- The state or fact of being synchronous or simultaneous; synchronism.
- Coincidence of events that seem to be meaningfully related, conceived in Jungian theory as an explanatory principle on the same order as causality.
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syn·chro·nic·i·ty (sĭng'krə-nĭs'ĭ-tē, sĭn'-) ![]() |
| Psychoanalysis: Synchronicity |
Carl Jung offered synchronicity as an acausal "principle of explanation" to account for "certain remarkable manifestations of the unconscious." He saw the principle of synchronicity as an addition to the principle of psychic causality, which Freud had emphasized so strongly.
Jung "found that there are psychic parallelisms which simply cannot be related to each other causally," such as "the simultaneous occurrence of identical thoughts, symbolism or psychic states" in analyst and analysand. In cultural history, one can also observe uncanny parallels, such as the coincidence of Chinese and European periods of style pointed out by Jung's friend Richard Wilhelm, the German translator of the Confucian classic I Ching (Book of changes; also romanized as Yijing). This ancient book of wisdom has been used throughout its history as an oracle. Jung tested Wilhelm's translation by counting out yarrow stalks and tossing coins—the traditional chance operations of Chinese divination—to locate specific chapters and verses in the I Ching, which he found would speak, like well-timed analytic interpretations, to his psychological situation at the time.
In his memorial to Wilhelm in 1930, Jung enunciated the synchronistic principle as an explanation. But it was not until the 1951 Eranos Conference that he fully described the "meaningful coincidence" and other sorts of facts that the concept "is intended to cover." "Synchronicity: An Acausal connecting principle," Jung's full-blown development of the notion, appeared, together with an article by Nobel Prize-winning physicist Wolfgang Pauli, in German in 1952. There Jung offers synchronicity as a law of nature as important as the laws of causality and chance, which it supplements in governing the connections of events. Jung quotes Schopenhauer (2000): "All the events in a man's life would accordingly stand in two fundamentally different kinds of connection: firstly, in the objective, causal connection of the natural process; secondly, in a subjective connection which exists only in relation to the individual who experiences it, and which is thus as subjective as his own dreams." Jung understood this "subjective connection" to be the significance a subject finds in the linkage of events, but he located this meaning beyond the subject experiencing it in the psychoid nature of the archetypes themselves. An archetype, for Jung, is a field of meaning in the unconscious that may be registered simultaneously as a psychic event in the mind and as a physical reality in the outer world. As Robert Aziz (1990) has noted, such "simultaneity" need not mean occurring at the exact same moment of time; it is enough that events having a common meaning be linked without a plausible causal sequence. One of Jung's favorite examples of such a meaningful coincidence occurred while he was analyzing a young woman patient. She was telling a dream in which she was given a golden scarab. Jung heard a flying insect knocking against the window-pane, opened the window, and caught the creature—a scarabaeid beetle. This unexpected concretization of her fantasy helped his patient give up an intellectual defense against psychic reality that had kept her analysis from becoming a transformative experience, the scarab being, in Egyptian mythology, a classic symbol of rebirth. For a synchronicity to enhance consciousness rather than merely build up superstitiousness, it is important that the individual grasp its compensatory meaning.
Bibliography
Aziz, Robert. (1990). C. G. Jung's psychology of religion and synchronicity. Albany: State University of New York Press.
Jung, Carl Gustav. (1930). Richard Wilhelm: In memoriam. In his Collected works (Vol. 15). London: Routledge and Kegan Paul.
——. (1950). Foreword to the I Ching. In his Collected works (Vol. 11). London: Routledge and Kegan Paul.
——. (1952b). Synchronicity: An acausal connecting principle. In his Collected works (Vol. 8). London: Routledge and Kegan Paul.
Schopenhauer, Arthur. (2000). Die Transzendentale Spekulation über die anscheinende Absichtlichkeit im Schicksal des Einzelnen In Parerga and paralipomena: Short philosophical essays (E. F. J. Payne, Trans.). New York: Oxford University Press. (Original work published 1851)
—JOHN BEEBE
| Occultism & Parapsychology Encyclopedia: Synchronicity |
A connecting principle, expressing the linkage of events without a cause-and-effect relationship in time. In addition to the normal cause-and-effect connections observed in nature, there appears to be another principle expressed in the simultaneous arrangement or connection of events. A theory of synchronicity was developed by psychotherapist Carl G. Jung and related to certain ESP phenomena. In recent decades the concept has been widely borrowed by occultists in support of their worldview.
As an illustration of this principle, some, such as astrologer Dan Rudhyar, suggest a relationship between astrological positions and events in the life of individual human beings. The human events are not necessarily caused by the position of heavenly bodies, only linked in a causal relationship.
Sources:
Jung, Carl G., and W. Pauli. The Interpretation of Nature and the Psyche. London, 1955.
| Wikipedia: Synchronicity |
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Synchronicity is the experience of two or more events that are causally unrelated occurring together in a meaningful manner. To count as synchronicity, the events should be unlikely to occur together by chance.
The concept does not question, or compete with, the notion of causality. Instead, it maintains that just as events may be grouped by cause, they may also be grouped by their meaning. Since meaning is a complex mental construction, subject to conscious and subconscious influence, not every correlation in the grouping of events by meaning needs to have an explanation in terms of cause and effect.
The idea of synchronicity is that the conceptual relationship of minds, defined as the relationship between ideas, is intricately structured in its own logical way and gives rise to relationships that are not causal in nature. These relationships can manifest themselves as simultaneous occurrences that are meaningfully related.
Synchronistic events reveal an underlying pattern, a conceptual framework that encompasses, but is larger than, any of the systems that display the synchronicity. The suggestion of a larger framework is essential to satisfy the definition of synchronicity as originally developed by Swiss psychologist Carl Gustav Jung.[1]
Jung coined the word to describe what he called "temporally coincident occurrences of acausal events." Jung variously described synchronicity as an "acausal connecting principle", "meaningful coincidence" and "acausal parallelism". Jung introduced the concept as early as the 1920s but only gave a full statement of it in 1951 in an Eranos lecture[2] and in 1952, published a paper, Synchronicity — An Acausal Connecting Principle, in a volume with a related study by the physicist (and Nobel laureate) Wolfgang Pauli.[3]
It was a principle that Jung felt gave conclusive evidence for his concepts of archetypes and the collective unconscious,[4] in that it was descriptive of a governing dynamic that underlies the whole of human experience and history—social, emotional, psychological, and spiritual. Concurrent events that first appear to be coincidental but later turn out to be causally related are termed incoincident.
Jung believed that many experiences that are coincidences due to chance in terms of causality suggested the manifestation of parallel events or circumstances in terms of meaning, reflecting this governing dynamic.[5]
One of Jung's favourite quotes on synchronicity was from Through the Looking-Glass by Lewis Carroll, in which the White Queen says to Alice: "It's a poor sort of memory that only works backwards".[6][7]
A possible explanation for Jung's perception that the laws of probability seemed to be violated with some coincidences[8] can be seen in Littlewood's law.
In psychology and cognitive science, confirmation bias is a tendency to search for or interpret new information in a way that confirms one's preconceptions and avoids information and interpretations that contradict prior beliefs. It is a type of cognitive bias and represents an error of inductive inference, or as a form of selection bias toward confirmation of the hypothesis under study or disconfirmation of an alternative hypothesis. Confirmation bias is of interest in the teaching of critical thinking, as the skill is misused if rigorous critical scrutiny is applied only to evidence challenging a preconceived idea but not to evidence supporting it.[9]
Wolfgang Pauli, a scientist who in his professional life was severely critical of confirmation bias, made some effort to investigate the phenomenon, coauthoring a paper with Jung on the subject. Some of the evidence that Pauli cited was that ideas that occurred in his dreams would have synchronous analogs in later correspondence with distant collaborators.[10]
The French writer Émile Deschamps claims in his memoirs that in 1805, he was treated to some plum pudding by a stranger named Monsieur de Fontgibu. Ten years later, the writer encountered plum pudding on the menu of a Paris restaurant and wanted to order some, but the waiter told him that the last dish had already been served to another customer, who turned out to be de Fontgibu. Many years later, in 1832, Émile Deschamps was at a diner and was once again ordered plum pudding. He recalled the earlier incident and told his friends that only de Fontgibu was missing to make the setting complete—and in the same instant, the now senile de Fontgibu entered the room.[11]
In his book Synchronicity (1952), Jung tells the following story as an example of a synchronistic event: "A young woman I was treating had, at a critical moment, a dream in which she was given a golden scarab. While she was telling me this dream, I sat with my back to the closed window. Suddenly I heard a noise behind me, like a gentle tapping. I turned round and saw a flying insect knocking against the window-pane from the outside. I opened the window and caught the creature in the air as it flew in. It was the nearest analogy to a golden scarab one finds in our latitudes, a scarabaeid beetle, the common rose-chafer (Cetonia aurata), which, contrary to its usual habits had evidently felt the urge to get into a dark room at this particular moment. I must admit that nothing like it ever happened to me before or since." [12]
The wardrobe department for The Wizard of Oz unknowingly purchased a coat for character Professor Marvel from a second-hand store, which was later verified to have originally been owned by L. Frank Baum, the author of the novel on which the film was based.[13]
The comic strip character Dennis The Menace featuring a young boy in a red and black striped shirt debuted on March 12, 1951 in 16 newspapers in the United States. Three days later in the UK a character called Dennis The Menace, wearing a red and black striped jumper made his debut in children's comic The Beano. Both creators have denied any causal connection.
Jung wrote, after describing some examples, "When coincidences pile up in this way, one cannot help being impressed by them—for the greater the number of terms in such a series, or the more unusual its character, the more improbable it becomes."[14]
In the 1976 WWII film The Eagle Has Landed, set during 1943, the character Max Radl (Robert Duvall) asks a subordinate if he is familiar with the works of Jung and then explains the theory of synchronicity. This is an unintended prochronism, as Jung did not lecture or publish on the issue until 1951, and Max Radl explicitly mentions synchronicity appearing in "the works of Jung".
In the 1984 film Repo Man, Miller's "Plate 'o' Shrimp" theory[15] outlines the idea of synchronicity. The Miller character states that while many people see life as a series of unconnected incidents, he believes that there is a "lattice o[f] coincidence that lays on top o[f] everything" that is "part of a cosmic unconsciousness."
Writer and iconoclast Charles Hoy Fort mentioned synchronistic situations in his books (Book of the Damned, Lo!, New Lands, Wild Talents). New Lands (1923) tells of a woman who lost her ring in a nearby lake only to recover it years later inside a fish she bought at a local market. He also wrote about the butterfly effect years before Edward Lorenz, the American mathematician, coined the term (although the effect had been described in earlier works).
In the 1983 release Synchronicity by The Police (A&M Records), bassist Sting is reading a copy of Jung's Synchronicity on the front cover along with a negative/superimposed image of the actual text of the synchronicity hypothesis. A photo on the back cover also shows a close-up, but mirrored and upside-down, image of the book. There are two songs, titled "Synchronicity I" and "Synchronicity II" included in the album.
The Dirk Gently series of books by Douglas Adams often plays on the synchronicity concept. The main character carries a "pocket I Ching" that also functions as a calculator, up to a point. In Philip K. Dick's The Game-Players of Titan, several characters possessing pre-cognitive abilities cite the acausal principle of synchronicity as an element that hampers their ability to predict certain possible futures accurately.
In 2002, manga author Itagaki Keisuke based one of the story arcs of Baki The Search Of Our Strongest Hero on the synchronicity theme, presenting a story in which five death row inmates escaped at the same time, in different countries, each after surviving his own execution. Each inmate went back to Japan at the same time to meet in the same place for the same objective.
Heavy metal band Blaze, led by Blaze Bayley, released an album entitled Tenth Dimension. The overall concept of the record is based on Jung's work and the title song features the concept of synchronicity heavily.
A lot o' people don't realize what's really going on. They view life as a bunch o' unconnected incidents 'n things. They don't realize that there's this, like, lattice o' coincidence that lays on top o' everything. Give you an example; show you what I mean: suppose you're thinkin' about a plate o' shrimp. Suddenly someone'll say, like, plate, or shrimp, or plate o' shrimp out of the blue, no explanation. No point in lookin' for one, either. It's all part of a cosmic unconsciousness.
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| Translations: Synchronicity |
Dansk (Danish)
n. - synkroni, synkronisering
Nederlands (Dutch)
synchronisatie
Français (French)
n. - synchronisme
Deutsch (German)
n. - Synchronität
Ελληνική (Greek)
n. - (καθομ.) συγχρονικότητα
Italiano (Italian)
sincronismo
Português (Portuguese)
n. - sincronização (f)
Русский (Russian)
синхронность
Español (Spanish)
n. - sincronicidad, simultaneidad
Svenska (Swedish)
n. - synkronicitet
中文(简体)(Chinese (Simplified))
同步性
中文(繁體)(Chinese (Traditional))
n. - 同步性
العربيه (Arabic)
(الاسم) التزامنيه
עברית (Hebrew)
n. - התרחשות בו-זמנית ללא סיבה ידועה של שני ארועים הנראים קשורים
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Did you mean: synchronicity, Synchronicity (1983 Album by The Police), Synchronicity (Olivia Lufkin album), Synchronicity (Bennie K album), Synchronicity (2007 Comedy Film)
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![]() | Psychoanalysis. International Dictionary of Psychoanalysis. Copyright © 2005 by The Gale Group, Inc. All rights reserved. Read more | |
![]() | Occultism & Parapsychology Encyclopedia. Encyclopedia of Occultism and Parapsychology. Copyright © 2001 by The Gale Group, Inc. All rights reserved. Read more | |
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