Any recording that proclaims its contents as the 100 best sacred works is going to attract potshots, but the fact is that this six-disc set might be a useful thing for churches and the like to have on hand. The set takes on the ambitious task of assembling pieces from the era of plainchant up to the present day; the most recent pieces come from the widely performed The Armed Man: A Mass for Piece, composed by Britain's
and based on the Renaissance tradition of masses based on the song L'homme armé (The Armed Man). There are several things buyers should know. Especially considering the British origins of the set, the Renaissance and Medieval eras are underrepresented, and the Romantics overrepresented with two full discs, one devoted to French music and the other to "Romantic Sacred Masterpieces." The perorations of Elgar and Karg-Elert notwithstanding, the nineteenth century was not a high-water mark for sacred music. The "Modern Sacred Favorites" on disc 6 are conservative in orientation, with Barber, Rutter, Lloyd Webber, Vaughan Williams, Tavener, Pärt, and Górecki represented along with Jenkins; the progressives, who are none too progressive, are Stravinsky and
. Non-Christian forms of spirituality are not included at all. The selection of pieces is intelligent, resisting the temptation to squeeze in every hit and instead programming lesser-known works from time to time if they fit the sequence of events. Best of all are the performances, which draw from various segments of the
catalog. They come from between the early '60s and the 2000s, with most from the 1970s and 1980s, and the remastering of such a variety of sound sources is reasonable. The listener receives not only a collection of attitudes toward sacred music but also a group of diverse performer approaches to the problem of performing sacred music. Disc 1, for example, is neatly divided between the stark sounds of the
and the quiet, tradition-encrusted performances of English church choirs. Whatever debates it may start, this is an undeniably useful box set. ~ James Manheim, All Music Guide
| Gregorian Chant |
Sub tuum praesidium, antiphon in mode 7 |
1:03 |
| Gregorio Allegri |
Miserere mei Deus (Psalm 51), motet for chorus |
5:47 |
| John Dunstable |
Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32 |
6:26 |
| Thomas Tallis |
O nata lux de lumine, motet (hymn) for 5 voices, P. 209 |
1:56 |
| John Sheppard |
Verbum caro factum est, responsory motet for 6 voices |
6:44 |
| Giovanni Gabrieli |
Buccinate in neomenia tuba, motet for 19 voices |
4:20 |
| Tomás Luis de Victoria |
O Magnum Mysterium, motet for 4 voices |
4:10 |
| William Byrd |
Ave verum corpus (also anthem: "O Lord, God of Israel"), motet for 4 voices (SATB) |
4:42 |
| Giovanni Pierluigi da Palestrina |
Tu es Petrus, motet for 7 voices (from Motets Book I) |
3:59 |
| Guillaume Dufay |
Missa L'Homme armé, for 4 voices (Kyrie) |
4:10 |
| Orlande de Lassus |
Missa Bell' Amfirit'altera, for 8 voices, H. viii/55 (Gloria) |
4:19 |
| Christopher Tye |
Mass "Euge Bone" for 6 voices (Credo) |
5:32 |
| Heinrich Isaac |
Missa Paschalis (i), mass for 4 voices (Sanctus) |
4:28 |
| William Byrd |
Mass for 4 Voices (SATB) (Agnus Dei) |
3:54 |
| Josquin Desprez |
Absalon, Fili Mi, motet for 4 parts (poss. spurious) |
4:28 |
| Orlando Gibbons |
Hosanna to the son of David, anthem for 6 voices |
3:13 |
| Thomas Tallis |
Spem in Alium (also set as "Sing and glorify"), motet for 40 voices, P. 299 |
10:23 |
| Antonio Vivaldi |
Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589 (Gloria in excelsis Deo) |
2:29 |
| Antonio Vivaldi |
Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589 (Laudamus te) |
2:28 |
| Johann Sebastian Bach |
Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) (Magnificat anima mea) |
3:02 |
| George Frederick Handel |
Messiah, oratorio, HWV 56 (For unto us a child is born) |
4:20 |
| Johann Sebastian Bach |
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) (Bereite dich, Zion) |
5:33 |
| George Frederick Handel |
Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258 |
5:20 |
| Johann Sebastian Bach |
Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) (Cum Sancto Spiritu) |
4:25 |
| Johann Sebastian Bach |
Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) (Et incarnatus est) |
4:30 |
| Johann Sebastian Bach |
O Mensch, bewein' dein' Sünde gross, chorale prelude for organ (Orgel-Büchlein No. 24), BWV 622 (BC K51) |
5:25 |
| Johann Sebastian Bach |
Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) (Zion hört die Wächter singen) |
4:47 |
| Johann Sebastian Bach |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) (Ebarme dich, mein Gott) |
6:24 |
| Johann Sebastian Bach |
Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) (Jesus bleibet meine Freude (Jesu, joy of man's desiring)) |
3:31 |
| Henry Purcell |
Thou know'st, Lord (2nd setting), anthem for chorus, slidetrumpets & organ, Z. 58c |
2:22 |
| Henry Purcell |
Hear my prayer, O Lord, anthem for chorus, violins & continuo, Z. 15 (unfinished) |
2:14 |
| Johann Sebastian Bach |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) (O sacred head, sore wounded (Passion Chorale)) |
2:46 |
| Antonio Lotti |
Crucifixus a 8 Voix |
3:43 |
| George Frederick Handel |
Messiah, oratorio, HWV 56 (I know that my redeemer liveth) |
6:42 |
| George Frederick Handel |
Messiah, oratorio, HWV 56 (Hallelujah Chorus) |
4:01 |
| Wolfgang Amadeus Mozart |
Requiem for soloists, chorus, and orchestra, K. 626 (Introit. Requiem aeternam) |
4:27 |
| Wolfgang Amadeus Mozart |
Requiem for soloists, chorus, and orchestra, K. 626 (Kyrie) |
2:35 |
| Wolfgang Amadeus Mozart |
Requiem for soloists, chorus, and orchestra, K. 626 (Lacrimosa dies illa) |
2:58 |
| Wolfgang Amadeus Mozart |
Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339 (Laudate Dominum) |
5:30 |
| Wolfgang Amadeus Mozart |
Regina coeli, antiphon for soprano, chorus & orchestra, K. 127 (Regina coeli) |
4:04 |
| Wolfgang Amadeus Mozart |
Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a) (Laudamus te) |
4:57 |
| Wolfgang Amadeus Mozart |
Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317 (Benedictus) |
3:16 |
| Wolfgang Amadeus Mozart |
Exsultate, jubilate, motet for soprano & orchestra, K. 165 (K. 158a) (Alleluia) |
2:56 |
| Wolfgang Amadeus Mozart |
Ave verum Corpus, motet for chorus, strings & organ, K. 618 |
3:27 |
| Franz Joseph Haydn |
Die Schöpfung (The Creation), oratorio, H. 21/2 (With verdure clad) |
4:54 |
| Franz Joseph Haydn |
Die Schöpfung (The Creation), oratorio, H. 21/2 (The heavens are telling) |
3:37 |
| Franz Joseph Haydn |
Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11 (Kyrie) |
4:25 |
| Franz Joseph Haydn |
Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11 (Gloria in excelsis Deo) |
3:26 |
| Ludwig van Beethoven |
Mass for soloists, chorus & orchestra in C major, Op. 86 (Kyrie) |
5:34 |
| Ludwig van Beethoven |
Die Ehre Gottes aus der Natur ("Himmel ruhmen des ewigen Ehre"), song for voice & piano, Op. 48/4 |
2:31 |
| Ludwig van Beethoven |
Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123 (Gloria) |
17:12 |
| Marc-Antoine Charpentier |
Te Deum, motet for 8 voices, chorus & orchestra, H. 146 (Prelude) |
1:47 |
| Charles Gounod |
Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) |
3:14 |
| Charles Gounod |
Messe solennelle de Sainte Cécile for soloists, chorus, orchestra & organ in G major (Credo - opening) |
3:50 |
| Charles Gounod |
Messe solennelle de Sainte Cécile for soloists, chorus, orchestra & organ in G major (Sanctus) |
5:33 |
| Hector Berlioz |
L' Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25) (The Shepherds' Farewell) |
4:14 |
| Hector Berlioz |
Te Deum, for tenor, 3 choruses, brass bands, organ & orchestra, H. 118 (Op. 22) (Tu, Christe, Rex gloriae) |
5:38 |
| Gabriel Fauré |
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48 (Pie Jesu) |
3:29 |
| Maurice Duruflé |
Ubi caritas, motet for chorus, Op. 10/1 |
2:40 |
| Gabriel Fauré |
Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11 |
5:51 |
| César Franck |
Panis angelicus for tenor, organ, harp, cello & bass |
4:56 |
| Francis Poulenc |
Gloria, for soprano, chorus & orchestra, FP 177 (Laudamus te) |
3:00 |
| Francis Poulenc |
Vinea mea electa, motet for chorus (4 motets pour un temps de pénitence), FP 97/2 |
3:49 |
| Léon Boëllmann |
Suite Gothique, for organ, Op. 25 (Prière à Notre-Dame) |
4:08 |
| Olivier Messiaen |
O sacrum convivium!, for voices, I/18 |
5:10 |
| Maurice Duruflé |
Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. 9 (3 versions) (Sanctus) |
3:25 |
| Maurice Duruflé |
Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. 9 (3 versions) (Libera me) |
5:43 |
| Gabriel Fauré |
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48 (In Paradisum) |
3:43 |
| Johann Nepomuk Hummel |
Mass for soloists, chorus & orchestra No.2 in E flat major, Op. 80 (Sanctus) |
1:33 |
| Felix Mendelssohn |
Elijah (Elias), oratorio, Op. 70 (O rest in the Lord) |
3:43 |
| Felix Mendelssohn |
Elijah (Elias), oratorio, Op. 70 (And then shall your light break forth) |
3:19 |
| Gioachino Rossini |
Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra (Cujus animam) |
6:59 |
| Franz Schubert |
Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132) |
4:58 |
| Franz Schubert |
Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872 (Heilig, heilig, heilig) |
2:30 |
| Franz Schubert |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) |
4:26 |
| Edward Elgar |
Ave verum, motet for chorus, Op. 2/1 |
2:35 |
| Sigfrid Karg-Elert |
Nun danket alle Gott, marche triomphale (chorale improvisation) for organ (& brass ad lib), Op. 65/59 |
3:36 |
| Anton Bruckner |
Ave Maria (II), motet for chorus in F major, WAB 6 |
3:11 |
| Henry Balfour Gardiner |
Evening Hymn for chorus & organ |
6:06 |
| Giuseppe Verdi |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) (Recordare) |
4:21 |
| Giuseppe Verdi |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) (Ingemisco) |
3:47 |
| Giuseppe Verdi |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) (Lux aeterna) |
6:52 |
| Johannes Brahms |
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45 (Wie lieblich) |
6:10 |
| Giacomo Puccini |
Mass for tenor, baritone, bass, chorus & orchestra in A flat major ("Messa di gloria") (Gloria in excelsis Deo - In terra pax - Laudamus te) |
4:36 |
| Hubert Parry |
I Was Glad (Psalm 122), anthem for chorus & organ (or orchestra) |
6:47 |
| Karl Jenkins |
The Armed Man: A Mass for Peace, for soloists, chorus & orchestra (Agnus Dei) |
3:40 |
| Igor Stravinsky |
Ave Maria, for chorus a cappella (after Bogoroditse D'vo) |
1:58 |
| Leonard Bernstein |
Chichester Psalms, for boy soloist, chorus & orchestra (1. Maestoso ma energico - Allegro molto) |
3:50 |
| Andrew Lloyd Webber |
Requiem for soloists, chorus & orchestra (Pie Jesu) |
2:51 |
| Robert Prizeman |
Voca Me |
4:50 |
| Tolga Kashif |
Ave Maria |
4:11 |
| Ralph Vaughan Williams |
Mass for soloists & chorus in G minor (Kyrie) |
3:58 |
| Henryk Mikolaj Górecki |
Totus Tuus, for chorus, Op. 60 |
8:56 |
| Arvo Pärt |
Magnificat, for chorus |
6:22 |
| Sergey Rachmaninov |
Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37 (Ave Maria) |
2:59 |
| John Tavener |
Song for Athene, for chorus |
6:12 |
| Geoffrey Burgon |
Nunc dimittis for voice, trumpet & strings |
2:44 |
| John Rutter |
Requiem for chorus & orchestra (Requiem aeternam) |
5:39 |
| Samuel Barber |
Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11 |
7:45 |
| Karl Jenkins |
The Armed Man: A Mass for Peace, for soloists, chorus & orchestra (Benedictus) |
7:37 |