Scott Weiland's addictions were well documented and were often blamed for the disintegration of Stone Temple Pilots. Frustrated with his constant relapses, the remaining Pilots formed Talk Show, whose debut album rocked hard but lacked the style and melody of prime STP. Instead of reviving the Magnificent Bastards, Weiland decided to record a solo album with producer Daniel Lanois. The teaming was unexpected but inspired -- 12 Bar Blues is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each song sounds drastically different from its predecessor. Throughout it all, a few things remain the same -- the music is rooted in glam rock, filtered through psychedelia and trip-hop, and dressed in immediate, catchy hooks and melodies. At its best, 12 Bar Blues makes a case for Weiland's talents as a songwriter and musician. At times his lyrics can be awkward, and occasionally the music collapses under its own weight, but the very best moments -- the swirling "Desperation #5," the glitter-crunch of "About Nothing," the mock-Tom Waits march "Lady, Your Roof Brings Me Down," the hook-laden "Mockingbird Girl," the stomping "Jimmy Was a Stimulator" -- are exciting modern hard rock songs propelled by hooks, attitude, and style. ~ Stephen Thomas Erlewine, Rovi
In a 1998 interview on MTV's 120 Minutes, Weiland states that his then brother-in-law introduced him to Blair Lamb, the one who co-produced 12 Bar Blues with Weiland.[1]
Released in 1998 on Atlantic Records, the album was a commercial failure,[citation needed] but achieved some critical acclaim. Stephen Erlewine of allmusic gave the album 4 out of 5 stars, declaring "12 Bar Blues is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each song sounds drastically different from its predecessor."[8] David Fricke of Rolling Stone awarded the album 3.5 out of 5 stars and declared that "12 Bar Blues isn't really a rock album, or even a pop album. Weiland, out on his own, has simply made an honest album – honest in its confusion, ambition and indulgence. It was worth the risk." but also remarked that "Maybe it's a little early for Scott Weiland to be going the solo way."[9] Historian Piero Scaruffi gave it a 7 out of 10 and claimed that "12 Bar Blues is a noble work in the tradition of "lo-fi" songwriters like Robert Pollard and Beck, a collection of quirky ditties with lively and inventive arrangements."[10] He later listed the album as being one of the best rock albums of the 90s.[11]
Track listing
All Songs Written By Scott Weiland (Foxy Dead Girl Music). Co-Writers in parenthesis.
"Mockingbird Girl" – 5:02 (Jeff Nolan, Zander Schloss; UA Music Inc., Floated Music, EMI Virgin Music; "Its The Mega", United Lion Music, Sho Me Mo)
"Opposite Octave Reaction" – 4:18
Track information
An additional track entitled "Lazy Divey" was recorded for the album, and was included on some early promotional copies of the album.
"Mockingbird Girl" was a re-recording of a song Weiland had originally recorded with The Magnificent Bastards for the 1995 Tank Girl soundtrack three years prior.
Personnel
Scott Weiland – lead vocals, beatbox, guitar, keyboards, piano, bass, synthesized bass, drum loops
Recording & Engineers: Chad Banford, Chris Goss, Tracy Chisolm
Additional Engineers: Daniel Lanois, Jason Gladden, Tracy Chisolm, David Nottingham, Eric Greedy, Jeff Robinson, John Sorensen, Rafa Sardina, Reid Miller
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