| 16 Below: Second Thoughts (2003 Film), 16 Años (1943 Film) | |
| 16 Days of Glory (1986 Film), 16 December (2002 Film) |
| 16 Blocks | |
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Promotional movie poster |
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| Directed by | Richard Donner |
| Produced by | Avi Lerner Randall Emmett John Thompson Arnold Rifkin Jim Van Wyck |
| Written by | Richard Wenk |
| Starring | Bruce Willis Mos Def David Morse Cylk Cozart Casey Sander |
| Music by | Klaus Badelt |
| Cinematography | Glen MacPherson |
| Editing by | Steven Mirkovich |
| Studio | Alcon Entertainment Millenium Films Cheyenne Enterprises Emmett/Furla Films The Donners' Company Equity Pictures Nu Image Films Sunswept Entertainment |
| Distributed by | Warner Bros. (USA) 20th Century Fox (Brazil) Sony Pictures (Australia) |
| Release date(s) | March 3, 2006 |
| Running time | 110 minutes |
| Country | United States ; Germany |
| Language | English |
| Budget | $55,000,000 |
| Box office | $65,664,721[1] |
16 Blocks is a 2006 crime thriller film directed by Richard Donner. It stars Bruce Willis, Mos Def, and David Morse. The movie unfolds in the real time narration method.
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Jack Mosley is alcoholic, burned-out NYPD detective. Despite a late shift the night before, his lieutenant orders him to escort a witness, Eddie Bunker from local custody to the courthouse 16 blocks away to testify on a police corruption case before a grand jury at 10 a.m. Bunker, a taxi driver, tries to be friendly with Mosley, telling him of his aspirations to move to Seattle to become a cake baker with his sister that he has never met, but Mosley is disinterested, and stops at a liquor store. They are suddenly ambushed by a gunman, and Mosley drags Bunker to a local bar to take shelter and call for backup. Mosley's former partner, Frank Nugent, and several other officers arrive. Nugent and his men have ulterior motives, telling Mosley that Bunker is not worth defending as his testimony will likely out several offices, including Nugent, in on the corruption scheme. and try to frame Bunker for firing at an officer before they kill him. Mosley intervenes, rescuing Bunker and fleeing.
Mosley briefly stops at his sister Diane's apartment to retrieve guns and ammo, learning that the police have already approached her about his activities today. He and Bunker take steps to further allude the cops, and Mosley is wounded in the process. They become cornered in a run-down apartment building as Nugent and his men search floor by floor. Mosley calls the district attorney to arrange for help, but purposely gives the wrong apartment number, suspecting that there is a mole involved. They are able to escape onto a passenger bus, and as the police follow them, Mosley is forced to treat the passengers as hostages. The bus crashes into a construction site and is soon surrounded by the ESU. Aware that Nugent will likely order the ESU to raid the bus risking the safety of the passengers, Mosley allows the passengers to go free, using their cover to allow Bunker to sneak off the bus in the confusion. Mosley finds a tape recorder in the discarded possessions on the bus, and prepares a farewell message to Diane.
To his surprise, Bunker returns to the bus; while Nugent is ready to fire on him, he is told to stand down by a superior officer. Bunker had come to see Mosley as his friend and wants to be there for him to see this through. Bunker's tenacity convinces Mosley to get to the courthouse, and manages to drive the bus into an alley, temporarily blocking the police from following them. He finds that Bunker has been wounded, and calls Diane, an emergency medical technician, to bring an ambulance around to help, despite knowing she will be followed. Mosley and Bunker's wounds are cared for, though Bunker still needs further treatment at a hospital. As Diane's ambulance drives away, the police stop her, but discover the ambulance empty; she had a second ambulance pick up Mosley and Bunker that would not be under similar surveillance. Mosley gets off a block from the courthouse, and wishes Bunker luck in his bakery. Bunker promises to send him a cake on his birthday.
Mosley enters the courthouse through the underground garage, encountering Nugent alone. Nugent reveals that should Bunker testify, not only will Nugent be convicted but so would Mosley as one of the corrupt cops. Mosley ignores this, and continues to the courthouse, where the police and ESU are waiting for him, as well as the district attorney. One of Nugent's men tries to shoot Mosley but he is killed by one of the ESU snipers. Mosley reveals that he will be testifying in Bunker's place, revealing that he had recorded the conversation with Nugent in the garage on the tape recorder and submits it as evidence.
Two years later, Mosley is freed from prison from his reduced sentence while Nugent and others wait out longer sentences. He celebrates his birthday with Diane and other friends, and is surprised to find that the cake had indeed come from Bunker, who has been successful in starting the "Jack and Eddie Bakery".
Willis originally wanted rapper Ludacris to play the part of Eddie Bunker.[2] This is the second film where David Morse plays the villain to Bruce Willis as the protagonist. The first was Twelve Monkeys in which Morse plays Dr. Peters.
The film, released by Warner Bros., opened in the United States on March 3, 2006.
In its opening weekend, the film grossed $12.7 million, which was the second-highest earning film of the weekend. As of its May 15, 2006 closing date, the film grossed a total of $36.895 million in the U.S. box office. It made $65.6 million worldwide.[3] According to Box Office Mojo, production costs were around US$55 million.[4] The film made $51.53 million on rentals, and remained on the DVD top 50 charts for 17 consecutive weeks.
Based on 158 reviews collected by Rotten Tomatoes, the film received a 55% approval rating from critics, with an average score of 5.9/10.[5] By comparison, Metacritic, which assigns a normalized rating in the 0–100 range based on reviews from top mainstream critics, calculated an average score of 63, based on 34 reviews, which indicates "generally favorable reviews".[6]
Michael Atkinson of The Village Voice commented that "the clichés come thick on the ground" and called it "a small movie trying to seem epic, or a bloated monster trying to seem lean."[7] Peter Travers of Rolling Stone gave the film two-and-a-half out of four stars and called Willis and Mos Def "a terrific team," concluding that "Until Richard Wenk's script drives the characters into a brick wall of pukey sentiment, it's a wild ride."[8] Chicago Sun-Times critic Roger Ebert gave it three out of four stars and commended Mos Def for his "character performance that's completely unexpected in an action movie," while calling the film "a chase picture conducted at a velocity that is just about right for a middle-age alcoholic."[9]
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