55 Days at Peking

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55 Days at Peking

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Plot

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, Rovi

Review

55 Days at Peking is an odd movie in director Nicholas Ray's canon, although it is questionable as to whether it should be included among his works, as he was removed from it halfway through filming. Peking certainly feels like a movie guided by more than one hand, which ultimately impacts it effectiveness. Despite its ups and downs, there's enough to make Peking worth watching, especially from those who have a fondness for historical war epics. Peking gets off to a smashing start., with a beautiful presentation of the colors of the various nations involve din the story. Many of the battle and action sequences are also exciting, and the physical production is often stunning. These are balanced by some rather stilted attempts at humanizing the characters involved, an attempt that is scuttled by uninspired writing, curiously detached (for Ray) direction and an annoying performance from Charlton Heston. Ava Gardner does manage to find some interesting variations on a stock character. Even better is Flora Robson, whose Chinese empress is sinister and duplicitous; the best work comes from David Niven, giving the kind of light, witty performance he had practically patented by this point. Although anyone with a desire to get a fully-rounded picture of the Boxer rebellion should avoid Peking, there's enough action to satisfy fans on big battle flicks. ~ Craig Butler, Rovi

Cast

Harry Andrews - Father de Bearn; Leo Genn - Gen. Jung-Lu; Robert Helpmann - Prince Tuan; Ichizo Itami - Col. Shiba; Kurt Kasznar - Baron Sergei Ivanoff; Philippe Leroy - Julliard; Paul Lukas - Dr. Steinfeldt; Lynne Sue Moon - Teresa; Elizabeth Sellars - Lady Sarah Robertson; Massimo Serato - Garibaldi; Jacques Sernas - Maj. Bobrinski; Jerome Thor - Lt. Andy Marshall; Geoffrey Bayldon - Smythe; Joseph Furst - Capt. Hanselman; Walter Gotell - Capt. Hoffman; Alfred Lynch - Gerald; Alfredo Mayo - Spanish Minister; Martin Miller - Hugo Bergmann; Jose Nieto - Italian Minister; Eric Pohlmann - Baron von Meck; Aram Stephan - Gaumaire; Robert Urquhart - Capt. Hanley; R.S.M. Brittain - Sgt. Britten; Felix Defauce - Dutch Minister; Andre Eszterhazy - Austrian Minister; Carlos Casaravilla - Japanese Minister; Fernando Sancho - Belgian Minister; Michael Chow - Chiang; Mitchell Kowal - U.S. Marine; John Moulder-Brown; Andy Ho; Mervyn Johns - Clergyman; Stephen Young; Nicholas Ray - American Minister; George Wang - Boxer Chief; John A. Tinn

Credit

Maude Spector - Casting, John J. Moore - Costume Designer, Veniero Colasanti - Costume Designer, Lucie Lichtig - Continuity, José Lopez Rodero - First Assistant Director, Nicholas Ray - Director, Andrew Marton - Second Unit Director, Robert Lawrence - Editor, Dimitri Tiomkin - Composer (Music Score), Dimitri Tiomkin - Musical Direction/Supervision, Dimitri Tiomkin - Songwriter, Paul Francis Webster - Songwriter, Mario Van Riel - Makeup, John J. Moore - Production Designer, Veniero Colasanti - Production Designer, Jack Hildyard - Cinematographer, Manuel Berenguer - Cinematographer, Samuel Bronston - Producer, John J. Moore - Set Designer, Veniero Colasanti - Set Designer, Alex C. Weldon - Special Effects, Bernard Gordon - Screenwriter, Robert Hamer - Screenwriter, Philip Yordan - Screenwriter, S. Edwards - Book Author

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Wikipedia on Answers.com:

55 Days at Peking

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55 Days at Peking

DVD cover by Howard Terpning
Directed by Nicholas Ray
Produced by Samuel Bronston
Written by Philip Yordan
Bernard Gordon
Robert Hamer
Ben Barzman
Starring Charlton Heston
Ava Gardner
David Niven
Flora Robson
John Ireland
Leo Genn
Robert Helpmann
Kurt Kasznar
Paul Lukas
Music by Dimitri Tiomkin
Cinematography Jack Hildyard
Editing by Robert Lawrence
Distributed by Allied Artists Pictures Corporation
Release date(s) May 29, 1963
Running time 150 minutes
Country United States
Language English
Budget $17,000,000

55 Days at Peking is a 1963 historical epic film starring Charlton Heston, Ava Gardner, and David Niven, made by Samuel Bronston Productions, and released by Allied Artists. The movie was produced by Samuel Bronston and directed by Nicholas Ray, Andrew Marton (credited as the second unit director), and Guy Green (uncredited). The screenplay was written by Philip Yordan, Bernard Gordon, Ben Barzman, and Robert Hamer, the music score was written by Dimitri Tiomkin, and the cinematographer was Jack Hildyard.

In addition to directing, Nicholas Ray plays the minor role of the head of the American diplomatic mission in China. This film is also the first known appearance of future martial arts film star Yuen Siu Tien. The Japanese film director Juzo Itami, credited in the film as "Ichizo Itami", appears as Colonel Goro Shiba.

Contents

Plot

55 Days at Peking is a dramatization of the Battle of Peking during the Boxer Rebellion which took place in 1900 China. Fed up by foreign encroachment, the Dowager Empress Tzu-Hsi uses the Boxer secret societies to attack the foreigners within China, culminating in the siege of the foreign legations' compounds in Peking (now Beijing). The film concentrates on the defense of the legations from the point of view of the foreign powers, and the title refers to the length of the defense by the colonial powers of the legations district of Peking.

The foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. United States Marine Corps Major Matt Lewis heads an army of multinational soldiers and Marines defending the foreign compound in Peking.

Inside the besieged compound, the British ambassador gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is the sultry Russian Baroness Natalie Ivanoff, who begins a romantic liaison with Lewis. As the group conserves food and water while trying to save hungry children, it awaits reinforcements, but Empress Tzu Hsi is plotting with the Boxers to break the siege at the compound with the aid of Chinese troops.

Eventually, the forces of the Eight-Nation Alliance arrive to lift the siege over the legations district and put down the rebellion, an event which foreshadowed the demise of the Qing Dynasty.

Cast

Production

  • The film maintains a certain curiosity value for cinephiles due to its credited director Nicholas Ray. Best known for his 1955 film Rebel Without a Cause, starring James Dean, Ray was a tortured individual at the time of the production of 55 Days at Peking, somewhat akin to the Dean persona he helped to create for Rebel. Paid a very high salary by producer Samuel Bronston to direct 55 Days, Ray had an inkling that taking on the project, a massive epic, would mean the end of him and that he would never direct another film again. The premonition proved correct when Ray collapsed on the set, half-way through the shooting. Unable to resume working (the film was finished by Andrew Marton and Guy Green), he never received another directorial assignment. In the final months of his life, he collaborated with Wim Wenders, on the 1979 feature Lightning Over Water aka Nick's Film/Nick's Movie, which recorded his last moments.
  • Charlton Heston stated that the working relationship between himself and Ava Gardner was very bad. Heston reported that Gardner was very difficult to work with and behaved unprofessionally throughout filming. By contrast, Heston said he greatly enjoyed working with David Niven. Heston would work with Gardner again, in the 1974 Universal disaster film Earthquake.
  • 55 Days at Peking was filmed in Technicolor and Technirama, which involved the horizontal use of 35-millimeter film, resulting in 70-millimeter printed film format. The aspect ratio was 2.20:1, with the image viewed at 2.35:1 on 35-millimeter prints.
  • Dong Kingman painted the watercolors for the titles as well as gave an uncredited appearance in the film.

Academy Award nominations

The film received two Academy Award nominations for Dimitri Tiomkin (Best Song and Original Music Score).

Home media

DVD release came on February 28, 2001, nearly thirty-eight years after the film's premiere.

See also

  • List of historical drama films of Asia

Notes

External links


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Mentioned in

Great Epic Film Scores (1995 Album by Various Artists)
Noel Gerson (Actor)
Alfred Lynch (Actor, Drama/Science Fiction)
Stephen Young (Actor, Drama/Comedy)
Philippe Leroy (Actor, Drama/Comedy)