36 Hours

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Plot

In 1950, Maj. Jefferson Pike (James Garner), an Army intelligence agent who served with distinction in World War II, awakens in a hospital with severe amnesia. He isn't sure where he is, how he got there, or even who the woman at his side is, even though the doctor tells him that her name is Anna (Eva Marie Saint) and that she is his wife. The doctor instructs Pike to recall, in as much detail as possible, what he was doing before the accident that caused his traumatic memory loss. But the doctor isn't a doctor, Anna isn't Pike's wife, it isn't 1950, and he isn't in an American hospital. World War II is still very much in progress, and Pike is being duped in an elaborate scheme prepared by Maj. Walter Gerber (Rod Taylor), a German intelligence agent. Gerber is trying to trick a drugged and suggestible Pike into telling him everything he knows, as the injured soldier lies in a Bavarian military hospital after being taken prisoner. Will Pike be able to see through the cracks in Gerber's facade before he spills the beans that could mean death and defeat for American soldiers? 36 Hours was later remade for TV under the title Breaking Point. TV fans will want to keep an eye peeled for bit parts by James Doohan from Star Trek and John Banner from Hogan's Heroes. ~ Mark Deming, Rovi

Review

36 Hours has a premise that's intriguing but which also stretches credulity past what many viewers will consider the breaking point: would Nazi officials in desperate need of extracting vital information about the planned Allied landing really resort to an elaborate hoax to coax it out of an American officer, rather than simply devise a more direct method of interrogation? And even if they did opt to, would they really be able to set up such a complicated ruse in the time allotted? As a theatrical gimmick, however, it has a great deal of potential; unfortunately, writer/director George Seaton seriously undercuts its effectiveness by letting the audience in on the charade early on, rather than letting them discover it as the American officer himself does. The lengthy escape near the end also mutes the film's impact, coming off as too derivative and obligatory. Despite its flaws, however, Hours is an enjoyable espionage thriller, thanks in large part to James Garner and Rod Taylor. Garner is well cast as an honorable, dedicated Army man put into a situation in which he has to determine what is reality and what is fantasy. Taylor does even better as the psychiatrist out to trap him, despite the fact that he has genuine admiration for her adversary's sterling qualities. Eva Marie Saint seems a bit miscast as the supposed wife, but Warner Peters is effective as the venomous Nazi. ~ Craig Butler, Rovi

Cast

Alan Napier - Col. Peter MacLean; Oscar Beregi - Lt. Col. Ostermann; Sig Rumann - German Guard; Celia Lovsky - Elsa; Karl Held - Cpl. Kenter; Martin Kosleck - Kraatz; Marjorie Bennett - Charwoman; Henry Rowland - German Soldier; Otto Reichow - German Soldier; Hilda Plowright - German Agent; Walter Friedel - Denker; Joseph Mell - Lemke; Rudolph Anders - Dr. Winterstein; Leslie E. Bradley - British Announcer; Howard Curtis - Dutton; George Dee - French Informer; John Dennis - M.P. Guard; Joe di Reda; James Doohan - Bishop; Horst Ebersberg - Swiss Officer; Ed Gilbert - Capt. Abbott; Walter Janowitz - Dr. Metzler; Roy Jenson - Soldier; Barry Macollum - Bartender; Owen McGiveney - Elderly Man; Jeff Morris - GI; Richard Peel - Dudley; Norbert Schiller - Dr. Wittelbach; Rolfe Sedan - Frenchman; Michael Stroka; John Hart - Perkins; Eric Micklewood - British Officer; Chris Anders - German Officer; Kort Falkenberg - Radio Voice; John Gilgreen - Lt. Busch; Paul Busch - German; Harold Dyrenforth - Maj. Gen. Ungerland; Luis Delgado - Lieutenant; Henry Dar Boggia

Credit

George W. Davis - Art Director, Edward C. Carfagno - Art Director, Edith Head - Costume Designer, George Seaton - Director, Adrienne Fazan - Editor, Dimitri Tiomkin - Composer (Music Score), William J. Tuttle - Makeup, Stan Smith - Makeup, Philip H. Lathrop - Cinematographer, William Perlberg - Producer, Henry W. Grace - Set Designer, Frank R. McKelvey - Set Designer, Carl Hittleman - Screen Story, George Seaton - Screenwriter, Roald Dahl - Short Story Author, Louis Joseph Vance - Short Story Author

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36 Hours

Movie poster
Directed by George Seaton
Produced by William Perlberg
Written by George Seaton (screenplay)
Starring James Garner
Rod Taylor
Eva Marie Saint
Music by Dimitri Tiomkin
Cinematography Philip H. Lathrop
Editing by Adrienne Fazan
Distributed by Metro-Goldwyn-Mayer
Release date(s) January 28, 1965 (New York)
Running time 115 min.
Country United States
Language English
Box office $2 million[1]

36 Hours is a 1965 American suspense film, based on the short story "Beware of the Dog" by Roald Dahl,[2] starring James Garner, Eva Marie Saint, and Rod Taylor, and directed by George Seaton. An American officer is deceived into believing that he has suffered from amnesia and that World War II has ended years ago in an effort to get him to reveal a vital secret.

Contents

Plot

Having attended General Eisenhower's final briefing concerning D-Day, U.S. Army Major Jefferson Pike is sent from London to confirm with a German double agent he has recruited in Lisbon that the Nazis still expect the invasion in the wrong place. However, Pike falls into a trap; he is drugged into unconsciousness.

When Pike wakes up, he is in what seems to be a US Army hospital. His hair is graying and he now needs glasses to read. He is told it is 6 years later and the hospital is in postwar, occupied Germany, yet he has no memory of the intervening period. He meets a psychiatrist, Major Walter Gerber, who explains that he has been having episodes of memory loss for the past few years, ever since he sustained physical trauma in Portugal in June 1944. He advises Pike not to worry, as his blocked memories have always resurfaced within a few weeks, helped along by a treatment that mostly consists of remembering events prior to Lisbon, and then pushing on into the blank period. Gerber is assisted by a nurse, the dispassionate Anna Hedler. To support the illusion that he has been a hospital patient for some time, Pike is provided with letters supposedly written by his father, and photos of his parents — Gerber has been researching Pike for many months to prepare for this event — and Hedler tells Pike she is his wife.

Pike is completely taken in, and is gratified that his pre-Lisbon memories, at least, are intact and clear. For instance, he remembers the D-Day briefing as if it happened only yesterday. As part of the therapy, he recounts the details of the D-Day invasion, particularly the all-important location of Normandy (rather than Pas de Calais, as believed by the German high command) as well as the date, June 5, to Gerber and Otto Schack.

Pike finally realizes that it is all a hoax when he notices that a nearly-invisible paper cut he got in 1944 has not healed yet. Gerber, as it turns out, is a German-American who had returned to the Fatherland to serve the Nazi cause. He likes Pike and readily admits the deception. He says he originally developed genuine techniques to treat amnesia and they had been perverted to this purpose. Pike's hair had been dyed, of course, and an injection of atropine had impaired his close vision. However, when Pike claims he knew the truth all along and his statements about Normandy were a cover story, Gerber is skeptical.

With the assistance of Anna, who is actually a concentration camp inmate, Pike manages to convince SS officer Schack that he knew all along that it was a ruse. Schack now believes the invasion will be at Calais. Gerber, though, does not, so he plays one last trick, setting the clock in Pike's room ahead several hours. When Pike thinks the invasion has already begun, he lets his guard down and confirms Gerber's suspicions about the Normandy invasion. Gerber then sends an emergency dispatch, which Schack intercepts and disregards, even suggesting that Gerber may be a double agent. As it happens, the weather is too rough and Eisenhower postpones the invasion a day, discrediting Gerber, and Schack orders Gerber's arrest.

Gerber knows that Schack will return to kill them when the Normandy information proves correct, so that his blunder is not revealed. The doctor secretly lets Anna and Pike go, asking Pike to take his psychological research papers on true amnesiacs with him to the West. After he hears the news of the Normandy landing on the 6th, he then takes poison. When Schack shows up, Gerber tries to shoot him but dies too soon. Schack pursues the escaped couple alone, ordering his men to follow when they are assembled.

During their escape, Anna tells Pike of her abuse in the camp, which has left her emotionless. She and Pike go to the local minister, where they are referred to a frankly corrupt, middle-aged German border guard, Sgt. Ernst, who is willing to help them cross the border in return for Pike's watch and Hedler's gold ring. Ernst gives Elsa, the minister's housekeeper, the ring. After the couple and Ernst head for the border, Schack shows up at the ministry. When he sees Hedler's gold ring on Elsa’s finger, he forces her to tell him where to find the escapees. Schack catches up with Pike and Hedler at the border, but Ernst shoots him because he doesn't want Schack to mess up his human smuggling business. Ernst and Pike arrange Schack’s body to make it look as if he had been killed while trying to escape.

Safely in Switzerland, Pike and Hedler are put in separate cars. Pike is told he will be taken to the U.S. embassy, while Hedler's fate is not as certain. Hedler cries, her first display of emotion in years. In the final scene, the cars come to a fork in the road, with one turning left to the American embassy and the other veering to the right, to a refugee camp.

Cast

Background

  • D-Day was actually delayed a day because of the inclement weather, which was also a major plot point of the film Garner had made just before this one, The Americanization of Emily (1964).
  • Banner's part, which provided the comedy relief in this movie, was the model for his role as another easygoing German soldier, prison guard Sgt. Schultz, in the TV series Hogan's Heroes.
  • The film was remade as a 1989 TV movie Breaking Point starring Corbin Bernsen.[3]
  • The plot of the Star Trek: The Next Generation episode "Future Imperfect" is highly reminiscent of 36 Hours.
  • The plot of the Mission:Impossible episode Encore features a similar stratagem designed to convince gangster Thomas Kroll (William Shatner) that it is 1937 in order for him to divulge all that he knows about a murder he committed.
  • The plot of The Prisoner episode "The Schizoid Man" features a more complex variation of the basic plotline of 36 Hours.
  • In the plot of the Star Trek Enterprise episode "Stratagem", the protagonists try the same tactic as the Germans in this film.
  • In the plot of the Buzz Lightyear of Star Command episode "Lost in Time", the villain Zorg used the same tactic as the Germans used in this film, making Buzz believe his in 1000 years in the future, to take informations about The Star Command Base.
  • A 1985 two-part episode of G.I. Joe: A Real American Hero entitled "There's No Place Like Springfield" shares a similar plot, in which the character Shipwreck is tricked into believing that six years have passed and COBRA has been defeated, in order for COBRA to extract a formula from his memory.

References

  1. ^ Stephen Vagg, Rod Taylor: An Aussie in Hollywood, Bear Manor Media, 2010 p104
  2. ^ http://www.roalddahlfans.com/shortstories/bewa.php "Beware of the Dog" by Roald Dahl
  3. ^ Inman, David (8 November 2010). "'36 Hours' is World War II thriller". Indianapolis Star. http://www.indystar.com/article/20101108/ENTERTAINMENT/11080335/-36-Hours-is-World-War-II-thriller?odyssey=mod%7Cnewswell. Retrieved 8 November 2010. 

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