3:10 to Yuma

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AMG AllMovie Guide:

3:10 to Yuma

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Plot

Desperate for money, frontier rancher Van Heflin holds outlaw Glenn Ford at gunpoint, intending to collect the $200 reward. While both men await the train to Yuma that will escort Ford to prison, the cagey outlaw offers Heflin $10,000 if he'll set Ford free. The rest of the film is a sweat-inducing cat-and-mouse game between captive and captor, interrupted with bursts of violence from both Ford's gang (commandeered by Richard Jaeckel) and the vacillating townsfolk. 3:10 to Yuma is one of the best of the character-driven "psychological" westerns of the 1950s. Its only flaw is Ford's unconvincing character turnaround towards the end. ~ Hal Erickson, Rovi

Review

The success of High Noon spawned numerous psychological Westerns, and one of the best of this crop was 3:10 to Yuma. Van Heflin as rancher Dan Evans and Glenn Ford as outlaw Ben Wade both give exceptional, multi-layered performances, among the best of their careers, with Ford going particularly against type and displaying that he was one of the more underrated actors of his generation. The script by Halsted Welles, based on a story by Elmore Leonard, is taut and insightful, occasionally veering towards the conventional (the love subplot between Wade and Emmy is not very believable), but always coming back in time. Equally important is the superb direction of Delmer Daves, who tells his story with an economy of flashiness, and uses the film's obvious low budget to his advantage by emphasizing the isolation and barrenness of the settings. There are also strong supporting parts for Leora Dana as Heflin's wife and a collection of scene-stealing character actors, including Richard Jaeckel, Henry Jones, and Robert Emhardt. 3:10 to Yuma ultimately stands as a superior example of that subgenre of small-scale Westerns that tell their tale simply with an emphasis on character over action, and which can often be every bit as satisfying and entertaining as the widescreen, big-themed Western epics that grab the headlines and critical acclaim. ~ Bob Mastrangelo, Rovi

Cast

Robert Emhardt - Mr. Butterfield; Sheridan Comerate - Bob Moons; George Mitchell - Bartender; Robert Ellenstein - Ernie Collins; Ford Rainey - Marshal; Barry Curtis - Mathew; Jerry Hartleben - Mark; Woodrow Chambliss

Credit

Frank Hotaling - Art Director, Jean Louis - Costume Designer, Sam Nelson - First Assistant Director, Delmer Daves - Director, Al Clark - Editor, George Duning - Composer (Music Score), Morris W. Stoloff - Musical Direction/Supervision, Frankie Laine - Songwriter, Ned Washington - Songwriter, Clay Campbell - Makeup, Charles Lawton - Cinematographer, David Heilwell - Producer, William Kiernan - Set Designer, Robert Priestley - Set Designer, Josh Westmoreland - Sound/Sound Designer, Halsted Welles - Screenwriter, Elmore Leonard - Short Story Author

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Wikipedia on Answers.com:

3:10 to Yuma (1957 film)

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3:10 to Yuma

Theatrical release poster
Directed by Delmer Daves
Produced by David Heilweil
Screenplay by Halsted Welles
Based on "Three-Ten to Yuma" by
Elmore Leonard
Starring Glenn Ford
Van Heflin
Music by George Duning
Cinematography Charles Lawton, Jr.
Editing by Al Clark
Distributed by Columbia Pictures
Release date(s)
  • August 7, 1957 (1957-08-07)
Running time 92 minutes
Country United States
Language English
Box office $1.85 million (US)[1]

3:10 to Yuma is a 1957 American western film starring Glenn Ford and Van Heflin and directed by Delmer Daves. The film was based on the short story by Elmore Leonard. The film was well received on release and is still highly regarded today. A remake of the film starring Russell Crowe and Christian Bale and directed by James Mangold was released in 2007. The title song, "The 3:10 to Yuma", was sung by Frankie Laine.

Contents

Plot

In the Arizona Territory of the 1880s, rancher Dan Evans and his young sons witness a stagecoach holdup. When the driver, Bill Moons, overpowers one of the robbers and uses him as a human shield, Ben Wade, the leader of the gang, callously shoots both men.

Wade and his men stop at the saloon in nearby Bisbee, Arizona, posing as cowhands. When Wade stays to seduce the pretty barmaid Emmy, he is captured, but his henchman Charlie Prince gets away with the news. The townspeople fear what his men will do, so the town marshal decides to have two volunteers sneak the prisoner to Contention City to catch a train, the 3:10 to Yuma. Mr. Butterfield, the stage-line owner, offers $200 for the dangerous job. Desperate after three years of drought, Dan jumps at the opportunity, but the only other man interested is the town drunk, Alex Potter. When no one else steps forward, the marshal reluctantly accepts them.

Wade is placed on a stagecoach, which then stops (in view of some of the gang) for a faked repair; the outlaw is secretly taken off while the stage continues on with an imposter, in the hopes that by the time the outlaws figure out what has happened, it will be too late. Wade is taken to Dan's ranch, where Dan's devoted wife Alice serves supper to the family and their "guest".

Dan, Alex, and Wade leave under cover of darkness, reaching Contention City at daybreak. Butterfield has reserved the bridal suite at the hotel. While they wait for the train, Wade tries several times to bribe Dan into letting him go, his interest in Dan seeming to go beyond a simple exchange of freedom for cash. Dan is greatly tempted. The local sheriff is out of town, but Butterfield hires five men to help escort the prisoner to the train.

Things go awry when Bob Moons barges in unexpectedly and threatens to shoot his brother's killer. Dan wrestles his gun away from him, but in the struggle, it goes off. Downstairs, Charlie Prince, who has also come to Contention City, hears the gunshot, and spots Wade in a window. Charlie is seen riding off to fetch the rest of the gang.

The men Butterfield recruited watch as seven riders enter the town. Not liking the odds, they retreat, leaving only Dan, Alex, and Butterfield. When Alex goes out to reconnoiter, he spots one of Wade's men on a rooftop opposite the hotel. Alex calls out, warning Dan, but is shot in the back by Prince. The gang hangs the wounded Alex from the lobby chandelier, killing him. Butterfield decides that maintaining Wade as a prisoner is not worth the risk, and releases Dan from his obligation. Alice arrives and also tries to change her husband's mind, but he is committed: "The town drunk gave his life because he believed that people should be able to live in decency and peace together. You think I can do less?"

When the clock strikes three, Dan escorts Wade out the back door. Gang members take shots whenever they can without endangering Wade, but despite their best efforts, they cannot stop the pair from reaching the platform, where the train is waiting. Finally, the outlaws emerge to confront Dan as the train starts to leave. Charlie shouts for Wade to drop to allow them a clear shot at Dan. Instead, Wade unexpectedly tells Dan to jump into the passing baggage car. They jump together. The gang starts to run after the train, but Dan shoots Charlie and the rest then let it go. Wade explains himself, saying he felt he owed Dan for protecting him from Bob Moons in the hotel room, and confidently claiming he has broken out of the Yuma jail before (implying he can do so again), but whether these statements reflect his true motivations and prospects is not clear. Alice sees Dan safe on the train as rain pours down on her, breaking the long drought.

Cast

Reception

When first released in the summer of 1957, the film became popular among audiences and critics alike for its suspenseful nature and sharp black-and-white cinematography. Ford received particular notice for his against-type villainous performance. The following year, 3:10 to Yuma was nominated for the British Academy of Film and Television Arts award for Best Film and the Laurel Award for Top Male Action Star, which went to Van Heflin.

Since its release, the film has become a staple of cable television and has gained an audience of several generations. A critically successful remake was released in 2007.

The film caused "Yuma" to enter the lexicon of Cuban slang: Yumas is a term for American visitors, while La Yuma is the United States.[2]

References

See also

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