second Hand Memory, at Off-Bway's Atlantic". Playbill. http://www.playbill.com/news/article/89553.html. Retrieved March 9, 2010.
^ "Playbill News: Work Continues of Musical Version of Bullets Over Broadway". Playbill. July 17, 2003. http://www.playbill.com/news/article/80729.html. Retrieved March 9, 2010.
^ "Playbill News: Woody Allen Directs His Second Hand Memory, Opening Nov. 22 Off-Broadway". Playbill. http://www.playbill.com/news/article/89716.html. Retrieved March 9, 2010.
^ "Woody Allen makes debut at opera". BBC News (BBC). September 8, 2008. http://news.bbc.co.uk/1/hi/entertainment/7603731.stm. Retrieved September 8, 2008.
^ Tommasini, Anthony (September 7, 2008). "Puccini With a Sprinkling of Woody Allen Whimsy". The New York Times. http://www.nytimes.com/2008/09/08/arts/music/08trit.html. Retrieved September 8, 2008.
^ Itzkoff, Dave (May 7, 2009). "Woody Allen's Puccini Goes to Spoleto". The New York Times. http://www.nytimes.com/2009/05/08/arts/music/08arts-WOODYALLENSP_BRF.html. Retrieved April 6, 2010.
^ Relatively Speaking relativelyspeakingbroadway.com, accessed January 4, 2012
^ Charles Isherwood (October 20, 2011). "Each Family, Tortured in Its Own Way". The New York Times. http://theater.nytimes.com/2011/10/21/theater/reviews/relatively-speaking-at-brooks-atkinson-theater-review.html.
^ ^a ^b "Woody Allen: Rabbit Running". Time: p. 3. July 3, 1972. http://www.time.com/time/magazine/article/0,9171,877848-3,00.html. Retrieved August 4, 2009.
^ Q&A: Diane Keaton. CBS News. February 18, 2004. Retrieved February 21, 2006.
^ "Stacey Nelkin". Los Angeles Times. http://www.latimes.com/entertainment/news/la-et-hween-teen-nelkin,0,5813645.photo. Retrieved November 19, 2010.
^ Fox, Julian. Woody: Movies from Manhattan. New York: Overlook Press, 1996. pp. 111–112 ISBN 0-87951-692-5.
^ Baxter, John. Woody Allen: A Biography. New York: Caroll & Graf., 1998. pp. 226, 248, 249, 250, 253, 273–4, 385, 416 ISBN 0-7867-0807-7.
^ Bailey, Peter J. [http://books.google.com/books?id=Z5rGWBIW_FgC&printsec=frontcover The Reluctant Film Art of Woody Allen. Lexington: University Press of Kentucky, 2001. p. 61 ISBN 0-8131-9041-X.
^ ^a ^b ^c Eric Lax (February 24, 1991). "Woody and Mia: A New York Story". The New York Times: p. 5 of 12. http://www.nytimes.com/1991/02/24/magazine/woody-and-mia-a-new-york-story.html?pagewanted=5&src=pm. Retrieved November 21, 2011. "They are not married, neither do they live together; their apartments face each other across Central Park."
^ Kathryn Harrison. "Intimate Strangers". The New York Times. http://www.nytimes.com/books/97/02/23/reviews/970223.23harrist.html. Retrieved November 5, 2011.
^ Tom Gliatto. "A Family Affair". People.com. http://www.people.com/people/archive/article/0,,20108514,00.html. Retrieved November 5, 2011.
^ Brozan, Nadine. "Chronicle", The New York Times, May 13, 1994.
^ ^a ^b Peter Marks. "Allen Loses to Farrow in Bitter Custody Battle". The New York Times. http://www.nytimes.com/books/97/02/23/reviews/farrow-verdict.html. Retrieved November 5, 2011.
^ ^a ^b Biskind, Peter (December 2005). "Reconstructing Woody". Vanity Fair. http://www.vanityfair.com/culture/features/2005/12/woodyallen200512. Retrieved March 9, 2010.
^ Kearney, Christine (June 22, 2011). "Just A Minute With: Woody Allen on nostalgia, scandal". Reuters. http://ca.reuters.com/article/entertainmentNews/idCATRE75L1OV20110622. Retrieved June 22, 2011.
^ Glenn Collins, "Mixed Reviews Greet Woody Allen Marriage", The New York Times, December 25, 1997. Retrieved January 23, 2010.
^ Hornblow, Deborah. "Entertainment", Los Angeles Times, August 30, 2001.
^ Isaacson, Walter; Soon-Yi Farrow Previn. "Soon-Yi: Woody Was Not My Father", Time, August 31, 1992.
^ "The heart wants what it wants" Walter Isaacson; Woody Allen, August 31, 1992, Time..
^ "Woody Allen Ventures Out With Soon-Yi and the Kids". The New York Observer. http://www.observer.com/2008/o2/woody-allen-ventures-out-public-appearance-wife-and-children.
^ Victor Gonzalez (September 19, 2011). "Woody Allen and His New Orleans Jazz Band Announce Miami Beach Haunukkah Show". Miami New Times. http://blogs.miaminewtimes.com/crossfade/2011/09/woody_allen_new_orleans_jazz_band_miami_beach_hanukkah_show.php. Retrieved November 5, 2011.
^ Jeff Stafford. "Sleeper". Turner Classic Movies. http://www.tcm.com/this-month/article/33752%7C0/Sleeper.html. Retrieved November 5, 2011.
^ Stuart Galbraith IV (February 21, 2006). "The Dick Cavett Show: Comic Legends DVD Talk Review of the DVD Video". dvdtalk.com. http://www.dvdtalk.com/reviews/20274/dick-cavett-show-comic-legends-the/. Retrieved November 5, 2011.
^ Erik Olsen (October 19, 2005). "New York City: Catch Woody Allen at the Cafe Carlyle". gadling.com. http://www.gadling.com/2005/10/19/new-york-city-catch-woody-allen-at-the-cafe-carlyle/. Retrieved November 5, 2011.
^ Krisanne Alcantara (March 3, 2011). "Woody Allen Plays Jazz at the Carlyle Hotel". nearsay.com. http://newyork.nearsay.com/nyc/upper-east-side/nightlife-woody-allen-carlyle-hotel-bemelmans-bar-jazz-clarinet. Retrieved November 5, 2011.
^ "New Orleans Trombone, Jerry Zigmont – Jazz Trombone, Eddy Davis & His New Orleans Jazz Band featuring Woody Allen, Cafe Carlyle, Woody Allen Band". http://www.woodyallenband.com. Retrieved January 17, 2008.
^ "Concert: Woody Allen And His New Orleans Jazz Band – Festival International de Jazz de Montreal". Montreal Jazz Festival. http://www.montrealjazzfest.com/program/concert.aspx?id=340. Retrieved November 5, 2011.
^ "Moment Mag". Archived from the original on March 11, 2007. http://web.archive.org/web/20070311035947/http://www.momentmag.com/archive/dec99/feat1.html. Retrieved January 17, 2008.
^ "Woody Allen Biography (1935–)". filmreference.com. http://www.filmreference.com/film/33/Woody-Allen.html. Retrieved February 28, 2008.
^ Remnick, David (ed.). Wonderful Town. New York Stories from The New Yorker. New York: The Modern Library, 2001. 48–53.

External links

Wikimedia Commons has media related to: Woody Allen

Wikiquote has a collection of quotations related to: Woody Allen

The Official Site of Woody Allen
Woody Allen at the Internet Movie Database
Woody Allen at AllRovi
Woody Allen at the TCM Movie Database
Woody Allen at the Internet Broadway Database
Woody Allen on National Public Radio in 2009
Woody Allen at the Internet Off-Broadway Database
Appearances on C-SPAN
Works by or about Woody Allen in libraries (WorldCat catalog)
Woody Allen collected news and commentary at The Guardian
Woody Allen collected news and commentary at The New York Times

v t e Films directed by Woody Allen

1960s	What's Up, Tiger Lily? (1966) Take the Money and Run (1969)

1970s	Bananas (1971) Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) (1972) Sleeper (1973) Love and Death (1975) Annie Hall (1977) Interiors (1978) Manhattan (1979)

1980s	Stardust Memories (1980) A Midsummer Night's Sex Comedy (1982) Zelig (1983) Broadway Danny Rose (1984) The Purple Rose of Cairo (1985) Hannah and Her Sisters (1986) Radio Days (1987) September (1987) Another Woman (1988) New York Stories (segment "Oedipus Wrecks", 1989) Crimes and Misdemeanors (1989)

1990s	Alice (1990) Shadows and Fog (1991) Husbands and Wives (1992) Manhattan Murder Mystery (1993) Bullets Over Broadway (1994) Don't Drink the Water (1994) Mighty Aphrodite (1995) Everyone Says I Love You (1996) Deconstructing Harry (1997) Celebrity (1998) Sweet and Lowdown (1999)

2000s	Small Time Crooks (2000) The Curse of the Jade Scorpion (2001) Hollywood Ending (2002) Anything Else (2003) Melinda and Melinda (2004) Match Point (2005) Scoop (2006) Cassandra's Dream (2007) Vicky Cristina Barcelona (2008) Whatever Works (2009)

2010s	You Will Meet a Tall Dark Stranger (2010) Midnight in Paris (2011) To Rome with Love (2012)

Short films	Men of Crisis: The Harvey Wallinger Story (1971) Sounds from a Town I Love (2001)

See also	Filmography Awards and nominations

Awards for Woody Allen

v t e Academy Award for Best Director (1961–1980)

Jerome Robbins and Robert Wise (1961) David Lean (1962) Tony Richardson (1963) George Cukor (1964) Robert Wise (1965) Fred Zinnemann (1966) Mike Nichols (1967) Carol Reed (1968) John Schlesinger (1969) Franklin J. Schaffner (1970) William Friedkin (1971) Bob Fosse (1972) George Roy Hill (1973) Francis Ford Coppola (1974) Miloš Forman (1975) John G. Avildsen (1976) Woody Allen (1977) Michael Cimino (1978) Robert Benton (1979) Robert Redford (1980)

Complete list (1927–1940) (1941–1960) (1961–1980) (1981–2000) (2001–2020)

v t e Academy Award for Best Writing (Original Screenplay) (1961–1980)

William Inge (1961) Ennio de Concini, Pietro Germi and Alfredo Giannetti (1962) James Webb (1963) Peter Stone and Frank Tarloff (1964) Frederic Raphael (1965) Claude Lelouch and Pierre Uytterhoeven (1966) William Rose (1967) Mel Brooks (1968) William Goldman (1969) Francis Ford Coppola and Edmund H. North (1970) Paddy Chayefsky (1971) Jeremy Larner (1972) David S. Ward (1973) Robert Towne (1974) Frank Pierson (1975) Paddy Chayefsky (1976) Woody Allen and Marshall Brickman (1977) Robert C. Jones, Waldo Salt and Nancy Dowd (1978) Steve Tesich (1979) Bo Goldman (1980)

Complete list (1940–1960) (1961–1980) (1981–2000) (2001–2020)

v t e Academy Award for Best Writing (Original Screenplay) (1981–2000)

Colin Welland (1981) John Briley (1982) Horton Foote (1983) Robert Benton (1984) William Kelley, Pamela Wallace and Earl Wallace (1985) Woody Allen (1986) John Patrick Shanley (1987) Ronald Bass and Barry Morrow (1988) Tom Schulman (1989) Bruce Joel Rubin (1990) Callie Khouri (1991) Neil Jordan (1992) Jane Campion (1993) Quentin Tarantino and Roger Avary (1994) Christopher McQuarrie (1995) Joel and Ethan Coen (1996) Ben Affleck and Matt Damon (1997) Marc Norman and Tom Stoppard (1998) Alan Ball (1999) Cameron Crowe (2000)

Complete list (1940–1960) (1961–1980) (1981–2000) (2001–2020)

v t e Academy Award for Best Writing (Original Screenplay) (2001–2020)

Julian Fellowes (2001) Pedro Almodóvar (2002) Sofia Coppola (2003) Pierre Bismuth, Michel Gondry and Charlie Kaufman (2004) Paul Haggis and Bobby Moresco (2005) Michael Arndt (2006) Diablo Cody (2007) Dustin Lance Black (2008) Mark Boal (2009) David Seidler (2010) Woody Allen (2011)

Complete list (1940–1960) (1961–1980) (1981–2000) (2001–2020)

v t e BAFTA Award for Best Direction (1968–1984)

Mike Nichols (1968) John Schlesinger (1969) George Roy Hill (1970) John Schlesinger (1971) Bob Fosse (1972) François Truffaut (1973) Roman Polanski (1974) Stanley Kubrick (1975) Miloš Forman (1976) Woody Allen (1977) Alan Parker (1978) Francis Ford Coppola (1979) Akira Kurosawa (1980) Louis Malle (1981) Richard Attenborough (1982) Bill Forsyth (1983) Wim Wenders (1984)

Complete list (1968–1984) (1985–2009) (2010–2034)

v t e BAFTA Award for Best Direction (1985–2009)

no award (1985) Woody Allen (1986) Oliver Stone (1987) Louis Malle (1988) Kenneth Branagh (1989) Martin Scorsese (1990) Alan Parker (1991) Robert Altman (1992) Steven Spielberg (1993) Mike Newell (1994) Michael Radford (1995) Joel Coen (1996) Baz Luhrmann (1997) Peter Weir (1998) Pedro Almodóvar (1999) Ang Lee (2000) Peter Jackson (2001) Roman Polanski (2002) Peter Weir (2003) Mike Leigh (2004) Ang Lee (2005) Paul Greengrass (2006) Joel Coen / Ethan Coen (2007) Danny Boyle (2008) Kathryn Bigelow (2009)

Complete list (1968–1984) (1985–2009) (2010–2034)

BAFTA Award for Best Screenplay

Calder Willingham and Buck Henry (1968)
Waldo Salt (1969)
William Goldman (1970)
Harold Pinter (1971)
Paddy Chayefsky / Larry McMurtry and Peter Bogdanovich (1972)
Luis Buñuel and Jean-Claude Carrière (1973)
Robert Towne (1974)
Robert Getchell (1975)
Alan Parker (1976)
Woody Allen and Marshall Brickman (1977)
Alvin Sargent (1978)
Woody Allen and Marshall Brickman (1979)
Jerzy Kosinski (1980)
Bill Forsyth (1981)
Costa Gavras and Donald E. Stewart (1982)

v t e BAFTA Award for Best Original Screenplay (1983–1999)

Paul D. Zimmerman (1983) Woody Allen (1984) Woody Allen (1985) Woody Allen (1986) David Leland (1987) Shawn Slovo (1988) Nora Ephron (1989) Giuseppe Tornatore (1990) Anthony Minghella (1991) Woody Allen (1992) Harold Ramis and Danny Rubin (1993) Roger Avary and Quentin Tarantino (1994) Christopher McQuarrie (1995) Mike Leigh (1996) Gary Oldman (1997) Andrew Niccol (1998) Charlie Kaufman (1999)

Complete list (1983–1999) (2000–2019)

v t e Directors Guild of America Award for Outstanding Directing – Feature Film (1960–1979)

Billy Wilder (1960) Robert Wise (1961) David Lean (1962) Tony Richardson (1963) George Cukor (1964) Robert Wise (1965) Fred Zinnemann (1966) Mike Nichols (1967) Anthony Harvey (1968) John Schlesinger (1969) Franklin J. Schaffner (1970) William Friedkin (1971) Francis Ford Coppola (1972) George Roy Hill (1973) Francis Ford Coppola (1974) Miloš Forman (1975) John G. Avildsen (1976) Woody Allen (1977) Michael Cimino (1978) Robert Benton (1979)

Complete list (1948–1959) (1960–1979) (1980–1999) (2000–2019)

v t e Golden Globe Award for Best Screenplay (1981–2000)

Ernest Thompson (1981) John Briley (1982) James L. Brooks (1983) Peter Shaffer (1984) Woody Allen (1985) Robert Bolt (1986) Bernardo Bertolucci, Mark Peploe and Enzon Ungari (1987) Naomi Foner (1988) Oliver Stone and Ron Kovic (1989) Michael Blake (1990) Callie Khouri (1991) Bo Goldman (1992) Steven Zaillian (1993) Quentin Tarantino (1994) Emma Thompson (1995) Scott Alexander and Larry Karaszewski (1996) Ben Affleck and Matt Damon (1997) Marc Norman and Tom Stoppard (1998) Alan Ball (1999) Stephen Gaghan (2000)

Complete List (1965–1980) (1981–2000) (2001–2020)

v t e Golden Globe Award for Best Screenplay (2001–2020)

Akiva Goldsman (2001) Alexander Payne and Jim Taylor (2002) Sofia Coppola (2003) Alexander Payne and Jim Taylor (2004) Larry McMurty and Diana Ossana (2005) Peter Morgan (2006) Joel and Ethan Coen (2007) Simon Beaufoy (2008) Jason Reitman and Sheldon Turner (2009) Aaron Sorkin (2010) Woody Allen (2011)

Complete List (1965–1980) (1981–2000) (2001–2020)

v t e Nebula Award for Best Script/Bradbury Award (1973–2000)

Nebula Award for Best Script	Soylent Green – Stanley R. Greenberg (1973) Sleeper – Woody Allen (1974) Young Frankenstein – Mel Brooks and Gene Wilder (1975) Star Wars (1977) The Sixth Sense – M. Night Shyamalan (1999) Galaxy Quest – David Howard & Robert Gordon (2000)

Ray Bradbury Award for Outstanding Dramatic Presentation	Terminator 2: Judgment Day – James Cameron (1992) Babylon 5 – J. Michael Straczynski (1999)

Complete list (1973–2000) (2001–present)

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Persondata
Name	Allen, Woody
Alternative names	Konigsberg, Allan Stewart; Allen, Heywood
Short description	Actor, writer, and director
Date of birth	December 1, 1935
Place of birth	New York City, New York, United States
Date of death
Place of death

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Allen, Woody

Woody Allen

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Woody Allen

Woody Allen

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