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5150

 

  • Artist: Van Halen
  • Rating: StarStarStarStar
  • Release Date: March 26, 1986
  • Total Time: 43:02
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

The power struggle within Van Halen was often painted as David Lee Roth's ego running out of control -- a theory that was easy enough to believe given his outsized charisma -- but in retrospect, it seems evident that Eddie Van Halen wanted respect to go along with his gargantuan fame, and Roth wasn't willing to play. Bizarrely enough, Sammy Hagar -- the former Montrose lead singer who had carved out a successful solo career -- was ready to play, possibly because the Red Rocker was never afraid of being earnest, nor was he afraid of synthesizers, for that matter. There was always the lingering suspicion that, yes, Sammy truly couldn't drive 55, and that's why he wrote the song, and that kind of forthright rocking is evident on the strident anthems of 5150. From the moment the album opens with the crashing "Good Enough," it's clearly the work of the same band -- it's hard to mistake Eddie's guitars, just as it's hard to mistake Alex and Michael Anthony's pulse, or Michael's harmonies -- but the music feels decidedly different. Where Diamond Dave would have strutted through the song with his tongue firmly in cheek, Hagar plays it right down the middle, never winking, never joking. Even when he takes a stab at humor on the closing "Inside" -- joshing around about why the guys chose him as a replacement -- it never feels funny, probably because, unlike Dave, he's not a born comedian. Then again, 5150 wasn't really intended to be funny; it was intended to be a serious album, spiked by a few relentless metallic rockers like "Get Up," but functioning more as a vehicle to showcase Van Halen's -- particularly the guitarist's -- increasing growth and maturity. There are plenty of power ballads, in "Why Can't This Be Love" and "Love Walks In," there's a soaring anthem of inspiration in "Dreams," and even the straight-up rocker "Best of Both Worlds" is tighter and leaner than the gonzo excursions of "Panama" and "Hot for Teacher." And that's where Hagar comes in: Diamond Dave didn't have much patience for plainspoken lyrics or crafting songs, but Sammy does and he brings a previously unheard sense of discipline to the writing on 5150. Not that Hagar is a craftsman like Randy Newman, but he's helped push Van Halen into a dedication on writing full-fledged songs, something that often seemed an afterthought in the original lineup. And so Van Hagar was a bit of an odd mix -- a party band and a party guy, slowly veering into a bourgeois concept of respectability, something that eventually sunk the band -- but on 5150 it worked because they had the songs and the desire to party, so those good intentions and slow tunes don't slow the album down; they give it variety and help make the album a pretty impressive opening act for Van Halen Mach II. ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Good Enough (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (4:00)
Why Can't This Be Love (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (3:45)
Get Up (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (4:35)
Dreams (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (4:54)
Summer Nights (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (5:04)
Best of Both Worlds (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (4:49)
Love Walks In (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (5:09)
5150 (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (5:44)
Inside (Lyrics) Sammy Hagar, Eddie Van Halen, Alex Van Halen, Michael Anthony Van Halen (5:02)

Credits

Sammy Hagar (Vocals), Sammy Hagar (?), Mick Jones (Producer), Ken Deane (Engineer), Donn Landee (Producer), Donn Landee (Engineer), Van Halen (Producer), Van Halen (Main Performer), Van Halen (Art Direction), Eddie Van Halen (Guitar), Eddie Van Halen (Keyboards), Eddie Van Halen (Vocals (Background)), Eddie Van Halen (Producer), Eddie Van Halen (?), Alex Van Halen (Drums), Alex Van Halen (?), Bobby Hata (Mastering), Aaron Rapoport (Photography), Jeri McManus (Art Direction), Michael Anthony (Bass), Michael Anthony (Vocals (Background)), Michael Anthony (?)
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Wikipedia: 5150 (album)
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5150
Studio album by Van Halen
Released March 24, 1986
Recorded 1985 at 5150 Studios, Hollywood, CA
Genre Hard rock
Length 43:02
Label Warner Bros. Records
Producer Mick Jones, Donn Landee, Eddie Van Halen, Van Halen
Professional reviews
Van Halen chronology
1984
(1984)
5150
(1986)
OU812
(1988)

5150 is the seventh album by American hard rock band Van Halen, released in 1986. This was the first album recorded with new lead singer Sammy Hagar, who replaced David Lee Roth.

It was named after Eddie Van Halen's home studio, 5150, which is a California police term for a mentally disturbed person (a reference to Section 5150 of the California Welfare and Institutions Code). The 5150 name has been used several times by Van Halen. It is the name of Eddie Van Halen's private studio, the name of a custom Frankenstein striped Kramer Pacer Special used by Eddie Van Halen throughout the 80s, and the model name of a signature guitar amplifier endorsed by Eddie for Peavey Electronics.

Contents

Overview

Before the album was released, Van Halen was having considerable difficulty finding a replacement for the popular Roth. The trio even considered a series of temporary singers to replace him. However, Eddie met former Montrose singer Sammy Hagar while getting a mechanic to work on his Lamborghini. The pair hit it off and the new singer and band immediately began work on new songs[1]. The album was notable for a number of love songs and ballads, which were not a feature of the straight-forward rock stylings of the Roth fronted era of the band. Many who had heard the previous incarnation of Van Halen called the new iteration "Van Hagar" either derisively or affectionately. Further increasing criticism was the loss of Ted Templeman, who left Van Halen after producing every previous Van Halen album in order to produce David Lee Roth's solo LP debut, Eat 'Em and Smile. Templeman would return to produce Van Halen's For Unlawful Carnal Knowledge album a few years later. Donn Landee took over producer duties after having served as an engineer on the previous albums. However, many noticed that the production on this album was markedly different from their earlier albums with Templeman. Eddie's guitar, which previously sat high in the mix and frequently pushed to the left channel (to simulate a "live" sound"), now sat equal in the mix and its overall sound had changed. This may have been his doing, as he was not a fan of the "live mix" that Templeman created with the Roth band.[2] To further introduce the new era for the band, a new Van Halen logo was introduced on the cover of the album. The new icon retained the VH of the original logo, but now it had curved, rather than straight, "wings".

Despite the controversy associated with replacing a legendary frontman, the album itself was the first album by the band to hit #1 in sales. Although each prior Van Halen album had gone platinum, the band had not managed previously to top the album sales chart. The 1984 album certainly had the sales and momentum to do so but had the unfortunate timing of being released when Michael Jackson's Thriller album, the best selling album of all time,[3] was at its commercial peak. The album was also Hagar's first #1 album, as stated by Hagar on the "Live Without a Net" concert video.

A live video was created during the tour for this album, which was released as Van Halen - Live Without a Net, which is today available on DVD. The tour itself was a significant change from previous tours. Where Van Halen had previously had years of material to work with, even on tour supporting the first album, Sammy Hagar was uncomfortable performing a number of Van Halen's Roth-penned hits. Therefore, almost all of the band's back catalog was dropped from the setlists. Instead, the band's live shows consisted almost the entire 5150 tracklist, a few Sammy Hagar solo hits ("I Can't Drive 55", and "There's Only One Way to Rock") and assorted covers (such as Robert Palmer's "Addicted to Love" and Led Zeppelin's "Rock and Roll"). The only Roth era hits commonly performed were "Jump" (the band's lone #1 Billboard Hot 100 single), "Panama" and "Ain't Talkin' 'Bout Love", although "You Really Got Me", originally by the Kinks and the bands first single in the Roth era, was also done.[4] However, unlike Roth, Hagar was a technically proficient lead guitarist and this allowed Eddie to display his talents on keyboard live while Sammy Hagar played the guitar parts, as seen in the "LWAN" video during "Why Can't This Be Love" and "Love Walks In."

The opening song "Good Enough" can be heard in the movie Spaceballs.[5] Furthermore, this is one of only two Van Halen albums with a title track (the other being 1984 and not counting "The Best of Both Worlds" compilation).[original research?] However, the titles of "Women and Children First" and "Fair Warning" are mentioned in songs from those albums, "Could This Be Magic?" and "Mean Street" respectively.[original research?]

Track listing

All songs written by all members of the band

  1. "Good Enough" - 4:04
  2. "Why Can't This Be Love" - 3:47†
  3. "Get Up" - 4:37
  4. "Dreams" - 4:54†
  5. "Summer Nights" - 5:06†
  6. "Best of Both Worlds" - 4:48†
  7. "Love Walks In" - 5:11†
  8. "5150" - 5:44
  9. "Inside" - 5:02

† denotes a single

Personnel

Production

  • Producers: Mick Jones, Donn Landee, Eddie Van Halen, Van Halen.
  • Engineers: Ken Deane, Donn Landee
  • Mastering: Bobby Hata
  • Art direction: Jeri McManus, Van Halen
  • Photography: Aaron Rapoport

Charts

Album

Billboard (North America)

Year Chart Position
1986 The Billboard 200 1

Singles

  • Billboard (United States)
Year Single Chart Position
1986 "Best of Both Worlds" Album Rock Tracks 12
"Dreams" Album Rock Tracks 6
The Billboard Hot 100 22
"Love Walks In" Album Rock Tracks 4
The Billboard Hot 100 22
"Summer Nights" Album Rock Tracks 33
"Why Can't This Be Love?" Album Rock Tracks 1
The Billboard Hot 100 3

References

Preceded by
Whitney Houston by Whitney Houston
Billboard 200 number-one album
April 26 - May 16, 1986
Succeeded by
Control by Janet Jackson

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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