An establishment that stays open late at night and provides food, drink, entertainment, and music for dancing. Also called nightspot.
nightclubber night'club'ber n.nightclubby night'club'by adj.
Dictionary:
night·club (nīt'klŭb') ![]() |
An establishment that stays open late at night and provides food, drink, entertainment, and music for dancing. Also called nightspot.
nightclubber night'club'ber n.| US History Encyclopedia: Nightclubs |
In the United States and in much of the world, the term "nightclub" denotes an urban entertainment venue, generally featuring music, sometimes a dance floor, and food and drink. With nineteenth-century roots in the European cabaret, the nightclub evolved in the United States in the early twentieth century along with the popular music forms of Ragtime and Jazz, as well as modern social dance, and an urban nightlife centered on heterosexual dating. Nightclubs eventually incorporated features of turn-of-the-century restaurants (particularly the "lobster palace"), cafes, dance halls, cabarets, and vaudeville theaters. The term "club" became attached to American cafés during Prohibition in the 1920s and the development of so-called private "clubs, " which supposedly deflected scrutiny by liquor law enforcers.
The growth of American nightclubs came in the mid-1920s and through the early Depression years. The popular clubs combined illicit liquor and lively music often available all night. Pre–World War II nightclubs promoted new music, musicians, and dance styles; became a staging ground for interracial contests and observation; and helped foster integration. The dominance of ragtime between 1890 and 1910, the emergence of southern African American blues forms after the turn of the century, and the northward migration of New Orleans jazz marked an immense historical shift in the sources and acknowledged masters of American popular music. Creative white musicians could no longer avoid reckoning with African American musicians.
White-owned cabarets, theatres, and clubs remained segregated into the 1950s. In the 1920s, "slumming" became a popular, somewhat daring pastime among urban whites, who would travel uptown to Harlem after hours for the music, food, and excitement. Many visited large, fancy clubs like Connie's Inn and the Cotton Club, both white, gangster-controlled clubs that featured black musicians playing to white-only audiences. Other whites sought out the smaller African American clubs like Pods and Jerry's Log Cabin, where Billie Holiday began singing. Harlem's club heyday lasted into the 1930s, and then succumbed to violent organized crime and expanding opportunities for black musicians and workers in neighborhoods beyond Harlem. As musical tastes have changed, so have American nightclubs' entertainment rosters. Big bands and swing combos dominated nightclub entertainment in the 1930s and 1940s. In the 1950s, clubs' tendency to specialize was exacerbated with the emergence of bebop, rhythm and blues, and then Rock and Roll. Las Vegas casinos offered lavish clubs with headliners that might find a loyal following over decades. The male entertainers of the "Rat Pack" (Frank Sinatra, Dean Martin, Sammy Davis, Jr., and Peter Lawford) offer just one example of this kind of act. The folk "revival" found a home in certain clubs of San Francisco, Greenwich Village, and Cambridge, Massachusetts, in the early 1960s. Rock became the dominant, but not the only, popular form of musical entertainment in the later 1960s. Disco music emerged simultaneously with the rapid growth of openly gay nightclubs in the post-Stonewall era of the 1970s, though disco's constituency cut across sexual, racial, and class lines. Hosting disk jockeys and reducing the stage to expand the dance floor attracted club owners looking to maximize their profits. The 1980s and 1990s saw a renewed focus on live entertainment with new as well as older forms of popular music.
Bibliography
Erenberg, Lewis A. Steppin' Out: New York Nightlife and the Transformation of American Culture, 1890–1930. Westport, Conn.: Greenwood Press, 1981.
Kenney, William Howland. Chicago Jazz. A Cultural History 1904–1930. New York: Oxford University Press, 1993.
Ward, Geoffrey C. Jazz: A History of America's Music. New York: Knopf, 2000.
| WordNet: nightclub |
The noun has one meaning:
Meaning #1:
a spot that is open late at night and that provides entertainment (as singers or dancers) as well as dancing and food and drink
Synonyms: cabaret, club, nightspot
| Wikipedia: Nightclub |
A nightclub (or night club or club) is a drinking, dancing and entertainment venue which does its primary business after dark. People who frequent nightclubs are known as clubbers. A nightclub is usually distinguished from bars, pubs or taverns by the inclusion of a dance floor and a DJ booth, where a DJ plays recorded dance and pop music.
The music in nightclubs is either live bands or, more commonly a mix of songs played by a DJ through a powerful PA system. Most clubs or club nights cater to certain music genres, such as techno, house music, heavy metal, garage, hip hop, salsa, dancehall, or soca.
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Major cities in the United Kingdom and the United States often have a variety of nightclubs, and some small towns and cities also have nightclubs. Nightclubs often feature lighting and other effects, to enhance the dancing experience. Lighting and effects include flashing colored lights, moving light beams, laser light shows, strobe lights, mirror-covered disco balls, or foam, and smoke machines.
Nightclub hours vary widely across the world; in areas with strict liquor regulations in place, nightclubs may have a legal requirement to close at a certain hour. These cities sometimes have illegal "after hours" clubs that stay open and serve alcohol after this legal closing time. In non-regulated areas, nightclubs stay open all night and into early daylight hours.
Entertainment is the main attraction at some types of nightclubs. One type of club is a concert club, which specializes in hosting performances of live music. In contrast to regular night clubs, concert clubs are usually only open when a performance is scheduled. Other types of clubs include "all-ages" clubs, which allow non-drinking age attendees.
Nightclubs can be built in former warehouses and cinemas, underground buildings, and custom-built buildings, and generally have thick insulated walls and few or no windows, so that the neighboring buildings will not be disturbed by the powerful beat of the dance music and the flashing strobe lights. This style of construction also keeps light and noise from the street from entering the club.
This allows the nightclub to turn the dance floor into an alternate, illusory realm of timelessness. Even if an all-night rave at a nightclub lasts until 6 a.m., when it is light outside, to the clubgoers, it is still dark inside the club, and the partying and dancing continue. In most cases, entering a night club requires a flat fee called a cover charge. Early arriveers and women often have cover waived (in the United Kingdom, this latter option is illegal under the Sex Discrimination Act 1975). Friends of the doorman or the club owner may gain free entrance. Sometimes, especially at larger clubs, one only gets a pay card at the entrance, on which all money spent in the discothèque (often including the entrance fee) is marked. Sometimes, entrance fee and wardrobe costs are paid by cash and only the drinks in the club are paid using a pay card.
During US Prohibition, nightclubs went underground as illegal speakeasy bars. With the repeal of Prohibition in February 1933 nightclubs were revived, such as New York's Stork Club, El Morocco and the Copacabana. In Harlem, the Cotton Club and Connie's Inn were popular venues for white audiences. Before 1953 and even some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named Whisky à Gogo, Régine laid down a dance-floor, suspended coloured lights and replaced the juke-box with two turntables which she operated herself so there would be no breaks between the music. The Whisky à Gogo set into place the standard elements of the modern discothèque-style nightclub. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's, in Berkeley Square, London. However, the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs, and the nightclub did not attain mainstream popularity until the 1970s disco era.
By the late 1970s many major US cities had thriving disco club scenes which were centered around discothèques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the dancers. The DJs played "... a smooth mix of long single records to keep people 'dancing all night long'"[1] Some of the most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music. The largest UK cities like Liverpool, Manchester, London and several key European places like Paris, Berlin, Ibiza, Rimini also played a significant role in the evolution of clubbing, DJ culture and nightlife.
Some cities had disco dance instructors or dance schools which taught people how to do popular disco dances such as "touch dancing", the "hustle" and the "cha cha". There were also disco fashions that discothèque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "...hedonistic loft parties" had a club culture which had many African American, gay[2] and Hispanic people.
In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture, particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine[3] (nicknamed "blow"), amyl nitrite "poppers" [4], and the "...other quintessential 1970s club drug Quaalude, which suspended motor coordination and turned one's arms and legs to Jell-O".[5] The "massive quantities of drugs ingested in discothèques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of "main course" in a hedonist's menu for a night out."[5]
Famous 1970s discothèques included "...cocaine-filled celeb hangouts such as Manhattan's Studio 54 ", which was operated by Steve Rubell and Ian Schrager. Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with an image of the "Man in the Moon" that included an animated cocaine spoon. Other famous discothèques included The Loft, the Paradise Garage, and Aux Puces, one of the first gay disco bars. By the early 1980s, the term "disco" had largely fallen out of favor in North America.
Clubs Classified as Meat Markets included names such as Peppermint Tiger, Toy Tiger, 2001, Dixie Electric, The Dungeon and Picadilly operated by Alex Findlay. These clubs were wildly popular, built in huge department stores accommodating as many 12,000 people. The clubs were saddled with nick names as Pick a Dick and Pick a Filly and came under fire from many religious communities, but they filled a need which was evident by the shoulder to shoulder crowds. When asked how to design a successful Club Findlay responded " Simply stack in the people in as many different varieties as possible, offer discount store pricing with the class of a Kroger super store, music to motivate stimulate or relax and enough eyes in the sky backed up by highly trained security. People come to shop for partners so make sure they have a good experience and find what they are looking for. Simply put make sure the customer is satisfied by providing unique settings to satisfy all 5 physiological profiles. Never ever think of a Focus Study as a waste of money. It is one of the most prudent investments and provides a hidden view that is not always easily recognized. Findlay went on to say never run out of people and never feel bad about criticism because many critics pass judgment simply because their baptist preacher tells them to do so, however I do not recommend asking for problems because the pastors congregation are much more likely to vote than any Night Club Patron and is wise not to become a vote gathering machine at election issue.
During the 1980s, during the New Romantic movement, London had a vibrant nightclub scene, which included clubs like The Blitz, the Batcave, the
The largest UK cities like Liverpool, Swansea, Manchester (The Haçienda) and several key European places like Paris (Les Bains Douches), Berlin, Ibiza (Pacha), Rimini etc also played a significant role in the evolution of clubbing, DJ culture and nightlife.
Significant New York nightclubs of the period were Area, Danceteria, and The Limelight.[6]
In Europe and North America, nightclubs play disco-influenced dance music such as house music, techno, and other dance music styles such as electro or trance. Most nightclubs in the U.S. major cities play hip hop, house and trance music. These clubs are generally the largest and most frequented of all of the different types of clubs. The emergence of the Superclub created a global phenomenon, with Ministry of Sound (London), Idols (Swansea) Cream (Liverpool) and Pacha (Ibiza).
In most other languages, nightclubs are referred to as "discos" or "discothèques" (French: discothèque; Italian and Spanish: discoteca, antro (Common in Mexico only), and "boliche" (Common in Argentina only), "discos" is commonly used in all others in Latinamerica; German: Disko or Diskothek). In Japanese ディスコ, disuko refers to an older, smaller, less fashionable venue; while クラブ, kurabu refers to a more recent, larger, more popular venue. The term night is used to refer to an evening focusing on a specific genre, such as "retro music night" or a "singles night."
After the fall of communism in the Czech Republic, "nightclub" or "night club" became a common euphemism for a brothel. Therefore this word is not used in its original meaning.
A recent trend in the North American nightclub industry is the usage of video. Instead of audio-only, DJ's are now using video and "mixing" music videos and related songs together in an audio/visual presentation. This harks back to the stage shows of 1970s rock tours and also incorporates influences from video art. In contrast, a new trend, developed recently in South Wales, is the use of string to create unusual aesthetically pleasing movements.
Accidents at nightclubs can occur for many reasons. The most disastrous accidents were fires at well-visited nightclubs, so fire safety prevention has to be taken with great care.
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| Translations: Nightclub |
Français (French)
n. - boîte de nuit, night-club
Deutsch (German)
n. - Nachtklub, Nachtlokal
Ελληνική (Greek)
n. - νυκτερινό κέντρο (διασκέδασης), νάιτ κλαμπ
v. - κάνω κλάμπινγκ, γυρίζω από κέντρο σε κέντρο
Português (Portuguese)
n. - boate (f)
v. - ir a uma boate
Español (Spanish)
n. - club nocturno, sala de fiestas
Svenska (Swedish)
n. - nattklubb
v. - gå på nattklubb
中文(简体)(Chinese (Simplified))
夜总会
中文(繁體)(Chinese (Traditional))
n. - 夜總會
العربيه (Arabic)
(الاسم) ملهى ليلي (فعل) يرتاد الملهى الليلي
עברית (Hebrew)
n. - מועדון לילה
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | US History Encyclopedia. © 2006 through a partnership of Answers Corporation. All rights reserved. Read more | |
![]() | WordNet. WordNet 1.7.1 Copyright © 2001 by Princeton University. All rights reserved. Read more | |
![]() | Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Nightclub". Read more | |
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