4 Little Girls

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4 Little Girls

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Plot

Director Spike Lee made his first feature-length documentary with this powerful story of the bombing of an African-American church in Birmingham, AL, in 1963, which took the lives of four girls, ages 11 through 14. The shocking incident received national press attention and became a rallying point in the ongoing struggle for civil rights, but while Lee's film examines the crime, the perpetrators, and the long struggle to bring them to justice, it also offers a close look at the four girls themselves as their friends and families recall, in moving detail, who they were and how they lived. A variety of civil rights activists, politicians, journalists, and lawyers are interviewed onscreen, including Walter Cronkite and a brief but disturbing meeting with former Alabama governor George Wallace. ~ Mark Deming, Rovi

Review

A great subject gets the filmmaker it deserves. Spike Lee had long wanted to make a film about the horrific September 1963 bombing of Birmingham's 16th Street Baptist Church, and perhaps it was best that he had to wait. Reportedly, many of the victims' relatives were not prepared to discuss on camera the events of that day until some time had passed. What is gained is not only their participation but also a sense of perspective. In a time when you can read almost daily of terrorist bombings in other areas of the world, as well as reflect on the events of September 11, 2001, 4 Little Girls returns to an era you thought was much more innocent and reveals that the evil that would attack innocent children in the name of racial (or ethnic or religious) superiority has been and still is in this country. Wisely, Lee lets the subject matter do the talking here and does not resort to stylistic tricks to embellish his presentation. The film's most jarring sequence is an interview with former Gov. George Wallace, who clearly is struggling to understand the legacy of hatred his political career nourished and encouraged. ~ Tom Wiener, Rovi

Cast

Walter Cronkite; Chris McNair; Bill Cosby; Helen Pegues; Bill Baxley

Credit

Michele Forman - Associate Producer, Jacqueline Glover - Coordinator, Spike Lee - Director, Sam Pollard - Editor, Sheila Nevins - Executive Producer, Terence Blanchard - Composer (Music Score), Ellen Kuras - Cinematographer, Spike Lee - Producer, Sam Pollard - Producer, Rolf Pardula - Sound/Sound Designer, J.T. Takagi - Sound/Sound Designer

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4 Little Girls

DVD release cover
Directed by Spike Lee
Produced by Spike Lee
Samuel D. Pollard
Music by Terence Blanchard
Cinematography Ellen Kuras
Editing by Samuel D. Pollard
Distributed by HBO Documentary
Release date(s) July 9, 1997 (U.S.)
September 6, 1997 (Canada)
Running time 102 minutes
Country United States
Language English
Box office $130,146 (U.S. sub-total)

4 Little Girls is a 1997 American historical documentary film about the 1963 murder of four African-American girls during the 16th Street Baptist Church bombing in Birmingham, Alabama, United States. It was directed by Spike Lee and nominated for an Academy Award for "Best Documentary".[1]

The incident is the subject of the 1964 song "Birmingham Sunday" by Richard and Mimi Fariña. The song was used in the opening sequence of the film, performed by Mimi's sister, Joan Baez.

4 Little Girls premiered Wednesday, June 25, 1997 at the Guild 50th Street Theatre in New York City. It was produced by 40 Acres & A Mule Filmworks, Lee's production company, and Home Box Office (HBO).[2]

Contents

Production

Lee first became interested in making a film about the Birmingham bombing as a student at New York University in 1983. He read a New York Times Magazine article about the incident and was so moved, he wrote to Chris McNair, the father of victim Denise, asking for permission to tell her story on film. McNair politely turned down the young, aspiring filmmaker's offer.[3] "I was entering my first semester at N.Y.U. So my skills as a filmmaker were nonexistent, and at that time, Chris McNair was still hesitant to talk about it," Lee said in a 1997 interview with Industry Central's The Director's Chair. "I believe timing is everything. So it took ten years of Chris thinking about this and ten years of myself making movies for this to come together."[citation needed]

According to McNair, one reason he changed his mind about supporting Lee's film idea ten years later was the depth and precision of Lee's research, saying on the eve of the film's release that "[i]t's very important that this be done accurately and correctly. In all his research he showed that he was objective and seeking a broad section of opinion. I'm a stickler for the facts."[2]

Lee also said his original plan was for the film to be a dramatic reproduction of the incident, but he later decided that that format would not be the best way to tell this important story.[3]

Once funding was secured, Lee went down to Birmingham with a very small skeleton film crew. His goal was to make the families feel as comfortable as possible. Two major contributors who made up that crew were Ellen Kuras, as the Director of Photography, and Sam Pollard, as the producer/editor. Lee developed a relationship with Ellen Kuras on an HBO project called Subway Stories, an anthology of short films compiled by Jonathan Demme. Lee's film never made the final cut due in part to conflict between Lee and Demme, however, the working partnership between Lee and Kuras was born.[4]

Kuras said of her desire to shoot 4 Little Girls, "I was really interested because my background is in political documentaries ... I always felt that one of the reasons that I had got into filmmaking was that I wanted to use my craft to be able to say something about the human condition, however I could, in my own humble way. For me this was an opportunity to make a small contribution."[4]

Lee's partnership with Sam Pollard began on Mo' Better Blues. Pollard was recommended to Spike as a replacement for his long time collaborator Barry Brown, who was busy directing his own film. Pollard initially turned down the initial opportunity because he was busy working on his segments of Eyes on the Prize, but eventually he came around, and has since become one of Lee's most prolific collaborators. Despite the fact that their first few films working together were fiction, Pollard's background was in documentary. Pollard was a key factor in guiding the structure of the film. "Basically it was to help with the conception of the structure, to edit it ... We spent a lot of time screening dailies together. We could come to 40 Acres at 7a.m., and we would spend three hours a day screening dailies for two weeks straight ... We talked, selected all the material that we liked, and I started working on the structure in the editing room. Spike was asking if he needed narration and what the structure should be. I basically said the structure should be that there are parallels-the family, the history of the community—and then they come together on the explosion."[4]

Reception

Box office

Originally, the film was to air first on HBO, but after seeing the final product, the production team decided it was important to release the film in theatres before running it on television.[2] 4 Little Girls opened in American theaters on July 9, 1997 and closed on October 2, 1997. It grossed $130,146 from a total of 4 theaters. In its opening weekend it earned $13,528 from a single theater, which was 10.4% of its total gross.[5] It cost approximately $1 million to make, funded by Home Box Office (HBO).[3]

See also

References

Footnotes
Sources

External links


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