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1930

 

  • Artist: Merzbow
  • Rating: StarStarStarStarStar
  • Release Date: May 19, 1998
  • Total Time: 58:39
  • Genre: Avant-Garde

Review

There's a wider variety of unexpected sounds than those normally heard in a Merzbow listening session in this sonic inundation. Unguessed-at dimensions are accessed through 1930 via sensory overload of oscillations, infinitely layered static, frequencies from pitch to buzz -- an explosion could get lost in this, and many do. It is the sounds of tuning in the radio, only to catch the low-end frequencies of an earthquake. Music has long explored -- and exploited -- its ties to emotions; the genre of noise, it seems, has moved on to exploring sound's physical effects. Merzbow, the leader of Japanese noise, has learned how to use sound to operate on your brain; he utilizes indiscernible frequencies to poke pinholes in your eardrums and bleed out your preconceived notions of sound, music, and how they can affect you. This listening experience is not simply a result of sheer volume (Merzbow is generally listened to very loudly): Even while turned down low, the sounds all combine into an irresistible force that messes with your physical being. It will scramble your brain, until consciousness barely registers anything but sound. [Note: This is, however, a somewhat temporary effect.] ~ Joslyn Layne, All Music Guide

Tracks

Track TitleComposersPerformersTime
Intro Masami Akita Masami Akita (2:39)
1930 Masami Akita Masami Akita (19:39)
Munchen Masami Akita Masami Akita (2:02)
Degradation of Tapes Masami Akita Masami Akita (12:29)
Iron, Glass, Blocks and White Lights Masami Akita Masami Akita (21:50)

Credits

Merzbow (Main Performer), Ikue Mori (Artwork), John Zorn (Executive Producer), Masami Akita (Performer), Wild Don Lewis (Photography)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more