100th Window

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  • Artist: Massive Attack
  • Rating: StarStarStarStarHalf Star
  • Release Date: February 11, 2003
  • Total Time: 73:54
  • Type: Lyrics are included with the album, Enhanced CD-ROM
  • Genre: Electronica

Review

A new album from Massive Attack is an event, even if only one-third of the original group is present for the festivities. Just the group's fourth album in more than a dozen years, 100th Window marked the departure of Mushroom (permanently, after artistic differences) and Daddy G (temporarily, to raise a family), leaving only one founding member, 3D (Robert del Naja), to muddle along with arranger/producer Neil Davidge (who made his Massive Attack debut on 1998's Mezzanine). Though Del Naja is mostly successful giving the people what they want -- a follow-up to Mezzanine, one of the most compulsive listens of '90s electronica -- it unfortunately comes as a sacrifice to the very thing that made Massive Attack so crucial to dance music: their never-ending progression to a radically different sound with each release. For better or worse, 100th Window has the same crushingly oppressive productions, dark, spiralling basslines, and pile-driving beats instantly familiar to fans of Mezzanine. Fortunately, it also has the same depth and point-perfect attention to detail, making for fascinating listening no matter whether the focus is the songs, the effects, or even the percussion lines. Jamaican crooner Horace Andy is back for a pair of tracks ("Everywhen," "Name Taken") that nearly equal his features on the last record, while Sinéad O'Connor makes her debut with three vocal features. Unlike Liz Fraser or Tracey Thorn (two Massive Attack muses from the past), O'Connor's voice lacks resonance and doesn't reward the close inspection that a Massive Attack production demands. Still, her songwriting is far superior and the slight quaver in her voice adds a much-needed personality to these songs. "A Prayer for England" is a political protest that aligns itself perfectly with the group that coined its name as a satirical nod to military aggression. Another feature for O'Connor, "What Your Soul Sings," is the only song here that compares to the best Massive Attack has to offer, beginning with a harsh, claustrophobic atmosphere, but soon blossoming like a flower into a beautiful song led by her tremulous voice. In comparison, the four songs for 3D are average at best, mere recyclings of the same ideas heard years earlier. That's satisfaction enough for those who kept Mezzanine near their stereo for years on end, but a disappointment to those expecting another masterpiece. ~ John Bush, Rovi

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100th Window
Studio album by Massive Attack
Released 10 February 2003
Recorded 2001-2002
Genre Electronica, trip hop, minimal techno
Length 73:52
Label Virgin Records
Producer Robert Del Naja, Neil Davidge
Massive Attack chronology
Singles 90/98
(1998)
100th Window
(2003)
Danny the Dog
(2004)
Singles from 100th Window
  1. "Special Cases"
    Released: 24 February 2003
  2. "Butterfly Caught"
    Released: 16 June 2003

100th Window is the fourth studio album from the Bristol-based trip-hop group Massive Attack. Of the band's original core trio, the album only features Robert Del Naja. Andrew Vowles departed shortly after the release of Mezzanine, and Grant Marshall refused to participate in the making of the record.

Released in February 2003, 100th Window was written and produced by Del Naja and Neil Davidge, and features vocals from Horace Andy and Sinéad O'Connor, as well as an imperceptible appearance by Damon Albarn. It is the first album by the band that made no use of samples, and contains none of the jazz or jazz fusion stylings of the Blue Lines or Protection recordings.

Contents

Background

Work on the album started in early 2000 at the Christchurch Studios in Clifton, Bristol. Massive Attack recruited Lupine Howl (a band made up of ex-members of Spiritualized) for the new album. In a November 2001 interview, Lupine Howl's lead singer Sean Cook described the sessions as "very experimental ... that essentially consisted of kinda minimal loops and noises that were fed to our head phones from the computer up in the control room. Then we would have this sort of extended jam session playing along to them and they would do various things to do the loops. Sometimes they would drop out the loop, sometimes they would start processing it with effects and delays and stuff like that, to try and make it change in various ways and see what that would do in terms of our playing. They also had a strobe light in the live room, which they controlled from the control room. They would kind of put that on and speed it up to dictate the intensity and try to affect the way we played with the lighting. It was a really good laugh; we got some good stuff. I mean, hours and hours of stuff, which they have taken back and cut up and arranged and done their things to."[1]

In a 17 July 2002 posting to Massive Attack's forums Del Naja wrote that over the course of time, the band had become "very unhappy with the shapes being formed", and that by the beginning of 2002 they had discarded most of the material that was written up to that point. As a result, Lupine Howl is not credited with any contributions to the final album. However, one song from those sessions, "Nature of Threat", was later made available for download on Massive Attack's website.

The title of the album comes from the book "The Hundredth Window: Protecting Your Privacy and Security in the Age of the Internet"; this title is an allusion to the idea that one's security is compromised if even one window is left open. In a 2003 interview, Del Naja explained that, "There's always a way in, there's always one thing you'll leave and locks are undone, and something you've forgotten. It's a great analogy to the human psyche and the soul, and the way we're voyeuristic, we like to look at and see everything we can get our hands on, have that power and be able to look at other people and look into thoughts while closing ourselves off and keeping ourselves as private as possible."[2]

Reception

Professional ratings
Aggregate scores
Source Rating
Metacritic 75/100 [3]
Review scores
Source Rating
Allmusic 4/5 stars [4]
IGN 8.8/10 [5]
Mojo 4/5 stars [6]
Pitchfork Media 5.1/10 [7]
Robert Christgau (dud) [8]
Rolling Stone 3/5 stars [9]
Spin 7/10 stars [10]
Stylus Magazine B [11]
Uncut 4/5 stars [12]
Vibe 4/5 stars [13]

Initial critical response to 100th Window was positive. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 75, based on 25 reviews.[3]

Track listing

All tracks written by Robert "3D" Del Naja and Neil Davidge except tracks 2, 4 & 6 written by Del Naja/Davidge/O'Connor

No. Title Length
1. "Future Proof" (vocals by 3D) 5:37
2. "What Your Soul Sings" (vocals by Sinéad O'Connor) 6:37
3. "Everywhen" (vocals by Horace Andy) 7:37
4. "Special Cases" (vocals by Sinéad O'Connor) 5:09
5. "Butterfly Caught" (vocals by 3D) 7:33
6. "A Prayer for England" (vocals by Sinéad O'Connor) 5:44
7. "Small Time Shot Away" (vocals by 3D, backing vocals by 2D (Gorillaz)) 7:57
8. "Name Taken" (vocals by Horace Andy) 7:47
9. "Antistar" (vocals by 3D) 8:17
10. "hidden track" (instrumental) 11:23

Personnel

Orchestra arrangement by Craig Pruess, Neil Davidge and Robert "3D" Del Naja

References

  1. ^ Mark Redfern (June 2002). "Under the Radar - Lupine Howl". Archived from the original on 2006-11-12. http://web.archive.org/web/20061112174405/http://www.undertheradarmag.com/issue2/LupineHowl/lupine_602.html. Retrieved 2006-11-15. 
  2. ^ "Hari Kunzru Massive Attack". 2003. Archived from the original on 2006-08-23. http://web.archive.org/web/20060823192607/http://www.harikunzru.com/hari/massiveattack.htm. Retrieved 2006-10-04. 
  3. ^ a b 100th Window at Metacritic Retrieved 2011-10-07.
  4. ^ http://www.allmusic.com/album/r620022 100th Window Massive Attack] Allmusic.com, John Bush
  5. ^ Spence D. (2003-02-25). "100th Window - Music Review at IGN". Music.ign.com. Archived from the original on 2010-01-16. http://music.ign.com/articles/387/387204p1.html. Retrieved 2011-09-06. 
  6. ^ 3/03, p.97
  7. ^ Ott, Chris (2003-02-04). "Massive Attack: 100th Window | Album Reviews". Pitchfork. http://pitchfork.com/reviews/albums/5135-100th-window/. Retrieved 2011-10-28. 
  8. ^ "CG: massive attack". Robert Christgau. http://www.robertchristgau.com/get_artist.php?name=massive+attack. Retrieved 2011-09-06. 
  9. ^ [1] Archived 16 January 2010 at WebCite
  10. ^ 3/03, pp.117-8
  11. ^ http://www.stylusmagazine.com/reviews/massive-attack/100th-window.htm
  12. ^ 3/03, p.104
  13. ^ 4/03, p.178

External links

Preceded by
Simply Deep by Kelly Rowland
UK number one album
22–28 February 2003
Succeeded by
Justified by Justin Timberlake

This album has been released with the Copy Control protection system in some regions.


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Mentioned in

100th Window [Bonus Track] (2004 Album by Massive Attack)
Collected (2006 Album by Massive Attack)
Collected/Rarities/Eleven Promos (2007 Album by Massive Attack)
Massive Attack (Electronica Band, '90s, 2000s)