| 08/15 | |
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German Poster |
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| Directed by | Paul May |
| Produced by | Ilse Kubaschewski |
| Written by | Paul May Hans Hellmut Kirst Claus Hardt Ernst von Salomon |
| Based on | {{based on08/15|Hans Hellmut Kirst}} |
| Music by | Rolf A. Wilhelm |
| Cinematography | Heinz Hölscher |
| Editing by | Walter Boos Arnfried Heyne |
| Studio | Divina-Film |
| Distributed by | Gloria Filmverleih AG |
| Release date(s) |
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| Country | West Germany |
| Language | German |
The 08/15 is a 1954-1955 West German film trilogy directed by Paul May and based on the novel 08/15 by Hans Hellmut Kirst who also served as the film's screenwriter. The term 08/15 (nill-eight/fifteen, German: Null-Acht/Fünfzehn) refers to the German Army's standard machine gun, the 08/15 (or MG 08 model 15), by far, the most common German machine gun deployed in World War I. It was manufactured in such large quantities that it became the German Army slang for anything standard issue. The film follows the story of one Private Asch, a German soldier in World War II. The title implies that Asch and the soldiers under his command were unostentatious characters of the war on the Eastern Front.[1]
The last of the 08/15 film trilogy ends with Germany being occupied by American soldiers portrayed as bubble-gum chewing, slack-jawed and uncultured louts, inferior in every respect to the heroic German soldiers.[1] The only exception is the Jewish emigrant, now US officer, who is shown as both intelligent and unscrupulous, which is interpreted by the Israeli historian Omer Bartov as implying that that the "real tragedy of World War II was that the Nazis did not get a chance to exterminate all Semites, who have now returned with Germany's defeat to once more exploit the German people".[1]
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